3 Pages in the Shape of a Pear (in celebration of Erik Satie) |
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Analog No. 1. Collage No. 1. Dialogue. Ergodos II: (for John Cage). Fabric for Che. For Ann. Phases (for Edgar Varese). Study for Player Piano |
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Changes: 64 Studies for 6 Harps |
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Ergodos II with Instrumental Responses. 3 Pages in the Shape of a Pear. Diaphonie Toccata. Chorale. Koan. Diaphonie Trio |
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Harmonium #1 for 12 Strings (rising) |
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Harmonium #1. For 12 Strings (rising). Two Koans and a Canon. Voice(s). Blues for Annie |
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Instrumental Responses (with Ergodos I) |
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Percussion Response (with Ergodos I) |
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Postal Pieces: Maximusic.* Swell Piece. Swell Piece #2. Swell Piece #3. A Rose Is a Rose Is a Round. Beast. Having Never Before Written a Note for Percussion . . . Koan. For Percussion Perhaps, or. . . (night). Cellogram? August Harp |
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Postal Pieces: Maximusic; Swell Piece; A Rose Is a Rose Is a Round; Beast; Swell Piece No. 2; Having Never Written a Note for Percussion; Koan; For Percussion Perhaps, or... (night); Swell Piece No. 3; Cellogram; August Harp |
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Saxony, for Saxophone and Tape-Delay System |
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Spectral CANON for CONLON Nancarrow |
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Spectrum Pieces: Nos. 1–8 |
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String Complement (with Ergodos II) |
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Variations in A (on a theme by my father) |
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Water on the Mountain ... Fire in Heaven, for Six Electric Guitars |
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