|
|
Performer: Guy Penson COMPENDIUM OF RENAISSANCE MUSICAL INSTRUMENTS: (Review by Brian Robins) | virginal | SEICENTO- EARLY ITALIAN RECORDER MUSIC: (Review by Tom Moore) | harpsichord | ANONYMOUS: Es ist genug (Review by James A. Altena) | organ | BACH, CARL PHILIPP EMANUEL: Solo in G for Viola da Gamba. Trio Sonata in F (Review by George Chien) | harpsichord | BACH, JOHANN: Unser Leben ist ein Schatten. Weint nicht um meinem Tod (Review by George Chien) | harpsichord | BACH, JOHANN CHRISTOPH: Fürchtet dich nicht. Ach dass isch Wassers g'nug hätte. Der Mensch vom Weibe geboren (Review by George Chien) | harpsichord | BACH, JOHANN MICHAEL: Fürchtet euch nich. Halt was du hast. Ach wie sehnlich wart ich (Review by George Chien) | harpsichord | BACH, JOHANN SEBASTIAN: Ach wie nichtig, BWV 664. An Wasserflüssen Babylon, BWV 653b. Prelude and Fugue in G Minor, BWV 542. Cantatas Aus der Tiefe, BWV 131, Weichet nur betrübte Schatten, BWV 202. Italian Concerto in F, BWV 971 (Review by George Chien) | harpsichord | BACH, JOHANN SEBASTIAN: Concerto in C for Two Harpsichords (Review by David Mason Greene) | harpsichord | BACHMANN, GEORGES: Les Sylphes—Impromptu-valse (Review by Peter J. Rabinowitz) | piano four-hands | BACH, WILHELM FRIEDEMANN: Concerto in F for Harpsichord, Strings, and Continuo (Review by George Chien) | harpsichord | BACH, WILHELM FRIEDEMANN: Concerto in F for Two Harpsichords* (Review by David Mason Greene) | harpsichord | BACH, WILHELM FRIEDEMANN: Concertos for Harpsichord and Orchestra (Review by David Claris) | harpsichord | BACH, WILHELM FRIEDEMANN: Fugue No. B in F Minor. Sonatas (Review by Neil Levenson) | fortepiano | BACH, WILHELM FRIEDEMANN: Fugue No. B in F Minor. Sonatas (Review by Neil Levenson) | harpsichord | BOCCHERINI, LUIGI: Sonate per il Violoncello (Review by Kevin Bazzana) | harpsichord | BURGMEIN: Tramway-Galop (Review by Peter J. Rabinowitz) | piano four-hands | BUXTEHUDE: Klaglied (Review by James A. Altena) | organ | DEMERSSEMAN, JULES: Sérénade (Review by Lynn René Bayley) | piano | EILENBERG: Gavotte Joséphine, op. 169 (Review by Peter J. Rabinowitz) | piano four-hands | FISCHER, EDWIN: A travers bois (Review by Peter J. Rabinowitz) | piano four-hands | GAEL, HENRI VAN: Marche indienne, op. 14 (Review by Peter J. Rabinowitz) | piano four-hands | GANZ, WILHELM: Qui vive!—Grand galop de Concert, op. 12 (Review by Peter J. Rabinowitz) | piano four-hands | GILLET: Pizzicati (Review by Peter J. Rabinowitz) | piano four-hands | GOBBAERTS: Tramway—Galop brillant, op. 37 (Review by Peter J. Rabinowitz) | piano four-hands | GRAU, DURAND DE: Les Clochettes—Galop brilliant, op. 18 bis (Review by Peter J. Rabinowitz) | piano four-hands | HANDEL, GEORGE FRIDERIC: Two Preludes and Fugues in C for Two Harpsichords (Review by David Mason Greene) | harpsichord | HOFMANN, HEINRICH: Pages d'album, op. 46 (Review by Peter J. Rabinowitz) | piano four-hands | KÖLLING: La Chasse au lion—Grand galop brillant, op. 55 (Review by Peter J. Rabinowitz) | piano four-hands | KREBS: Concerto in A Minor for Two Obbligato Harpsichords* (Review by David Mason Greene) | harpsichord | MOZART: Six Sonatas for Flute and Fortepiano/Harpsichord, K. 10-15 (Review by John Bauman) | harpsichord | MOZART: Six Sonatas for Flute and Fortepiano/Harpsichord, K. 10-15 (Review by John Bauman) | pianoforte | SINGELÉE: Concerto (Review by Lynn René Bayley) | piano | SINGELÉE: Duo Concertante (Review by Lynn René Bayley) | piano | SINGELÉE: Fantaisie Pastorale (Review by Lynn René Bayley) | piano | SINGELÉE: Septième solo de Concert (Review by Lynn René Bayley) | piano | STADELER: L'Éclat de rire (Review by Peter J. Rabinowitz) | piano four-hands | WACHS: Caprlcante—Marche de concert (Review by Peter J. Rabinowitz) | piano four-hands | WIENIAWSKI, JOSEF: Berceuse, op. 53 (Review by Peter J. Rabinowitz) | piano four-hands |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
