(orch Szell) String Quartet No. 1 |
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(trans. Smetana for piano 4 hands) Má Vlast: Moldau |
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2 Duos for Violin and Piano (“From My Homeland“) |
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3 Poetic Polkas, op. 8 |
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3 polkas de salon, Stammbuchblätter. Characterstücke. Skizzen: op. 4; op. 5 |
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3 polkas poétiques. Melodien Schatz |
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3 Salon Polkas, op. 7 |
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6 Preludes |
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Afa Vlast: The Moldau; From Bohemia's Woods and Fields |
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Andante in E♭. Polkas: in E; in g; in A; in f |
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Andante in F. Piece in C |
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Andante in f. Romance in g |
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Arias duets by |
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Arias and songs by |
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Arias, Duets, and Scenes by |
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At the Sea |
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Aus der Heimat |
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Aus der Heimat, no. 2 |
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Aus der Heimat: Moderato; Andantino |
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Aus der Heimať |
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Bagatelles and Impromptus |
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Bartered Bride |
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Bartered Bride: Dance of the Comedians |
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Bartered Bride: Endlich allein—wie fremd und tot |
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Bartered Bride: Mafenka's Aria, Act 3 |
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Bartered Bride: Overture, Polka, Furiant, Dance of the Comedians |
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Bettina Polka |
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Bettina’s Polka (first version) |
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Caprice bohémien in F |
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Complete Orchestral Works |
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Complete Works for Piano |
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Concert Étude in C |
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Czech Dances |
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Czech Dances (1872): Furiant. Four Czech Dances (1877): Polka (Rudolf Firknušný) |
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Czech Dances (First Series) |
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Czech Dances I and II. Bettina Polka. The Peasant Woman Polka |
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Czech Dances II: Hulán |
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Czech Dances, JB I:114 |
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Czech Dances, Set II: Nos. 1, 7, 8, and 10 |
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Czech Dances, Set II: Nos. 1,7,8,10 |
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Czech Dances, T 112/1; Polka in a |
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Czech Dances, T 112/2: Hullán; Obkročák; Furiant |
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Czech Dances. Polka in A Minor, op. 12, no. 1. Reveries |
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Czech Dances: Book I and II |
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Czech Dances: Hulán, Obkročák, Furiant, Polka poétique |
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Dalibor |
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Dalibor. Dalibor: Excerpts |
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Dalibor: Entr’acte |
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Dalibor: Mein Zdenko, du hast wieder mich beschütz; Ach, welchen Zauber, welche Wonne |
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Dalibor: War es wahr. Hubička: Cradle Song. Nekamenwujte proroky |
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Dance of the Comedians |
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Die Moldau |
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Die Verkaufte Braut: Komm', mein Söhnchen; So find' ich dich, Feinsliebchen, hier (with Pilar Lorengar, soprano; Gottlob Frick, bass) |
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Doktor Faust: Overture |
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Dreams |
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Dreams and Polkas |
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Dreams, Op. 4. Sketches, Op. 5 |
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Dreams. The Curious One |
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Evening Songs |
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Festive Symphony (Triumph Symphony) in E, op. 6 |
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Festive Symphony in E. Festive Overtures: in C; in D |
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Festive Symphony, Op. 6 |
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Festive Symphony, op. 6: Scherzo |
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Festive Symphony. The Bartered Bride: Overture; Polka; Furiant; Dance of the Comedians |
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From Bohemia's Woods and Fields |
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From My Homeland |
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From My Homeland, no. 2 |
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From My Homeland, No. 2 |
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From My Homeland, No. 2 (1910, 1915) |
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From My Homeland: Andantino |
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From My Homeland: No. 2 |
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From My Native Land |
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From Má Vlast: The High Castle; The Moldau; Šárka |
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From the Home Country |
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From the Homeland |
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From the Homeland, T. 128 |
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From the Homeland: 2 Pieces |
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From the Homeland: Andantino |
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Grand Overture in D. March for the Shakespeare Festival |
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Hakon Jarl, op. 16 |
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Hubička: Lark Song, The Bartered Bride: Achjakyzal |
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Libuše |
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Libuše: Fanfares. The Bartered Bride: Furiant.Bayadere Galop. Dahlia Polka. Our Lasses Polka. Student's Life Polka. Czech National Guard March. |
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Libuše: Overture and Act III Fragments |
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Libuše: Prelude |
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Libušse: Overture |
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Louisa’s Polka. Dahlia Polka. From the Student’s Life. Memories of Plzeň |
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Louisen Polka (arr. Krejčí) |
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Ma vlast: The Moldau |
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Ma vlast: Vltava |
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Ma Vlast: Vltava (The Moldau); The Bartered Bride: Dance of the Comedians |
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Macbeth and the Witches |
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Macbeth and the Witches. Dreams. Three Salon Polkas, op. 7. Three Poetic Polkas, op. 8. Memories of Bohemia in the Form of Polkas, ops. 12 and 13 |
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Memories of Bohemia in Polka Form, ops. 12 and 13 |
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Memories of Bohemia in the Form of Polkas, Opp. 12 and 13 (4); Reveries: Six Characteristic Pieces for Piano |
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Memories of Pilsen |
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Memories of Pizeň—Polka, T 38 |
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Minuet in B♭. Bayadere Galop. Festive Overture in O. Doctor Faust. To Our Lasses (Polka in D). Shakespeare Festival March. Solemn Overture in C. The Fisherman. Libuse's Judgment. A Country Woman. Louisa's Polka (orch. Krejčí). Wedding Scenes (orch. Hertl). Suite from Smetana's Sketch-Book (orch. Šmolka) |
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Music by |
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Music of |
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My Country: The Moldau |
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My Fatherland |
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My Fatherland. Richard III. Wallenstein’s Camp. Hakon Jarl. Triumph Symphony. March for a Shakespeare Festival. Ceremonial Prelude in C. Our Lasses Polka. Georginen Polka (arr. Krejčí) |
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Má Vlast |
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Má vlast |
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Má Vlast (My Country) |
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Má Vlast (My Country). The Bartered Bride: Overture; Furiant; Dance of the Comedians |
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Má vlast (selections) |
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Má Vlast. Na im D vám |
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Má Vlast. The Bartered Bride: Overture; Furiant; Skočná |
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Má Vlast. The Bartered Bride: Overture; Polka; Furiant; Skočná |
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Má Vlast. Wallenstein’s Camp. Håkon Jarl. Richard III. The Bartered Bride: Overture; Polka; Furiant; Dance of the Comedians |
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Má Vlast: Die Moldau |
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Má Vlast: From Bohemia’s Woods and Fields |
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Má Vlast: Moldau |
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Má Vlast: No. 1, Vyšehrad; No. 2, Vltava (The Moldau); No. 4, From Bohemia's Woods and Fields. No. 5, Tábor |
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Má Vlast: No. 2, Vltava (The Moldau). The Bartered Bride: Three Dances |
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Má Vlast: No. 2, Vltava (“Moldau“) |
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Má Vlast: The Moldau |
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Má vlast: The Moldau |
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Má Vlast: The Moldau (Vetava) |
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Má Vlast: The Moldau. The Bartered Bride: Overture |
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Má Vlast: Tábor |
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Má Vlast: Vltava |
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Má vlast: Vltava |
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Má Vlast: Vltava (2 versions) |
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Má Vlast: Vltava (My Country: The Moldau). The Bartered Bride: Three Dances |
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Má Vlast: Vltava (The Moldau) |
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Má vlast: Vltava (The Moldau) |
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Má Vlast: Vltáva |
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Má vlast: Vyšehrad |
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Má Vlast: Vyšehrad; Moldau. The Bartered Bride: Polka; Furiant; Dance of the Comedians |
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Má Vlast: Vyšehrad; Vltava |
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Má Vlast: Vyšehrad; Vltava; Z Českých Luhů a Hájů. Prodaná Nevěsta: Overture; Polka; Furiant; Skočná |
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Nasim Devam—polka |
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Notturno. 4 Rondos. Variations on a Theme of a Bohemian Folk Song |
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Obkrocak. Dupak |
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Oldřich and Božena: Overture |
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On the Sea Shore. Fantasia on Czech Folksongs. Czech Dances I: Polka in f♯, Polka in a |
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On the Seashore |
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On the Seashore— Concert Étude |
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Orchestral Highlights from Operas |
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Overture to The Bartered Bride |
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Piano Music |
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Piano Music (complete) |
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Piano Sonata in g. Four-part Fugue in D. Piece in C, II. Four-part Fugue in C. Three-part Fugue in e. Piece in c. Four-part Fugue in a. 2 Études |
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Piano Trio |
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Piano Trio in g |
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Piano Trio in g, op. 15 |
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Piano Trio in g, Op. 15 |
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Piano Trio in g, op.15 |
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Piano Trio, op. 15 |
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Piano Works |
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Piano Works (Complete) |
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Piano Works (complete) |
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Piano Works, Volume 1 |
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Poetic Polka in G minor, Op. 8, No. 2. Czech Dances: Polka in A minor, 1:2; Hulán (Lancer); in A, 11:7; Obkrocak in P, 11:8; Furiant in A minor, 11:1. Vzpomínka na Plzeň (Souvenir of Pilsen) |
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Polka in A Minor [from Bohemian Dances, Book I. No. 21). Polka in FCfrom Bohemian Dances, Book I, No. 31). Bohemian Rhapsody tfrom Reveries, No. 6) |
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Polka in B♭ |
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Polka in E♭ |
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Polka in E♭. Polka in E. 3 Drawing-Rooms Polkas, op. 7 |
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Polka in g, T 63/2 |
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Polkas |
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Polkas, Czech Dances |
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Prague Carnival. March of the National Guard. Shakespeare Festival March |
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Prague Carnival: Introduction and Polonaise |
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Prodana nevěsta: O jaký zal. Zdenka Ziková, soprano; Malko, conductor (September 20, 1934) |
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Prodaná Nevéšta/The Bartered Bride (sung in German) |
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Prodaná Nevěsta (The Bartered Bride; sung in Czech) |
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Prodaná Nevěsta: Kdybych se co takového; 0 jaký žal! Dalibor: Jak je mi? |
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Quartet (arr. Szell) |
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Quartet No. 1 in E Minor, T. 116 (“From My Life“) |
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Quartet No. 1 in E Minor, “From My Life |
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Quartet No. 1 in E Minor, “From My Life” |
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Quartet No. 1, “From my Life” |
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Richard III, op. 11 |
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Richard III, Op. 11. Wallenstein's Camp, Op. 14. Hakon jarl, Op. 16. Carnival in Prague—Introduction and Polonaise |
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Richard III, op. 11. Wallenstein's Camp, op. 14. Håkon Jarl, op. 16 |
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Richard III, op. 11. Wallenstein's Camp, op. 14. Håkon Jarl, op. 16. Solemn March for Shakespeare Celebrations. Solemn Prelude in C. The Country Woman Polka. The Prague CarnivaP. To Our Girls Polka |
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Romance. Etudes in a; C |
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Rusalka: O lovely moon |
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Rusalka: O lovely moon (in German). Obituary for Elfride Trötschel by Walter Felsenstein |
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Rêves, Op. 75: Lost Happiness; Consolation; In Bohemia: Country Scene; In the Salon; By the Castle; Bohemian Harvest Festival. Polkas de Salon, Op. 7 (1854): No. 1 in F° ; No. 2 in F minor; No. 3 in E. Souvenirs de Boheme en Forme de Polka, Op. 13 (1860): No. 1 in E minor; No. 2 in E“ |
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Rêves. Stammbuchblätter |
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Scherzo-Polka in op. 5, no. 1. Three Salon Polkas, op. 7. Am Meeresufer—Concert Etude in C, op. 17. Rêves. Andante in E♭. Czech Dances: Polka in A Minor; Cibulička; Sousedská; Obkročák |
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Scherzo-Polka, op. 5/1 |
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Selections by |
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Short Orchestral Pieces |
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Six Characteristic Pieces, op. 1: Sehnsucht |
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Sketches, op. 5: No. 1, Scherzo-Polka; No. 3, Pleasant Landscape |
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Sny (Dreams), Op. 4 Črty (Sketches), Op. 5 |
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Solo works by |
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Sonatenform |
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Songs and arias by |
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Souvenir of Bohemia in the Form of Polkas, Op. 13. Concert-Fantasy on Czech Folksongs (1862) |
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Souvenirs de Bohème en forme de Polka: Op. 12, No. 2; Op. 13, No. 1; Op. 13, No. 2. Polka poétique, Op. 7, No. 2. Polka de Salon, Op. 7, No. 1. Bohemian Dances, Vol. II: No. 1, Furiant. Rêves: La Bonheur éteint; La Consolation; En Bohême, Scène Champêtre; Au Salon; Près du Château; La Fête des paysans bohémiens. Am Seegestade. Konzertetiide, Op. 17. Sketches, Op. 5: No. 3, Macbeth and the Witches, Op. posth. Six Character Pieces: Sehnsucht, Op. 1, No. 4; Hirtenweise, Op. 1, No. 3 |
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Souvenirs of Bohemia in the Form of Polkas, ops. 12 and 13. Polkas: in f; in A; in E; in g |
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String Quartet in e, “From My Life” |
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String Quartet No. 1 |
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String Quartet No. 1 in E Minor |
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String Quartet No. 1 in E Minor ("From My Life") |
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String Quartet No. 1 in E minor (From my Life) |
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String Quartet No. 1 in E minor (“From my Life“) |
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String Quartet No. 1 in E Minor (“From My Life“) |
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String Quartet No. 1 in E Minor (“From my Life“) |
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String Quartet No. 1 in E Minor (“From my life“) |
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String Quartet No. 1 in E Minor (“From My Life“)- |
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String Quartet No. 1 in E Minor (“From My Life“); String Quartet No. 2 in D Minor |
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String Quartet No. 1 in E Minor, (“From my life“) |
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String Quartet No. 1 in e, “From My Life.“ |
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String Quartet No. 1 in e: Largo sostenuto |
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String Quartet No. 1, "From My Life" |
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String Quartet No. 1, “From My Life:” Allegretto alla polka |
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String Quartet No. 1, “From My Life” |
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String Quartet No. 1, “From My Life” (arr: Szell) |
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String Quartet No. 1: Largo sostenuto |
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String Quartet No. 2 |
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String Quartet No. 2 in d |
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String Quartet No. 2 in D Minor |
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String Quartet No. t in E Minor (“From My Life") |
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String Quartets Nos. 1 & 2 |
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String Quartets Nos. 1 and 2 |
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String Quartets: No. 1 in E minor (“From my Life“) ; No. 2 in D minor. Troios Polkas de Salon, Op. 7. Trois Polkas Poétiques, Op. 8. Souvenirs de Bohême en forme de Polkas, Op. 12 |
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String Quartets: No. 1 in E minor (“From My Life“); No. 2 in D minor |
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String Quartets: No. 1 in E minor (“From my Life“); No. 2 in D minor |
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String Quartets: No. 1 in E minor (“From my life“); No. 2 in D minor |
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String Quartets: No. 1 In E Minor (“From My Life“); No. 2 In D Minor |
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String Quartets: No. 1 in E Minor (“From my life“); No. 2 in D Minor |
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String Quartets: No. 1 in e, “From my Life;” No. 2 in d |
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String Quartets: No. 1 ¡n e (1876); No. 2 in d (1882-83) |
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String Quartets: No. 1, “From My Life”; No. 2 |
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String Quartets: No. 1; No. 2 |
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String Quartets: Nos. 1 and 2 |
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Symphonic Poems |
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Ten Czech Dances (arr. Anton Hasefeld) |
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The Bartered Bride |
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The Bartered Bride: |
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The Bartered Bride: Overture; Polka; Furiant |
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The Bartered Bride: 3 Dances |
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The Bartered Bride: Alone with my grief!. Libuše: Libuse's Prayer. From my Homeland: Nos. 13 and 14 |
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The Bartered Bride: Armer Narr... Es muss gelingen |
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The Bartered Bride: Dance of the Comedians |
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The Bartered Bride: Dance of the Comedians; Furiant. March of the Prague Student's Legion. Our Girls— Polka |
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The Bartered Bride: Drinking Song (with Gottlob Frick); Armer Narr ... Es muss gelingen |
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The Bartered Bride: Endlich allein |
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The Bartered Bride: Endlich allein, allein mit mir |
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The Bartered Bride: Es muss gelingen |
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The Bartered Bride: Excerpts |
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The Bartered Bride: Highlights |
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The Bartered Bride: Každý jen tu svou |
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The Bartered Bride: Komm mein Söhnchen (with Karl Kamann, bass-baritone) |
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The Bartered Bride: Komm, mein Söhnchen |
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The Bartered Bride: Komm, mein Söhnchen (with Frick); Armer Narr, glaubtest mich zu fangen ... Es muss gelingen |
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The Bartered Bride: Marenka's Aria |
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The Bartered Bride: Marenka's aria |
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The Bartered Bride: Marenka's aria. Dalibor: Milada's aria |
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The Bartered Bride: Marie's Aria |
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The Bartered Bride: Marie's Aria, Act III |
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The Bartered Bride: Mařenka's Aria. TCHAIKOVSKY; Eugene Onegin: Letter Scene. The Queen of Spades: Whence these Tears? It's Midnight . . . I am weary |
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The Bartered Bride: Nun in Lust und Leide (with Esther Rethy, soprano) ; Komm, mein Söhnchen, auf ein Wort (with Karl Kahmann, bass). Dalibor: War es ein Traumbild; Wer ist an der Türe? (with Leonie Rysanek, soprano) |
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The Bartered Bride: Oh! jaký žal! |
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The Bartered Bride: Overture |
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The Bartered Bride: Overture & Dances |
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The Bartered Bride: Overture (conducted by Rafael Kubelik) |
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The Bartered Bride: Overture (orchestra alone) |
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The Bartered Bride: Overture, Polka, and Furiant |
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The Bartered Bride: Overture. Symphonic Prologues I and II |
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The Bartered Bride: Overture. The Moldau |
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The Bartered Bride: Overture: Dance of the Villagers; Polka; Furiant; Fanfare; Dance of the Comedians |
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The Bartered Bride: Overture; 3 Dances |
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The Bartered Bride: Overture; Polka; Furiant. Six Polkas. Five Czech Dances. Festive Symphony: Scherzo |
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The Bartered Bride: Overture; Polka; Furiant; Dance of the Comedians |
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The Bartered Bride: Overture; Polka; Furiant; Dance of the Comedians. Richard III. Wallenstein's Camfř. Wedding Scene. The Secret: Overture |
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The Bartered Bride: Overture; Skočná. The Kiss: Overture |
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The Bartered Bride: Polka |
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The Bartered Bride: Polka and Comedians’ Dance |
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The Bartered Bride: Polka, Furiant, Dance of the Comedians; The Moldau |
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The Bartered Bride: Polka; Furiant; Dance of the Comedians |
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The Bartered Bride: Ten lásky sen |
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The Bartered Bride: The dream of love |
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The Bartered Bride: Three Dances |
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The Bartered Bride: Wer in Lieb entbrannt (with Eugene Fuchs, baritone) |
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The Bartered Bride: Wie fremd und tot. The Kiss: Wiegenlied |
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The Bartered Bride: Wie war's denn möglich |
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The Bartered Bride: “Endlich allein…Wie fremd und tot ist alles” |
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The Brandenburgers in Bohemia |
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The Complete Czech Dances |
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The Devil's Wall |
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The Devil's Wall: Jen jediná |
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The Devil’s Wall: Jen jediná |
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The Devil’s Wall: Prelude; Infernal Dance. The Brandenburgers in Bohemia: Prelude, Act I Ballet |
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The Fisherman |
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The Kiss |
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The Kiss: Hajej, můj andilku |
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The Kiss: Hajej, můj andílku |
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The Kiss: Hláse], ptáčku, Bárce; A ty, mé robe; Hajej muj andílku. The Bartered Bride: Ach, jaký zal; Ten lásky sen. My Star |
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The Kiss: Overture |
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The Lancer. Little Hen |
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The Moldau |
|
The Moldau (Fricsay, perf. 1960) |
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The Moldau (from Ma Vlast) |
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The Moldau (rehearsal and performance) |
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The Moldau and From Bohemia's Meadows and Forests (from My Fatherland) |
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The Moldau. From Bohemia's Meadows and Forests |
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The Moldau. From Bohemia's Meadows and Forests. Richard III.: Hakon Jarl. Wallenstein's Camp |
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The Moldau. From Bohemia’s Woods and Fields |
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The Moldau. The Bartered Bride: Overture |
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The Secret |
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The Secret: Overture |
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The Secreť. Viola (fragment) |
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The Two Widows |
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The Two Widows: Když zavítá máj; Aj, vizte lovce tam. The Secret: Co myslím? Cím jsem opojen. The Devils Wall: Kam prchnout. The Brandenburgers in Bohemia: Ó nezoufej, v lásku doufej. Dalibor: Toť třetí noc, kterou mi naznačila. The Bartered Bride: Verné milováni |
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The Two Widows: Overture; Act II Prelude; Act III Prelude |
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The Two Widows: Polka |
|
Three Revolutionary Marches (arr. Nelhybel) |
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Three-part Choruses for Female Voices |
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To ourg/r/s—Polka. March of the Prague Student's Legion |
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To Robert Schumann |
|
Toccatina in B♭ |
|
Trio in G Minor for Piano and Strings, Op. 15 |
|
Trio in G Minor for Piano, Violin, and Cello, op. 15 |
|
Trio in G Minor for Piano, Violin, and Cello, op. 15. Fantasy on a Bohemian Song for Violin and Piano. From My Homeland—Two Duos for Violin and Piano |
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Trio in G Minor for Violin, Cello, and Piano, Op. 15 |
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Trio in G minor for Violin, Cello, and Piano, Op. 15 |
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Trio in G Minor for Violin, Cello, and Piano, op. 15 |
|
Triumphal Symphony, op. 6 |
|
Venkovanka—polka |
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Vivace in F. 5 Marches. Figuration in e on the Chorale Gott sei uns gnädig und barmherzig |
|
Vltava |
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Vltava (The Moldau). The Bartered Bride: Overture; Polka; Furiant; Dance of the Comedians |
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Vltava (The Moldau, No. 2 from “Má Vlast“). The Bartered Bride: Polka; Furiant; Dance of the Comedians |
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Vltava: Peasant Wedding Dance |
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Vyšehrad (The High Castle); Vltava (Moldau); Sårka; From Bohemia's Fields and Forests; Tábor; Blaník |
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Vyšehrad (The High Castle); Vltava (Moldau); Šárka; Z českých luhuvahájuv (From Bohemia's Fields and Woods); Tábor; 6. Blaník |
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Vyšehrad. Vltava (Moldau). Šáka. Z českých luhů a hájů (From Czechoslovakia's Fields and Forests). Tabór. 6: Blaník |
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Wallenstein’s Camp, op. 14 |
|
Wallenstein’s Camp. Richard III. Hakon Jarl. The Fisherman. The Peasant Woman. Prague Carnival. Richard III: Fanfares |
|
Wedding Scenes |
|
Wedding Scenes (S). Louise's Polka. Dahlia Polka. From Student Life. Souvenir of Plzeň. Polkas: in E ; in E-Flat; in A; in G Minor; in F Minor. Bagatelles and Impromptus (8). Bettina's Polka. 6 Characteristic Pieces, Op. 1 |
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Works by |
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Works for Piano |
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Z domoviny – From the Homeland |
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