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Performer: Elizabeth A. Baker

BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Raymond Tuttle)

electronics 

BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Colin Clarke)

electronics 

BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Raymond Tuttle)

guitar 

BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Colin Clarke)

guitar 

BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Raymond Tuttle)

percussion 

BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Colin Clarke)

percussion 

BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Raymond Tuttle)

piano 

BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Colin Clarke)

piano 

BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Raymond Tuttle)

toy piano 

BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Colin Clarke)

toy piano 

BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Raymond Tuttle)

vocal 

BAKER, ELIZABETH A.: Command Voices – 251A. Command Voices – 415X. Four Explosions Expanding From the Center. Quarks. Identity Definitions. Lateral Phrases & Beat Frequencies (Review by Colin Clarke)

vocal 

BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Raymond Tuttle)

electronics 

BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Colin Clarke)

electronics 

BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Raymond Tuttle)

guitar 

BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Colin Clarke)

guitar 

BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Raymond Tuttle)

percussion 

BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Colin Clarke)

percussion 

BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Raymond Tuttle)

piano 

BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Colin Clarke)

piano 

BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Raymond Tuttle)

toy piano 

BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Colin Clarke)

toy piano 

BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Raymond Tuttle)

vocal 

BAKER, ELIZABETH A.: Microbial Systems. HEADSPACE. What is done in silence. An Outcast. Feeding the Beast. GBH – The Natural Calm & Synthetic Danger (Review by Colin Clarke)

vocal 

CORDER, FREDERICK: Sashay (Review by Raymond Tuttle)

electronics 

CORDER, FREDERICK: Sashay (Review by Colin Clarke)

electronics 

CORDER, FREDERICK: Sashay (Review by Raymond Tuttle)

guitar 

CORDER, FREDERICK: Sashay (Review by Colin Clarke)

guitar 

CORDER, FREDERICK: Sashay (Review by Raymond Tuttle)

percussion 

CORDER, FREDERICK: Sashay (Review by Colin Clarke)

percussion 

CORDER, FREDERICK: Sashay (Review by Raymond Tuttle)

piano 

CORDER, FREDERICK: Sashay (Review by Colin Clarke)

piano 

CORDER, FREDERICK: Sashay (Review by Raymond Tuttle)

toy piano 

CORDER, FREDERICK: Sashay (Review by Colin Clarke)

toy piano 

CORDER, FREDERICK: Sashay (Review by Raymond Tuttle)

vocal 

CORDER, FREDERICK: Sashay (Review by Colin Clarke)

vocal 

 

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