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Performer: Clematis CIPRIANO DE RORE: Ancor che col partire (Cappella Mediterranea) (Review by Barry Brenesal) | ensemble or orchestra | CLAUDIO MONTEVERDI, SALOMONE ROSSI: (Review by Barry Brenesal) | ensemble or orchestra | MASTERS OF THE GERMAN BAROQUE: (Review by James A. Altena) | ensemble or orchestra | QUATTRO VIOLINI A VENEZIA: (Review by Michael De Sapio) | ensemble or orchestra | VATER UNSER: German Sacred Baroque Music (Paulin Bündgen) (Review by James A. Altena) | ensemble or orchestra | VELÁZQUEZ AND THE MUSIC OF HIS TIME: (Review by Raymond Tuttle) | ensemble or orchestra | BARTHOLOMÉE: Le tombeau de Marin Marais (Review by James V. Maiello) | ensemble or orchestra | BARTHOLOMÉE: Toccata. Scena (Review by James V. Maiello) | ensemble or orchestra | BERNHARD, CHRISTOPH: Aus der Tieffen (Review by J. F. Weber) | ensemble or orchestra | BOESMANS: Ricercar sconvolto (Review by James V. Maiello) | ensemble or orchestra | BUXTEHUDE: Herr, wenn ich nur dich habe, BuxWV 38 (Review by J. F. Weber) | ensemble or orchestra | BUXTEHUDE: O clemens, o mitis, o coelestis pater, BuxWV 82 (Review by J. F. Weber) | ensemble or orchestra | CAVALLI: Recitatives, airs, and arias from Le nozze di Teti e di Peleo, Gli amori di Apollo e Dafne, Didone, La virtù dei strali d’Amore, Egisto, L’ormindo, La Doriclea, Giasone, Orimonte, Oristeo, La Rosinda, La Calisto, L’eritrea, La Veremonda, L’orione, Il Ciro, Xerse, Erismena, La Statira, Artemisia, Hipermestra, Elena, Ercole Amante, Scipione Affricano, Mutio Scevola, Pompeo Magno, Eliogabalo (Review by Barry Brenesal) | ensemble or orchestra | FOCCROULLE: Nigra sum. L’uscita dell’inferno (Review by James V. Maiello) | ensemble or orchestra | GIORGI: Missa à due cori tutti piena. Ave Maria. In omnem terram. Tui sunt caeli. Improperium expectavit. Dextera Domini. Angelus Domini. Ascendit Deus (Review by Bertil van Boer) | ensemble or orchestra | HAMMERSCHMIDT, ANDREAS: Vulnerasti cor meum. Nun danket alle Gott (Review by J. F. Weber) | ensemble or orchestra | LASSUS: Canticum Canticorum. Magnificat super Ancor che col partire. Missa Susanne un jour (Review by J. F. Weber) | ensemble or orchestra | LASSUS: Canticum Canticorum. Missa super Susanne un jour. Magnificat no. 34 super Ancor che col partire di Cipriano (Review by Barry Brenesal) | ensemble or orchestra | LEGRENZI: Sonate & Balleti (Review by Barry Brenesal) | ensemble or orchestra | MERNIER: Fancy upon “Teares” (Review by James V. Maiello) | ensemble or orchestra | MONTEVERDI: Confitebor tibi Domine (Review by J. F. Weber) | ensemble or orchestra | PFLEGER: Ad te clamat cor meum (Review by J. F. Weber) | ensemble or orchestra | RORE, CIPRIANO DE: Ancor che col partire (Review by Barry Brenesal) | ensemble or orchestra | ROSENMÜLLER, JOHANN: Ach Herr, strafe mich nicht (Review by J. F. Weber) | ensemble or orchestra | SCHEIDEMANN: Christ lag in Todesbanden (Review by J. F. Weber) | ensemble or orchestra | VITALI, GIOVANNI BATTISTA: Capriccio di Tromba. Furlana. Barabano. Il violino sona in tempo ordinario. Rugiero. Bergamasca per il violone. Bergamasca per il violino (Review by Barry Brenesal) | ensemble or orchestra | VITALI, GIOVANNI BATTISTA: Toccata. Sonata seconda in a (Review by Barry Brenesal) | ensemble or orchestra | VITALI, T. A.: Ciaconna (attrib) (Review by Barry Brenesal) | ensemble or orchestra | VITALI, T. A.: Passo e mezzo. Sonata prima in a. Sonata duodecmia (Review by Barry Brenesal) | ensemble or orchestra | VITALI, T. A.: Sonata in D (Review by Barry Brenesal) | ensemble or orchestra | ZAMPONI, GIOSEFFO: Ulisse all’isola di Circe (Review by Barry Brenesal) | ensemble or orchestra |
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