|
|
Performer: BBC S Ch VAUGHAN WILLIAMS: Symphonies Nos. 6 and 8... (Martyn Brabbins) (Review by Huntley Dent) | ensemble or orchestra | BARBIERI, FRANCISCO: El barberillo de Lavapiés (sung in English) (Review by Ken Meltzer) | ensemble or orchestra | BERLIOZ: Roméo et Juliette (Review by Phillip Scott) | ensemble or orchestra | BERNSTEIN, LEONARD: Symphony No. 3, “Kaddish“; Chichester Psalms; Missa brevis (Review by Michael Fine) | ensemble or orchestra | BINGHAM, JUDITH: First Light (Review by Phillip Scott) | ensemble or orchestra | BINGHAM, JUDITH: Salt in the Blood (Review by Phillip Scott) | ensemble or orchestra | BINGHAM, JUDITH: The Darkness Is no Darkness (Review by Phillip Scott) | ensemble or orchestra | BINGHAM, JUDITH: The Secret Garden (Review by Phillip Scott) | ensemble or orchestra | BLACHER: Alla Marcia^. Dance Scenes (“La Vie“). Chiarina. Partita for Strings and Six Percussion. Sonatine No. 2. Three Psalms for Baritone and Piano (Review by James H. North) | ensemble or orchestra | BORODIN: Requiem (orch. Stokowski). Prince Igor (orch. Rimsky-Korsakov and Glazunov) (Review by Raymond Tuttle) | ensemble or orchestra | BRAHMS, JOHANNES: Ein deutsches Requiem (Review by Daniel Morrison) | ensemble or orchestra | DANIEL-LESUR: Le Cantique des cantiques. In Paradisum. La Vie intérieure. Messe du Jubile (Review by Paul A. Snook) | ensemble or orchestra | FOULDS, JOHN: A World Requiem (Review by Martin Anderson) | want list ensemble | GOLDSCHMIDT, BERTHOLD: Two Psalms for Tenor and Strings (Review by James H. North) | ensemble or orchestra | HOLST, GUSTAV: 1st Choral Symphony. The Mystic Trumpeter (Review by Richard A. Kaplan) | want list ensemble | HOLST, GUSTAV: Choral Symphony, op. 47. Choral Fantasia, op. 51 (Review by Peter J. Rabinowitz) | ensemble or orchestra | HOLST, GUSTAV: First Choral Symphony (Review by Lynn René Bayley) | ensemble or orchestra | HOLST, GUSTAV: First Choral Symphony (Review by Richard A. Kaplan) | ensemble or orchestra | HOLST, GUSTAV: The Planets (Review by James A. Altena) | ensemble or orchestra | KODÁLY: The Spinning Room (2/3/1960) (Review by Raymond Tuttle) | ensemble or orchestra | MAHLER, GUSTAV: Symphony No. 8 (Review by Henry Fogel) | ensemble or orchestra | MESSIAEN: O sacrum convivium (Review by Paul A. Snook) | ensemble or orchestra | MILHAUD: Chorale (Review by James H. North) | ensemble or orchestra | MUSSORGSKY: Night on Bald Mountain (Sorochinsky Fair version) (Review by Jerry Dubins) | ensemble or orchestra | SHORTALL: Fanfares for Those Who Will Not Return (Review by James H. North) | ensemble or orchestra | SULLIVAN: The Light of the World (Review by Gil French) | ensemble or orchestra | SULLIVAN: The Light of the World (Review by James A. Altena) | ensemble or orchestra | TIPPETT, MICHAEL: The Mask of Time (Review by Peter J. Rabinowitz) | ensemble or orchestra | VAUGHAN WILLIAMS: A Sea Symphony (Review by Bernard Jacobson) | want list ensemble | VAUGHAN WILLIAMS: England, my England (Review by Huntley Dent) | ensemble or orchestra | VAUGHAN WILLIAMS: Flourish for Glorious John. Fantasia for Piano and Orchestra. The Steersman. The Future (Review by James A. Altena) | ensemble or orchestra | VAUGHAN WILLIAMS: Symphonies Nos. 7 and 9 (Review by James A. Altena) | ensemble or orchestra | VAUGHAN WILLIAMS: Symphonies Nos. 7 and 9 (Review by Steven Kruger) | ensemble or orchestra | VAUGHAN WILLIAMS: Symphonies (Review by Steven Kruger) | want list ensemble | VAUGHAN WILLIAMS: Valiant-for-Truth (Review by James H. North) | ensemble or orchestra | WAGNER, RICHARD: Götterdämmerung (Review by Andrew Quint) | ensemble or orchestra | WAGNER, RICHARD: Götterdämmerung (Review by Colin Clarke) | ensemble or orchestra | WEILL, KURT: Zu Potsdam unter den Eichen. Choral-Fantasy “Herr Gott dein Zorn tu vons uns wenden“ (Review by James H. North) | ensemble or orchestra |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
