|
Performer: Leningrad P BARTÓK: Concerto No. 1 for Violin and Orchestra (Review by David K. Nelson) | ensemble or orchestra | BEETHOVEN, LUDWIG VAN: Concerto No. 5 in E♭ for Piano and Orchestra, op. 73 ( “Emperor“). Symphony No. 4 in B♭, op. 60 (Review by Mortimer H. Frank) | ensemble or orchestra | BOCCHERINI, LUIGI: Concerto No. 2 in D for Cello and Strings (Review by John Bauman) | ensemble or orchestra | DVOŘÁK, ANTONIN: Concerto in B Minor for Cello and Orchestra, Op. 104 (Review by John Bauman) | ensemble or orchestra | DVOŘÁK, ANTONIN: Stabat Mater, Op. 58 (28) (Review by John H. Yoell) | ensemble or orchestra | HINDEMITH, PAUL: Concerto in D for Violin and Orchestra (Review by David K. Nelson) | ensemble or orchestra | MOZART: Concertos for Violin and Orchestra (Review by David K. Nelson) | ensemble or orchestra | PROKOFIEV, SERGEI: Romeo and Juliet (Review by Peter J. Rabinowitz) | ensemble or orchestra | SCHUMANN: Concerto in A Minor for Cello and Orchestra, Op. 129 (Review by John Bauman) | ensemble or orchestra | SCHUMANN: Concerto in A Minor for Piano and Orchestra, Op. 54. Concerto in A Minor for Cello and Orchestra, Op. 129 (Review by Paul Turok) | ensemble or orchestra | SHOSTAKOVICH: Symphonies (Review by ROGER DETTMER) | ensemble or orchestra | SHOSTAKOVICH: The Complete Symphonies (15) (Review by ROGER DETTMER) | ensemble or orchestra | SZYMANOWSKI: Concerto No. 1 for Violin and Orchestra, op. 35 (Review by David K. Nelson) | ensemble or orchestra | TCHAIKOVSKY: The Nutcracker, Op. 71 (Review by Peter J. Rabinowitz) | ensemble or orchestra | TCHAIKOVSKY: Variations on a Rococo Theme for Cello and Orchestra, Op. 33 (Review by John Bauman) | ensemble or orchestra | VIVALDI, ANTONIO: Concerto in G for Cello, Strings, and Continuo, RV. 413 (Review by John Bauman) | ensemble or orchestra |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|