(arr. Kostlin) Bassoon Sonata |
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2 canzonette italiane: Ah, Rammenta, o bella Irene; Alla cetra. Mio ben ricordati |
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3 Russian Songs (arr. for Violin, Viola, and Piano by E. Hermann). Serenade in E♭ on Themes from Donizetti’s Anna Bolena, for Piano, Harp, Bassoon, Horn, Viola, Cello, and Double Bass |
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5 Nouvelles Contredanses (1828). 5 Contredanses (1839) |
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5 Quadrilles françaises. Polka in d |
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A Farewell to St Petersburg: No. 10 “The Lark” |
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A Farewell to St. Petersburg. Songs |
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A Farewell to St. Petersburg: No. 10, “The Lark” |
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A Life for the Czar: They Suspect the Truth |
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A Life for the Czar: “You break, o dawn” |
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A Life for the Tsar |
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A Life for the Tsar (Ivan Sussanin): Waltz and Polonaise |
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A Life for the Tsar: 3 dances |
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A Life for the Tsar: Bogdan Sobinjin's aria |
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A Life for the Tsar: Brother, in the Darkness |
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A Life for the Tsar: Brüder, folgt mir |
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A Life for the Tsar: Chuyut pravdu … Ty vzoyidyosh (Susanin’s Aria) |
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A Life for the Tsar: Final Chorus |
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A Life for the Tsar: Finale |
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A Life for the Tsar: I do not grieve |
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A Life for the Tsar: I gaze toward the field |
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A Life for the Tsar: Ivan's Aria |
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A Life for the Tsar: Overture |
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A Life for the Tsar: Overture and Three Dances. Russlan and Ludmila: Overture; Four Dances; Chernomor's March. Andante cantabile and Rondo in D Minor |
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A Life for the Tsar: Overture; 3 Dances. |
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A Life for the Tsar: Sobinjin's aria |
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A Life for the Tsar: Susanin's Song. Russlan and Ludmila: Russian's Cavatine and Aria; Farlaf's Recitative and Rondo |
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A Life for the Tsar: They guess the truth |
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A Life for the Tsar: They Guess the Truth |
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A Life for the Tsar: They guess the truth (1923). Russlan and Ludmila: Farlaf's Rondo (1931) |
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A Life for the Tsar: They guess the truth. Russlan and Ludmila: Farlaf's Rondo. O field, field! |
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A Life for the Tsar: They guess the truth. Russlan and Ludmilla: O field, field!; Already the hour of my triumph |
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A Life for the Tsar: They guess the truth... Now I am alone. Russlan and Ludmila: Farlaf's Rondo. Doubt. The Midnight Review |
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A Life for the Tzar: Aria. Russlan and Ludmila: Ah, Destiny |
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Adèle. Cradle Song. The Gulf of Finland. Marguerite's Song. Barcarolle. Tell me why. Georgian Song. I am here, Inezilla |
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Ah, the sweetness of being beside you. A Farewell to St. Petersburg: No. 3, "Bolero" |
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Alla Cetra. I Remember That Marvelous Instant. The Blue Waves Are Asleep. I'm Happy to Be with You. Tell Me Why. The Fair Maiden Is Miserable |
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Andante cantabile and rondo in d |
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Arias songs by |
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Arias and Songs by |
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Arias by |
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Barcarolle |
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Bassoon Sonata. Elegie, “Do Not Tempt Me Needlessly” |
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Bolero |
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Capriccio briliante |
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Capriccio brillante |
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Capriccio brillante on the Jota aragonesa |
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Cherubic Hymn |
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Cherubic Song |
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Children’s Polka in B♭. Variations on a Theme by Mozart in E♭ (first version) |
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Complete Piano Music, Vol. 2 |
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Cotillion in B♭. Galop in E♭. Polonaise in E |
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Divertimento Brilliante on Themes from Bellini's “La sonnambula“ |
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Divertimento on Themes from Bellini's "La Sonnambula";. Variations on a Theme by Mozart. Nocturne in E b. Sonata for Viola and Piano*. Serenade on Themes from Donizetti's "Anna Bolena" |
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Do Not Say: Love Passes (arr. Balakirev) |
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Do not tempt me needlessly. The fire of longing burns in my heart. I remember the wonderful moment. Doubt. Mary. How sweet it is to be with you. Say not that the heart grieves |
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Do not tempt me needlessly. The fire of longing burns my heart. The poor singer. Say not that it grieves the heart. The Lark. How sweet it is to be with you. Venetian Night. I am here, Inezilla |
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Do not tempt me. The Fire of Longing. The Poor Singer. Say not that it grieves the heart. The Lark. How Sweet it is. Venetian Night. I am here |
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Doubt. Elegie |
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Doubt. Midnight Review |
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Doubt. The Fire of Longing Burns in My Blood |
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Doubt. The Night Review. Traveling Song |
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Ein Leben für den Zaren: Brüder, folgt mir |
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Elégie (Karol Zreter, pn; Georges Boulanger, v, 1927) |
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Excerpts from operas by |
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Farewell to St Petersburg: Travel Song. Stanzas. Doubt |
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Farewell Waltz in G. Mazurkas: in C (1852); in c (1843); in F (1833–34); in A♭ (1833–34); in G (1828) |
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Feuille d’album |
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Fugue in D. Barcarolle |
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Grand Sextet in E for Piano, String Quartet, and Double Bass |
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Grand Sextet in E♭ for Piano, String Quartet, and Double Bass |
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Grand Sextet in E♭. Divertimento brillante on themes from Bellini’s “La sonnambula” |
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Grand; Sextet in E♭ for Piano, Two Violins, Viola, Cello, and Double bass. Divertimento Brillant in A♭ on Themes from Bellini's La sonnambula, for Piano and String Quintet . Serenade in E♭ on Themes from Donizetti's Anna Bolena, for Piano, Harp, Bassoon, Horn, Viola, Cello, and Double bass |
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Grande Valse in G (1839); Valse-Fantaisie in b |
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Gypsy Song |
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I am here, Inezilla; Mary |
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I Recall a Wonderful Moment. Declaration. The Fire of Longing Burns in My Heart. The Night Zephyr |
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I recall the early moment |
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I Remember the Wonderful Moment. Knight's Romance. Wedding song.1 Am Here, Inezilya. How Sweet It Is For Me to Be with You. In My Blood Burns the Flame of Desire. Do Not Say That Your Heart Aches. To Molly. Confession. Doubt |
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I Still Recall the Magic Vision. The Lark. My Blood Is Boiling With Desire. Do Not Tempt Me. Doubt |
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In my blood burns the fire of longing. Mary |
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In My Blood Burns the Fire of Longing. Mary |
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Ivan Susanin |
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Ivan Susanin (A Life for the Tsar) |
|
Ivan Susanin: Chuyut pravdu |
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Ivan Susanin: Overture; Act II: Dances. Ruslan and Liudmila: Overture; Chernomor's March; Dances, Acts II: and IV. Andante cantabile and rondo in d |
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Ivan Susanin: Overture; Cracovienne; Mazurka; Waltz |
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Ivan Susanin: Su-sanin's Act 4 Aria |
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Ivan Susanin: Susanin's Aria, Act IV |
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Ivan Susanin: Vanya's Aria ; Susanin's Aria |
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Ivan Sussanin (A Life for the Tsar): Waltz and Polonaise |
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Ivan Sussanin: Brothers in the snowstorm |
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Jota aragonaise |
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Jota Aragonesa |
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Jota aragonesa |
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Jota aragonesa. Recollections on a Summer Night in Madrid. Kamarinskaya. Valse. Chernomor’s March. Oriental Dances |
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Jota Aragonesa. Summer Night in Madrid. Kamarinskaya. Valse-fantaisie. Russlan and Ludmila: Chernomor's March; Oriental Dances |
|
Jota Aragonese |
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K Molli (To Molly) |
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Kamarinskaya |
|
Kamarinskaya (arr. Balakirev) |
|
Kamarinskaya. A Life for the Tsar: Overture |
|
Kamarinskaya. Capriccio brillante on “Jota aragonesa.” Summer Night in Madrid |
|
Kamarinskaya. Ne govori. Jota Aragonesa |
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Kamarinskaya. Valse fantaisie |
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Kolybelnaya pyesnya |
|
La couventine, Contredanses. Tarantella in a |
|
Life for the Tsar: Brother, In the Darkness |
|
L’Alouette |
|
L’alouette |
|
Mazurka |
|
Mazurkas: in C; in C Minor; in A♭. Separation (Nocturne) |
|
Memory of a Mazurka in B |
|
Music by |
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Music of |
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Ne govori, chto serdtsu bol’no (Say not that your heart is pained) |
|
Nochnoi smotr (The night review) |
|
Nocturne |
|
Nocturne in E♭ |
|
Nocturne in f, “La séparation.“ |
|
Nocturne in f, “La séparation” |
|
Nocturne, “La Séparation” |
|
Nocturne. Variations on a Theme of Mozart |
|
Nocturnes in E♭ in F Minor (“La Séparation“). Theme and Variations |
|
Nocturnes: in f, “La Séparation”; in E♭ |
|
O do not tempt me |
|
Orchestral Works |
|
Overture in D. Overture in g. Songs: Do Not Call Her Heavenly. Cradle Song. The Midnight Review. Soon You Will Forget Me. Symphony in B♭. A Life for the Tsar: 3 Dances. Kamarinskaya. Valse-fantaisie |
|
Overture in D. Symphony on 2 Russian Themes |
|
Overture to Russlan and Ludmilla |
|
Overture; Suite |
|
Overtures: in g; in D |
|
Patriotic Song (arr. Gauk) |
|
Patriotic Song. Prayed. Memory of Friendship—Variations on Hummei's Nocturne, op. 99. Overture in G Minor. Overture in D |
|
Piano Trio in d, “Pathetique” |
|
Pieces by |
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Prayer. Memory of Friendship. Waltz-Fantasia. Prince Kholmsky: Overture; Entr’actes: Act 2; Act 3; Act 4; Act 5. Polka No. 1 in B♭ (arr. Balakirev) |
|
Prince Kholmsky—Suite. Souvenirs of a Summer Night in Madrid. A Life for the Tsar—Three Dances |
|
Rondino Brilliante on I Capuleti e i Montecchi |
|
Ruslan and Liudmila |
|
Ruslan and Liudmila: Overture |
|
Ruslan and Liudmila: Bayan song |
|
Ruslan and Liudmila: Dances |
|
Ruslan and Liudmila: Dances in Naina’s Castle; Turkish Dance; Arab Dance; Lezghinka; Chernomor’s March |
|
Ruslan and Liudmila: Farlafs Rondo |
|
Ruslan and Liudmila: Farlaf’s Rondo; Oh field, field! A Life for the Czar: They suspect the truth |
|
Ruslan and Liudmila: Overture |
|
Ruslan and Liudmila: Overture. A Life for the Tsar: Overture and Three Dances. Overture in D |
|
Ruslan and Liudmila: Overture. The Parting Nocturne |
|
Ruslan and Liudmila: Overture; Dance; Chernomor’s March |
|
Ruslan and Liudmila: Such sweet alluring voices; Ratmir, my beloved; Oh my sorry fate; Perhaps one day; No, no I cannot sleep; My dear son |
|
Ruslan and Liudmila: Suite |
|
Ruslan and Liudmila; Overture. Valse-fantaisie. |
|
Ruslan and Lyudmiia: Overture |
|
Ruslan und Ludmilla: Ruslan's Aria |
|
Russian Songs. Serenade |
|
Russlan and Ludmila: (Overture) |
|
Russlan and Ludmila: Farlaf's Rondo |
|
Russlan and Ludmila: Farlaf's Rondo (Vladimir Kastorsky, bass). A Life for the Czar: They guess the truth (Kastorsky); My poor horse has fallen (Vanya's aria) (Yevgenya Zbruyeva, alto) |
|
Russlan and Ludmila: Farlaf's Rondo. The Midnight Review |
|
Russlan and Ludmila: Overture |
|
Russlan and Ludmila: Overture (conducted by Yevgeny Svetlanov) |
|
Russlan and Ludmila: Overture. Kamarinskaya |
|
Russlan and Ludmila: Russlan's Aria |
|
Russlan and Ludmila: Russlan's aria; Farlaf's rondo (with Georgy Pozemkowski, tenor) |
|
Russlan and Ludmilla |
|
Russlan and Ludmilla |
|
Russlan and Ludmilla: Farlaf's Rondo |
|
Russlan and Ludmilla: Gorislava’s Aria |
|
Russlan and Ludmilla: Overture |
|
Russlan and Ludmilla: Overture. Waltz Fantasy. Jota Aragonesa |
|
Russlan und Ludmila: From the dark shroud of eternity |
|
Rustan and Ludmilla: Overture |
|
Rustan and Lyudmila |
|
Say not that It grieves the heart. Doubt |
|
Septet in E♭ for Oboe, Horn, Bassoon, Violin, Viola, Cello, and Double Bass |
|
Septet. Trio |
|
Sextet in E-Flat for Piano, Two Violins, Viola, Cello, and Double Bass |
|
Sextet in E-Flat for Two Violins, Viola, Cello, Bass, and Piano |
|
Sextet in E♭ |
|
Sextet in E♭ for Piano, Two Violins, Viola, Cello, and Double Bass' |
|
Sextet in E♭ for Two Violins, Viola, Cello, Double bass, and Piano |
|
Somnenie (Doubt). Ne iskushai menia bez nuzhdy (Do not tempt me needlessly) |
|
Sonata for Viola and Piano |
|
Sonata in C minor for Viola and Piano (“Unfinished“). Trio Pathétique in D minor for Clarinet, Bassoon, and Piano. Grand Sextet in £♭ for Piano and Strings |
|
Sonata in D Minor for Vioiin and Piano |
|
Sonata in D Minor for Viola and Piano |
|
Songs |
|
Songs (orch. Melman) |
|
Songs by |
|
Souvenir d’une Mazurka. The Separation. Prayer |
|
Souvenir d’une nuit d’ete a Madrid |
|
Spanish Overtures: No. 1 “Capriccio brillante on the Jota Aragonese”; No. 2 “Summer Night in Madrid” |
|
Star of the North |
|
String Quartet No. 2 in F |
|
String Quartet No. 2 in F. Valse-fantaisie. Divertissement on Themes from Bellini's “La Sonnambula,“ for Piano, String Quartet, and Double bass“ |
|
Summer Night in Madrid. Capriccio brillante on Jota Aragonesa |
|
Symphony on 2 Russian Themes (ed. Shebalin) |
|
Tarantella in a |
|
Tell me, Maiden. Ruslan and Liudmila: Ludmilla’s Aria |
|
The 2 Spanish Overtures |
|
The fire of desire burns in my blood |
|
The Lark |
|
The Lark (arr. Balakirev) |
|
The Midnight Review |
|
The Midnight Review. Doubt |
|
The Midnight Review. Poor Poet. Travelling Song. The Lark. I still remember. Venetian Night. O Lyre. Alas, if but earlier I had known. Doubt. If others’ wounds. How sweet it is to be near thee. Margarita’s song. In vain to you seek to capture me. Consolation. To Molly. Lullaby |
|
The Night Zephyr. Mary. The Fire of Longing Burns in My Heart |
|
The Poor Singer. To the Lyre. The Lark |
|
The Symphonic Works: Symphony on Two Russian Themes; Incidental Music to the Tragedy “Prince Kholmski“: Overture; Four Entr'actes; Souvenir of a Summer Night in Madrid (Spanish Overture No. 2); Kamarinskaya; Jota Aragonese (Spanish Overture No. 1) |
|
Theme and Variations on Mozart's “Magic Flute,“ for Harp |
|
They guess the truth! |
|
Three Songs |
|
Trio in D Minor for Clarinet, Bassoon, and Piano ("Trio pathétique") |
|
Trio in D Minor for Clarinet, Bassoon, and Piano (“Pathétique“) |
|
Trio in D Minor for Violin, Cello, and Piano (“Pathétique“) |
|
Trio in d, “Pathétique” |
|
Trio pathétique |
|
Trio pathétique in d |
|
Trio Pathétique in d |
|
Trio Pathétique in d for Clarinet, Bassoon, and Piano |
|
Trio Pathétique in D minor (arranged for Violin, Cello, and Piano by Johann Hrimaldy) |
|
Trio Pathétique in D Minor for Clarinet, Bassoon, and Piano |
|
Trio Pathétique in D minor for Clarinet, Bassoon, and Piano. Nightingale Variations. Waltz in G. Nocturne in F minor. Mazurkas: in C minor; in A minor. Barcarolle in G. New American Trio |
|
Trio Pathétique in D Minor for Piano, Clarinet, and Cello |
|
Tscherkessenmarsch, S. 406 |
|
Upon the Silent Earth |
|
Valse Fantasie; Ruslan and Liudmila: Overture |
|
Valse-Fantaisie |
|
Valse-Fantaisie (arr. Kholopov) |
|
Valse-fantaisie (Waltz-Fantasia) in b |
|
Valse-fantasia in b |
|
Valse-Fantasie |
|
Valse-Fantasie. Jota argonesa |
|
Variations in a on the Russian Song Down in the Deep Valley. A Greeting to My Homeland: Variations in F on a Scottish Theme; Recollection of a Mazurka in B♭; Barcarolle in G; Prière in A |
|
Variations in e on a Theme by Alyabiev, "The Nightingale" |
|
Variations in e on Aliabyev’s Romance The Nightingale. Nocturnes: in E♭; in f, “La Séparation” |
|
Variations in F on an Original Theme. Variations in C on a Theme from Bellini’s I Capuleti ed i Montecchi |
|
Variations in F. Variations on Cherubini’s Faniska |
|
Variations on a Theme by Mozart |
|
Variations on a Theme of A. Aliabiev (arr. V. Borisovsky) |
|
Variations on a Theme of Mozart in E♭. Nocturne inEb |
|
Variations on an Original Theme. Variations on a Theme from Cherubini’s Faniska. Variations on Themes from the Ballet Chao-Kang. Variations on a Theme from Donizetti’s Anna Bolena. Variations on a Theme by Mozart. Variations on Benedetta sia la madre. Variations on “Among the Gentle Valleys.” Variations on a Theme from Bellini’s I Capuleti e i Montecchi. Variations on Alyabyev’s Nightingale |
|
Variations on Anna Bolena |
|
Variations on Benedetta sia la madre |
|
Variations on Chao-Kang |
|
Variations on I Capuleti e i Montecchi |
|
Variations on Sredi doliny rovnyya |
|
Variations on the Nightingale |
|
Variations on the Song Benedetta sia la madre. Variations on a Theme from the Opera Faniska by Luigi Cherubini |
|
Variations: On “The Nightingale”; On a Scottish Theme; On the Russian Song “Among the Gentle Valleys”; On a Theme by Bellini. Nocturne (1828) |
|
Variazioni brillanti on a Theme from the Opera Anna Bolena by Gaetano Donizetti. Variations on Two Themes from the Ballet Chao Kang. Rondino brillante on a Theme from the Opera I Capuleti e i Montecchi by Vincenzo Bellini. Variations on the Romance The Nightingale by Aleksandr Aliabyev |
|
Venetian Nights. Travelling Song |
|
Venetsianskaya Noch |
|
Viola Sonata |
|
Viola Sonata in d |
|
Viola Sonata in d (arr. Bliss) |
|
Viola Sonata in d (completed by W. Michel and V. Borisovsky) |
|
Viola Sonata in d (ed. Borisovsky) |
|
Viola Sonata in d: Allegro moderato |
|
Waltz in E♭. Mazurka in F |
|
Waltz-Fantasy |
|
Waltzes: in B♭ (1838); in E♭ (1838) |
|
Works by |
|
You tempt me needlessly (with Nicolai Figner) |
|
