|
Performer: Philippe Pierlot COMPENDIUM OF RENAISSANCE MUSICAL INSTRUMENTS: (Review by Brian Robins) | viol | CONCERTUUM SACRORUM: (Review by J. F. Weber) | conductor | GERMAN BAROQUE SACRED MUSIC. PASSION & RESURRECTION: (Review by James A. Altena) | conductor | MASTERS OF THE GERMAN BAROQUE: (Review by James A. Altena) | conductor | SCHÜTZ, HEINRICH; TUNDER: (Review by James A. Altena) | conductor | SEICENTO- EARLY ITALIAN RECORDER MUSIC: (Review by Tom Moore) | viola | SONDERLICH AUFF VIOLEN: MUSIC OF THE 17TH AND... (Philippe Pierlot) (Review by Brian Robins) | director | SONDERLICH AUFF VIOLEN: MUSIC OF THE 17TH AND... (Philippe Pierlot) (Review by Brian Robins) | violadagamba | ANONYMOUS: Fantasia a 5 (Review by Brian Robins) | director | ANONYMOUS: O death rock me asleep. Come tread the paths. My little sweet darling. Born is the Babe. Complain with tears. Fie, fie, my fate. In paradise (Review by Brian Robins) | director | ANONYMOUS: Salve regina (Review by J. F. Weber) | conductor | BACH, JOHANN CHRISTOPH: Wie bist du den o Gott (Review by J. F. Weber) | director | BACH, JOHANN SEBASTIAN: Allein Gott, BWV 663 (Review by J. F. Weber) | conductor | BACH, JOHANN SEBASTIAN: Allein Gott, BWV 715 (Review by J. F. Weber) | conductor | BACH, JOHANN SEBASTIAN: Cantata No. 198, “Trauer-Ode” (Review by Alan Swanson) | conductor | BACH, JOHANN SEBASTIAN: Cantata, BWV 198 (Review by Alan Swanson) | conductor | BACH, JOHANN SEBASTIAN: Cantatas Nos. 21 and 76. Ich ruf zu dir, BWV 639 (Review by J. F. Weber) | conductor | BACH, JOHANN SEBASTIAN: Cantatas (Review by Bertil van Boer) | conductor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | conductor | BACH, JOHANN SEBASTIAN: Fuga sopra il Magnificat, BWV 733. Missa in g, BWV 235. Prelude and Fugue in G, BWV 541 (Review by George Chien) | conductor | BACH, JOHANN SEBASTIAN: Herr Gott, BWV 617 (Review by J. F. Weber) | conductor | BACH, JOHANN SEBASTIAN: Herzlich tut mich verlangen, BWV 727 (Review by Alan Swanson) | conductor | BACH, JOHANN SEBASTIAN: Herzlich tut mich verlangen, BWV 727 (Review by Alan Swanson) | conductor | BACH, JOHANN SEBASTIAN: Mass in a, BWV 234 (Review by Alan Swanson) | conductor | BACH, JOHANN SEBASTIAN: Missa brevis in a. Prelude and Fugue in b, BWV 544 (Review by Alan Swanson) | conductor | BACH, JOHANN SEBASTIAN: Musikalisches Opfer (Review by Bertil van Boer) | violadagamba | BACH, JOHANN SEBASTIAN: Organ Preludes (Review by Bertil van Boer) | conductor | BACH, JOHANN SEBASTIAN: Prelude and Fugue, BWV 544 (Review by Alan Swanson) | conductor | BACH, JOHANN SEBASTIAN: St. John Passion (Review by Jerry Dubins) | conductor | BECKER, DIETRICH: Pavane. Sonata (Review by J. F. Weber) | director | BERTALI: Sonata (Review by J. F. Weber) | conductor | BLOW, JOHN: An Ode on the Death of Mr. Henry Purcell (Review by Michael Ullman) | conductor | BRUHNS, NICOLAUS: De profundis. Der Herr hat seinen Stuhl (Review by J. F. Weber) | director | BUXTEHUDE: Ich bin eine Blume zu Saron (Review by J. F. Weber) | director | BUXTEHUDE: Jubilate Domino (Review by Tom Moore) | bass viol | BYRD, WILLIAM: Consort Songs. Fantasia a 6 (II) (Review by Brian Robins) | director | BYRD, WILLIAM: In Nomine a 4 (Review by Brian Robins) | director | BYRD, WILLIAM: Quis me statím. Wretched Albinus. Rejoice unto the Lord. Fair Britain Isle. Triumph with pleasant melody. Lullaby. Ye Sacred Muses (Review by Brian Robins) | director | COUPERIN, FRANÇOIS: Le Parnasse ou L’Apothéose de Corelli. L’Apothéose de Lully (Review by Barry Brenesal) | conductor | DUBUISSON: Suite in A Minor (Review by Tom Moore) | bass viol | DURANTE, FRANCESCO: String Concerto in f (Review by Brian Robins) | director | EBART: Sonata (Review by J. F. Weber) | director | FALCONERÒ: Folias (Review by Brian Robins) | director | FALCONERÒ: Folias (Review by Brian Robins) | violadagamba | FESCH, WILLEM DE: Apis amata (Review by Tom Moore) | bass viol | FRESCOBALDI: Volume I (Review by William H. Youngren) | bass viol | FUMET, DYNAM: Cantate Biblique, for Four Flutes and Cello. Trio for Flutes. Diptyque Baroque, for Viola and Flute. Interpolaire, for Flute. Quatuor for Flutes (Review by John W. Lambert) | flute | FUNCK: Intrada et lamento (Review by J. F. Weber) | director | FUNCK: Suite in F (Review by Tom Moore) | director | FUX, VINCENZ: Ave Maria (Review by J. F. Weber) | conductor | HENTZSCHEL: Canzon mitt 8 Viol di gamben (Review by Tom Moore) | director | HOTTETERRE, J. -M.: First Book of Pieces for Transverse Flute, op. 2 (Review by Tom Moore) | violadagamba | KUHNEL: Sonata 2 à 2 (Review by Tom Moore) | director | LAWES, WILLIAM: Harp Consort Suite in g. Lyra Viol Solos in G. Harp Consort Suite in d. Lyra Viol Solos in g. Harp Consort Suite in G. Lyra Viol Solos in d. Harp Consort in G (Review by Barry Brenesal) | bs vl | LAWES, WILLIAM: Harp Consort Suite in g. Lyra Viol Solos in G. Harp Consort Suite in d. Lyra Viol Solos in g. Harp Consort Suite in G. Lyra Viol Solos in d. Harp Consort in G (Review by Barry Brenesal) | lyra vl | LECLAIR, JEAN-MARIE: Sonatas (Review by Robert Maxham) | violadagamba | LECLAIR, JEAN-MARIE: Sonates pour violon et basse continue, Livre IV (Review by Robert Maxham) | violadagamba | LECLAIR, JEAN-MARIE: Violin Sonatas from Book I (Review by Robert Maxham) | cello | LEDROIT, HENRI: ENREGISTREMENTS INÉDITS (Review by Tom Moore) | bass viol | LEOPOLD I: Regina caeli (Review by J. F. Weber) | conductor | MACHY, DE: Suite in G (Review by Tom Moore) | bass viol | MARAIS: Couplets de folies (Review by Lynn René Bayley) | bass violadagamba | MARAIS: Pieces de viole du second livre, 1701 (Review by Laura Rónai) | bass viol | MARAIS: Pièces de Viole, Book 2 (Review by Lynn René Bayley) | bass violadagamba | MARAIS: Pièces de viole du Second Livre. (Review by Barry Brenesal) | bass viol | MARAIS: Suite in A. Suite in E (Review by Lynn René Bayley) | bass violadagamba | MARAIS: Tombeau pour Monsieur de Sainte Colombe'- (Review by Tom Moore) | bass viol | MARAZZOLI: Sopra la rosa. O Mortal. Ciaccona. Salutate il nuovo aprile (Review by Brian Robins) | director | MARAZZOLI: Sopra la rosa. O Mortal. Ciaccona. Salutate il nuovo aprile (Review by Brian Robins) | violadagamba | NAVAS, JUAN DE: La Rosa que reyna (Review by Brian Robins) | director | NAVAS, JUAN DE: La Rosa que reyna (Review by Brian Robins) | violadagamba | NICOLAI: Sonata a tre Viol da Gamba (Review by Tom Moore) | director | PERGOLESI: Stabat Mater. Salve Regina (Review by Brian Robins) | director | POSCH: Pavane and Gaillard V (Review by Tom Moore) | director | PRAETORIUS, MICHAEL: Terpsichore musarum (Review by J. F. Weber) | director | PURCELL, HENRY: Here Let My Life; But Ah, I See Eusebia Drown’d in tears; Symphony for the Flutes; Strike the Viol; Her Charming Strains; Chaconne; A Song in the Prophetess; Symphony for the Flutes; No, no Resistance Is but Vain; I Loved Fair Celia; Sweetness of Nature (Review by Michael Ullman) | conductor | RAVEL: Five Greek Folk Songs. Histoires naturelles. Three Poems of Stéphane Mallarmé. Chansons madécasses (Review by James Miller) | flute | REBEL, J. F.: Tombeau de Monsieur de Lully (Review by Barry Brenesal) | conductor | SAINTE-COLOMBE LE FILS: Pièces de viole (Review by Barry Brenesal) | bass viol | SANCES: Stabat mater (Review by J. F. Weber) | conductor | SCHARMANN: Trauer-Klag (Review by J. F. Weber) | director | SCHEIDT, SAMUEL: Canzon super O Nachbar Roland (Review by Tom Moore) | director | SCHENCK: Scherzi Musicali, op. 6 (Review by Tom Moore) | director | SCHMELZER, JOHANN HEINRICH: Sonatas (Review by J. F. Weber) | conductor | SCHÜTZ, HEINRICH: Die Sieben Worte Jesu Christi am Kreuz (Review by James A. Altena) | conductor | SCHÜTZ, HEINRICH: Die sieben Worte Jesu Christi am Kreuz. Historia der Auferstehung Jesu Christi (Review by J. F. Weber) | director | SCHÜTZ, HEINRICH: In te Domine speravi, SWV 259. Bringt her dem Herren, SWV283 (Review by Tom Moore) | bass viol | SEBASTIANI: Matthaeus Passion (Review by J. F. Weber) | director | TELEMANN, GEORG PHILIPP: Ihr, deren Leben mit banger Finsternis umgeben. Erwachet zum Kriegen. Jauchzet, frohlocket (Review by Tom Moore) | bass viol | TUNDER: O Jesu dulcissime. Da mihi Domine (Review by J. F. Weber) | director | VARÈSE: Densité 21.5. Ionisation. Ecuatorial. Nocturnal. Intégrales. Déserts (Review by Christopher Abbot) | flute | VIADANA: Ego sum pauper (Review by Tom Moore) | bass viol | VITALI, GIOVANNI BATTISTA: Capriccio detta “Il molza.“ (Review by Brian Robins) | director | VITALI, GIOVANNI BATTISTA: Capriccio detta “Il molza.“ (Review by Brian Robins) | violadagamba | WECKMANN: Organ preludes (Review by Bertil van Boer) | conductor | WECKMANN: Sacred Concertos (Review by Bertil van Boer) | conductor | YOUNGER, SAINTE-COLOMBE THE: Tombeau pour Monsieur de Sainte Colombe le Père. Fantaisie en rondeau. DAUTRECOURT (SAINTE-COLOMBE) (Review by Tom Moore) | bass viol | ZIANI: Alma redemptoris mater (Review by J. F. Weber) | conductor |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|