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Performer: Lionel Rogg

MEDIAEVAL AND RENAISSANCE SOUND. AN INTRODUCTION...: (Review by Edward Strickland)

organ 

MEDIAEVAL AND RENAISSANCE SOUNDS, Volume 3: MEDIAEVAL... (Ricercare Ens of Zurich) (Review by Edward Strickland)

chamber organ 

PRELUDE BAROQUE: (Review by J. F. Weber)

instruments 

THE ORGAN: A Concise Illustrated Guide (Michel Colin) (Review by Haig Mardirosian)

organ 

ANONYMOUS: Why Aske You. Muscain (Review by Edward Strickland)

harpsichord 

ANONYMOUS: Why Aske You. Muscain (Review by Edward Strickland)

positiv organ 

BACH, JOHANN SEBASTIAN: CD 1 (Review by Haig Mardirosian)

organ 

BACH, JOHANN SEBASTIAN: Chorals de Noël (Review by Edward Strickland)

organ 

BACH, JOHANN SEBASTIAN: Christmas Chorales (Review by George Chien)

organ 

BACH, JOHANN SEBASTIAN: Le Dogme En Musique (from Clavierübung III) (Review by Edward Strickland)

organ 

BACH, JOHANN SEBASTIAN: Organ Works (Review by Haig Mardirosian)

organ 

BACH, JOHANN SEBASTIAN: Passacaglia and Fugue in C minor, BWV 582. Toccata and Fugue in D minor, BWV 565. Fantasias and Fugues (Review by Haig Mardirosian)

organ 

BACH, JOHANN SEBASTIAN: The Essential Bach (Review by Edward Strickland)

organ 

BACH, JOHANN SEBASTIAN: The Organ Works (Review by Haig Mardirosian)

organ 

BIBER, HEINRICH IGNAZ FRANZ VON: Mystery Sonatas (Review by Robert Maxham)

organ 

BULL, JOHN: Pavana. Galliarda. Calliarda to My Lord Lumsleys Paven (Review by Edward Strickland)

harpsichord 

BULL, JOHN: Pavana. Galliarda. Calliarda to My Lord Lumsleys Paven (Review by Edward Strickland)

positiv organ 

BYRD, WILLIAM: Colinno Costúrame. A/mand. Miserere. John Come Kiss Me Now. Gallardas Passamezzo. La Volta (Review by Edward Strickland)

harpsichord 

BYRD, WILLIAM: Colinno Costúrame. A/mand. Miserere. John Come Kiss Me Now. Gallardas Passamezzo. La Volta (Review by Edward Strickland)

positiv organ 

CLERAMBAULT: Suite du Premier Ton. Suite du Deuxième Ton (Review by Haig Mardirosian)

organ 

DU MAGE, PIERRE: Suite du Premier Ton (Review by Haig Mardirosian)

organ 

FARNABY, R.: Up Tails All. Quodlings Delight. Pawles Wharf. Fantasia. Tower Hill (Review by Edward Strickland)

harpsichord 

FARNABY, R.: Up Tails All. Quodlings Delight. Pawles Wharf. Fantasia. Tower Hill (Review by Edward Strickland)

positiv organ 

MUNDAY: Robin (Review by Edward Strickland)

harpsichord 

MUNDAY: Robin (Review by Edward Strickland)

positiv organ 

REGER, MAX: Fantasy and Fugue on B-A-C-H, Op. 46. Benedictus, Op. 59, No. 9. Fantasy and Fugue in D minor, Op. 135b. Ave Maria, Op. 80, No. 5 (Review by Haig Mardirosian)

organ 

REGER, MAX: Fantasy and Fugue on B-A-C-H, Op. 46. Benedictus, Op. 59, No. 9. Fantasy and Fugue in D minor, Op. 135b. Ave Maria, Op. 80, No. 5. Fantasy and Fugue on “Halleluja! Gott zu loben,“ Op. 52, No. 3. Melodia, Op. 129, No. 4 (Review by Adrian Corleonis)

organ 

ROGG: Variations on Psalm 91. Two Études. Contrepoints. Introduction, Ricercare, and Toccata. Monodies. Elegy, Partita on “Nun freut euch“ (Review by Kyle Gann)

organ 

TOMKINS: A Short Verse (Review by Edward Strickland)

harpsichord 

TOMKINS: A Short Verse (Review by Edward Strickland)

positiv organ 

 

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