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Performer: Barry Altschul BLEY, CARLA: Start. Closer. Sideways in Mexico. Batterie. And Now the Queen. Violin (Review by Lynn René Bayley) | drum | BLEY, CARLA/ADAMS, TERRY: Ida Lupino (Review by Lynn René Bayley) | drum | BLEY, PAUL: Figfoot (Review by Lynn René Bayley) | drum | BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann) | drum | BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann) | percussion | COLEMAN, ORNETTE: Crossroads (Review by Lynn René Bayley) | drum | LEVAILLANT: Free Mandela. Drive In. Rhythmic Training. Piano Station. Time Colours. Dance from Nowhere. Drum Role. Be Out’s Cool. Mellow Moment. Paris-New York Railway. Pressing on. Around the Blues By Easy Stage One and Two. Open Runs. Just Arrived (Review by Leni Bogat) | percussion | LEVAILLANT: Free Mandela. Drive In. Rhythmic Training. Piano Station. Time Colours. Dance from Nowhere. Drum Role. Be Out’s Cool. Mellow Moment. Paris-New York Railway. Pressing on. Around the Blues By Easy Stage One and Two. Open Runs. Just Arrived (Review by Colin Clarke) | percussion | PEACOCK, ANNETTE: Cartoon (Review by Lynn René Bayley) | drum |
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