|
|
Performer: Ryan Brown BEETHOVEN, LUDWIG VAN: Leonore (1805 version) (Review by James A. Altena) | conductor | BEETHOVEN, LUDWIG VAN: Leonore (Review by James H. North) | conductor | BERNSTEIN, LEONARD: (arr. Briggs) West Side Story (Review by Peter J. Rabinowitz) | piano | BOWEN, YORK: Toccata, op. 155. (Review by Peter J. Rabinowitz) | piano | COPLAND/DVOŘÁK: Simple Gifts/Going Home. (Review by Peter J. Rabinowitz) | piano | DEBUSSY: L'isle joyeuse. (Review by Peter J. Rabinowitz) | piano | DUKAS: (arr. Shumway) The Sorcerer's Apprentice (Review by Peter J. Rabinowitz) | piano | FRIEDMAN: Tabatière à musique. (Review by Peter J. Rabinowitz) | piano | GAVEAUX, PIERRE: Léonore (Review by Ken Meltzer) | conductor | GAVEAUX, PIERRE: Léonore (Review by James H. North) | conductor | GERSHWIN: (abridged, arr. Shumway) (Review by Peter J. Rabinowitz) | piano | GINASTERA, ALBERTO: Danzas argentinas. (Review by Peter J. Rabinowitz) | piano | GLUCK: Orphée et Euridice (Review by James Camner) | conductor | GRÉTRY: Le magnifique (Review by Lynn René Bayley) | conductor | GRÉTRY: L’épreuve villageoise (Review by Jerry Dubins) | conductor | GRÉTRY: L’épreuve villageoise (Review by James H. North) | conductor | GRIEG, EDVARD: (arr. Shumway) Peer Gynt (Review by Peter J. Rabinowitz) | piano | LECUONA, ERNESTO: Malagueña. (Review by Peter J. Rabinowitz) | piano | LIEBERMANN, LOWELL: Gargoyles (Review by Peter J. Rabinowitz) | piano | LISZT: Hungarian Rhapsody No. 6. (Review by Peter J. Rabinowitz) | piano | LULLY: Armide (Review by Ron Salemi) | conductor | LUTOSŁAWSKI: Variations on a Theme of Paganini (Review by Peter J. Rabinowitz) | piano | MONSIGNY: Le Déserteur (Review by Barry Brenesal) | conductor | MONSIGNY: Le Déserteur (Review by Barry Brenesal) | conductor | MONSIGNY: Le Roi et le fermier (Review by Lynn René Bayley) | conductor | MONSIGNY: Le Roi et le fermier (Review by Jerry Dubins) | conductor | NOVACEK, JOHN: Full Stride Ahead. (Review by Peter J. Rabinowitz) | piano | OPPERMAN: “Where is Everybody?”. The Fermi Pardox. Four No More. Composition V. “In the darkest hour….”. Owl Flight. “They asked us to maximize efficiency….”. Echoes of a Dark, Still Night [Tromotizer Remix]. “Am I? Are we?” Are We Living in a Computer Simulation?. Waking Up. “What are you talking about?”. The Black Ball. How I Hate the Night. “Where there once was a Leviathan….”. The Cribbage Variations (Review by Karl F. Miller) | drum kit | PHILIDOR, FRANCOIS-ANDRE DANICAN: Les femmes vengées (Review by Jerry Dubins) | conductor | PHILIDOR, FRANCOIS-ANDRE DANICAN: Les femmes vengées (Review by Barry Brenesal) | conductor | PROKOFIEV, SERGEI: Piano Sonata No. 3.“ (Review by Peter J. Rabinowitz) | piano | RACHMANINOFF: 2 Pieces (Review by Peter J. Rabinowitz) | piano | RACHMANINOFF: Moment musical, op. 16/4.“ Elegy, op. 3/1. (Review by Peter J. Rabinowitz) | piano | RAVEL: La valse. (Review by Peter J. Rabinowitz) | piano | RAVEL: Rapsodie espagnole (Review by Peter J. Rabinowitz) | piano | RIMSKY-KORSAKOV: (arr. Shumway) Flight of the Bumblebee (Review by Peter J. Rabinowitz) | piano | SACCHINI: Oedipe à Colone (Review by Brian Robins) | conductor | STRAVINSKY, IGOR: Firebird (Review by Peter J. Rabinowitz) | piano |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
