|
|
Performer: Thomas Adès ADÈS: In Seven Days. Concert Paraphrase... (Kirill Gerstein) (Review by Phillip Scott) | conductor | ADÈS: . . . but all shall be well (Review by Robert Carl) | piano | ADÈS: . . . but all shall be well (Review by Robert Kirzinger) | piano | ADÈS: . . . but all shall be well (Review by Martin Anderson) | piano | ADÈS: America, a Prophecy, op. 19. Brahms, op. 21. The Fayrfax Carol. Fool's Rhymes, op. 5.“January Writ. Life Story, op. 8. The Lover in Winter. Oh thou, who didst with pitfall and with gin, op. 3b. (Review by John Story) | conductor | ADÈS: Asyla (Review by Huntley Dent) | conductor | ADÈS: Brahms (Review by Huntley Dent) | conductor | ADÈS: Catch. Darknesse Visible. Still Sorrowings. Under Hamelin Hill. 5 Eliot Landscapes. Traced Overhead. Life Story (Review by Martin Anderson) | organ | ADÈS: Catch. Darknesse Visible. Still Sorrowings. Under Hamelin Hill. 5 Eliot Landscapes. Traced Overhead. Life Story (Review by Martin Anderson) | piano | ADÈS: Chamber Symphony (Review by Robert Carl) | piano | ADÈS: Chamber Symphony (Review by Robert Kirzinger) | piano | ADÈS: Chamber Symphony (Review by Martin Anderson) | piano | ADÈS: Concert Paraphrase on Powder Her Face. The Exterminating Angel (Review by Robert Carl) | performance, want list | ADÈS: Concert Paraphrase on Powder Her Face. The Exterminating Angel (Review by Huntley Dent) | piano | ADÈS: Concert Paraphrase on Powder Her Face. The Exterminating Angel (Review by Robert Carl) | piano | ADÈS: Concerto Conciso (Review by Robert Carl) | conductor | ADÈS: Concerto Conciso (Review by Robert Kirzinger) | conductor | ADÈS: Concerto Conciso (Review by Martin Anderson) | conductor | ADÈS: Concerto Conciso (Review by Robert Carl) | piano | ADÈS: Concerto Conciso (Review by Robert Kirzinger) | piano | ADÈS: Concerto Conciso (Review by Martin Anderson) | piano | ADÈS: In Seven Days for Piano and Orchestra (Review by Huntley Dent) | conductor | ADÈS: In Seven Days for Piano and Orchestra (Review by Robert Carl) | conductor | ADÈS: In Seven Days (Review by Robert Carl) | performance, want list | ADÈS: In Seven Days. Concert Paraphrase on Powder Her Face (Review by Phillip Scott) | piano | ADÈS: Lieux retrouvés (Review by Lynn René Bayley) | piano | ADÈS: Life Story (Review by Martin Anderson) | organ | ADÈS: Life Story (Review by Alex Ross) | performance, want list | ADÈS: Life Story (Review by Mike Silverton) | performance, want list | ADÈS: Life Story (Review by Martin Anderson) | piano | ADÈS: Mazurkas (Review by Robert Carl) | performance, want list | ADÈS: Piano Concerto (Review by Huntley Dent) | conductor | ADÈS: Piano Concerto (Review by Phillip Scott) | conductor | ADÈS: Piano Quintet (Review by Robert Carl) | piano | ADÈS: Powder Her Face (Review by Robert Kirzinger) | conductor | ADÈS: Powder Her Face (Review by Robert Carl) | conductor | ADÈS: Tevot. Polaris (Voyage for Orchestra) (Review by Huntley Dent) | conductor | ADÈS: The Tempest (Review by Robert Carl) | conductor | ADÈS: These Premises Are Alarmed (Review by Robert Carl) | piano | ADÈS: These Premises Are Alarmed (Review by Robert Kirzinger) | piano | ADÈS: These Premises Are Alarmed (Review by Martin Anderson) | piano | ADÈS: Totentanz (Review by Huntley Dent) | conductor | ADÈS: Totentanz (Review by Phillip Scott) | conductor | BARBER, SAMUEL: 2 Choruses, op. 8. Agnus Dei, op. 11. 4 Songs, op. 13 (Review by Walter Simmons) | piano | BARBER, SAMUEL: Choral Music (Review by Walter Simmons) | piano | BARBER, SAMUEL: Choral and Organ Works (Review by Walter Simmons) | piano | BARBER, SAMUEL: Two Choruses, op. 8. Agnus Dei, op. 11. From Songs, op. 13 (Review by Walter Simmons) | piano | BARRY, GERALD: The Importance of Being Earnest (Review by James H. North) | conductor | BARRY, JOHN: Beethoven (Review by Huntley Dent) | conductor | BARRY, JOHN: Piano Concerto (Review by Huntley Dent) | conductor | BARRY, JOHN: The Eternal Recurrence (Review by Huntley Dent) | conductor | BARRY, JOHN: Viola Concerto. The Conquest of Ireland (Review by Huntley Dent) | conductor | BARRY, JOHN: Viola Concerto. The Conquest of Ireland (Review by Raymond Tuttle) | conductor | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 1–3 (Review by Huntley Dent) | conductor | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 4–6 (Review by Huntley Dent) | conductor | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 4–6 (Review by Raymond Tuttle) | conductor | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 7, 8, 9 (Review by Huntley Dent) | conductor | COUPERIN, FRANÇOIS: (arr. Adès) Les baricades mystérieuses? (Review by John Story) | conductor | FAURÉ, GABRIEL: Cello Sonata No. 2 in g (Review by Lynn René Bayley) | piano | FORMAN: (arr. Adès) Cardiac Arrest™ (Review by John Story) | conductor | JANÁČEK, LEOŠ: A Reminiscence (Review by Bernard Jacobson) | piano | JANÁČEK, LEOŠ: Andante. Moderato (Review by Bernard Jacobson) | piano | JANÁČEK, LEOŠ: In memoriam (Review by Bernard Jacobson) | piano | JANÁČEK, LEOŠ: Moravian Folk Songs. 7 Piano Pieces (Review by James H. North) | piano | JANÁČEK, LEOŠ: Moravian Folk-Songs (Review by Bernard Jacobson) | piano | JANÁČEK, LEOŠ: Piano Sonata, From the Street 1.X.1905. On an Overgrown Path. In the Mists (Review by Huntley Dent) | piano | JANÁČEK, LEOŠ: Pohádka (Review by Lynn René Bayley) | piano | JANÁČEK, LEOŠ: The Diary of One Who Disappeared (Review by Bernard Jacobson) | piano | JANÁČEK, LEOŠ: The Diary of One Who Disappeared (Review by James H. North) | piano | JANÁČEK, LEOŠ: The Diary of One Who Disappeared. Moravian Folk Songs. 7 Piano Pieces (Review by James H. North) | performance, want list | JANÁČEK, LEOŠ: The Diary of One Who Disappeared/Piano Works (Review by Joel Kasow) | performance, want list | JANÁČEK, LEOŠ: The Golden Ring. I wait for you. Christ the Lord Is Born (Review by Bernard Jacobson) | piano | KURTAG, G.: For Steven (Review by Lynn René Bayley) | piano | LISZT: Romance oubliée. Die Zelle in Nonnenwerth. Die Trauergondel (Review by Lynn René Bayley) | piano | RUDERS, POUL: Fairy Tale. Piano Sonata No. 2. De profundis. Concerto in Pieces (Review by Paul Rapoport) | piano | RUDERS, POUL: Fairy Tale. Piano Sonata No. 2. De profundis. Concerto in Pieces (Review by Robert Carl) | piano | SCHUBERT: Piano Quintet in A, “Trout“ (Review by Robert Carl) | piano | SCHUBERT: Winterreise (Review by Huntley Dent) | piano | SCHUBERT: Winterreise (Review by Raymond Beegle) | piano | STRAVINSKY, IGOR: Ballade. Tango. Suite italienne (Review by Robert Maxham) | piano | STRAVINSKY, IGOR: Duo concertant. The Firebird (Review by Robert Maxham) | piano | STRAVINSKY, IGOR: La Marseillaise (arr. Stravinsky) (Review by Robert Maxham) | piano | STRAVINSKY, IGOR: Mavra (Review by Robert Maxham) | piano | STRAVINSKY, IGOR: Pastorale. The Nightingale (Review by Robert Maxham) | piano | STRAVINSKY, IGOR: Pulcinella (Review by Robert Maxham) | piano | STRAVINSKY, IGOR: The Fairy’s Kiss (Review by Robert Maxham) | piano |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
