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Performer: Michael Thompson

CASABLANCAS, BENET: Dove of Peace, Homage to Picasso... (Felix Krieger) (Review by Gavin Dixon)

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THE CHANT OF CHRISTMAS MIDNIGHT. J: (Review by J. F. Weber)

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ABREU, ZEQUINHA DE: Tico-Tico (Review by John Bauman)

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ANONYMOUS: Canción Niña y Viña. Canción de la Virgen que Parió (Review by Paul Turok)

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BARTÓK: Ten Pieces from“Mikrokosmos“ (arr. Cotton) (Review by Paul Turok)

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BERLIOZ: Roman Carnival Overture (Review by John Bauman)

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BIRTWISTLE: Melancolia f. Ritual Fragment. Meridian (Review by Alex Ross)

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BRAHMS, JOHANNES: Trio in E♭ for Horn, Violin, and Piano, op. 40 (Review by Jon Tuska)

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BRAHMS, JOHANNES: Trio in E♭ for Piano, Violin, and Horn, Op. 4. Trio in A minor for Piano, Clarinet, and Cello, Op. 114 (Review by John D. Wiser)

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BRITTEN: Five Canticles (Review by John D. Wiser)

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BRITTEN: In memoriam Dennis Brain (compl. Matthews) (Review by Alan Swanson)

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BRITTEN: In memoriam Dennis Brain. Untitled fragment (Review by Lynn René Bayley)

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BRITTEN: Les Illuminations, op. 18. Nocturne, for Tenor, 7 Obligato Instruments, and Strings, op. 60 (Review by Andrew Quint)

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BRITTEN: Les Illuminations, op. 18. Quatre Chansons Françaises. Serenade for Tenor, Horn, and Strings, op. 31 (Review by John D. Wiser)

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BRITTEN: Serenade, for Tenor, Horn, and Strings, op. 31 (Review by Andrew Quint)

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CARMICHAEL: Stardust (Review by John Bauman)

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CRUSELL: Concert Trio for Clarinet, Bassoon, and Horn (Review by Richard A. Kaplan)

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ELLINGTON: Caravan (Review by John Bauman)

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GLINKA: Russlan and Ludmilla (Review by John Bauman)

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HANDEL, GEORGE FRIDERIC: Arrival of the Queen of Sheba (Review by John Bauman)

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HAYDN, FRANZ JOSEPH: Concerto No. 1 in D for Horn and Orchestra. Symphonies (Review by Michael Jameson)

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HAYDN, FRANZ JOSEPH: Concerto in E♭ for Trumpet and Orchestra. Concertos for Horn and Orchestra (Review by Paul Turok)

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HORNER, JAMES: Titanic Fantasy (Review by John Bauman)

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HUMPERDINCK: Evening Prayer (Review by John Bauman)

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LYON: Concerto for Horn and Strings (Review by Paul A. Snook)

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LYON: Country Lanes (Review by Paul A. Snook)

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LYON: Fairytale Suite. Overture to a Comic Opera. Waltz for Strings. Ballet for Orchestra (Review by Paul A. Snook)

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LYON: Fantasia on a Nursery Song. Farnham Suite, for Strings (Review by Paul A. Snook)

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MASON, WILLIAM: String Quartet No. f. Double Concerto, for Horn, Trombone and Ensemble Self-Referential Songs and Realistic Virelais (Review by Mike Silverton)

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MERCURY/QUEEN: Bohemian Rhapsody (Review by John Bauman)

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MESSIAEN: Des Canyons aux étoiles.. . Oiseaux Exotiques. Couleurs de la Cité Céleste (Review by Kyle Gann)

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MILAN: Fantasia (all arranged by Miller) (Review by Paul Turok)

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MORÉRA: Four Sardanas (arr. Miller) (Review by Paul Turok)

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MOZART: Complete Works for Horn and Orchestra (Review by Bernard Jacobson)

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MOZART: Concertos (Review by Bernard Jacobson)

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MOZART: Fragments (Review by Bernard Jacobson)

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MOZART: Horn Concerto No. 4 (Review by John Bauman)

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MOZART: Quintet in A for Clarinet and Strings, K. 58V. Quartet in F for Oboe and Strings, K. 370. Quintet in E♭ for Horn and Strings, K. 407 (Review by John D. Wiser)

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MOZART: Rondeau in E♭, K 371 (recon. Humphries) (Review by Bernard Jacobson)

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MOZART: Rondo in D, K 514 (completed by Süssmayr) (Review by Bernard Jacobson)

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MOZART: Sinfonia Concertante in E♭ for Violin, Viola, and Orchestra, K. 364. Sinfonia Concertante in E♭ for Oboe, Clarinet, Horn, and Bassoon, K. 297b (Review by Michael Ullman)

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MOZART: Trio in E♭ for Clarinet, Viola, and Piano, K. 498 (“Kegelstatt') (Review by Jon Tuska)

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PONCE: Torre de Niña, (Review by Paul Turok)

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RAMEAU, JEAN-PHILIPPE: Les Sauvages. Le Rappel des oiseaux (arr. Wallace) (Review by Paul Turok)

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ROSSINI: La Danza (Review by John Bauman)

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SCHUBERT: Octet (Review by Richard A. Kaplan)

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SCHUMANN: Märchenerzählungen (Fairy Tales), for Clarinet, Viola, and Piano, op. 132 (Review by Jon Tuska)

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VALDERRÁBANO: Diferencias sobre Guardante las vacas (Review by Paul Turok)

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VAN HEUSEN, JIMMY: Here’s That Rainy Day (Review by John Bauman)

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WAGNER, RICHARD: Tristan and Isolde (Review by John Bauman)

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