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Performer: Philip Langridge THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ammenlied, D 122. We/ tausend Sterne prangen, D 642 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Der Abend, D 108 Die Nacht (no D number) (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Die Befreier Europas in Paris, D 104 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Dithyrambe, D 47 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Entra l’uomo allor che nasce, D 33/1,2 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Erinnerungen, D 98 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Geisternähe, D 100 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Klaglied, D 23 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Lebenstraum (Gesang in C); D 1A, D 39 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: L’incanto degli occhi, D 990E (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Misero pargoletto, D 42/1B (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: O combats, o désordre, D Anh II,3/2 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ombre amene, amiche piante (La Serenata); D 990F (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Pensa, che questo istante, D 76 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Quell’ innocente figlio, D 17/1,2 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Rien de la nature, D Ann 11,3/1 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Serbate o Dei custodi, D 35 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Son fra l’onde, D 78 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Totengräberlied, D 44 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Trinklied, D 75 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow) | tenor | BERLIOZ: Roméo et Juliette... (James Levine) (Review by Huntley Dent) | tenor | SZYMANOWSKI: King Roger... (Simon Rattle) (Review by Martin Anderson) | Edrisi | SZYMANOWSKI: King Roger... (Simon Rattle) (Review by Adrian Corleonis) | Edrisi | ADÈS: The Tempest (Review by Robert Carl) | King Of Naples | AHROLD: Second Coming; Song Without Words (Review by Benjamin Pernick) | tenor | ARNE, THOMAS: Thomas and Sally (Review by Vincent Alfano) | Squire | ARNE, THOMAS: Thomas and Sally (Review by Vincent Alfano) | tenor | BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Mass in F, BWV 233; Mass in A, BWV 234; Mass in G Minor, BWV 235; Mass in G, BWV 236 (Review by George Chien) | tenor | BERG, ALBAN: Wozzeck, op. 7 (Review by Peter J. Rabinowitz) | Andres | BERG, ALBAN: Wozzeck, op. 7 (Review by Peter J. Rabinowitz) | tenor | BERLIOZ: Roméo et Juliette (Review by Adrian Corleonis) | tenor | BERLIOZ: Roméo et Juliette (Review by Barry Brenesal) | tenor | BIRTWISTLE: Punch and Judy (Review by John Ditsky) | Lawyer | BIRTWISTLE: Punch and Judy (Review by Paul Moor) | Lawyer | BIRTWISTLE: Punch and Judy (Review by Peter J. Rabinowitz) | Lawyer | BIRTWISTLE: Punch and Judy (Review by Colin Clarke) | Lawyer | BIRTWISTLE: Punch and Judy (Review by John Ditsky) | tenor | BIRTWISTLE: The Minotaur (Review by Ronald E. Grames) | Hiereus | BIRTWISTLE: The Minotaur (Review by Ronald E. Grames) | Hiereus | BIRTWISTLE: The Minotaur (Review by Arthur Lintgen) | Hiereus | BIRTWISTLE: The Minotaur (Review by James H. North) | Hiereus | BRITTEN: Billy Budd (Review by James Miller) | Captain Vere | BRITTEN: Canticles (Review by Paul Ingram) | tenor | BRITTEN: Death in Venice (Review by Paul Ingram) | Gustav von Aschenbach | BRITTEN: Folk Song Arrangements (Review by Paul Ingram) | tenor | BRITTEN: Gloriana (Review by James Miller) | Essex | BRITTEN: Gloriana (Review by James Miller) | tenor | BRITTEN: Peter Grimes, op. 33 (Review by Marc Mandel) | Peter Grimes | BRITTEN: Peter Grimes, op. 33 (Review by Marc Mandel) | tenor | BRITTEN: Serenade for Tenor, Horn, and Strings. Nocturne. Phaedra (Review by Jerry Dubins) | tenor | BRITTEN: St. Nicolas. Christ's Nativity. Psalm 150 (Review by Paul Ingram) | tenor | BRITTEN: The Turn of the Screw Op. 54 (Review by John Ditsky) | Prologue | BRITTEN: The Turn of the Screw Op. 54 (Review by John Ditsky) | tenor | BRITTEN: The Turn of the Screw (Review by Huntley Dent) | Prologue | BRITTEN: War Requiem. Sinfonia da Requiem. Ballad of Heroes (Review by J. F. Weber) | tenor | CHAUSSON: Réveil. Les Papillons. Sérénade italienne. Le Colibri. La Caravane (Review by Haig Mardirosian) | tenor | DVOŘÁK, ANTONIN: Cypresses. Biblical Songs, op. 99 (Review by David Mason Greene) | tenor | DVOŘÁK, ANTONIN: Cypresses (Review by Paul Ingram) | tenor | DVOŘÁK, ANTONIN: Terzetto (Review by Paul Ingram) | tenor | DYSON: Quo vadis (Review by Martin Anderson) | tenor | ESCHER: Sonata for Clarinet Solo; Wind Quintet; Nostalgies for Tenor and Orchestra; Sinfonia per deici strumenti; Symphony No. 2 (Review by Benjamin Pernick) | tenor | FAURÉ, GABRIEL: Puisquïci-bas. Arpège. Soir. Pleurs d'or (Review by Haig Mardirosian) | tenor | FINZI: Intimations of Immortdlity. Grand Fantasia and Toccata (Review by Walter Simmons) | tenor | GAY, JOHN/BRITTEN, BENJAMIN: The Beggar's Opera (Review by James Camner) | Macheath | GAY, JOHN/BRITTEN, BENJAMIN: The Beggar's Opera (Review by James Camner) | tenor | GOUNOD, CHARLES: La Barcarola. Sérénade. Ce que je suis sans toi. Boire à l'ombre. Le premier Jour de mai (Review by Haig Mardirosian) | tenor | HANDEL, GEORGE FRIDERIC: Acts (Review by Mortimer H. Frank) | Damon | HANDEL, GEORGE FRIDERIC: Acts (Review by Mortimer H. Frank) | voice | HANDEL, GEORGE FRIDERIC: Alcina (Review by Ken Meltzer) | tenor | HANDEL, GEORGE FRIDERIC: Alcina (Review by Bertil van Boer) | tenor | HANDEL, GEORGE FRIDERIC: Chandos Anthems (Review by J. F. Weber) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by Michael Carter) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by Elliott Kaback) | tenor | HANDEL, GEORGE FRIDERIC: Samson (Review by Anthony D. Coggi) | Philistine Man | HANDEL, GEORGE FRIDERIC: Samson (Review by Anthony D. Coggi) | tenor | HANDEL, GEORGE FRIDERIC: Utrecht Te Deum (Review by George Chien) | tenor | HAYDN, FRANZ JOSEPH: Il Ritorno di Tobia (Review by John Bauman) | tenor | HAYDN, FRANZ JOSEPH: Il Ritorno di Tobia (Review by John Bauman) | Tobia | HAYDN, FRANZ JOSEPH: The Creation, Hob. XXI (Review by James H. North) | tenor | HAYDN, FRANZ JOSEPH: The Creation, Hob. XXI (Review by James H. North) | Uriel | HOLST, GUSTAV: At the Boar's Head (Review by John Ditsky) | Prince Hal | HOLST, GUSTAV: At the Boar's Head (Review by John Ditsky) | tenor | HOLST, GUSTAV: Savitri, Op. 25 (Review by John Ditsky) | tenor | HOLST/MATTHEWS: The Dream-City, Op. 48a (Review by John Ditsky) | tenor | HOWELLS, HERBERT: King David. Come Sing and Dance. Merry Margaret. The Lady Caroline. The Three Cherry Trees. On the Merry First of May. The Dunce. Alas Alack. Miss T (Review by Paul Turok) | tenor | HOWELLS, HERBERT: Nine Songs (Review by Paul Turok) | tenor | JANÁČEK, LEOŠ: Osud (in English) (Review by James H. North) | Ivn | JANÁČEK, LEOŠ: Osud (in English) (Review by James H. North) | tenor | JANÁČEK, LEOŠ: The Diary of One Who Disappeared (orchestral version by Ota Zítek and Václav Sedláček). Sinfonietta (Review by James H. North) | tenor | LAMBERT, CONSTANT: Concerto for Piano and Nine Players. Eight Poems of Li-Po. Piano Sonata. Mr. Bear Squash-you-all-flat (Review by David Johnson) | tenor | LAMBERT, CONSTANT: Concerto for Piano and Nine Players. Eight Poems of Li-Po. Piano Sonata. Mr. Bear Squash-you-all-flat (Review by John D. Wiser) | tenor | LAMBERT, CONSTANT: Concerto for Piano and Nine Players^. Eight Poems of Li-Po. Piano Sonata. Mr. Bear Squash-you-all-flat (Review by Martin Anderson) | tenor | LEHMANN, LIZA: In a Persian Garden (Review by John Ditsky) | tenor | LEWIS, ROBERT HALL: Nuances II (Review by Benjamin Pernick) | tenor | LISZT: Im Rhein (second version), S. 272. Bist du!, S. 277. Freudvoll und Leidvol (first setting, second version), S. 280. Die Vätergruft, S. 281. Vergiftet sind meine Lieder, S. 289. Three Songs from Schiller's “Wilhelm Tell“ (second version), S. 292. Ich möchte Hingehn, S. 296. Wer nie sein Brot (first setting), S. 297. Kling leise, mein Lied (second version), S. 301. Die Macht der Musik, S. 302. Über allen Gipfeln ist ruh (second version), S. 306. Ich Scheide, S. 319. Die drei Zigeuner, S. 320. Jugendglück, S. 323. Ihr Glocken von Marling, S. 328. Der Glückliche, S. 334 (Review by Peter J. Rabinowitz) | tenor | LISZT: Songs (Review by Peter J. Rabinowitz) | tenor | MESSIAEN: La Mort du nombre (Review by Haig Mardirosian) | tenor | MONTEVERDI: Vespro della Beata Vergine (Review by J. F. Weber) | tenor | MOZART: Idomeneo, rè di Creta (Review by Bernard Jacobson) | Idomeneo | MOZART: La Clemenza di Tito (Review by Barry Brenesal) | Tito | MOZART: La clemenza di Tito, K. 621 (Review by Henry Fogel) | tenor | MOZART: La clemenza di Tito, K. 621 (Review by Henry Fogel) | Tito | MOZART: Le nozze di Figaro (Review by Barry Brenesal) | Don Basilio | MOZART: Le nozze di Figaro (Review by Lynn René Bayley) | Don Basilio | MOZART: Le nozze di Figaro (Review by Peter J. Rabinowitz) | Don Basilio | MOZART: Le nozze di Figaro (Review by James A. Altena) | Don Basilio | MUSSORGSKY: Boris Godounov (Review by William H. Youngren) | Shuisky | MUSSORGSKY: Boris Godunov (1869) (Review by Christopher Williams) | Shuisky | ORR, B.: Along the Field. When I Watch the Living Meet. Farewell to Barn and Stack and Tree. When Smoke Stood Up from Ludlow. Is My Team Ploughing. The Lads in Their Hundreds. With Rue My Heart is Laden. In Valley's Green and Still. While Summer On Is Stealing. Bahnhofstrasse (Review by Paul Turok) | tenor | ORR, B.: Ten Songs (Review by Paul Turok) | tenor | PUCCINI II, GIACOMO: Il tabarro (Review by Huntley Dent) | Venditore di canzonette | PURCELL, HENRY: Dido and Aeneas (Review by Mortimer H. Frank) | First Sailor | PURCELL, HENRY: Dido and Aeneas (Review by Mortimer H. Frank) | voice | RAMEAU, JEAN-PHILIPPE: Les Boréades (Review by J. F. Weber) | Abaris | RAMEAU, JEAN-PHILIPPE: Les Boréades (Review by David Johnson) | Abaris | RAMEAU, JEAN-PHILIPPE: Les Boréades (Review by J. F. Weber) | tenor | RAMEAU, JEAN-PHILIPPE: Les Boréades (Review by David Johnson) | tenor | RAMEAU, JEAN-PHILIPPE: Zéphyre (An opera-ballet) (Review by John Yohalem) | tenor | RAMEAU, JEAN-PHILIPPE: Zéphyre (An opera-ballet) (Review by John Yohalem) | Zéphyre | SAINT-SAËNS: Viens! Aimons-nous. L'Attente. La Cloche. Danse macabre (Review by Haig Mardirosian) | tenor | SCHOENBERG, ARNOLD: Gurrelieder (Review by James H. North) | Klaus The Jester | SCHOENBERG, ARNOLD: Gurrelieder (Review by James H. North) | tenor | SCHOENBERG, ARNOLD: Moses und Aron (Review by ROGER DETTMER) | Aaron | SCHOENBERG, ARNOLD: Moses und Aron (Review by James H. North) | Aron | SCHOENBERG, ARNOLD: Moses und Aron (Review by ROGER DETTMER) | tenor | SCHUBERT: Complete Songs, Volume 4 (Review by David Johnson) | tenor | SCHUBERT: Der Liedler, D. 209. Sängers Morgenlied (2 versions), D. 163, 165. Das war ich, D. 174. Liebeständelei, D. 206. Liebesrausch, D. 179. Sehnsucht der Liebe, D. 180. Das gestörte Glück, D. 309. Auf der Riesenkoppe, D. 611. Am See, D. 124. Alte Liebe rostet nie, D. 477. Am Strome, D. 539. Nachtstück, D. 672. Liebeslauschen, D. 698. An Herrn Josef von Spaun (Epistel), D. 749 (Review by David Johnson) | tenor | SHOSTAKOVICH: Lady Macbeth of Mtsensk, op. 29 (Review by Royal S. Brown) | tenor | SHOSTAKOVICH: Lady Macbeth of Mtsensk, op. 29 (Review by Royal S. Brown) | Zinovi Izmailov | STRAVINSKY, IGOR: Oedipus Rex (Review by James H. North) | Oedipus | STRAVINSKY, IGOR: Oedipus Rex (Review by James H. North) | Oedipus | STRAVINSKY, IGOR: Oedipus Rex (Review by James H. North) | tenor | STRAVINSKY, IGOR: Renard (Review by George Chien) | tenor | SZYMANOWSKI: King Roger (Review by Adrian Corleonis) | Edrisi | TIPPETT, MICHAEL: A Child of Our Time (Review by Peter J. Rabinowitz) | tenor | TIPPETT, MICHAEL: King Priam (Review by Adrian Corleonis) | Paris | TIPPETT, MICHAEL: King Priam (Review by John Ditsky) | Paris | TIPPETT, MICHAEL: King Priam (Review by Raymond Tuttle) | Paris | TIPPETT, MICHAEL: King Priam (Review by Adrian Corleonis) | tenor | TIPPETT, MICHAEL: King Priam (Review by John Ditsky) | tenor | TIPPETT, MICHAEL: King Priam (Review by Raymond Tuttle) | tenor | VAUGHAN WILLIAMS: Epithalamion. Merciless Beauty (Three Rondels). Four Hymns (Review by John D. Wiser) | tenor | WALTON, WILLIAM: Façade 1. Façade 2 (Review by George Chien) | tenor | WEILL, KURT: Kleine Dreigroschenmusik. Concerto for Violin and Wind Orchestra, Op. 12. Mahagonny Songspiel (“Das kleine Mahagonny“) (Review by John D. Wiser) | tenor | WEILL, KURT: The Seven Deadly Sins (arr. Brückner-Rüggeberg). The Berlin Requiem (ed. David Drew) (Review by Adrian Corleonis) | tenor |
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