100 Transcendental Studies: Nos. 1-25 |
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100 Transcendental Studies: Nos. 63–71 |
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13 transcriptions of the "Minute" Waltz and 8 of other Chopin short pieces by |
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2 Piano Pieces |
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Correspondances; Crépuscule du soir mystique; Pantomime. Chrysilla. Roses du soir. The Poplars. L'heure exquise. Vocalise. I was not sorrowful. L'étang. Hymne à Aphrodite. Apparition. 3 Chants: Le faune; Les chats; La dernière fête galante. 3 Fêtes galantes: L'allée; À la promenade; Dans le grotte. L'irrémédiable. Arabesque |
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Fantaisie espagnole |
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Fantasie Espagnole. Hommage à Johann Strauss. Pastiche: Hindu Merchant Song from Rimsky-Korsakov’s Sadko. Pastiche: Habanera from Bizet’s Carmen. Pastiche: Chopin’s Valse, op. 64/1 |
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Fantasiettina |
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Fantasiettina sul nome Hugh MacDiarmid ossia Christopher Grieve (ed. Stevenson) |
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Fragment for Harold Rutland. Fantasiettina sul nome illustre dell’egregio poeta Christopher Grieve. Quære reliqua hujus materiei inter secretiora. St. Bernard de Comminges: “He was laughing in the tower” |
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Gulistàn |
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Gulistån (The Rose Garden)—Nocturne. Quaere reliqua hujus materiéi inter secretiora. Fantaslettina sul nome illustre dell'egregio poeta Christopher Grieve ossia Hugh MViarmid. Djàmi— Nocturne |
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Gulistān |
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Le Jardin Parfumé |
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Le Jardin parfumé |
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Le jardin parfumé. Djâmî. Gulistān. Opus Clavicembalisticum: Introito and Preludio-Corale |
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Nocturne: J ami. Pastiche: Chopin's Vahe Op. 64 no. 1 (The “Minute Waltz“). Le Jardin parfumé. Pastiche: Rimsky-Korsakov's Hindu Merchant's Song (from Sadko) |
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Opus Clavicembalisticum |
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Opus clavicembalisticum |
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Opus clavicembalisticum: Introito and Preludio corale. In the Hothouse. Toccata. Fantaisie espagnole. Fragment. Pastiche: “Habanera“ from Bizet's Carmen |
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Opus Clavicembalisticum: Introito and Preludio-Corale. In the Hothouse. Toccata. Fantaisie Espagnole. Fragment. Pastiche: “Habanera“ from Bizet's Carmen |
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Organ Symphony No. 1 |
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Passeggiata veneziana. Villa Tasca |
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Pastiche on the Hindu Merchant’s Song from Rimsky-Korsakov’s Sadko |
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Pastiche on the Minute Waltz of Chopin. Pasticcio capriccioso sopra Top. 64, no. 1 del Chopin |
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Piano Music |
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Piano Music and Transcriptions |
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Piano Sonata No. 1 |
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Piano Sonata No. 4 |
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Piano Works |
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Prelude, Interlude and Fugue |
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Prelude, Interlude, and Fugue. Valse-Fantaisie, Hommage à Johann Strauss. St. Bertrand de Comminges, “He was laughing in the tower.“ |
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Prelude, Interlude, and Fugue. Valse-Fantaisie: Hommage à Johann Strauss. St. Bertrand de Comminges: “He was laughing in the tower“ |
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Quaere reliqua hujus materiéi inter secreteriora. St. Bertrand de Comminges: “He was laughing in the tower. “ Toccatina sopra C. G. F. Sutra sul nome dell'amico Alexis. Sutra “Per il caro amico quasi Nipote—Alexis.“ Passeggiata arlecchinesca sopra un frammento di Busoni |
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Sequentia Cyclica |
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Sequentia Cyclica, super Dies Irae ex Missa pro defunctus |
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Shorter piano works |
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Songs |
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Toccata Seconda |
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Toccata Terza |
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Transcendental Studies Nos. 72–83 |
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Transcendental Studies Nos. 84–100 |
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Transcription of Ravel's Rapsodie espagnole. Passeggiata veneziana. Symphonie Variations: No. 56. Quasi habanera. Transcription in the light of Harpsichord Technique for the Modern Piano of the Chromatic Fantasia of J. S. Bach, followed by a Fugue. Pasticcio capriccioso sopra op. 64/1 dello Chopin |
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Trois Pastiches: No. 2, Pastiche on the Habanera from Carmen |
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Variazione maliziosa e perversa sopra “La Morte d'Ase“ da Grieg |
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