|
Performer: Marshall Taylor BABBITT: Around the Horn. Whirled Series. None but the lonely flute. Homily. Beaten Paths. Play It Again, Sam. Soli e duettini. Melismata“ (Review by Phillip Scott) | a sax | DAVIDSON, ROGER: Transparent Victims (Review by Mike Silverton) | saxophone | DAVIDSON, ROGER: Transparent Victims. Fire on the Mountain. I Hear the Mermaids Singing. Lullaby. Bleached Thread, Sister Thread. Blue Dawn, the Promised Fruit* (Review by Robert Carl) | saxophone | EDWARDS, GEORGE: Veined Variety, for soprano and chamber ensemble (Review by John Ditsky) | saxophone | GLASER: Catalyst. Convergence. Moonset No. 1 (Review by David DeBoor Canfield) | alto saxophone | GLASER: Gold-Vermillion. Kinesis (Review by David DeBoor Canfield) | alto saxophone | POLIN: O, Aderyn Pur, for flute, saxophone, and tape, (Review by John Ditsky) | saxophone | ROLNICK, NEIL: A La Mode. Real Time (Review by Kyle Gann) | conductor | ZAHLER, NOEL: Regions 1, for solo piano (Review by John Ditsky) | saxophone |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|