|
Performer: Members of the Univ of Illinois Musical Ens PARTCH, HARRY: Prologue, The Lost Musicians Mix Magic; Scene 1, Three Undergrads Become Transfigured in a Hong Kong Music Hall; Scene 2, Exercises in Harmony and Counterpoint Are Tried in a Court of Ancient Ritual; Scene 3, The Romancing of a Pathological Liar Comes to an Inspired End; Scene 4, A Soul Tormented by Modern Music Finds a Humanizing Alchemy; Scene 5, Visions Fill the Eyes of a Defeated Basketball Team in the Shower Room; Scene 6, Euphoria Descends on a Sausalito Stairway; Scene 7, Two Detectives on the Trail of a Tricky Culprit Turn In Their Badges; Scene 8, A Court in Its Own Contempt Rises to a Motherly Apotheosis; Scene 9, A Lost Political Soul Finds Himself Among the Voteless Women of Paradise; Scene 10, The Cognoscenti Are Plunged into a Demonic Descent While at Cocktails; Epilogue (Review by Adrian Corleonis) | ensemble or orchestra | PARTCH, HARRY: The Bewitched (Review by Art Lange) | want list ensemble | PARTCH, HARRY: The Bewitched—A Dance Satire (Review by Adrian Corleonis) | ensemble or orchestra |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|