a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
ANONYMOUS: Greensleeves. Ophelia's Song. The Cobbler. Song on the death ofDesdemona (Review by Tom Moore)
ensemble or orchestra
BYRD, WILLIAM: La volta (Review by Tom Moore)
CUTTING: Galliard (Review by Tom Moore)
DOWLAND, JOHN: Flow my teares. Can she excuse my wrongs. Fine knacks for ladies. I saw my lady weep. Shall I sue. Tell me true love. If my complaints could passions move. Come Again. The Frog Galliard. Sorrow, stay (Review by Tom Moore)
HUME, CAPTAIN TOBIAS: Harke, harke. Soldier's Resolution (Review by Tom Moore)
JOHNSON, JOHN: Rogero (Review by Tom Moore)
LA RUE: Missa de septem doloribus. Missa pascale. Pater de caelis Deus. Vexillä Regis/Passio (Review by J. F. Weber)
MACHAUT: De toutes flours (instr.). Quant Theseus. Plus dure que un úyamant (instr.). Ma fin est mon commencement. Hoquet David (instr.) Douce dame ¡olie. Ce que soutient moy (instr). Rose, Hz. Dame ne regardes pas (instr). Ma chiere dame. Dame se vous m estes lonteinne. Trop plus est belle (Review by J. F. Weber)
MACHAUT: La Messe de Notre Dame. “L'amour Courtois“ (Review by J. F. Weber)
MORLEY: O mistress mine. It was a lover and his lass (Review by Tom Moore)
ROBINSON, THOMAS: Passamezzo galliard (Review by Tom Moore)