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Performer: Götz Schumacher BACH, JOHANN SEBASTIAN: (Trans. Kurtág) Ach wie nichtig, ach wie flüchtig, BWV 644. Christum wir sollen loben schon, BWV 611. Liebster Jesu, wir sind hier, BWV 633. Christe, du Lamm Gottes, BWV 619. O Lamm Gottes, unschuldig, BWV 618. Durch Adam's Fall ist ganz verderbt, BWV 637. Gottes Zeit ist die allerbeste Zeit (Review by Paul Ingram) | piano | BACH, JOHANN SEBASTIAN: The Art of Fugue (Review by Paul Ingram) | piano | BERIO: Concerto for Two Pianos and Orchestra (Review by Robert Carl) | piano | BRAHMS, JOHANNES: A German Requiem, op. 45 (London Version) (Review by Henry Fogel) | pianoforte | BRAHMS, JOHANNES: Ein deutsches Requiem, op. 45 (London version) (Review by Ralph V. Lucano) | piano | BUSONI, FERRUCCIO: Fantasia contrappuntistica (Review by Paul Ingram) | piano | CARTER, ELLIOTT: Emblems (Review by Robert Carl) | piano | CARTER, ELLIOTT: Heart Not So Heavy As Mine. Musicians Wrestle Everywhere. To Music. The Defense of Corinth (Review by Robert Carl) | piano | CARTER, ELLIOTT: Let’s Be Gay (Review by Robert Carl) | piano | CARTER, ELLIOTT: Tarantella (Review by Robert Carl) | piano | ZIMMERMANN, BERND ALOIS: Dialoge, for 2 Pianos and Orchestra (Review by Stephen Ellis) | piano | ZIMMERMANN, BERND ALOIS: Monologe, for 2 Pianos (Review by Stephen Ellis) | piano | ZIMMERMANN, BERND ALOIS: Perspektiven, for 2 Pianos (Review by Stephen Ellis) | piano | ZIMMERMANN, BERND ALOIS: Photoptosis, for Orchestra (Review by Stephen Ellis) | piano |
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