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Works by Composer BACH, P. D. Q. 1712 Overture, S 1712 |
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1712 Overture, S. 1712. Capriccio "La Pucelle de New Orleans," S. under 18. Minuet Militaire, S. 1A. Prelude to "Einstein on the Fritz," S. e=mt. The Preachers of Crimetheus, S. 988 |
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1712 Overture. Bach Portrait. Capriccio "La Pucelle de New Orleans." Minuet Militaire. Prelude to "Einstein on the Fritz." The Preachers of Crimetheus |
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4 Folk Song Upsettings, S 4 |
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A Little Nightmare Music. Octoot for Wind Instruments. Royal Firewater Musick |
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A Little Nightmare Music—an Opera in One Irrevocable Act, S. 13. Octoot, S. 8. Royal Firewater Music, S. 1/5 |
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Cantata “Blaues Gras“ (Bluegrass Cantata) (S. 6 string). No-No Nonette for Assorted Winds and Toys (S. 86). “Hear Me Through,“ from Diverse Ayres on Sundrie Notions (S.99 44/100). John Ferrante, tenor; Prof. Schickele, bass, cond, snakeist; The New York Pick-Up Ensemble conducted by Robert Bernhardt |
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Cantata: Blaues Grass. No-No Nonette for Assorted Winds and Toys, S. 86. Hear Me Through from “Diverse Ayres on Sundrie Notions,“ S. 99 44/100* |
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Canzon Per Sonar a Sei—Count Them—Sei. Four Folk Songs Upsetting. “Sam and Janet. “ Hound Dog. Love Me. “Safe“ Sextet. Oo-La-La; Cookin' French Like the French Cook French. Canzonetta “La Hoopllna.“ |
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Classical Rap, S 1-2-3 |
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Concerto for Horn and Hardart, S 27. Cantata—Iphegenia in Brooklyn, S. 53162. Schleptet in E♭, S. 0. Madrigal—My Bonnie Lass She Smeleth, from “The Triumphs of Thusnelda,“ S. 1601 |
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Concerto for Horn and Hardart, S. 27. Cantata: Iphigenia in Brooklyn, S. 53162. Sinfonia Concertante, S. 98.6 |
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Concerto for Two Pianos vs. Orchestra, S. 2 are better than one'. Trio (sic) Sonata, S. 3(4). The Musical Sacrifice, S. 50% off |
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Echo Sonata for Two Unfriendly Groups of Instruments. New Horizon's in Music Appreciation: Beethoven's Fifth Symphony. Traumarai for Unaccompanied Piano. Schleptet in Bi What's My Melodic Line? Fugue in C Minor from the “Toot Suite. “ |
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Grand Serenade for an Awful Lot of Winds and Percussion, S 1000 |
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Grand Serenade for an Awful Lot of Winds and Percussion, S. fOOO. “Dutch“ Suite, S. -16. Six Contrary Dances, S. 39. Lip My Reeds, S. 32'. Door Prize Scene; Fanfare for Fred. March of the Cute Little Wood Sprites, S. Onesy Twosy |
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Liebeslieder Polkas for Mixed Chorus & Piano Five Hands, S. 2/4, Twelve Quite Heavenly Songs for Bargain Counter Tenor, Basso Blotto, and Keyboards, S. 16 (“Arie Proprio Zodicale“) |
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Liebeslieder Polkas, S. 2/4. Twelve Quite Heavenly Songs, S. 16 |
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Love Me. Oo-La-La: Cookin’ French Like the French Cook French. The Musical Sacrifice, S 50% off |
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Minuet Militaire, S 1A |
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Missa Hilarious. S.N20. Echo Sonata for Two Unfriendly Groups of Instruments, S. 9999999999?. A Consort of Choral Christmas Carols, S. 359* |
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Missa Hilarious; Echo Sonata; A Consort of Choral Christmas Carols (“Throw the Yule Log on Uncle John,“ “O Little Town of Hackensack,“ “Good King Kong Looked Out“) |
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Music for an Awful Lot of Winds and Percussion |
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Oedipus Tex, S 150 |
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Oedipus Tex—Dramatic Oratorio for Soloists, Chorus, and Orchestra, S. 150. Classical Rap, S. 1-2-3*. Knock, Knock Choral Cantata, S. 4/1. Birthday Ode to “Big Daddy“ Bach, for Soloists, Chorus, and Orchestra, S. 100* |
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Oratorio: The Seasonings. Pervertimento for Bagpipes, Bicycle, and Balloons, S. 66 |
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The Jekyll and Hyde Tour |
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The Short Tempered Clavier: Preludes and Fugues in All the Major and Minor Keys Except for the Really Hard Ones, S. easy as 3.14159265. Little Pickle Book, S. 6. Sonata Da Circo, S. 3 ring. Three Chorale-Based Piecelets, S III |
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The Short-Tempered Clavier, S 3.14159, easy as |
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The Stoned Guest. Two Madrigals from “The Triumphs of Thusnelda |
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“Howdy“ Symphony in D. Perückenstück and Suite from “The Civilian Barber,“ S. 4F |
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