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Works by Composer CLEMENTI, MUZIO 2 Musical Characteristics, op. 19 |
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5 Piano Sonatas, op. 1a |
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6 Piano Sonatas, op. 1 |
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7 Sonatas for Fortepiano and Flute |
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Allegro from Sonata in B-Flat |
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Canon for Cherubini, WoO 29 |
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Capriccio in A, op. 34 |
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Capriccios and Variations |
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Capriccios in B♭, op. 17; in A, op. 34/3; in F, op. 34/4; in e, op. 47/1; in C, op. 47/2 |
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Capriccios: in Bi., op. 17/1; in e, op. 47/1. Sonata in D, op. 40/3. Monferrinas, op. 49: Selections |
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Capriccios: in B♭, op. 17; in A, op. 34/3; in f, op. 34/4; in e, op. 47/1; in C, op. 47/2 |
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Concerto in C for Piano and Orchestra |
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Duos pour le clavecin, op. 3/1–3; op. 6 |
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Fantasy and Variations on “Au clair de la lune,” op. 48 |
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Flute Sonata No. 3 in G |
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Fortepiano Trio in F, op.27/1 |
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Four Symphonies: No. 7 in C; No. 2 in D; No. 3 in G; No. 4 in D |
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Gradus ad Parnassum |
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Gradus ad Parnassum, op. 44: Exercises 1–24 |
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Gradus ad Parnassum—Six Suites for Piano: in D minor; in B“; in A; in E; in G; in D |
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Keyboard Sonatas, opp. 50/2; 3; 1/3; 8/2 |
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Keyboard Sonatas: in g, op. 50/3, “Didone Abbandonata”; in F, op. 33/2 |
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La chasse in D, op. 16 |
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La chasse, op. 16 |
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Lochaber |
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Minuetto pastorale in D. Symphony in B♭, op. 18/1 |
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Monferrinas, op. 49 |
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Monferrine in D, op. 40/3 |
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Music by |
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Musical Characteristics (or A Collection of Preludes and Cadences), op. 19 |
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Musical Characteristics, op. 19 |
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Overture in C. Symphonies: No. 3 in G, “The Great National”; No. 4 in D |
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Overture in D. Symphony No. 1 in C, WoO 32 |
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Piano Concerto in C |
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Piano Concerto in C, op. 33/3 |
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Piano Sonata in A, op. 50/1 |
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Piano Sonata in A, Op. 60, No. 1 |
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Piano Sonata in B, op. 12/1 |
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Piano Sonata in b, op. 40/2 |
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Piano Sonata in B♭, op 12/1 |
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Piano Sonata in B♭, op. 12, no. 1 |
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Piano Sonata in B♭, “Magic Flute” |
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Piano Sonata in C |
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Piano Sonata in C, op. 7 |
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Piano Sonata in f, op. 13/6 |
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Piano Sonata in F, op. 23/2 |
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Piano Sonata in f♯ |
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Piano Sonata in F♯ Minor, op. 26, no. 2 |
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Piano Sonata in G Minor, op. 50, no. 3 ("Didone abbandonata"). Twelve Montferrinas, op. 49 |
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Piano Sonata in G Minor, Op. 50, no. 3 (“Didone abbandonata“). 12 Monferrinas, Op. 49 |
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Piano Sonata in G minor, Op. 50, no. 3 (“Didone abbandonata“). 12 Montferrinas, Op. 49 |
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Piano Sonata in g, Op. 34/2 |
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Piano Sonata in g, op. 50/3 |
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Piano Sonata in g: Mvmt. 1 |
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Piano Sonatas in D, op. 40, no. 3; in G Minor, op. 7, no. 3; in D Minor, op. 50, no. 2 |
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Piano Sonatas in F Minor, op. 25, no. 5; in F Minor, op. 13, no. 6; in G Minor, op. 34, no. 2 |
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Piano Sonatas No. 1–3, op. 36 |
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Piano Sonatas, op. 1: No. 1 in E♭; No. 2 in G; No. 3 in B♭; No. 4 in F; No. 5 in A; No. 6 in E. Piano Sonatas, op. 1a: No. 1 in F; No. 2 in B♭; No. 3 in G; No. 4 in A; No. 5 in a |
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Piano Sonatas, op. 2: No. 2 in C; No. 4 in A; No. 6 in B♭. Piano Sonata, op. 7, no. 1 in E♭ Major |
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Piano Sonatas, op. 50: no. 1, in A; no. 2, in D Minor; no. 3, in G Minor |
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Piano Sonatas, Vol. 3, “The London Sonatas” |
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Piano Sonatas: in A, op. 2, no. 4. In G Minor, op. 7, no. 3. In B♭, op. 8, no. 3. In F8 Minor, op. 25, no. 5 |
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Piano Sonatas: in A, op. 2, no. 4; in B♭, op. 2, no. 6. Duettos: in C, op. 3, no. 1; in E♭, op. 3, no. 2; in C, op. 3, no. 3; in C, op. 6, no. 1 |
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Piano Sonatas: in A, Op. 26, No. 1 [Op. 25, No. 4]; in C, Op. 34, No. 1 ; in B minor, Op. 40, No. 2 |
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Piano Sonatas: in A♭; in F, op. 1, no. 1; in B♭, op. 1, no. 2; in G, op. 1, no. 3; in A, op. 1, no. 4; in C, op. 2, no. 1. Duetto in Bb, op. 1, no. 6 |
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Piano Sonatas: in B Minor, op. 40, no. 2; in D, op. 40, no. 3; in F♯, op. 24, no. 5; in B♭, op. 24, no. 2 |
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Piano Sonatas: in Bb, op. 47, no. 2 (“Zauberflöte“); in G Minor, op. 34, no. 2. Twelve Waltzes, op. 38: Nos. 4, 5, 6, 9,10, and 11 |
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Piano Sonatas: in B♭, op. 13/4; in F, op. 13/5; in f, op. 13/6; in C, op. 20; in F, wo 3; in E♭, op. 23/1; in F, op. 23/2; in E♭, op. 23/3; in F, op. 24/1; in B♭, op. 24/2 |
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Piano Sonatas: in C, op. 2/2; in g, op. 7/3; in f, op. 13/6; in D, op. 40/3 |
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Piano Sonatas: in C, op. 25/1; in G, op. 25/2; in B♭, op. 25/3; in A, op. 25/4; in f♯, op. 25/5; in D, op. 25/6; in F, op. 26; in A, op. 33/1; in F, op. 33/2; in C, op. 33/3; in E♭, op. 41 |
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Piano Sonatas: in C, op. 34/1; in g, op. 34/2; in C, op. 37/1; in G, op. 37/2; in D, op. 37/3; in B♭, op. 46; Piano Sonatinas, op. 36 |
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Piano Sonatas: in C, Op. 37, No. 1 ; in G, Op. 37, No. 2; in E♭, Op. 23, No. 3; in D, Op. 25, No. 6 |
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Piano Sonatas: in C, op. 37, No. 1; in D, op. 25, No. 6; in E♭, op. 23, No. 3; in G, op. 37, No. 2 |
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Piano Sonatas: in d, Op. 47, no. 2; in G minor, Op. 34, no. 2. 12 Waltzes, Op. 38: Nos. 11, 6, 4, 9, 5, and 10 |
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Piano Sonatas: in D; g; d |
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Piano Sonatas: in E♭, op. 11/1; in B♭, op. 1a/2; in g, op. 7/3; in E♭, op. 9/3; in A, op. 10/1 |
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Piano Sonatas: in F, op. 33/2; in d, op. 40/3; in f♯, op. 25/5; in A, op. 50/1 |
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Piano Sonatas: in F, Op. 36, no 2; in F♯minor, Op. 26, no. 2. Liszt: Après une Lecture de Dante. Sonetto del Petrarca No. 104 |
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Piano Sonatas: in F, WoO 3; in E♭, op. 6/2, in B♭, op. 9/1, in F, op. 13/5; in C, op. 20 |
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Piano Sonatas: in G, op. 40/1; in b, op. 40/2; in D, op. 40/3; in A, op. 50/1; in d, op. 50/2; in g, op. 50/3 |
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Piano Sonatas: in g, op. 50/3, “Didone abbandonata”; in A, op. 33/1; in C, op. 33/3; in f♯, op. 25/5; in b, op. 40/2; in A, op. 25/4; in g, op. 7/3, in B♭, op. 24/2 |
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Piano Sonatas: in g, op. 7/3; in f, op. 13/6; in g, op. 8/1; in G, op. 37/2 |
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Piano Sonatas: op. 1, Nos. 1–6; op. 2, Nos. 2, 4, 6; op. 7, Nos. 1–3; op. 8, Nos. 1–3; in G, Wo 14; in A♭, Wo 13 |
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Piano Sonatas: op. 25/1; op. 24/2; op. 7/3; op. 25/6; op. 13/6 |
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Piano Sonatas: op. 40/3; op. 40/2; op. 37/1; op. 24/2; op. 33/1 |
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Piano Sonatas: op. 9/1–3; op. 10/1–3; op. 11/1; op. 12/1–4 |
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Piano Sonatas: opp. 25/5, 33/3, 34/2 |
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Piano Works, Volume 1 |
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Piano Works, Volume 3 |
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Pianoforte Sonatas, op. 7/3, op. 8/1, op. 25/5, op. 34/2 |
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Preludes: in E♭; in g |
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Rondo (from Sonata in B-Flat, Op. 41, no. 21 |
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Rondo in B♭, WO 8 |
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Six Progressive Sonatinas, op. 36. Piano Sonatas: in B♭, op. 24, no. 2; in G, op. 25, no. 2; in F♯ Minor, op. 25, no. 5. Sonatina in D, op. 37, no. 2 |
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Six Progressive Sonatinas, op. 36. Piano Sonatas: in G, op. 25, no. 2; in F♯ Minor, op. 25, no. 5; in B♭, op. 24, no. 2. Piano Sonata in D, op. 25, no. 5 |
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Six Progressive Sonatinas, op. 36: No. 1 in C; No. 2 in G; No. 3 in C; No. 4 in F; No. 5 in G; No. 6 in D |
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Sonata in B Minor, Op. 40/2 |
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Sonata in B♭ |
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Sonata in B♭, op. 12/1 |
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Sonata in B♭, Op. 24, No. 2 |
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Sonata in B♭, op. 47/2. Jensen Eros, op. 44. Rubinstein Prelude and Fugue in f, op. 53/2. Raff Rigaudon, op. 204/3. Paderewskl Légende, op. 16/1. Chabrler Bourrée fantasque |
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Sonata in C, op. 33/3, “Quasi concerto” |
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Sonata in D (“La Chasse“): First movement |
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Sonata in D, Op. 16 (“La Chasse'): Allegro (first movement) [Clementi fortepiano], |
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Sonata in D, op. 25/6 |
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Sonata in E-Flat for Piano, Four Hands, Op. 14, No. 3 |
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Sonata in E♭, op. 12/4 |
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Sonata in f |
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Sonata in F# Minor, op. 26, no. 2. Thirty-two Variations in C Minor |
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Sonata in f, op 13/6 |
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Sonata in f, op. 17/5 |
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Sonata in F, Op. 36, No. 2. Sonata In F-Sharp Minor, Op. 26, No. 2 |
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Sonata in f♯ |
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Sonata in f♯, op. 25/5 |
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Sonata in G Minor, op. 50, no. 3 (“Didone abbandonata“) |
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Sonata in G, op. 37/2 |
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Sonata No. 13 in Eb: First movement |
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Sonata quasi Concerto in C, op. 33, no. 3. Sonatas in G Minor, op. 34, no. 2; in F Minor, op. 14; no. 3; in F♯ Minor, op. 26, no. 2. Rondo from Sonata, op. 47, no. 2 |
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Sonata quasi concerto, op. 33/3 |
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Sonata-Quasi Concerto in C, Op. 33, no. 5 |
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Sonatas (complete) |
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Sonatas and Capriccios for Piano, Complete Edition |
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Sonatas for Piano and Violin: in F, op. 3/4; in Bb, op. 3/5; in C, op. 3/6; in Eb, op. 15/1; in C, op. 15/2; in Bb, op. 15/3 |
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Sonatas for Piano Four Hands: Sonata in C, Op. 14, No. 1 ; Sonata in E-Flat, Op. 3, No. 2; Sonata in C, Op. 6, No. 1 |
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Sonatas for Piano, Four-Hands: in E♭, op. 3, no. 2; in C, op. 6, no. 1; in C, op. 14, no. 1; in Eb, op. 14, no. 3 |
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Sonatas for Piano: in F-Sharp Minor, Op. 25, No. 5; in A, Op. 33, No. 1 ; in F Minor, Op. 13, No. 6. Three Montferrine, Op. 49 |
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Sonatas for the Pianoforte: in B-flat, Op. 24, No. 2; in F-Sharp Minor, Op. 25, No. 5; in G, Op. 37, No. 2; in F Minor, Op. 13, No. 6 |
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Sonatas for Two Pianos: in B♭, op. 1a; in B♭, op. 12; Sonatas for Piano Four Hands: in E, op. 14/3; in C, op. 3/1 ; in B, op. 3/2; in C, op. ß/1 ; in G, op. 3/3 |
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Sonatas, op. 40: No. 1 in G; No. 2 in B Minor; No. 3 in D |
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Sonatas: in E♭, Op. 13, No. 4; in F, Op. 13, No. 5; in F minor, Op. 13, No. 6; in C, Op. 37, No. 1; in G, Op. 37, No. 2; in D, Op. 37, No. 3. “Batti batti“ dal Don Giovanni di W. A. Mozart con una Introduzione e Coda, WO. 10. Fantasia con Variazioni sull' aria “Au clair de lune,“ Op. 48. Cinque Variazioni su un Minuetto di Mr. Collick, WO. 5. “The Black Joke“ con 21 Variazioni, WO. 2 |
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Sonatas: in G, op. 2/1; in F, op. 2/2; in G, op.2/3; |
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Sonatas: in G, WO 14; in A, op. 2/4; in g, op. 8/1; in B♭, op. 8/3; in f, op. 13/6 |
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Sonatas: op. 25, no. 4; op. 25, no. 5; op. 25, no. 6; op. 33, no. 1; op. 33, no. 2 |
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Sonatas—in A. Op. 1: No. 1 in F; No. 2 in B♭; No. 3 in G; No. 4 in A. Op. 2: No. 2 in C; No. 4 in A: No. 6 in B♭. Op. 7: No. 1 in E♭; No. 2 in C; No. 3 in G minor. Op. 8; No. 1 in G minor; No. 2 in E♭; No. 3 in B♭. Op. 9: No. 1 in B♭; No. 2 in C; No. 3 in E♭. Op. 10: No. 1 in A; No. 2 in D; No. 3 in B♭. Op. 11: No. 1 in B♭. Op. 12: No. 1 in B♭; No. 2 in E♭; No. 3 in F; No. 4 in E♭. Op. 13: No. 4 in B♭. Sonatas—Op. 13: No. 5 in F; No. 6 in F minor. Op. 16: in D (“La Chasse“). Op. 20: in C. Op. 23: No. 1 in E♭; No. 2 in F; No. 3 in E♭. Op. 24: No. 1 in F; No. 2 in B♭. Op. 25: No. 1 in C; No. 2 in G; No. 3 in B♭; No. 4 in A♭; No. 5 in F♯ minor; No. 6 in D. Op. 26: in F. Op. 33: No. 1 in A; No. 2 in F; No. 3 in C. in F. (no opus no.). Op. 34: No. 1 in C; No. 2 in G minor. Capriccio—in ß\ Op. 17. VOLUME THREE. Capriccios—Op. 34: No. 3 in A; No. 4 in F. Op. 47: No. 1 in E minor; No. 2 in C. Sonatinas—Op. 36. No. 1 in C; No. 2 in G; No. 3 in C; No. 4 in F; No. 5 in G; No. 6 in D. Sonatas—Op. 37: No. 1 in C; No. 2 in G; No. 3 in D. Op. 40: No. 1 in G; No. 2 in B minor; No. 3 in D. Op. 41: in E♭. Op. 46: in B♭. Op. 50: No. 1 in A; No. 2 in D minor; No. 3 in G minor (“Didone abbandonata“ scena tragica) |
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Sonatas—Op. 10; No. 1 in A; No. 2 in D; No. 3 in B♭. Sonata in E♭ and Toccata in B♭,Op. 11. 12 Waltzes for Piano with Triangle and Tambourine, Op. 38. 12 Waltzes for Piano with Triangle and Tambourine, Op. 39 |
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Sonatas—Op. 40: No. 1 in G; No. 2 in B minor; No. 3 in D. Op. 50: No. 1 in A; No. 2 in D minor; No. 3 in G minor |
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Sonatas—Op. 8: No. 1 in G minor; No. 2 in E♭; No. 3 in B♭. Op. 9: No. 1 in B♭; No. 2 in C; No. 3 in E♭. Capriccios—Op. 47: No. 1 in E minor; No. 2 in C |
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Sonate, Duetti, and Capricci, Volumes 3, 4, 5 |
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Symphonies: in Bt, op 18/1; in D, op 18/2; No. 1 in C; No. 2 in D; No. 3 in G, “Great National“; No 4 in D. Overtures: in C; in D. Menuetto pastorale |
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Symphonies: in B♭, op. 18/1; in D, op. 18/2; No. 1 in C; No. 2 in D; No 3 in G, “Great National“; No. 4 in D; Overtures: in C; in D. Menuetto pastorale |
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Symphonies: No. 1 in C; in Bb, op. 18; in D, op. 18 |
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Symphony in D, op. 18/2 |
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Symphony No. 2 in D, WoO 33 |
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The Black Joke, WoO 2 |
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The Orchestral Music |
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The Symphonies. Orchestral Works |
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The Viennese Sonatas (complete) |
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Three Trios for Piano, Violin, and Cello, op. 29. Three Trios for Piano, Violin, and Cello,op. 35 |
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Toccata in B♭, op. 11/2 |
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Toccata in B♭, op. 13 |
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Toccata in B♭, op. 33/2 |
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Toccata, op. 11/2 |
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Trios for Piano, Violin, and Cello, op. 27: No. 1 in F; No. 2 in D; No. 3 in G. Trio in C, WoO. 6 |
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Trios for Piano, Violin, and Cello, Op. 29, Nos. 1 -3; Op. 35, Nos. 1-3 |
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Trios for Piano, Violin, and Cello, Volume Two |
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Trios for Piano, Violin, and Cello: in D, op. 21, no. 1; in G, op. 21, no. 2; in C, op. 21, no. 3; op. 22, no. 1; op. 22, no. 2; in C, op. 22, no. 3 ("La Chasse") |
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Trios for Piano, Violin, and Cello: op. 28: No. 1 in C; No. 2 in E♭; No. 3 in G; op. 32: No. 1 in F; No. 2 in D; No. 3 in C |
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Trios: in F; in D; in G, Op. 27, Nos. 1-3. Trio in C, WO. 6 |
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Variations on a Minuet by Mr Collick, WoO 5 |
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Variations on a Minuet by Mr. Collick, WO 5 |
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Variations on The Black Joke, WoO 2 |
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Variations on “Batti, batti,” WO 10 |
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Variations on “Batti, batti” from Mozart’s Don Giovanni, WoO 10 |
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Volume 3: Sonatas: in E♭, op. 7, no. 1; in C, op. 7, no. 2; in G Minor, op. 7, no. 3; in G Minor, op. 8, no. 1; in Eb, op. 8, no. 2; in Bb, op. 8, no. 3 |
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Volume 4: Sonatas: in B♭, op. 9, no. 1; in C, op. 9, no. 2; in Eb, op. 9, no. 3; in A, op. 10, no. 1; in D, op. 10, no. 2; in B♭, op. 10, no. 3; in Bb, op. 11, no. 1 |
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Volume 5: Sonatas: in B♭, op. 12, no. 1; in Eb, op. 12, no. 2; in F, op. 12, no. 3; in E♭, op. 12, no. 4. Duetto in B♭, op. 12, no. 5 |
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Volume One: Symphonies: in B♭, op. 18, no. 1; in D, op. 18, no. 2. Minuetto Pastorale. Concerto in C for Piano and Orchestra' |
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Volume Two: Symphonies: No. 1 in C; No. 3 in G (“The Great National“). Overture in C. Volume Three: Symphonies: No. 2 in D; No. 4 in D. Overture in D |
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Works for Piano, Volume Four |
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Works for Piano, Volume One |
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Works for Piano, Volume Three |
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Works for Piano, Volume Two |
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Works of |
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