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Performer: Adrienne Csengery FIFTY YEARS OF HUNGAROTON SINGERS 1951–2001: (Review by Carla Maria Verdino-Süllwold) | vocal | BEPLER: Cremaster 5 (Review by David Denton) | soprano | DECSÉNYI: Epitaph from Aquincum. Sándor Weöres' Twelfth Symphony. Roads. String Quartet (Review by Kyle Gann) | soprano | HAYDN, FRANZ JOSEPH: English Canzonettas, H. XXVIa (Review by Elliott Kaback) | soprano | HAYDN, FRANZ JOSEPH: English Canzonettas, H. XXVIa (Review by William H. Youngren) | soprano | HAYDN, FRANZ JOSEPH: The Mermaid's Song. She Never Told Her Love. A Pastoral Song. Recollection. The Sailor's Song. Content. Fidelity. The Spirit's Song. Piercing Eyes. The Wanderer. Pleasing Pain. Despair. Sympathy. O Tuneful Voice (Review by Elliott Kaback) | soprano | HAYDN, JOHANN MICHAEL: Vesperae in Festo Ss. Innocentium. Graduale. Graduale (Review by J. F. Weber) | soprano | HAYDN, JOHANN MICHAEL: Vesperae in festo SS. Innocentium. Graduale (extra Dominicam). Graduale (die Dominica) (Review by J. F. Weber) | soprano | KÓSA, GYORGY: Death Fugue—Cantata for Soprano and Chamber Ensemble on a Poem by Paul Celan. In Memoriam for Solo Viola. I Call You, Swan—Cantata for Solo Bass Voice and Harmonium on a Poem by László Nagy. Karinthy Cantata—Chamber Cantata on Texts from Frigyes Karinthy's Journal (Review by John Ditsky) | soprano | KÓSA, GYORGY: Songs. Four Csokonai Songs; In Twilight—Cantata; Song to Pray the Hours of Office; Journal in Verse; The French Prisoner; Epilogue (Review by John Ditsky) | soprano | KURTAG, G.: Kafka-Fragments, op. 24 (Review by Peter J. Rabinowitz) | soprano | LISZT: Mass for Male Voices and Organ (revised version), S. 8, no. 2 (“Szekszárd Mass“). Via Crucis, S. 53 (Review by Peter J. Rabinowitz) | soprano | STRAVINSKY, IGOR: L'Histoire du Soldat (complete score); Renard; Three Japanese Lyrics (Review by Elliott Kaback) | soprano | SZÉKELY: Sounds Arising and Disappearing, for Orchestra. Solo Cantata for Soprano and Chamber Ensemble. Concerto in Memory of Webern for Horn and Orchestra. Humanization, for Chamber Orchestra and Electronic Sound (Review by Stephen Ellis) | soprano | SZÉKELY: The Last Songs, for Voice, Flute, Horn, Piano, and String Quartet. String Quartet No. 5. Rhapsody, for Violin, Horn, and Piano (Review by Stephen Ellis) | soprano |
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