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Performer: Mary Seers BRITTEN: Rejoice in the Lamb, Festival Cantata, Op. 30. A Wedding Anthem (Amo ergo sum), Op. 46. Festival Te Deum, Op. 32. A Boy was Born, Choral Variations, Op. 3 (Review by John D. Wiser) | soprano | BRITTEN: Rejoice in the Lamb—Festival Cantata, Op. 30. A Wedding Anthem (Amo ergo sum), Op. 46. Festival Te Deum, Op. 32. A Boy was Born—Choral Variations, Op. 3 (Review by David Johnson) | soprano | BRITTEN: Rejoice in the Lamb—Festival Cantata, Op. 30. A Wedding Anthem (Amo ergo sum), Op. 46. Festival Te Deum, Op. 32. A Boy was Born—Choral Variations, Op. 3 (Review by John D. Wiser) | soprano | FAURÉ, GABRIEL: Requiem (1893 version) (Review by Adrian Corleonis) | soprano | HOWELLS, HERBERT: Requiem. Take Him, Earth, for Cherishing (Review by John Ditsky) | soprano | HOWELLS, HERBERT: Requiem. Take Him, Earth, for Cherishing (Review by John Ditsky) | soprano | POULENC, FRANCIS: Glorias. Salve Regina. Ave verum corpus. Exultate Deo. Litanies à la Vierge Noire. Quatre motets pour un temps de pénitence. Quatre motets pour le temps de Noël (Review by John D. Wiser) | soprano | PURCELL, HENRY: Complete Odes and Welcome Songs, Volume 6 (Review by Michael Ullman) | soprano | PURCELL, HENRY: Ode for Queen Mary's Birthday, 1692,1. 334 (“Love's goddess sure was blind“). Ode for St. Cecilia's Day, Z. 334 (“Raise, raise the voice“). Ode for St. Cecilia's Day, Z. 329 (“Laudate Cecíliám“). Welcome Song for Charles II, Z. 326 (“From those serene and rapturous joys“) (Review by Michael Ullman) | soprano | VAUGHAN WILLIAMS: Mass in G Minor. Te Deum in G (Review by John Ditsky) | soprano | VAUGHAN WILLIAMS: Mass in G minor. Te Deum in G (Review by John Ditsky) | soprano | VAUGHAN WILLIAMS: Mass in g (Review by Alan Swanson) | soprano |
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