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Performer: André Kostelanetz BEVERLY SILLS: PLAISIR D'AMOUR (Beverly Sills) (Review by Marc Mandel) | conductor | EUGENE ORMANDY AND THE PHILADELPHIA ORCHESTRA:... (Eugene Ormandy) (Review by Richard A. Kaplan) | conductor | JOHANN STRAUSS COLLECTION: EARLY RECORDINGS ON... (Karl Alwin) (Review by Boyd Pomeroy) | conductor | LILY PONS: COLORATURA ASSOLUTA (Lily Pons) (Review by James Camner) | conductor | BARTLET, JAMES CARROLL: A Dream (Review by John W. Lambert) | conductor | BARTLET, JAMES CARROLL: A Dream (Review by James Camner) | conductor | BIZET: Carmen (Review by John W. Lambert) | conductor | BIZET: Carmen (Review by James Camner) | conductor | BIZET: Ouvre ton coeur (Review by John W. Lambert) | conductor | BIZET: Ouvre ton coeur (Review by James Camner) | conductor | BIZET: The Pearl Fishers (Review by James Miller) | conductor | BORODIN: Prince Igor (Review by John Ditsky) | conductor | BRAHMS, JOHANNES: Wiegenlied (Review by John W. Lambert) | conductor | BRAHMS, JOHANNES: Wiegenlied (Review by James Camner) | conductor | BRANDL-KREISLER: The Old Refrain (Review by John W. Lambert) | conductor | BRANDL-KREISLER: The Old Refrain (Review by James Camner) | conductor | CHARLES, ERNEST: When I have sung my songs (Review by John W. Lambert) | conductor | CHARLES, ERNEST: When I have sung my songs (Review by James Camner) | conductor | DVOŘÁK-CREYKE: Humoresque No. 7, "Christina’s Lament" (Review by John W. Lambert) | conductor | DVOŘÁK-CREYKE: Humoresque No. 7, "Christina’s Lament" (Review by James Camner) | conductor | EDEN: What’s in the air today (Review by John W. Lambert) | conductor | EDEN: What’s in the air today (Review by James Camner) | conductor | GERSHWIN: Concerto in F (Review by Michael Ullman) | conductor | GERSHWIN: Concerto in F (Review by James H. North) | conductor | GERSHWIN: Rhapsody in Blue. Concerto in F. Porgy and Bess (Review by Leslie Gerber) | conductor | GERSHWIN: Rhapsody in Blue. Second Rhapsody. Concerto in F for Piano and Orchestra. Three Preludes. Variations on “I Got Rhythm“ (CD only) (Review by James Miller) | conductor | GLUCK: Alceste (Review by John W. Lambert) | conductor | GLUCK: Alceste (Review by James Camner) | conductor | GROFÉ: Grand Canyon Suite. Mississippi Suite (Review by Paul Turok) | conductor | GROFÉ: Grand Canyon Suite. Mississippi Suite (Review by John Bauman) | conductor | GROSVENOR: Here’s to Romance (Review by John W. Lambert) | conductor | GROSVENOR: Here’s to Romance (Review by James Camner) | conductor | HOVHANESS, ALAN: Floating World—Ukiyo (Review by James H. North) | conductor | HOVHANESS, ALAN: The Rubaiyat of Omar Khayyam; Sunrise; Meditation on Orpheus, Op. 155; And God Created Great Whales; Fantasy on Japanese Woodprints, Op. 211 ; Floating World, Op. 209 (Review by Peter Frank) | conductor | HUMPERDINCK: Hansel and Gretel (Review by James Miller) | conductor | JACOBS-BOND, CARRIE: I love you truly (Review by John W. Lambert) | conductor | JACOBS-BOND, CARRIE: I love you truly (Review by James Camner) | conductor | KÁLMÁN, EMMERICH: Countess Marïtza (Review by John Ditsky) | conductor | LEHÁR: Die lustige Witwe (Review by John W. Lambert) | conductor | LEHÁR: Die lustige Witwe (Review by James Camner) | conductor | LEHÁR: The Merry Widow (Review by John Ditsky) | conductor | LEONCAVALLO, RUGGERO: Pagliacci (Review by James Miller) | conductor | LEVANT: Concerto for Piano and Orchestra (1942). Carnival (Review by James Miller) | conductor | LISZT: Concerto No. 1 in E-Flat for Piano and Orchestra; Hungarian Fantasia for Piano and Orchestra (Review by Peter J. Rabinowitz) | conductor | LOCKHART-MANNING: In Luxembourg Gardens (Review by John W. Lambert) | conductor | LOCKHART-MANNING: In Luxembourg Gardens (Review by James Camner) | conductor | MANA-ZUCCA: The big brown bear (Review by John W. Lambert) | conductor | MANA-ZUCCA: The big brown bear (Review by James Camner) | conductor | MASCAGNI-WETHERLEY: Ave Maria (adapted from Cavalleria rusticana)’ (Review by John W. Lambert) | conductor | MASCAGNI-WETHERLEY: Ave Maria (adapted from Cavalleria rusticana)’ (Review by James Camner) | conductor | MASCAGNI, PIETRO: Cavalleria rusticana (Review by James Miller) | conductor | MASCAGNI, PIETRO: Cavalleria rusticana (Review by John W. Lambert) | conductor | MASCAGNI, PIETRO: Cavalleria rusticana (Review by James Camner) | conductor | MOZART: Don Giovanni (Review by John W. Lambert) | conductor | MOZART: Don Giovanni (Review by James Camner) | conductor | MUSSORGSKY: Khovanshchina (Review by James H. North) | conductor | NEVIN: The Rosary (Review by John W. Lambert) | conductor | NEVIN: The Rosary (Review by James Camner) | conductor | OFFENBACH: La Belle Helene (Review by John Ditsky) | conductor | OFFENBACH: Tales of Hoffmann (Review by James Miller) | conductor | PADILLA: La violetera (Review by John W. Lambert) | conductor | PADILLA: La violetera (Review by James Camner) | conductor | PONCE: Estrellita (Review by John W. Lambert) | conductor | PONCE: Estrellita (Review by James Camner) | conductor | PUCCINI II, GIACOMO: La Bohème (Review by James Miller) | conductor | RACHMANINOFF: Aleko (Review by James H. North) | conductor | REGER, MAX: Maria Wiegenlied (Review by John W. Lambert) | conductor | REGER, MAX: Maria Wiegenlied (Review by James Camner) | conductor | REZNICEK, EMIL NIKOLAUS VON: Donna Diana (Review by John Ditsky) | conductor | RIEGO, TERESA DEL: Homing (Review by John W. Lambert) | conductor | RIEGO, TERESA DEL: Homing (Review by James Camner) | conductor | RIMSKY-KORSAKOV: The Tsar's Bride (Review by John Ditsky) | conductor | RODGERS, RICHARD: On Your Toes (Review by Dave Saemann) | conductor | RODGERS, RICHARD: Victory at Sea (Review by Dave Saemann) | conductor | ROMANI: Fedra (Review by John W. Lambert) | conductor | ROMANI: Fedra (Review by James Camner) | conductor | SAINT-SAËNS: La Princesse Jaune (Review by John Ditsky) | conductor | SAINT-SAËNS: Samson et Dalila (Review by James Miller) | conductor | SAINT-SAËNS: Samson et Dalila (Review by John W. Lambert) | conductor | SAINT-SAËNS: Samson et Dalila (Review by James Camner) | conductor | SANDOVAL: Ave Maria (Review by John W. Lambert) | conductor | SANDOVAL: Ave Maria (Review by James Camner) | conductor | SCHÄFER: The cuckoo clock (Review by John W. Lambert) | conductor | SCHÄFER: The cuckoo clock (Review by James Camner) | conductor | SCHUBERT: Der Erlkönig (Review by John W. Lambert) | conductor | SCHUBERT: Der Erlkönig (Review by James Camner) | conductor | SHOSTAKOVICH: Festive Overture (Review by John Ditsky) | conductor | SIECZYNSKI: Wien, Wien nur du allein (Review by John Ditsky) | conductor | SPROSS: Will-o’-the-Wisp (Review by John W. Lambert) | conductor | SPROSS: Will-o’-the-Wisp (Review by James Camner) | conductor | STRAUS, OSCAR: The Chocolate Soldier (Review by John W. Lambert) | conductor | STRAUS, OSCAR: The Chocolate Soldier (Review by James Camner) | conductor | STRAUSS II, JOHANN: The Blue Danube Waltz (Review by John W. Lambert) | conductor | STRAUSS II, JOHANN: The Blue Danube Waltz (Review by James Camner) | conductor | STRAUSS II, JOHANN: The Blue Danube Waltz, Op. 314; Tritsch-Tratsch Polka, Op. 214; Die Fledermaus (Review by John Ditsky) | conductor | TAYLOR, DEEMS: Through the Looking Glass Suite (Review by James H. North) | conductor | TCHAIKOVSKY: None but the lonely heart (Review by John W. Lambert) | conductor | TCHAIKOVSKY: None but the lonely heart (Review by James Camner) | conductor | TCHERVANOW-KOUNTZ: The Sleigh (Review by John W. Lambert) | conductor | TCHERVANOW-KOUNTZ: The Sleigh (Review by James Camner) | conductor | TOSTI: Good-bye. L’ultima canzone (Review by John W. Lambert) | conductor | TOSTI: Good-bye. L’ultima canzone (Review by James Camner) | conductor | TRADITIONAL: Comin’ thro’ the rye (Review by John W. Lambert) | conductor | TRADITIONAL: Comin’ thro’ the rye (Review by James Camner) | conductor | TRADITIONAL: Danny Boy (arr Wetherley) (Review by John W. Lambert) | conductor | TRADITIONAL: Danny Boy (arr Wetherley) (Review by James Camner) | conductor | TRADITIONAL: La golondrina (arr Serradell) (Review by John W. Lambert) | conductor | TRADITIONAL: La golondrina (arr Serradell) (Review by James Camner) | conductor | TRADITIONAL: The Last Rose of Summer (Review by John W. Lambert) | conductor | TRADITIONAL: The Last Rose of Summer (Review by James Camner) | conductor | VALVERDE: Clavelitos (Review by John W. Lambert) | conductor | VALVERDE: Clavelitos (Review by James Camner) | conductor | VERDI, GIUSEPPE: Aida (Review by James Miller) | conductor | WALTON, WILLIAM: Johannesburg Festival Overture (Review by John Ditsky) | conductor | WOLF-FERRARI, ERMANNO: The Secret of Susanne (Review by John Ditsky) | conductor |
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