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Performer: Wolfgang Brunner BACH, CARL PHILIPP EMANUEL: Die Israeliten in der Wüste (Review by Jerry Dubins) | conductor | BERG, ISAK ALBERT: Se solen sjunker (Review by Raymond Beegle) | director | BERG, ISAK ALBERT: Se solen sjunker (Review by Raymond Beegle) | pianoforte | BERNARDI, STEFANO: Canzona, op. 12/2 (Review by Robert Maxham) | conductor | BIBER, CARL HEINRICH VON: Sonata Pastorale (Review by Robert Maxham) | conductor | BIBER, CARL HEINRICH VON: Sonatas (Review by Robert Maxham) | conductor | BIBER, HEINRICH IGNAZ FRANZ VON: Arminio (Review by Brian Robins) | conductor | BIBER, HEINRICH IGNAZ FRANZ VON: Violin Sonata in c (1681) (Review by Robert Maxham) | conductor | BRUCKNER, ANTON: Lancer-Quadrille. Steiermarker. Quadrille fur Klavier zu 4 Händen. Drei kleine Stucke fur Klavier zu 4 Handen. Klavierstuck in E♭. Sonatensatz in G Minor. Stille Betrachtung an einem Herbstabend. Fantaisie. Erinnerung (Review by Michael Jameson) | piano | BRUCKNER, ANTON: Piano Works (Review by Michael Jameson) | piano | DAUPRAT: Duets, op. 13 (Review by Robert Markow) | piano | DAUPRAT: Horn Sonata, op. 2 (Review by Robert Markow) | piano | DAUPRAT: Quartet for 4 Horns, op. 8 (Review by Robert Markow) | piano | DAUPRAT: Solos, op. 11; op. 16 (Review by Robert Markow) | piano | DIABELLI: Rondo militaire, op. 150. Scherzo (Review by Jerry Dubins) | fortepiano | EGGER: Ange Gardien. Stances (Review by Raymond Beegle) | director | EGGER: Ange Gardien. Stances (Review by Raymond Beegle) | pianoforte | GIUSTINI, LUDOVICO: Keyboard Sonatas (Review by Bertil van Boer) | fortepiano | HAYDN, FRANZ JOSEPH: Philemon und Baucis (Review by James H. North) | conductor | HAYDN, FRANZ JOSEPH: Trio No. 3 for Strings after the Piano Sonata in D, H.XVI (Review by John Bauman) | fortepiano | HAYDN, JOHANN MICHAEL: Bassoon Concertino in B♭. Romance for Horn in A (Review by James A. Altena) | conductor | HAYDN, JOHANN MICHAEL: Clarinet Concertino in A. Horn Concertino in D. Trombone Concertino. Flute Concerto in D. Trumpet Concertino in D (Review by James H. North) | conductor | HAYDN, JOHANN MICHAEL: Der Traum (Review by Martin Anderson) | conductor | HAYDN, JOHANN MICHAEL: Die Wahrheit der Natur, MH 118 (Review by Bertil van Boer) | conductor | HAYDN, JOHANN MICHAEL: Divertimento in C for Violin, Cello, and Continuo, P. 99. Variations in C for Harpsichord, P. 132. Divertimento in E♭ for Violin, Cello, and Double Bass. Divertimento in D for Two Viols, Viola, and Continuo, P. 93 (Review by John Bauman) | fortepiano | HAYDN, JOHANN MICHAEL: Divertimento in C for Violin, Cello, and Continuo, P. 99. Variations in C for Harpsichord, P. 132. Divertimento in E♭ for Violin, Cello, and Double Bass. Divertimento in D for Two Viols, Viola, and Continuo, P. 93 (Review by John Bauman) | harpsichord | HAYDN, JOHANN MICHAEL: Endimione (Review by James H. North) | conductor | HAYDN, JOHANN MICHAEL: Flute Concerto In D (Review by James A. Altena) | conductor | HAYDN, JOHANN MICHAEL: Horn Concertino in D (Review by James A. Altena) | conductor | HAYDN, JOHANN MICHAEL: Horn and Trombone Concertino In D (Review by James A. Altena) | conductor | HAYDN, JOHANN MICHAEL: Trombone Concertino in F. Trumpet Concertino in C (Review by James A. Altena) | conductor | HUTTENBRENNER: Nachruf an Schubert in Trauertönen am Pianoforte (Review by Raymond Beegle) | director | HUTTENBRENNER: Nachruf an Schubert in Trauertönen am Pianoforte (Review by Raymond Beegle) | pianoforte | KREINER: 6 Deutsche für's Pianoforte gesetzt (Review by Raymond Beegle) | director | KREINER: 6 Deutsche für's Pianoforte gesetzt (Review by Raymond Beegle) | pianoforte | LOLLI: Sonatas (Review by Robert Maxham) | conductor | MARTINES: Psalm 110, Dixit Dominus. Psalm 151, Come le limpide onde. Symphony in C (Review by Bertil van Boer) | conductor | MOZART: Church Sonata in B♭, K 68 (Review by Robert Maxham) | conductor | MOZART: Concerto in B for 2 Pianos, K 365. Concerto in F for 3 Pianos, K 242. Sonata in D for 2 Pianos, K 448 (Review by Michael Carter) | conductor | MOZART: Concerto in B for 2 Pianos, K 365. Concerto in F for 3 Pianos, K 242. Sonata in D for 2 Pianos, K 448 (Review by Michael Carter) | fortepiano | MOZART: Fantasy in D Minor, K. 397. Sonata Movement in G Minor, K. 312. Rondo in F, K. 494 (first version). Fantasy in C Minor, K. 475. Sonata No. 4 in E♭, K. 282. Eight Variations on “Ein Weib ist das herrlichste Ding,“ K. 613. Sonata No. 10 in C, K. 330 (Review by Bernard Jacobson) | fortepiano | MOZART: Piano Works (Review by Bernard Jacobson) | fortepiano | MOZART, L.: Für den Merz (Review by Robert Maxham) | conductor | MUFFAT: Violin Sonata in D. Toccata Undecima (Review by Robert Maxham) | conductor | OSCH: Harmonia concertans (Review by Brian Robins) | director | PLEYEL-CLEMENTI: Sonata in B♭ for Piano, Flute, and Cello after a Quartet (Review by John Bauman) | fortepiano | PLEYEL, IGNACE JOSEPH: 2 Pieces of Harpsichord, B 613, B 617 (Review by Radu A. Lelutiu) | fortepiano | PLEYEL, IGNACE JOSEPH: Sonata for Keyboard Duo, B 522. Concert for 2 Keyboards, B 103a. Sonata for Keyboard Duo, B 503. Sonata for Keyboard Duo, B. 516. Ecossaises, B 629–660 (arr. Brunner) (Review by Radu A. Lelutiu) | fortepiano | RIES, FERDINAND: Violin Sonatas (Review by Robert Maxham) | fortepiano | SCHUBERT: Andante con moto aus dem Klaviertrio Es-Dur (Review by Raymond Beegle) | director | SCHUBERT: Andante con moto aus dem Klaviertrio Es-Dur (Review by Raymond Beegle) | pianoforte | SCHUMANN: 5 Pieces in Folk Style. Evening Song (Review by Steven E. Ritter) | fortepiano | SCHUMANN: Fantasy Pieces, op. 73. Adagio and Allegro, op.70 (Review by Steven E. Ritter) | fortepiano | SORKOČEVIĆ: Overture in G. Symphonies (Review by Martin Anderson) | director | STERKEL/ANDRÉ: Quartet for Flute and Strings after a Duo (Review by John Bauman) | fortepiano | TELEMANN, GEORG PHILIPP: Ach, so lass von mir dich finden, TWV 1 (Review by Bertil van Boer) | organ | TELEMANN, GEORG PHILIPP: Carillon, TWV 40 (Review by Michael De Sapio) | conductor | TELEMANN, GEORG PHILIPP: Carillon, TWV 40 (Review by Michael De Sapio) | harpsichord | TELEMANN, GEORG PHILIPP: Fantasia No. 5 in G, TWV 40 (Review by Michael De Sapio) | conductor | TELEMANN, GEORG PHILIPP: Fantasia No. 5 in G, TWV 40 (Review by Michael De Sapio) | harpsichord | TELEMANN, GEORG PHILIPP: Overtures (Review by Michael De Sapio) | conductor | TELEMANN, GEORG PHILIPP: Overtures (Review by Michael De Sapio) | harpsichord | TELEMANN, GEORG PHILIPP: Schon auf Erden muss das Herz, TWV 1 (Review by Bertil van Boer) | organ | TELEMANN, GEORG PHILIPP: So komm den auch, mein Heil, TWV 1 (Review by Bertil van Boer) | organ | TELEMANN, GEORG PHILIPP: Sonata in f, TWV 41 (Review by Michael De Sapio) | conductor | TELEMANN, GEORG PHILIPP: Sonata in f, TWV 41 (Review by Michael De Sapio) | harpsichord | TELEMANN, GEORG PHILIPP: Sonatine in G, TWV 41 (Review by Michael De Sapio) | conductor | TELEMANN, GEORG PHILIPP: Sonatine in G, TWV 41 (Review by Michael De Sapio) | harpsichord | TELEMANN, GEORG PHILIPP: Trio Sonatas (Review by Michael De Sapio) | conductor | TELEMANN, GEORG PHILIPP: Trio Sonatas (Review by Michael De Sapio) | harpsichord | TELEMANN, GEORG PHILIPP: Trompette, TWV 41 (Review by Michael De Sapio) | conductor | TELEMANN, GEORG PHILIPP: Trompette, TWV 41 (Review by Michael De Sapio) | harpsichord | TOMASHOVIZ: Ihr blauen Augen (Review by Raymond Beegle) | director | TOMASHOVIZ: Ihr blauen Augen (Review by Raymond Beegle) | pianoforte | TONITZ: La romanesca. Paraphrase de chanson nationales de Carinthie. Consolation. On n'en meurt plus. An die Natur. Ich liebe dich. Weiter geh ich, immer welter. Des Geistes Nachtlied (Review by Raymond Beegle) | director | TONITZ: La romanesca. Paraphrase de chanson nationales de Carinthie. Consolation. On n'en meurt plus. An die Natur. Ich liebe dich. Weiter geh ich, immer welter. Des Geistes Nachtlied (Review by Raymond Beegle) | pianoforte | VANHAL/ANDRÉ: Divertissement for Fortepiano Four-hands, Flute, Violin, and Cello'' (Review by John Bauman) | fortepiano | VANHAL, JOHANN BAPTIST: Variations on “Wer hörte wohl jemals mich klagen?“ for Fortepiano (Review by John Bauman) | fortepiano |
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