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Performer: William Winant BISCHOFF: The Glass Hand (Review by Mike Silverton) | airdrums midi controller | BISCHOFF/BROWN/ERBE/PAYNE: CCM Flotsam (Review by Mike Silverton) | airdrums midi controller | BROWN, CHRIS: Chain Reaction (Review by Mike Silverton) | airdrums midi controller | BROWN, CHRIS: Stupa. Gangsa. Iceberg (Review by Peter Burwasser) | percussion | BYRON, MICHAEL: Drifting Music. Music of Every Night. Music of Steady Light. Starfields. Tender, Infinitely Tender (Review by Raymond Tuttle) | maracas | BYRON, MICHAEL: Drifting Music. Music of Every Night. Music of Steady Light. Starfields. Tender, Infinitely Tender (Review by Raymond Tuttle) | marimba | BYRON, MICHAEL: Drifting Music. Music of Every Night. Music of Steady Light. Starfields. Tender, Infinitely Tender (Review by Marc Medwin) | percussion | BYRON, MICHAEL: Drifting Music. Music of Every Night. Music of Steady Light. Starfields. Tender, Infinitely Tender (Review by Raymond Tuttle) | tubular bells | BYRON, MICHAEL: Elegant Detours (Review by Raymond Tuttle) | marimba | CAGE, JOHN: 45’ for a Speaker. 31’ 57.9864” for a Pianist. 34’ 46.776” for a Pianist . 26’ 1.1499” for a String Player. 27’ 10.544 for a Percussionist (Review by Robert Carl) | percussion | CAGE, JOHN: 45’ for a Speaker. 31’57.9864” for a pianist. 34’46.776” for a pianist. 26’1.1499” for a string player. 27’10.554” for a percussionist (Review by Raymond Tuttle) | percussion | CAGE, JOHN: Music for Three. Eight Whiskus. Four (Review by Mike Silverton) | percussion | CAGE, JOHN: Music for Three. Eight Whiskus. Four⁵ (Review by Robert Carl) | percussion | CAGE, JOHN: Singing Through (Review by Mike Silverton) | percussion | CAGE, JOHN: The Ten Thousand Things (Review by Raymond Tuttle) | percussion | CAMPION, EDMUND: Domus aurea (Review by Robert Carl) | percussion | COWELL, HENRY: Cleistogamy, lor Violin and Cello. Four Combinations for Piano, Violin, and Cello (Review by Kyle Gann) | gong | COX, RICK: On Tuesday (Review by Raymond Tuttle) | marimba | CURRAN: Animal Behavior (Review by Mike Silverton) | airdrums midi controller | DRESHER, PAUL: Double Ikat. Dark Blue Circumstance. Channels Passing. Night Songs (Review by Scott Wheeler) | percussion | ERBE: After a Day (Review by Mike Silverton) | airdrums midi controller | FINK, MICHAEL JOHN: As Is Thought/Aurora (Review by Raymond Tuttle) | marimba | FOX, JIM: Among Simple Shadows (Review by Raymond Tuttle) | marimba | GARLAND: Dancing on Water (Review by Raymond Tuttle) | marimba | GARLAND: The Basketweave Elegies (Review by Raymond Tuttle) | vibraphone | GARLAND, PETER: Moon Viewing Music (Review by Marc Medwin) | gong | GARLAND, PETER: Moon Viewing Music (Review by Marc Medwin) | tam-tam | GARLAND, PETER: Very Quiet, still. Bright, clear. Very Quiet, still. Bright, clear. Lyric, expressive. Vigorous, declamatory. Peaceful, radiant. Bold, emphatic. Lyrical, tranquil (Review by Marc Medwin) | vibraphone | HARRISON, LOU: Ariadne (Review by Colin Clarke) | percussion | HARRISON, LOU: Double Concerto for Violin and Cello with Javanese Gamelan (Review by Kyle Gann) | gong | HARRISON, LOU: First Concerto for Flute and Percussion (Review by Colin Clarke) | percussion | HARRISON, LOU: La Koro Sutra. Varied Trio. Suite for Violin and American Gamelan (Review by Edward Strickland) | percussion | HARRISON, LOU: La Koro Sutro. Varied Trio. Suite for Violin and American Gamelan (Review by Kyle Gann) | percussion | HARRISON, LOU: Solstice (Review by Benjamin Pernick) | percussion | JEANRENAUD: Dervish (Review by Robert Schulslaper) | marimba | JEANRENAUD: Dervish (Review by Robert Schulslaper) | vibraphone | JEANRENAUD: Livre (Review by Robert Schulslaper) | marimba | JEANRENAUD: Livre (Review by Robert Schulslaper) | vibraphone | LENTZ: Song(s) of the Sirens (Review by Raymond Tuttle) | marimba | LEWIS, PETER SCOTT: Journey to Still Water Pond. Night Lights. Beaming Contrasts. Little Trio. Through the Mountain (Review by Scott Wheeler) | percussion | LOCKWOOD, ANNEA: Jitterbug. In Our Name. Thirst (Review by Robert Carl) | percussion | MITCHELL: Spatial Aspects of the Sound. Panoply. Prelude to a Rose. Dancing in the Canyon. EP 7849. Bells for the South Side. Prelude to the Card Name, Cards for Drums, and The Final Hand. The Last Chord. Six Gongs and Two Woodblocks. R509A Twenty B. Red Moon in the Sky/Odwalla (Review by Robert Carl) | percussion | OCHS, LARRY: The Secret Magritte (Review by Art Lange) | percussion | PARKINS: s (Review by Lynn René Bayley) | chimes | PARKINS: s (Review by Robert Carl) | chimes | PARKINS: s (Review by Lynn René Bayley) | drum | PARKINS: s (Review by Robert Carl) | drum | PARKINS: s (Review by Lynn René Bayley) | marimba | PARKINS: s (Review by Robert Carl) | marimba | PAYNE, MAGGI: Resonant Places (Review by Mike Silverton) | airdrums midi controller | REALE: Trio for Piano, Violin, and Cello (Review by Kyle Gann) | gong | ROSENBOOM: How Much Better If Pilgrim Rock Had Landed on the Pilgrims (Review by Robert Carl) | calung | ROSENBOOM: How Much Better If Pilgrim Rock Had Landed on the Pilgrims (Review by Robert Carl) | jegog | ROSENBOOM: How Much Better If Pilgrim Rock Had Landed on the Pilgrims (Review by Robert Carl) | marimba | ROSENBOOM: In the Beginning (Review by Robert Carl) | percussion | RZEWSKI, FREDERIC: New and Recent Works (Review by Mike Silverton) | percussion | RZEWSKI, FREDERIC: The Road, for Solo Piano (Review by Mike Silverton) | percussion | RZEWSKI, FREDERIC: To the Earth, for Percussion (Review by Mike Silverton) | percussion | RZEWSKI, FREDERIC: Whangdoodles, for Violin, Piano, and Percussion (Review by Mike Silverton) | percussion | RZEWSKI, FREDERIC: Whimwhams (Review by Lynn René Bayley) | chimes | RZEWSKI, FREDERIC: Whimwhams (Review by Robert Carl) | chimes | RZEWSKI, FREDERIC: Whimwhams (Review by Lynn René Bayley) | drum | RZEWSKI, FREDERIC: Whimwhams (Review by Robert Carl) | drum | RZEWSKI, FREDERIC: Whimwhams (Review by Lynn René Bayley) | marimba | RZEWSKI, FREDERIC: Whimwhams (Review by Robert Carl) | marimba | TENNEY: Cognate Canons (Review by Lynn René Bayley) | chimes | TENNEY: Cognate Canons (Review by Robert Carl) | chimes | TENNEY: Cognate Canons (Review by Lynn René Bayley) | drum | TENNEY: Cognate Canons (Review by Robert Carl) | drum | TENNEY: Cognate Canons (Review by Lynn René Bayley) | marimba | TENNEY: Cognate Canons (Review by Robert Carl) | marimba |
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