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Feature Articles in Issue 40:6 (July/Aug 2017)
Marching to Her Own Drummer: The Sui Generis Music of Alla Elana Cohen | FEATURE REVIEW: THE RETURN (Thomas G. Leslie) |
FEATURE REVIEW: COHEN, ALLA ELANA: “Inner Temple” Volume 2 Series... (Marissa Licata) | FEATURE REVIEW: THE RETURN (Thomas G. Leslie) |
FEATURE REVIEW: COHEN, ALLA ELANA: “Inner Temple” Volume 2 Series... (Marissa Licata) | Following One’s Passions: Composer Guido Mancusi on His Passio Domini Secundum Joannem |
A Pianist’s Thoughts on Practice, Playing and Recording | FEATURE REVIEW: MANCUSI: Passio Domini Secundum Joannem (Guido Mancusi) |
FEATURE REVIEW: GREY CLOUDS (Pål Eide) | FEATURE REVIEW: MANCUSI: Passio Domini Secundum Joannem (Guido Mancusi) |
FEATURE REVIEW: GREY CLOUDS (Pål Eide) | The Clarinet Artistry of Jonathan Parkin |
FEATURE REVIEW: GREY CLOUDS (Pål Eide) | FEATURE REVIEW: PORTRAITS OF ENGLAND (Jonathan Parkin) |
Busch-League, Not Bush-League, Repertoire: Jakob Fichert and the Piano Music of Adolf Busch | FEATURE REVIEW: PORTRAITS OF ENGLAND (Jonathan Parkin) |
FEATURE REVIEW: BUSCH, ADOLF: Fantasia in C, BoO 20... (Jakob Fichert) | FEATURE REVIEW: PORTRAITS OF ENGLAND (Jonathan Parkin) |
FEATURE REVIEW: BUSCH, ADOLF: Fantasia in C, BoO 20... (Jakob Fichert) | Gloriæ Dei Cantores and Rachmaninoff’s All-Night Vigil : A Faith-full Performance |
Beauty and Empathy: Hans Graf Talks About Alban Berg’s Wozzeck | FEATURE REVIEW: RACHMANINOFF: All-Night Vigil, op. 37 (Peter Jermihov) |
FEATURE REVIEW: BERG, ALBAN: Wozzeck (Hans Graf) | FEATURE REVIEW: RACHMANINOFF: All-Night Vigil, op. 37 (Peter Jermihov) |
FEATURE REVIEW: BERG, ALBAN: Wozzeck (Hans Graf) | FEATURE REVIEW: RACHMANINOFF: All-Night Vigil, op. 37 (Peter Jermihov) |
FEATURE REVIEW: BERG, ALBAN: Wozzeck (Hans Graf) | FEATURE REVIEW: RACHMANINOFF: All-Night Vigil, op. 37 (Peter Jermihov) |
Connecting to the Center of Each Sound: An Interview with Pianist Amy Gustafson on Her Debut Album, Rêverie | FEATURE REVIEW: RACHMANINOFF: All-Night Vigil, op. 37 (Peter Jermihov) |
From Gallagher to Brahms—The Road Taken by Pianist Frank Huang | Reaching Deep: A Conversation with Kathryn Rosenbach |
FEATURE REVIEW: BRAHMS, JOHANNES: Piano Sonata No. 1. Scherzo in... (Frank Huang) | FEATURE REVIEW: DEBUSSY; RAVEL (Kathryn Rosenbach) |
Lagniappe! (Re)discovering Offenbach | FEATURE REVIEW: DEBUSSY; RAVEL (Kathryn Rosenbach) |
FEATURE REVIEW: OFFENBACH: Cello Duets (Paul Christopher) | Rostropovich Redivivus : The Complete Warner Recordings |
Expressing the Intense Ambiguities and Complexities of Contemporary Life: A Conversation with Aylish Kerrigan | A Compositional Powerhouse: The Muscular Music of David Sampson |
FEATURE REVIEW: SCHOENBERG, ARNOLD; BODLEY (Aylish Kerrigan) | FEATURE REVIEW: SAMPSON, DAVID: Fanfare for Canterbury Cathedral.... (Andy Lamy) |
FEATURE REVIEW: SCHOENBERG, ARNOLD; BODLEY (Aylish Kerrigan) | FEATURE REVIEW: SAMPSON, DAVID: Fanfare for Canterbury Cathedral.... (Andy Lamy) |
Thomas Leslie Talks About The Return of the UNLV Wind Orchestra | Another Conversation with Violinist Steven Staryk |
FEATURE REVIEW: THE RETURN (Thomas G. Leslie) | FEATURE REVIEW: WIENIAWSKI: Violin Concerto No. 2. Études-Caprices,... (Steven Staryk) |
FEATURE REVIEW: THE RETURN (Thomas G. Leslie) | FEATURE REVIEW: WIENIAWSKI: Violin Concerto No. 2. Études-Caprices,... (Steven Staryk) |
FEATURE REVIEW: THE RETURN (Thomas G. Leslie) | Slightly Off the Beat |
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Interviews,
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