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Performer: Peter Holman HANDEL IN HAMBURG: Almira, HWV 1; Suite (reconstructed by Holman) (Review by Bernard Jacobson) | director | HANDEL IN HAMBURG: Almira, HWV 1; Suite (reconstructed by Holman) (Review by David Johnson) | director | HANDEL IN HAMBURG: Der beglückte Florindo/Die verwandelte Daphne, HWV 3/4 (Review by Bernard Jacobson) | director | HANDEL IN HAMBURG: Der beglückte Florindo/Die verwandelte Daphne, HWV 3/4 (Review by David Johnson) | director | HANDEL IN HAMBURG: Oboe Concerto in g, HWV 287 (Review by Bernard Jacobson) | director | HANDEL IN HAMBURG: Oboe Concerto in g, HWV 287 (Review by David Johnson) | director | HANDEL IN HAMBURG: Rodrigo, HWV 5 (Review by Bernard Jacobson) | director | HANDEL IN HAMBURG: Rodrigo, HWV 5 (Review by David Johnson) | director | HANDEL IN HAMBURG: Suite in g, HWV 453 (possibly from Nero, HWV 2; reconstructed by Holman) (Review by Bernard Jacobson) | director | HANDEL IN HAMBURG: Suite in g, HWV 453 (possibly from Nero, HWV 2; reconstructed by Holman) (Review by David Johnson) | director | AN ENGLISHMAN ABROAD- CONSORT MUSIC COMPOSED,...: (Review by Tom Moore) | director | FAIREST ISLE: A New National Songbook (Catherine Bott) (Review by Ian Lace) | director | HAYDN AND HIS ENGLISH FRIENDS: (Review by Craig Zeichner) | director | VITAL SPARK OF HEAV'NLY FLAME: (Review by J. F. Weber) | conductor | WHILE SHEPHERDS WATCHED: (Review by J. F. Weber) | director | ANONYMOUS: Ballet des Baccanales (Review by Robert Maxham) | director | ANONYMOUS: Ballet des Baccanales (Review by Robert Maxham) | harpsichord | ANONYMOUS: Ballet du Roy pour sonner après (Review by Robert Maxham) | director | ANONYMOUS: Ballet du Roy pour sonner après (Review by Robert Maxham) | harpsichord | ANONYMOUS: Ballet (Review by Robert Maxham) | director | ANONYMOUS: Ballet (Review by Robert Maxham) | harpsichord | ANONYMOUS: Courante (Review by Robert Maxham) | director | ANONYMOUS: Courante (Review by Robert Maxham) | harpsichord | ANONYMOUS: Sonata in D “con concertino“ (Review by Edward Strickland) | director | ANONYMOUS: Sonata in D.William (Review by J. F. Weber) | director | ARNE, THOMAS: To fair Fidele's grassy tomb. When daisies pied and violets blue. When icicles hang on the wall. Honour, riches, marriage-blessing. Where the bee sucks, there lurk I (Review by Barry Brenesal) | conductor | BACH, JOHANN CHRISTIAN: Concerted Symphony in E♭ for Clarinet and Orchestra (Review by Martin Anderson) | conductor | BALTZAR, THOMAS: Pavan and Galliard in C (Review by Edward Strickland) | director | BALTZAR, THOMAS: Pavane and Galliard in C (Review by J. F. Weber) | director | BARRETT: Sonata in D (Review by Michael Ullman) | conductor | BARRETT: Tunbridge Walks (Review by Brian Robins) | director | BESARD, JEAN-BAPTISTE: Ballo del Gran Duca. Une jeune fillette. Bransles de Village (Review by Robert Maxham) | director | BESARD, JEAN-BAPTISTE: Ballo del Gran Duca. Une jeune fillette. Bransles de Village (Review by Robert Maxham) | harpsichord | BIBER, HEINRICH IGNAZ FRANZ VON: 12 Sonatas for Trumpets, Strings, Timpani, and Continuo (“Sonatae tam aris, quam aulis servientes“) (Review by Nils Anderson) | conductor | BIBER, HEINRICH IGNAZ FRANZ VON: Sonatas (Review by Nils Anderson) | conductor | BIBER, HEINRICH IGNAZ FRANZ VON: Twelve Sonatas for Trumpets, Strings, Timpani, and Continuo (Review by Michael Ullman) | director | BLOW, JOHN: Chaconne a 4 in G (Review by Edward Strickland) | director | BLOW, JOHN: Chaconne à 4 in G (Review by J. F. Weber) | director | BLOW, JOHN: Mark how the lark and linnet sing (Review by Michael Ullman) | conductor | BLOW, JOHN: The Glorious Day Is Come (Review by Elliott S. Hurwitt) | conductor | BOEHM, GEORG: Ouverture a 5 in D (Review by George Chien) | director | BOND, CAPEL: Concertos (Review by Robert Maxham) | director | BOND, CAPEL: Six Concertos in Seven Parts (Review by Robert Maxham) | director | BOYCE: Peleus and Thetis. Florizel and Perdita (Review by Tom Moore) | director | BOYCE: Sonatas (Review by Robert Maxham) | director | BOYCE: Trio Sonatas (Review by Robert Maxham) | director | BOYCE: Trio Sonatas (Review by Bertil van Boer) | conductor | BROOKS, JAMES: Concerto No. 1 in D for Violin and Orchestra (Review by Robert Maxham) | conductor | BROOKS, JAMES: Concerto No. 1 in D for Violin and Orchestra (Review by Robert Maxham) | fortepiano | BROOKS, JAMES: Concerto No. 1 in D for Violin and Orchestra (Review by Robert Maxham) | fortepiano | CAMPION, FRANCOIS: Courante (Review by Robert Maxham) | director | CAMPION, FRANCOIS: Courante (Review by Robert Maxham) | harpsichord | CAROUBEL: Passamezze. Gaillarde. Gaillarde. Bransles. Bransle simple (Review by Robert Maxham) | director | CAROUBEL: Passamezze. Gaillarde. Gaillarde. Bransles. Bransle simple (Review by Robert Maxham) | harpsichord | CASTELLO, DARIO: Exultate Deo (Review by Brian Robins) | organ | CAVALLI: Messa Concertata. Canzonas. O quam suavis est. O bone Jesu (Review by J. F. Weber) | director | CAZZATI: Sonata à 4 ¡n g, “La sampiera.“ (Review by Brian Robins) | director | CAZZATI: Sonata à 4 ¡n g, “La sampiera.“ (Review by Brian Robins) | organ | CHILCOT, THOMAS: Pardon, goddess of the night. Orpheus with his lute. Hark, hark, the lark (Review by Barry Brenesal) | conductor | CLARKE, JEREMIAH: Come, come along for a dance and a song (Review by Michael Ullman) | conductor | CLARKE, JEREMIAH: Titus Andronicus (Review by Barry Brenesal) | conductor | CORBETT, WILLIAM: Suite in D (Review by Michael Ullman) | conductor | CORBETT, WILLIAM: Suite in D (Review by Brian Robins) | director | COURTEVILLE, RAPHAEL: Creep Softly, Purling Streams (Review by James A. Altena) | conductor | CROFT: For Rural and Sincere Joys (Review by James A. Altena) | conductor | CROFT: Overture in D (Review by Michael Ullman) | conductor | CROFT: Overture in D (Review by Brian Robins) | director | CROFT: The Twin Rivals (Review by J. F. Weber) | director | CROFT: The Twin Rivals (Review by Edward Strickland) | director | DIBDIN: The Ephesian Matron. The Brickdust Man. The Grenadier (Review by John Bauman) | conductor | DOWLAND, JOHN: Courante (Review by Robert Maxham) | director | DOWLAND, JOHN: Courante (Review by Robert Maxham) | harpsichord | DOWLAND, JOHN: Lachrimae (Review by J. F. Weber) | director | DOWLAND, JOHN: Lachrimae, or 7 Teares (Review by J. F. Weber) | director | DRAGHI: From Harmony, from Heav'nly Harmony (Review by Elliott S. Hurwitt) | conductor | DRAGHI: Where Art Thou, God of Dreams? Trio Sonata in g (Review by James A. Altena) | conductor | ECCLES, JOHN: Can life be a blessing? (Review by Barry Brenesal) | conductor | ECCLES, JOHN: Suite (Review by Michael Ullman) | conductor | ECCLES, JOHN: Suite “made for the Queens Coronation.“ (Review by Brian Robins) | director | ECCLES, JOHN: Symphony for Mercury from “The Judgment of Paris.“ (Review by Edward Strickland) | director | ECCLES, JOHN: The Judgment of Paris (Review by J. F. Weber) | director | FERRABOSCO II, ALFONSO: Pavan in C. Alman in C (Five-part Violin Band) (Review by Robert Maxham) | director | FESCH, WILLEM DE: All fancy sick (Review by Barry Brenesal) | conductor | FINGER, GOTTFRIED: 3 Sonatas in C (Review by Michael Ullman) | conductor | FINGER, GOTTFRIED: Sonata in C for Trumpet, Violin, Oboe, Bass Violin, and Harpsichord. Sonata in C for Trumpet, Violin, Bass Violin, and Organ. Sonata in C for Trumpet, Oboe, Bass Violin, and Organ (Review by Brian Robins) | director | FINGER, GOTTFRIED: Sonata in C (Review by Michael Ullman) | conductor | FINGER, GOTTFRIED: Suite in G Minor (“Farewell“) (Review by Michael Ullman) | conductor | FISCHER, JOHANN CASPAR FERDINAND: Ouverture a 5 in G Minor (Review by George Chien) | director | FISCHER, JOHANN CHRISTIAN: Ouverture a 5 in G Minor (Review by Tom Moore) | director | GIBBONS, ORLANDO: Fantasias “for the Great Double Bass“ (Review by Tom Moore) | director | GRANDI, ALESSANDRO: Amo Christum. Ave maris Stella (Review by Brian Robins) | organ | GREENE: Orpheus with his lute (Review by Barry Brenesal) | conductor | GROSSI: Sonata à 5 in D, op. 3/10. JACCHI-Nl (Review by Brian Robins) | director | GROSSI: Sonata à 5 in D, op. 3/10. JACCHI-Nl (Review by Brian Robins) | organ | HALL, HENRY: Yes, my Aminta, 'tis too true (Review by Michael Ullman) | conductor | HANDEL, GEORGE FRIDERIC: Venus and Adonis (Review by James A. Altena) | conductor | HAYDN, FRANZ JOSEPH: 6 English Psalms (Review by Bernard Jacobson) | director | HAYDN, FRANZ JOSEPH: Give to God our thankful songs (arr. by William Gardiner of Poco adagio from String Quartet in C, op. 76/3) (Review by Bernard Jacobson) | director | HAYDN, FRANZ JOSEPH: String Quartet in C, op. 76/3 (Review by Bernard Jacobson) | director | HAYDN, FRANZ JOSEPH: What art expresses (Review by Bernard Jacobson) | director | HAYM: Have Mercy Upon Me, O God (Review by James A. Altena) | conductor | HOOK, JAMES: Concerto in E♭ for Clarinet and Orchestra (Review by Martin Anderson) | conductor | JENKINS, JOHN: Fantasia Suites for Three Violins, Bass Viol, and Continuo (Review by Tom Moore) | director | JENKINS, JOHN: Late Consort Music (Review by Tom Moore) | director | JOHNSON, ROBERT: The Prince's Alman. The Prince's Coranto. Air in G Minor (Five-part Violin Band, Two Lutes, Theorbo, Harpsichord). Fantasia in G Minor for Three Trebles (Three Violins). The Temporiser. The Witty Wanton (Two Violins, Viola, Bass Violin, Lute, Theorbo, Harpsichord) (Review by Robert Maxham) | director | KELLER, GODFREY: Sonata No. 1 in D. Nicola (Review by J. F. Weber) | director | KELLER, GOTTFRIED: Sonata No. 1 (Review by Edward Strickland) | director | LAMPE: Pyramus and Thisbe. Concerto in G for Flute and Strings (Review by David Johnson) | conductor | LAWES, WILLIAM: Alman in D for the Violins of Two Trebles (Two Violins, Two Violas, Bass Violin, Lute, Theorbo, Harpsichord). Air in C Minor. Air in C Minor. Air in C. Air in C (Two Violins, Bass Viol, Three Theorbos) (Review by Robert Maxham) | director | LAZZARI: Sonata à 6 in D. (Review by Brian Robins) | director | LAZZARI: Sonata à 6 in D. (Review by Brian Robins) | organ | LEGRENZI: O mirandum mysterium (Review by Brian Robins) | organ | LEGRENZI: Sonata in E, op. 10/17 (Review by Brian Robins) | director | LEGRENZI: Sonata in E, op. 10/17 (Review by Brian Robins) | organ | LEGRENZI: Sonata in G "La Pezzoli" (Review by Brian Robins) | organ | LEVERIDGE: When daisies pied and violets blue (Review by Barry Brenesal) | conductor | LINEY: Concerto in F for Violin and Orchestra (Review by Robert Maxham) | fortepiano | LINLEY JR, THOMAS: The Song of Moses. Let God Arise (Review by David Johnson) | conductor | LINLEY JR, THOMAS: The Song of Moses. Let God Arise (Review by Patrick Rucker) | conductor | LINLEY JR, THOMAS: Violin Concerto in F (Review by Robert Maxham) | conductor | LINLEY JR, THOMAS: Violin Concerto in F (Review by Robert Maxham) | fortepiano | LOCKE, MATTHEW: The Broken Consort, Part I (1661 ). Duos for Two Bass Viols (1652). Fantasia and Corant in D Minor (1665) (Review by Robert Maxham) | chamber organ | LUPO: Fantasy-Airs a 3, Nos. 16, 17, 20. Fantasy-Airs a 4, Nos. 4-7, 9, 11-12 (Review by Tom Moore) | director | MAHON: Concerto No. 2 in F for Clarinet and Orchestra. Duets for Two Clarinets and Orchestra (Review by Martin Anderson) | conductor | MARINI: Jesus dulcis memoria (Review by Brian Robins) | organ | MARINI: Sonata "per sonore con due corde." F. M (Review by Brian Robins) | organ | MATTEIS, NICOLA: Divisions on a Ground in D minor (Review by J. F. Weber) | director | MATTEIS, NICOLA: Divisions on a Ground in D minor (Review by Edward Strickland) | director | MATTEIS, NICOLA: Suite in d (Review by James A. Altena) | conductor | MELANI, ALESSANDRO: Sonata à S in C. (Review by Brian Robins) | director | MELANI, ALESSANDRO: Sonata à S in C. (Review by Brian Robins) | organ | MONTEVERDI: Pianta della Madonna (Review by Brian Robins) | organ | MONTEVERDI: Sacred Vocal Music (Review by J. F. Weber) | director | MONTEVERDI: Sacred vocal music (Review by J. F. Weber) | conductor | MONTEVERDI: Su le penne de' venti. Confìtebor tibi. Iste confessor. Laudate Dominum. Confìtebor tibi. Confìtebor tibi. Ab aeterno ordinata sum. Nisi Dominus. Deus tuorum militum (Review by J. F. Weber) | conductor | MONTEVERDI: Su le penne. Confitebor II. Iste confessor II. Laudate Dominum IV. Confitebor V. Confitebor III alla francese. Ab aeterno. Nisi Dominus I. Deus tuorum militum II (Review by J. F. Weber) | director | MORGAN, THOMAS: Mr. Henry Purcell's Farewell Tune (Review by Michael Ullman) | conductor | MUFFAT: Armonico Tributo (Salzburg 1682) (Review by William Zagorski) | director | MUFFAT: Armonico Tributo (Review by George Chien) | harpsichord | MUFFAT: Armonico Tributo (Review by George Chien) | organ | MUFFAT: Armonico tributo (Review by Edward Strickland) | harpsichord | MUFFAT: Armonico tributo (Review by Edward Strickland) | organ | NAU: Suite in F. Ballet in F (Five-part Violin Band). Pavan in D Minor. Galliard in O Minor. (Five-part Violin Band, Two Lutes, Theorbo, Harpsichord) (Review by Robert Maxham) | director | NOTARI: Variations on the Ruggiero (Violin, Lute, Theorbo, Harpsichord) (Review by Robert Maxham) | director | PAISIBLE: Sonata in D (Review by Michael Ullman) | conductor | PAISIBLE: Sonata in D (Review by Brian Robins) | director | PEPUSCH: Sonata in D, “Smallcoal” (Review by James A. Altena) | conductor | PRAETORIUS, MICHAEL: 3 Courantes (Review by Robert Maxham) | director | PRAETORIUS, MICHAEL: 3 Courantes (Review by Robert Maxham) | harpsichord | PRAETORIUS, MICHAEL: Ballet des Feus. Ballet des Matelotz. Ballet des Coqs (Review by Robert Maxham) | director | PRAETORIUS, MICHAEL: Ballet des Feus. Ballet des Matelotz. Ballet des Coqs (Review by Robert Maxham) | harpsichord | PRAETORIUS, MICHAEL: Bransles de Villages (Review by Robert Maxham) | director | PRAETORIUS, MICHAEL: Bransles de Villages (Review by Robert Maxham) | harpsichord | PRAETORIUS, MICHAEL: Dances from Terpsichore (1612) (Review by Robert Maxham) | director | PRAETORIUS, MICHAEL: Dances from Terpsichore (1612) (Review by Robert Maxham) | harpsichord | PRAETORIUS, MICHAEL: La Bourrée. La Sarabande. La Canarie (Review by Robert Maxham) | director | PRAETORIUS, MICHAEL: La Bourrée. La Sarabande. La Canarie (Review by Robert Maxham) | harpsichord | PRAETORIUS, MICHAEL: Pavane de Spaigne. Spagnoletta (Review by Robert Maxham) | director | PRAETORIUS, MICHAEL: Pavane de Spaigne. Spagnoletta (Review by Robert Maxham) | harpsichord | PURCELL, HENRY: Abdelazar (Review by Edward Strickland) | director | PURCELL, HENRY: Ayres for the Theatre. Chacony in G minor (Review by Edward Strickland) | director | PURCELL, HENRY: Ayres for the Theatre. Chacony in G minor (Review by Edward Strickland) | director | PURCELL, HENRY: Cibell in C, Z. 678 (Review by J. F. Weber) | director | PURCELL, HENRY: Cibell in C, Z678 (Review by Edward Strickland) | director | PURCELL, HENRY: Dear pretty youth (Review by Barry Brenesal) | conductor | PURCELL, HENRY: Hark how the wild musicians sing (Symphony Songs) (Review by Eric Van Tassel) | director | PURCELL, HENRY: Hark, Damon, hark, Z. 541. Hark, how the wild musicians sing, Z. 542. How pleasant is this flowery plain and grove, Z. 543. If ever I more riches did desire, Z. 544. We reap all the pleasures, Z. 547. Oh! What a scene does entertain my sight, Z. 506. See where she sits, Z. 506. Soft notes and gently raised, Z. 510. Four Pavans, Z. 751-54 (Review by Eric Van Tassel) | director | PURCELL, HENRY: King Arthur (Review by Michael Ullman) | conductor | PURCELL, HENRY: Suites from Abdelazar, The Gordian Knot Unty'd, Bonduca, and The Virtuous Wife. Timon of Athens. Overture and Certain Tune (Review by Edward Strickland) | director | PURCELL, HENRY: Tell Me, Some Pitying Angel (Review by James A. Altena) | conductor | PURCELL, HENRY: The Indian Queen (Review by Brian Robins) | director | PURCELL, HENRY: The Indian Queen (Review by Michael Ullman) | conductor | PURCELL, HENRY: The Yorkshire Feast Song (Review by Michael Ullman) | conductor | RIGATTI: Cum invocarum. Nunc dimittis (Review by Brian Robins) | organ | ROSENMÜLLER, JOHANN: Ascendit Christus in altum (Review by Brian Robins) | organ | ROSENMÜLLER, JOHANN: Sonata da Camera a 5 in D (Review by George Chien) | director | ROSENMÜLLER, JOHANN: Sonata da Camera a 5 in D (Review by Tom Moore) | director | ROVETTA: Salve Regina (Review by Brian Robins) | organ | SCARLATTI, ALESSANDRO: Sonata à 4 in f (Review by Brian Robins) | director | SCARLATTI, ALESSANDRO: Sonata à 4 in f (Review by Brian Robins) | organ | SCHMELZER, JOHANN HEINRICH: Sonata a 5 in G (Review by George Chien) | director | SCHMELZER, JOHANN HEINRICH: Sonata a 5 in G. BÖHM (reconstructed by Peter Holman) (Review by Tom Moore) | director | SHAW: Concerto in G for Violin and Orchestra (Review by Robert Maxham) | fortepiano | SHAW: Violin Concerto in G (Review by Robert Maxham) | conductor | SHAW: Violin Concerto in G (Review by Robert Maxham) | fortepiano | SMITH, JOHN CHRISTOPHER: You spotted snakes. Full fathom five (Review by Barry Brenesal) | conductor | STRADELLA: Sinfonia in D (from “La barcheggio“). (Review by Brian Robins) | director | STRADELLA: Sinfonia in D (from “La barcheggio“). (Review by Brian Robins) | organ | TELEMANN, GEORG PHILIPP: Ouverture a 4 in C (Review by George Chien) | director | TELEMANN, GEORG PHILIPP: Ouverture a 4 in C (Review by Tom Moore) | director | TELEMANN, GEORG PHILIPP: Sulte In A Minor for Recorder, Strings, and Continuo. Concertos for Recorder, Strings, and Continuo (Review by Tom Moore) | director | TORELLI, GIUSEPPI: Sonata à 5 in D. (Review by Brian Robins) | director | TORELLI, GIUSEPPI: Sonata à 5 in D. (Review by Brian Robins) | organ | VALLET: 2 Ballets (Review by Robert Maxham) | director | VALLET: 2 Ballets (Review by Robert Maxham) | harpsichord | VALLET: Est ce Mars. Courante de Mars (Review by Robert Maxham) | director | VALLET: Est ce Mars. Courante de Mars (Review by Robert Maxham) | harpsichord | VALLET: Gaillarde (Review by Robert Maxham) | director | VALLET: Gaillarde (Review by Robert Maxham) | harpsichord | VALLET: Un jour de la semaine. Allons aux noces (Review by Robert Maxham) | director | VALLET: Un jour de la semaine. Allons aux noces (Review by Robert Maxham) | harpsichord | VITALI, GIOVANNI BATTISTA: Sonata in a, “La sassatelli,“ op. 5/10 (Review by Brian Robins) | director | VITALI, GIOVANNI BATTISTA: Sonata in a, “La sassatelli,“ op. 5/10 (Review by Brian Robins) | organ | VIVALDI, ANTONIO: Concerto in C, RV 537 (Review by Brian Robins) | director | VIVALDI, ANTONIO: Concerto in C, RV 537 (Review by Brian Robins) | organ | VIVALDI, ANTONIO: Concertos (Review by Nils Anderson) | conductor | WEBSTER, MAURICE: Alman in D Minor. Galliard in B♭ after Bocquet. Echo No. 1 in D Minor. Echo No. 2 in G (Two Violins, Bass Viol, Three Theorbos) (Review by Robert Maxham) | director | WELDON: Suite in d (Review by James A. Altena) | conductor | WELDON: Take, O take those lips away. Dry those eyes which are o'er-flowing (Review by Barry Brenesal) | conductor | WESLEY, SAMUEL: Concerto No. 2 in D for Violin and Orchestra (Review by Robert Maxham) | fortepiano | WESLEY, SAMUEL: Violin Concerto No. 2 (Review by Robert Maxham) | conductor | WESLEY, SAMUEL: Violin Concerto No. 2 (Review by Robert Maxham) | fortepiano | WOODCOCK, ROBERT: Concerto No. 9 in e (Review by Barry Brenesal) | conductor |
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