3 Pieces from Appomattox. Wichita Vortex Sutra. Music in Contrary Motion. A Secret Solo 2. Wichita Vortex Sutra (version with narration) |
|
Aguas da Amazonia |
|
Aguas da Amazonia: Madeira River; Xingu River; Japurá River; Amazon River (arr. Third Coast Percussion) |
|
Aguas de Amazonia |
|
Akhnaten |
|
Akhnaten: Attack and Fall; Funeral of Amenhotep III |
|
Akhnaten: Funeral of Amenhotep III; The Window of Appearances; Akhnaten's Hymn to the Sun; Attack and Fall; Epilogue, itaipu: The Dam. Satyagraha: The Vow; Confrontation and Rescue; Evening Song. Songs from Liquid Days: Open the Kingdom; Changing Opinion. Glassworks: Floe; Facades. Dance: Dance No. 5. Einstein on the Beach: Spaceship; Building/Train; Knee Plays 3 and 5. The Photographer: Act III. Mad Rush |
|
Akhnaten: Prelude and Dance |
|
Aknaten |
|
Brass Sextet |
|
Candyman, Music track. Candyman II,: Music track |
|
Cello Concerto No. 2, “Naqoyqatsi” |
|
Cello Concerto. Concerto Fantasy for Two Timpanists and Orchestra |
|
Company |
|
Concerto Fantasy for 2 timpanists and orchestra (arr. Lortz) |
|
Concerto for Harpsichord and Chamber Orchestra |
|
Concerto for Saxophone Quartet |
|
Concerto for Saxophone Quartet and Orchestra |
|
Concerto for Violin and Orchestra |
|
Contrary Motion. Mad Rush. Two Pages. One + One (2 versions) |
|
Dance 1-5 |
|
Dance IV for Organ. Mad Rush. Dance II for Organ. Contrary Motion. Satyagraha: Act III conclusion (arr. Riesman) |
|
Dances Nos. 1 and 3 |
|
Dances Nos. 2 and 4 |
|
Dances: No. 2 |
|
Dances: No. 4 |
|
Days and Nights in Rocinha |
|
Dracula: Suite |
|
Dracula: Suite from the Film Score |
|
Duos Nos. 1 and 4 for Violin and Cello. Bent for String Quartet: II; V; Epilogue for Solo Violin |
|
Echorus |
|
Einstein on the Beach |
|
Einstein on the Beach: Violin Solo Music |
|
Einstein ön the Beach: Knee Play No. 4: |
|
Elf-Hill: Sulte |
|
Etude No. 2 |
|
Etudes Nos. 2, 3, 5, 6 |
|
Facades |
|
Façades |
|
Façades. Company |
|
Four Movements for Two Pianos: III |
|
Frühlingslied |
|
Galileo Galilei |
|
Glassmasters |
|
Glassworks |
|
Glassworks: Façades |
|
Glassworks: Opening |
|
Glassworks: Opening (3 versions) |
|
Glassworks: Opening Piece |
|
Harpsichord Concerto |
|
Head On |
|
Heroes Symphony. The Light |
|
How Now. The Olympian: Lighting of the Torch. Mad Rush. Wichita Vortex Sutra. Metamorphosis I-V. Mishima: Closing |
|
In the Summer House |
|
In the Upper Room |
|
In the Upper Room: Dances 1, 2, 5, 8, and 9. Glasspieces |
|
Itaipu. 3 Songs for Choir a Cappella |
|
Itaipu. The Canyon |
|
Knee Play 5 (arr. Álvarez) |
|
Koyaanisqatsi |
|
Koyanisqaatsi |
|
Les enfants terrible: Suite (arr. for 3 pianos) |
|
Les enfants terribles: Suite (arr. for 3 pianos) |
|
Mad Rush |
|
Mad Rush. In the Summer House (arr. Alexandra du Bois) |
|
Mad Rush. Music in Contrary Motion. Satyagraha: Conclusion to Act III (arr. Riesman) |
|
Metamorphoses. Mad Rush. Wichita Vortex Sutra |
|
Metamorphosis |
|
Metamorphosis II |
|
Metamorphosis II. Koyaanisqatsi |
|
Metamorphosis No. 1 (arr. Third Coast Perc) |
|
Metamorphosis One and Two |
|
Metamorphosis One. Metamorphosis Two |
|
Metamorphosis Two. Wichita Vortex Sutra. Mad Rush. The Truman Show: Truman Sleeps |
|
Metamorphosis. Mad Rush. Wichita Vortex Sutra. The Hours. Truman Sleeps. Olympian. Modern Love Waltz. How Now. “Trilogy” Sonata |
|
Mishma: Closing |
|
Modern Love Waltz |
|
Modern Love Waltz (arr. Moran) |
|
Modern Love Waltz. Distant Figure – Passacaglia. Mad Rush |
|
Music by |
|
Music in 12 Parts |
|
Music in Fifths. Two Pages |
|
Music in Similar Motion |
|
Music in Similar Motion. Strung Out. Piece in the Shape of a Square. Gradus. Music in Contrary Motion |
|
Music in Twelve Parts (Parts I and 2) |
|
Music with Changing Parts |
|
Naqoyqatsi |
|
Opening. Metamorphosis Nos. 1–5 |
|
Orbit |
|
Organ Works |
|
Orphée |
|
Orphée: Concerto for Saxophone Quartet and Orchestra |
|
Orphée: Interlude |
|
Orphée: Suite |
|
Persephone |
|
Phaedra. Modern Love Waltz (21 orchestrations by Robert Moran) |
|
Piano Concerto No. 2 (arr. Barnes) |
|
Piano Concerto No. 2, “After Lewis and Clark” |
|
Piano Concerto No. 3 |
|
Piano Concerto, “Tirol.“ |
|
Piano Etudes: Nos. 1-10 |
|
Piano Etudes: Nos. 2, 5, 6, 9 |
|
Piano Quintet, “Annunciation”: Part I |
|
Piano Études Nos. 1–20 |
|
Powaqqatsi |
|
Psalm 126 |
|
Satyagraha |
|
Satyagraha (transcribed and edited by Michael Riesman). Danca IV |
|
Satyagraha: Protest; Evening Song; Kuru Field of Justice; Tolstoy Farm. Akhnaten: Hymn to the Sun; Akh-naten and Nefertiti; Window of Appearances; Epilogue. Einstein on the Beach: Trial/Prisoner; Knee 1; Bed; Knee 5 |
|
Saxophone Concerto (arr. Glass). Melodies for Saxophone. The Windcatcher (arr. Muhly) |
|
Saxophone Quartet |
|
Solo Piano |
|
Sonata for Violin and Piano: III |
|
Songs from Liquid Days |
|
Songs from the Trilogy |
|
String Quartet No. 1 |
|
String Quartet No. 2, “Company” |
|
String Quartet No. 2: Mvts. 1–2 |
|
String Quartet No. 3, “Mishima” |
|
String Quartet No. 3: Mvts. 3–4, “Mishima” |
|
String Quartet No. 5 |
|
String Quartets: No. 4, "Buczak"; No. 3, "Mishima"; No. 2, "Company"; No. 5 |
|
String Quartets: Nos. 1–5 |
|
String Sextet |
|
Strung Out |
|
Symphonies: No. 2; No. 3 |
|
Symphony No. 11 |
|
Symphony No. 2 |
|
Symphony No. 3 |
|
Symphony No. 3: IV |
|
Symphony No. 3: Mvt. 3 |
|
Symphony No. 5 in C, op. 57 (“Sinfonia svastica“) |
|
Symphony No. 5, "Requiem, Bardo, Nirmanakaya" |
|
Symphony No. 6, “Plutonian Ode“ |
|
Symphony No. 8 |
|
Tea Time. Candyman Suite |
|
The Fog of War: Invitation |
|
The Hours |
|
The Hours (9 excerpts, arr. Riesman) |
|
The Hours (trans. Barclay): Morning Passages; Escape! |
|
The Hours: Suite |
|
The Hours: The Poet Acts |
|
The Light, the CIVIL warS: Interludes Nos. 1 and 2 |
|
The Perfect American |
|
The Photographer |
|
The Screens: The Orchard. String Quartet No. 3 (arr. Kuusisto for string orchestra) |
|
The Secret Agent: Secret Agent; Blood on the Stairs; Emigration; Winnie Goes to Sea; Ending |
|
The Somnambulist. A Brief History of Time: Signature; Utility No. 1 |
|
The Sound of a Voice: Suite |
|
The Thin Blue Line: Music track |
|
The Truman Show: Truman Sleeps |
|
The Voyage:Mechanical Ballet |
|
Tissue No. 7 |
|
Trilogy Sonata |
|
Two Pages |
|
Violin Concerto |
|
Violin Concerto (arr. Dickson) |
|
Violin Concerto No. 2 (The American Four Seasons) |
|
Violin Concerto No. 2, “American Four Seasons”. Violin Sonata |
|
Violin Concerto No. 2, “The American Four Seasons” |
|
Violin Sonata |
|
Violin Sonata No. 1 |
|
Violin Sonata No. 1 (arr. Dickson) |
|
Waiting for the Barbarians |
|
Wichita Vortex Sutra |
|
Wichita Vortex Sutra. Metamorphosis. Mad Rush. Opening. Modern Love Waltz |
|
Wichita Vortex Sutra. Trilogy Sonata. Einstein on the Beach: Knee Play No. 5 (arr. Álvarez) |
|
Works by |
|
Works of |
|
Águas da Amazônia |
|
Étude No. 6 |
|
Études for Solo Piano: Book 1, Nos. 1, 5, 6; Book 2, Nos. 11, 15 |
|
Études Nos. 16, 6, 2 |
|
Études, Book I: Nos. 2, 5, 6, 9 |
|
“Tirol“ Concerto. Passages: Excerpts |
|
“Trilogy” Sonata (arr. Barnes) |
|