BEVERLY SILLS: PLAISIR D'AMOUR (Beverly Sills) (Review by Marc Mandel) | conductor |
EUGENE ORMANDY AND THE PHILADELPHIA ORCHESTRA:... (Eugene Ormandy) (Review by Richard A. Kaplan) | conductor |
JOHANN STRAUSS COLLECTION: EARLY RECORDINGS ON... (Karl Alwin) (Review by Boyd Pomeroy) | conductor |
LILY PONS: COLORATURA ASSOLUTA (Lily Pons) (Review by James Camner) | conductor |
BARTLET, JAMES CARROLL: A Dream (Review by John W. Lambert) | conductor |
BARTLET, JAMES CARROLL: A Dream (Review by James Camner) | conductor |
BIZET: Carmen (Review by John W. Lambert) | conductor |
BIZET: Carmen (Review by James Camner) | conductor |
BIZET: Ouvre ton coeur (Review by John W. Lambert) | conductor |
BIZET: Ouvre ton coeur (Review by James Camner) | conductor |
BIZET: The Pearl Fishers (Review by James Miller) | conductor |
BORODIN: Prince Igor (Review by John Ditsky) | conductor |
BRAHMS, JOHANNES: Wiegenlied (Review by John W. Lambert) | conductor |
BRAHMS, JOHANNES: Wiegenlied (Review by James Camner) | conductor |
BRANDL-KREISLER: The Old Refrain (Review by John W. Lambert) | conductor |
BRANDL-KREISLER: The Old Refrain (Review by James Camner) | conductor |
CHARLES, ERNEST: When I have sung my songs (Review by John W. Lambert) | conductor |
CHARLES, ERNEST: When I have sung my songs (Review by James Camner) | conductor |
DVOŘÁK-CREYKE: Humoresque No. 7, "Christina’s Lament" (Review by John W. Lambert) | conductor |
DVOŘÁK-CREYKE: Humoresque No. 7, "Christina’s Lament" (Review by James Camner) | conductor |
EDEN: What’s in the air today (Review by John W. Lambert) | conductor |
EDEN: What’s in the air today (Review by James Camner) | conductor |
GERSHWIN: Concerto in F (Review by Michael Ullman) | conductor |
GERSHWIN: Concerto in F (Review by James H. North) | conductor |
GERSHWIN: Rhapsody in Blue. Concerto in F. Porgy and Bess (Review by Leslie Gerber) | conductor |
GERSHWIN: Rhapsody in Blue. Second Rhapsody. Concerto in F for Piano and Orchestra. Three Preludes. Variations on “I Got Rhythm“ (CD only) (Review by James Miller) | conductor |
GLUCK: Alceste (Review by John W. Lambert) | conductor |
GLUCK: Alceste (Review by James Camner) | conductor |
GROFÉ: Grand Canyon Suite. Mississippi Suite (Review by Paul Turok) | conductor |
GROFÉ: Grand Canyon Suite. Mississippi Suite (Review by John Bauman) | conductor |
GROSVENOR: Here’s to Romance (Review by John W. Lambert) | conductor |
GROSVENOR: Here’s to Romance (Review by James Camner) | conductor |
HOVHANESS, ALAN: Floating World—Ukiyo (Review by James H. North) | conductor |
HOVHANESS, ALAN: The Rubaiyat of Omar Khayyam; Sunrise; Meditation on Orpheus, Op. 155; And God Created Great Whales; Fantasy on Japanese Woodprints, Op. 211 ; Floating World, Op. 209 (Review by Peter Frank) | conductor |
HUMPERDINCK: Hansel and Gretel (Review by James Miller) | conductor |
JACOBS-BOND, CARRIE: I love you truly (Review by John W. Lambert) | conductor |
JACOBS-BOND, CARRIE: I love you truly (Review by James Camner) | conductor |
KÁLMÁN, EMMERICH: Countess Marïtza (Review by John Ditsky) | conductor |
LEHÁR: Die lustige Witwe (Review by John W. Lambert) | conductor |
LEHÁR: Die lustige Witwe (Review by James Camner) | conductor |
LEHÁR: The Merry Widow (Review by John Ditsky) | conductor |
LEONCAVALLO, RUGGERO: Pagliacci (Review by James Miller) | conductor |
LEVANT: Concerto for Piano and Orchestra (1942). Carnival (Review by James Miller) | conductor |
LISZT: Concerto No. 1 in E-Flat for Piano and Orchestra; Hungarian Fantasia for Piano and Orchestra (Review by Peter J. Rabinowitz) | conductor |
LOCKHART-MANNING: In Luxembourg Gardens (Review by John W. Lambert) | conductor |
LOCKHART-MANNING: In Luxembourg Gardens (Review by James Camner) | conductor |
MANA-ZUCCA: The big brown bear (Review by John W. Lambert) | conductor |
MANA-ZUCCA: The big brown bear (Review by James Camner) | conductor |
MASCAGNI-WETHERLEY: Ave Maria (adapted from Cavalleria rusticana)’ (Review by John W. Lambert) | conductor |
MASCAGNI-WETHERLEY: Ave Maria (adapted from Cavalleria rusticana)’ (Review by James Camner) | conductor |
MASCAGNI, PIETRO: Cavalleria rusticana (Review by James Miller) | conductor |
MASCAGNI, PIETRO: Cavalleria rusticana (Review by John W. Lambert) | conductor |
MASCAGNI, PIETRO: Cavalleria rusticana (Review by James Camner) | conductor |
MOZART: Don Giovanni (Review by John W. Lambert) | conductor |
MOZART: Don Giovanni (Review by James Camner) | conductor |
MUSSORGSKY: Khovanshchina (Review by James H. North) | conductor |
NEVIN: The Rosary (Review by John W. Lambert) | conductor |
NEVIN: The Rosary (Review by James Camner) | conductor |
OFFENBACH: La Belle Helene (Review by John Ditsky) | conductor |
OFFENBACH: Tales of Hoffmann (Review by James Miller) | conductor |
PADILLA: La violetera (Review by John W. Lambert) | conductor |
PADILLA: La violetera (Review by James Camner) | conductor |
PONCE: Estrellita (Review by John W. Lambert) | conductor |
PONCE: Estrellita (Review by James Camner) | conductor |
PUCCINI II, GIACOMO: La Bohème (Review by James Miller) | conductor |
RACHMANINOFF: Aleko (Review by James H. North) | conductor |
REGER, MAX: Maria Wiegenlied (Review by John W. Lambert) | conductor |
REGER, MAX: Maria Wiegenlied (Review by James Camner) | conductor |
REZNICEK, EMIL NIKOLAUS VON: Donna Diana (Review by John Ditsky) | conductor |
RIEGO, TERESA DEL: Homing (Review by John W. Lambert) | conductor |
RIEGO, TERESA DEL: Homing (Review by James Camner) | conductor |
RIMSKY-KORSAKOV: The Tsar's Bride (Review by John Ditsky) | conductor |
RODGERS, RICHARD: On Your Toes (Review by Dave Saemann) | conductor |
RODGERS, RICHARD: Victory at Sea (Review by Dave Saemann) | conductor |
ROMANI: Fedra (Review by John W. Lambert) | conductor |
ROMANI: Fedra (Review by James Camner) | conductor |
SAINT-SAËNS: La Princesse Jaune (Review by John Ditsky) | conductor |
SAINT-SAËNS: Samson et Dalila (Review by James Miller) | conductor |
SAINT-SAËNS: Samson et Dalila (Review by John W. Lambert) | conductor |
SAINT-SAËNS: Samson et Dalila (Review by James Camner) | conductor |
SANDOVAL: Ave Maria (Review by John W. Lambert) | conductor |
SANDOVAL: Ave Maria (Review by James Camner) | conductor |
SCHÄFER: The cuckoo clock (Review by John W. Lambert) | conductor |
SCHÄFER: The cuckoo clock (Review by James Camner) | conductor |
SCHUBERT: Der Erlkönig (Review by John W. Lambert) | conductor |
SCHUBERT: Der Erlkönig (Review by James Camner) | conductor |
SHOSTAKOVICH: Festive Overture (Review by John Ditsky) | conductor |
SIECZYNSKI: Wien, Wien nur du allein (Review by John Ditsky) | conductor |
SPROSS: Will-o’-the-Wisp (Review by John W. Lambert) | conductor |
SPROSS: Will-o’-the-Wisp (Review by James Camner) | conductor |
STRAUS, OSCAR: The Chocolate Soldier (Review by John W. Lambert) | conductor |
STRAUS, OSCAR: The Chocolate Soldier (Review by James Camner) | conductor |
STRAUSS II, JOHANN: The Blue Danube Waltz (Review by John W. Lambert) | conductor |
STRAUSS II, JOHANN: The Blue Danube Waltz (Review by James Camner) | conductor |
STRAUSS II, JOHANN: The Blue Danube Waltz, Op. 314; Tritsch-Tratsch Polka, Op. 214; Die Fledermaus (Review by John Ditsky) | conductor |
TAYLOR, DEEMS: Through the Looking Glass Suite (Review by James H. North) | conductor |
TCHAIKOVSKY: None but the lonely heart (Review by John W. Lambert) | conductor |
TCHAIKOVSKY: None but the lonely heart (Review by James Camner) | conductor |
TCHERVANOW-KOUNTZ: The Sleigh (Review by John W. Lambert) | conductor |
TCHERVANOW-KOUNTZ: The Sleigh (Review by James Camner) | conductor |
TOSTI: Good-bye. L’ultima canzone (Review by John W. Lambert) | conductor |
TOSTI: Good-bye. L’ultima canzone (Review by James Camner) | conductor |
TRADITIONAL: Comin’ thro’ the rye (Review by John W. Lambert) | conductor |
TRADITIONAL: Comin’ thro’ the rye (Review by James Camner) | conductor |
TRADITIONAL: Danny Boy (arr Wetherley) (Review by John W. Lambert) | conductor |
TRADITIONAL: Danny Boy (arr Wetherley) (Review by James Camner) | conductor |
TRADITIONAL: La golondrina (arr Serradell) (Review by John W. Lambert) | conductor |
TRADITIONAL: La golondrina (arr Serradell) (Review by James Camner) | conductor |
TRADITIONAL: The Last Rose of Summer (Review by John W. Lambert) | conductor |
TRADITIONAL: The Last Rose of Summer (Review by James Camner) | conductor |
VALVERDE: Clavelitos (Review by John W. Lambert) | conductor |
VALVERDE: Clavelitos (Review by James Camner) | conductor |
VERDI, GIUSEPPE: Aida (Review by James Miller) | conductor |
WALTON, WILLIAM: Johannesburg Festival Overture (Review by John Ditsky) | conductor |
WOLF-FERRARI, ERMANNO: The Secret of Susanne (Review by John Ditsky) | conductor |
