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Feature Articles Index

41:2 (Nov/Dec 2017)

Raymond Tuttle: LENTINI: Orchestra Hall Suite... (Paul Ganson)

Raymond Tuttle: Slightly Off the Beat

Raymond Tuttle: James Lentini: Building One’s Own Audience

David DeBoor Canfield: TAN DUN: Life in Wayang. Orfeo in Asia.... (Bruce Brubaker)

Richard A. Kaplan: MERCADANTE: Concertone for Flute, Clarinet,... (Vito Clemente)

Marc Medwin: TAN DUN: Life in Wayang. Orfeo in Asia.... (Bruce Brubaker)

Richard A. Kaplan: CALLIGARIS: Clarinet Sonata... (Antonio Tinelli)

Colin Clarke: TAN DUN: Life in Wayang. Orfeo in Asia.... (Bruce Brubaker)

Richard A. Kaplan: GERVASIO: Quintet No. 2 for Piano and Winds.... (Antonio Tinelli)

Marc Medwin: Balancing Myth and Self: The Music of Su Lian...

Jerry Dubins: BRAHMS, JOHANNES: Clarinet Sonatas (Antonio Tinelli)

Colin Clarke: SAMPSON, DAVID: Serenade for Flugelhorn and String... (Paul Polivnick)

Richard A. Kaplan: BRAHMS, JOHANNES: Clarinet Sonatas (Antonio Tinelli)

David DeBoor Canfield: SAMPSON, DAVID: Serenade for Flugelhorn and String... (Paul Polivnick)

Richard A. Kaplan: An Interview with Italian Clarinetist Antonio...

Dave Saemann: SAMPSON, DAVID: Serenade for Flugelhorn and String... (Paul Polivnick)

Steven E. Ritter: Bringing Byzantium to Light: a Conversation with...

Ronald E. Grames: David Sampson on Composing, Experience, and Inspiration

Robert Maxham: LECLAIR; PACHELBEL (Tengfei Zhou)

Ronald E. Grames: CLARINET FANTASIES (Rebecca Rischin)

Bertil van Boer: LECLAIR; PACHELBEL (Tengfei Zhou)

Maria Nockin: CLARINET FANTASIES (Rebecca Rischin)

Robert Maxham: Zen and the Art of Tengfei Zhou’s Double-Edged...

Colin Clarke: CLARINET FANTASIES (Rebecca Rischin)

Jerry Dubins: MOZART; RAVEL; SCHUMANN (Tatjana Rankovich)

Maria Nockin: Chatting Over the Back Wall with Rebecca Rischin

Walter Simmons: An Interview with Tatjana Rankovich

James V. Maiello: PEROS: 24 Nocturnes for Solo Guitar (Michael Kolk)

Robert Markow: MAHLER, GUSTAV: Symphony No. 1 (Tze Law Chan)

Jerry Dubins: PEROS: 24 Nocturnes for Solo Guitar (Michael Kolk)

Robert Markow: Singapore’s Orchestra of the Music Makers

Dave Saemann: PEROS: 24 Nocturnes for Solo Guitar (Michael Kolk)

Jerry Dubins: The Legendary Moscow Recordings (1958 and 1961) (Daniel Pollack)

Colin Clarke: Inside the Mind of Nick Peros: Towards a New Tonalism

Jerry Dubins: SCHUMANN; LISZT (Daniel Pollack)

Maria Nockin: THE AMERICAN PIE (Brunilda Myftaraj)

Jerry Dubins: BARBER, SAMUEL: Piano Sonata... (Daniel Pollack)

Colin Clarke: THE AMERICAN PIE (Brunilda Myftaraj)

Jerry Dubins: DANIEL POLLACK IN MOSCOW (Daniel Pollack)

Jerry Dubins: The American Pie—Apple or Cherry? A Conversation...

Robert Maxham: Volodja Balžalorsky Shares His Views of Violinistic...

Peter Burwasser: BEACH, AMY CHENEY; SEEGER, RUTH CRAWFORD; IVES, CHARLES (Margaret Mills)

Henry Fogel: A Conversation with Maria Vandamme of Melba

Jerry Dubins: BEACH, AMY CHENEY; SEEGER, RUTH CRAWFORD; IVES, CHARLES (Margaret Mills)

34:1 (Sept/Oct 2010)

Colin Clarke: BEACH, AMY CHENEY; SEEGER, RUTH CRAWFORD; IVES, CHARLES (Margaret Mills)

Martin Anderson: Jon Lord, Painter in Music

Robert Schulslaper: Margaret Mills Plays Ives, Crawford, and Beach

Jeffrey J. Lipscomb: Keeper of the Flame: John Berky Discusses the...

Dave Saemann: PASSAGES (Stephen Mattingly)

J. F. Weber: ASTON; JONES, ROBERT; MASON, WILLIAM (Scott Metcalfe)

Raymond Tuttle: PASSAGES (Stephen Mattingly)

Christopher Brodersen: The Blue Heron of Happiness: An Interview with...

Jerry Dubins: PASSAGES (Stephen Mattingly)

Christopher Brodersen: A Conversation with Pianist Carlo Grante

Maria Nockin: PASSAGES (Stephen Mattingly)

Art Lange: SHOSTAKOVICH: Fantastic Dances. Piano Sonata... (Lilia Boyadjieva)

Robert Schulslaper: Exploring Passages with Stephen Mattingly

James A. Altena: SHOSTAKOVICH: Fantastic Dances. Piano Sonata... (Lilia Boyadjieva)

James V. Maiello: LITTLE: Woefully Arrayed, op. 13( two versions)... (Andrew Shenton)

Walter Simmons: A Conversation with Pianist Lilia Boyadjieva

Colin Clarke: The Profundity of Polychoralism: Exploring the...

Jerry Dubins: YSAŸE; JONGEN, JOSEPH (Wesley Baldwin)

Daniel Morrison: TCHAIKOVSKY; MUSSORGSKY (Alexander Kobrin)

Lynn René Bayley: YSAŸE; JONGEN, JOSEPH (Wesley Baldwin)

Peter J. Rabinowitz: TCHAIKOVSKY; MUSSORGSKY (Alexander Kobrin)

Jerry Dubins: LUTOSŁAWSKI; CLARKE, REBECCA; BEETHOVEN, LUDWIG VAN... (Sheila Browne)

Richard A. Kaplan: TCHAIKOVSKY; MUSSORGSKY (Alexander Kobrin)

Lynn René Bayley: LUTOSŁAWSKI; CLARKE, REBECCA; BEETHOVEN, LUDWIG VAN... (Sheila Browne)

Jerry Dubins: TCHAIKOVSKY; MUSSORGSKY (Alexander Kobrin)

Jerry Dubins: SHULMAN: Suite for Solo Cello... (Wesley Baldwin)

Colin Clarke: TCHAIKOVSKY; MUSSORGSKY (Alexander Kobrin)

Lynn René Bayley: Wesley Baldwin: Flying Under the Radar

David DeBoor Canfield: Pictorial Piano Playing from Alexander Kobrin

Art Lange: BERIO: Petite Suite. 5 Variazione... (Andrea Bacchetti)

David DeBoor Canfield: MERTL: Afterglow of a Kiss. Empress. Piano... (Craig Kirchhoff)

Colin Clarke: BERIO: Petite Suite. 5 Variazione... (Andrea Bacchetti)

James V. Maiello: MERTL: Afterglow of a Kiss. Empress. Piano... (Craig Kirchhoff)

Phillip Scott: BACH, JOHANN SEBASTIAN: Toccatas, BWV 910–916 (Andrea Bacchetti)

Ronald E. Grames: Discovering Craig Kirchhoff and Gregory Mertl...

Jens F. Laurson: Non saprei rispondere con precisione: The Story...

Jerry Dubins: Ian Hobson—From Brahms to Debussy and Ravel in...

David Wolman: MUSIC FOR KEYBOARD PERCUSSIONS (McCormick Perc Group)

Jerry Dubins: PAGANINI: Serenata in C for Viola, Cello,... (Nils-Erik Sparf)

Robert Schulslaper: Hitting the Bars: Robert McCormick’s Passion for...

Jacqueline Kharouf: PAGANINI: Serenata in C for Viola, Cello,... (Nils-Erik Sparf)

David Wolman: A Conversation with Conductor Julian Wachner

Colin Clarke: BORUP-JØRGENSON: Tristophoni, op. 163/2... (Leif Hesselberg)

Michael Cameron: BEETHOVEN, LUDWIG VAN: Piano Trios (Sang Mee Lee)

Ronald E. Grames: BORUP-JØRGENSON: Tristophoni, op. 163/2... (Leif Hesselberg)

Jerry Dubins: Pianist George Lepauw and the Beethoven Project...

Jacqueline Kharouf: BORUP-JØRGENSON: Tristophoni, op. 163/2... (Leif Hesselberg)

Steven E. Ritter: ROSLAVETS: Morgenstimmung. Reverie. Élégie... (Carolyn Stuart)

Jerry Dubins: SOR: L’encouragement, op. 34... (Maria Camitz)

Robert Maxham: The Stuart-Ivanov Duo Revealing Roslavets

Maria Nockin: SOR: L’encouragement, op. 34... (Maria Camitz)

Jerry Dubins: Richard Price on Burning the Late-Night Candle...

Jacqueline Kharouf: SOR: L’encouragement, op. 34... (Maria Camitz)

Dave Saemann: CHOPIN, FRÉDÉRIC: 12 Etudes, op. 10; 12 Etudes, op.... (Dizhou Zhao)

Colin Clarke: SOR: L’encouragement, op. 34... (Maria Camitz)

Michael Ullman: CHOPIN, FRÉDÉRIC: 12 Etudes, op. 10; 12 Etudes, op.... (Dizhou Zhao)

Jacqueline Kharouf: An Interview with Guitarist and Sound Producer...

Colin Clarke: Chopin’s Etudes Revisited: An Interview with Pianist...

David DeBoor Canfield: GHOST DIALOGUES (Chris Gekker)

Lynn René Bayley: THE EVE OF CHRISTMAS: Traditional Christmas Carols... (Jennifer Hoult)

Colin Clarke: GHOST DIALOGUES (Chris Gekker)

Steven E. Ritter: GOLDEN QUADRILATERAL (Jennifer Hoult)

James A. Altena: A Ghostly Dialog with Trumpeter Chris Gekker

Lynn René Bayley: Meet Jennifer Hoult

Dave Saemann: VIRTUOSO 2: A Homage to My Ancestors (Matthew Fagan)

Scott Noriega: THUILLE: Sextet in B♭, Op. 6. Piano Quintet... (Gianluca Luisi)

Jacqueline Kharouf: VIRTUOSO 2: A Homage to My Ancestors (Matthew Fagan)

Peter J. Rabinowitz: LISZT: Soirées italiennes, S 411 (after... (Gianluca Luisi)

Dave Saemann: VIRTUOSO: A Homage to My Ancestors (Matthew Fagan)

Lynn René Bayley: LISZT: Soirées italiennes, S 411 (after... (Gianluca Luisi)

Jacqueline Kharouf: VIRTUOSO: A Homage to My Ancestors (Matthew Fagan)

Scott Noriega: ONSLOW, GEORGE: Piano Sextet in E♭, op. 30... (Gianluca Luisi)

Jacqueline Kharouf: A Miniature Orchestra of Many Fond Colors: An...

Lynn René Bayley: ONSLOW, GEORGE: Piano Sextet in E♭, op. 30... (Gianluca Luisi)

Raymond Tuttle: THE PIANO AT THE BALLET, VOLUME II: The French... (Anthony Goldstone)

Scott Noriega: BACH, JOHANN SEBASTIAN: Well-Tempered Clavier, Books 1... (Gianluca Luisi)

Paul Orgel: SCHUBERT; SCHUMANN (Anthony Goldstone)

Lynn René Bayley: Gianluca Luisi: A Star on the Rise

Scott Noriega: SCHUBERT; SCHUMANN (Anthony Goldstone)

Peter J. Rabinowitz: Parts of a Larger Garment: A Conversation with...

Peter Burwasser: SCHUBERT; SCHUMANN (Anthony Goldstone)

Michael Cameron: Southern Quilts, Parisian Voyages, and Pianist...

Myron Silberstein: SCHUBERT; SCHUMANN (Anthony Goldstone)

Jens F. Laurson: Schornsheim’s Nightingale

Martin Anderson: Remembering Tony Goldstone: Caroline Clemmow in...

James A. Altena: A Conversation with Conductor John Locke

Jerry Dubins: OFFENBACH: Cello Duets, op. 54 (Paul Christopher)

Henry Fogel: DUBOIS, THÉODORE: Messe solenelle de Saint Remi.... (Michel Brousseau)

Maria Nockin: OFFENBACH: Cello Duets, op. 54 (Paul Christopher)

Alan Swanson: A Conversation with Conductor Michel Brousseau

Henry Fogel: OFFENBACH: Cello Duets, op. 54 (Paul Christopher)

Jerry Dubins: To Russia with Love—A Conversation with Cellist...

Colin Clarke: Offenbach Revisited: The Gift-Wrapping!

33:6 (July/Aug 2010)

Mark Novak: Composer David Chesky Discusses HDmusicStream...

Martin Anderson: In the Studio with Josef Suk and Vladimir Ashkenazy

Carson Cooman: JONGEN, JOSEPH; BRAHMS, JOHANNES; REUBKE (Joby Bell)

Martin Anderson: DaCapo from the Start: Matthias Georg Kendlinger...

Jerry Dubins: JONGEN, JOSEPH; BRAHMS, JOHANNES; REUBKE (Joby Bell)

Robert Maxham: Prize-Winning Chinese Violinist Chen Yi Discusses...

Colin Clarke: JONGEN, JOSEPH; BRAHMS, JOHANNES; REUBKE (Joby Bell)

Steven E. Ritter: A Chat with Eeva Koskinen of the Utrecht String...

James A. Altena: Bell-issima: Joby Bell and the Delights of Organ...

Jens F. Laurson: Through Labor and Love: Weinberg, War, and Persecution

41:1 (Sept/Oct 2017)

Jerry Dubins: The Saints March In: A Conversation with Members...

Raymond Tuttle: Slightly Off the Beat

Steven E. Ritter: NIEMINEN: Il viaggio del cavaliere … (inesistente);... (Erkki Palola)

Richard A. Kaplan: Rachmaninoff’s Second Symphony: The Score and...

Martin Anderson: NIEMINEN: Il viaggio del cavaliere … (inesistente);... (Erkki Palola)

Colin Clarke: PROKOFIEV: Complete Piano Sonatas (Natalia Trull)

Martin Anderson: Light and Shade and Literature: Finnish Composer...

Huntley Dent: PROKOFIEV: Complete Piano Sonatas (Natalia Trull)

David Wolman: Meet Biljana Milovanovic, Pianist and Impresario...

Daniel Morrison: PROKOFIEV: Complete Piano Sonatas (Natalia Trull)

Jerry Dubins: Flute Magic: A Conversation with Kara Kirkendoll...

Jerry Dubins: PROKOFIEV: Complete Piano Sonatas (Natalia Trull)

Jerry Dubins: STRAUSS; MOZART (Gregory Wolynec)

Dave Saemann: PROKOFIEV: Complete Piano Sonatas (Natalia Trull)

Steven E. Ritter: MOZART; STRAUSS (Gregory Wolynec)

Robert Schulslaper: Natalia Trull Finds Magic and Romance in Prokofiev

Steven E. Ritter: Gateway to the Big Leagues: An Interview with...

J. F. Weber: RACHMANINOFF: All Night-Vigil (Stefan Parkman)

Robert Schulslaper: Pianist Martha Marchena: Finding the Music

Daniel Morrison: RACHMANINOFF: All Night-Vigil (Stefan Parkman)

Robert Schulslaper: Ukrainian Sacred Monuments and New American Music:...

Richard A. Kaplan: RACHMANINOFF: All Night-Vigil (Stefan Parkman)

Raymond Tuttle: LOUIE; ARCHER, VIOLET; KUZMENKO (Christina Petrowska Quilico)

Ronald E. Grames: RACHMANINOFF: All Night-Vigil (Stefan Parkman)

Peter Burwasser: LOUIE; ARCHER, VIOLET; KUZMENKO (Christina Petrowska Quilico)

Henry Fogel: RACHMANINOFF: All Night-Vigil (Stefan Parkman)

Peter Burwasser: A Conversation with Christina Petrowska Quilico

Ronald E. Grames: Stefan Parkman Reflects On His Career and a Very...

Robert Schulslaper: Composer Asako Hirabayashi: Bringing the Harpsichord...

Bertil van Boer: CONCERTS ROYAUX (Ronna Ayscue)

Charles Timbrell: SCHUMANN: Kreisleriana. Waldszenen. Variations... (Fabrizio Chiovetta)

Jerry Dubins: CONCERTS ROYAUX (Ronna Ayscue)

Steven E. Ritter: An Interview with Fabrizio Chiovetta

Christopher Brodersen: A Conversation with Jeremy R. Kipnis and Ronna...

Peter Burwasser: True to His Own Song: Composer-Instrumentalist...

Raymond Tuttle: CHOPIN, FRÉDÉRIC; SCHUMANN (Horacio Gutiérrez)

Steven E. Ritter: BEDNALL: Requiem. O Come Let Us Sing. Salvator... (Edward Whiting)

Huntley Dent: CHOPIN, FRÉDÉRIC; SCHUMANN (Horacio Gutiérrez)

Martin Anderson: David Bednall, Composer: New Voice in an Old World

Colin Clarke: Sound and Beauty, Signifying Everything: An Interview...

William Zagorski: Have Clarinet, Will Travel: Jennifer Showalter’s...

Jerry Dubins: LES EXQUISES ALLÉGORIES (Ai Goldsmith)

Robert Schulslaper: WALKER, GEORGE: Violin Concerto. Sinfornia No.... (Gregory Walker)

Dave Saemann: LES EXQUISES ALLÉGORIES (Ai Goldsmith)

Robert Schulslaper: GEORGE WALKER: Reminiscences of an American Composer and Pianist By George Walker. Lanham, Maryland: Scarecrow Press, 2009.

Colin Clarke: Exquisite Allegories: Exploring the Flute Repertoire...

James A. Altena: A Conversation with George Theophilus Walker,...

Huntley Dent: RAVEL; HONEGGER, ARTHUR; SCHULHOFF, ERWIN (Elaris Duo)

Lynn René Bayley: JOURNEYS (Kathryn Woodard)

Jerry Dubins: RAVEL; HONEGGER, ARTHUR; SCHULHOFF, ERWIN (Elaris Duo)

Colin Clarke: JOURNEYS (Kathryn Woodard)

Maria Nockin: A Conversation with the Elaris Duo

Lynn René Bayley: SILHOUETTES (Kathryn Woodard)

Bernard Jacobson: SMETANA; TALICH; SCHUMANN (Jan Bartoš)

Colin Clarke: SILHOUETTES (Kathryn Woodard)

Jerry Dubins: SMETANA; TALICH; SCHUMANN (Jan Bartoš)

Lynn René Bayley: SAYGUN: Suite, op. 2... (Kathryn Woodard)

Huntley Dent: SMETANA; TALICH; SCHUMANN (Jan Bartoš)

Colin Clarke: Kathryn Woodard Discusses the Piano Music of Ahmed...

Colin Clarke: SMETANA; TALICH; SCHUMANN (Jan Bartoš)

Robert Maxham: Michael Antonello and Philip Greenberg: A Love...

Bernard Jacobson: Interview with Pianist Jan Bartoš

Henry Fogel: RESPIGHI; HINDEMITH, PAUL; SCHMITT, FLORENT (Sascha Goetzel)

Jerry Dubins: KEYS TO RIO (Grace Alves)

Raymond Tuttle: An Austrian in Turkey: Conductor Sascha Goetzel...

Colin Clarke: KEYS TO RIO (Grace Alves)

Colin Clarke: Imogen Cooper on Recording Schubert

Dave Saemann: KEYS TO RIO (Grace Alves)

33:5 (May/June 2010)

Jacqueline Kharouf: Solo Piano Works from Rio de Janeiro’s Golden...

Mortimer H. Frank: Remembering George Jellinek: 1919-2010

Marc Medwin: ALTMAN: Five Variations on Rachmaninoff.... (Laurie Altman)

Richard A. Kaplan: ArkivMusic Reissues RCA Japan’s Ormandy Centenary...

Colin Clarke: ALTMAN: Five Variations on Rachmaninoff.... (Laurie Altman)

Martin Anderson: Orchestral Concert CDs—Ageless Natural Sound

David DeBoor Canfield: Laurie Altman and His Alt-Classical Music

Robert Schulslaper: Composer Miguel del Aguila: Rhythm, Romance, and...

40:6 (July/Aug 2017)

Lynn René Bayley: Zuill Bailey Talks About the Bach Cello Suites

Raymond Tuttle: Slightly Off the Beat

Art Lange: FELDMAN, MORTON; BABBITT (Mark Lieb)

Colin Clarke: WIENIAWSKI: Violin Concerto No. 2. Études-Caprices,... (Steven Staryk)

Robert Carl: “Musicians Are Really Public Servants”: An Interview...

Dave Saemann: WIENIAWSKI: Violin Concerto No. 2. Études-Caprices,... (Steven Staryk)

Robert Maxham: Violinist Ara Malikian: Communicating Musical...

David K. Nelson: Another Conversation with Violinist Steven Staryk

Robert Schulslaper: Pianist Thomas Lanners: Spreading the Good Word

Dave Saemann: SAMPSON, DAVID: Fanfare for Canterbury Cathedral.... (Andy Lamy)

James Reel: A Conversation with Hornist-composer Kerry Turner

Colin Clarke: SAMPSON, DAVID: Fanfare for Canterbury Cathedral.... (Andy Lamy)

Colin Clarke: The Music of John Ramsden Williamson

David DeBoor Canfield: A Compositional Powerhouse: The Muscular Music...

Peter Burwasser: Gary Smart, American Pluralist

James A. Altena: Rostropovich Redivivus : The Complete Warner Recordings

Robert Maxham: Swiss Violinist Ursula Bagdasarjanz Reflects on...

Colin Clarke: DEBUSSY; RAVEL (Kathryn Rosenbach)

Andrew Quint: Fidelio Records: Lean and Mean

Jerry Dubins: DEBUSSY; RAVEL (Kathryn Rosenbach)

Alan Swanson: Try This: An Interview with Giovanni De Chiaro

Robert Schulslaper: Reaching Deep: A Conversation with Kathryn Rosenbach

Robert Schulslaper: BOM PARTIDO (Brasil Guitar Duo)

J. F. Weber: RACHMANINOFF: All-Night Vigil, op. 37 (Peter Jermihov)

Ilya Oblomov: BOM PARTIDO (Brasil Guitar Duo)

Richard A. Kaplan: RACHMANINOFF: All-Night Vigil, op. 37 (Peter Jermihov)

Robert Schulslaper: PERCUSSIVE COUNTERPOINT (Svet Stoyanov)

Daniel Morrison: RACHMANINOFF: All-Night Vigil, op. 37 (Peter Jermihov)

Art Lange: PERCUSSIVE COUNTERPOINT (Svet Stoyanov)

Ronald E. Grames: RACHMANINOFF: All-Night Vigil, op. 37 (Peter Jermihov)

Merlin Patterson: FAURÉ, GABRIEL; GLAZUNOV; GLASS, PHILIP (Amstel Qrt)

Henry Fogel: RACHMANINOFF: All-Night Vigil, op. 37 (Peter Jermihov)

Ronald E. Grames: FAURÉ, GABRIEL; GLAZUNOV; GLASS, PHILIP (Amstel Qrt)

Ronald E. Grames: Gloriæ Dei Cantores and Rachmaninoff’s All-Night...

Peter Burwasser: TCHAIKOVSKY; PROKOFIEV (Daria Rabotkina)

Dave Saemann: PORTRAITS OF ENGLAND (Jonathan Parkin)

Michael Ullman: TCHAIKOVSKY; PROKOFIEV (Daria Rabotkina)

Jim Svejda: PORTRAITS OF ENGLAND (Jonathan Parkin)

Jens F. Laurson: The Art of Becoming Unnecessary: Concert Artists...

Jerry Dubins: PORTRAITS OF ENGLAND (Jonathan Parkin)

Steven E. Ritter: SCHUMANN: Davidsbündlertänze, op. 6... (Kevin Kenner)

David DeBoor Canfield: The Clarinet Artistry of Jonathan Parkin

Charles Timbrell: RAVEL: Miroirs. Valses nobles et sentimentales.... (Kevin Kenner)

Huntley Dent: MANCUSI: Passio Domini Secundum Joannem (Guido Mancusi)

Dave Saemann: CHOPIN, FRÉDÉRIC: Ballades (Kevin Kenner)

Dave Saemann: MANCUSI: Passio Domini Secundum Joannem (Guido Mancusi)

Colin Clarke: From Chopin to Piazzolla: Pianist Kevin Kenner

Colin Clarke: Following One’s Passions: Composer Guido Mancusi...

Alan Swanson: Always the Same, Always Different: The Music of...

David DeBoor Canfield: THE RETURN (Thomas Leslie)

Jerry Dubins: Getting into Dutch … Music, That Is: A Conversation...

James V. Maiello: THE RETURN (Thomas Leslie)

Peter J. Rabinowitz: “Cannons Camouflaged by Flowers”: Burkard Schliessmann...

Ronald E. Grames: THE RETURN (Thomas Leslie)

Henry Fogel: A Conversation with Maria Vandamme, Founder of...

Henry Fogel: THE RETURN (Thomas Leslie)

Robert Schulslaper: The World According to B. R.: A Conversation with...

Huntley Dent: THE RETURN (Thomas Leslie)

Robert Markow: A Conversation with Christopher Ball

Ronald E. Grames: Thomas Leslie Talks About The Return of the UNLV...

William Zagorski: Another Magical Rendezvous at Bogner’s Café

Carla Maria Verdino-Süllwold: SCHOENBERG, ARNOLD; BODLEY (Aylish Kerrigan)

Robert Schulslaper: Rosa Antonelli: The Woman of Magic Fingers

Colin Clarke: SCHOENBERG, ARNOLD; BODLEY (Aylish Kerrigan)

Phillip Scott: 21st-Century Pirates of the Baroque: An Interview...

Carla Maria Verdino-Süllwold: Expressing the Intense Ambiguities and Complexities...

Donald Seibert: Performing Tchaikovsky’s Second Piano Concerto:...

Jerry Dubins: OFFENBACH: Cello Duets (Paul Christopher)

Colin Clarke: The Romantic Piano Concerto and Mike Spring of...

Colin Clarke: Lagniappe! (Re)discovering Offenbach

33:4 (Mar/Apr 2010)

Colin Clarke: BRAHMS, JOHANNES: Piano Sonata No. 1. Scherzo in... (Frank Huang)

Lynn René Bayley: Cecilia Bartoli, Sacrificium

Jerry Dubins: From Gallagher to Brahms—The Road Taken by Pianist...

Jerry Dubins: A Conversation with Harpsichordist Aapo Häkkinen

Jacqueline Kharouf: Connecting to the Center of Each Sound: An Interview...

James Reel: Illuminating The Art of Fugue on Two Harpsichords

Huntley Dent: BERG, ALBAN: Wozzeck (Hans Graf)

Martin Anderson: UH Recordings: Predictably Unpredictable

James H. North: BERG, ALBAN: Wozzeck (Hans Graf)

James Reel: Michael Maniaci, Facing Challenges as a Male Soprano

Colin Clarke: BERG, ALBAN: Wozzeck (Hans Graf)

Phillip Scott: Music for a Cause: An Interview with Jorge Grundman

Peter J. Rabinowitz: Beauty and Empathy: Hans Graf Talks About Alban...

Robert Schulslaper: Dorothea von Albrecht and the Joy of Improvisation

David DeBoor Canfield: BUSCH, ADOLF: Fantasia in C, BoO 20... (Jakob Fichert)

Henry Fogel: Kirsten Flagstad: The Complete Decca Recordings

Colin Clarke: BUSCH, ADOLF: Fantasia in C, BoO 20... (Jakob Fichert)

James Reel: Frédéric Demers Trumpets the Cornet

James A. Altena: Busch-League, Not Bush-League, Repertoire: Jakob...

Steven E. Ritter: According to Yoram Chaiter, “You can find a way.”

Jerry Dubins: GREY CLOUDS (Pål Eide)

Michael Cameron: Çedille Records, Twenty Years Young MICHAEL CAMERON

Huntley Dent: GREY CLOUDS (Pål Eide)

Robert Schulslaper: William Thomas Mckinley: Searching for Transcendence

Colin Clarke: GREY CLOUDS (Pål Eide)

33:3 (Jan/Feb 2010)

Pål Eide: A Pianist’s Thoughts on Practice, Playing and...

Mortimer H. Frank: Toscanini Updates

Huntley Dent: COHEN, ALLA ELANA: “Inner Temple” Volume 2 Series... (Marissa Licata)

William Zagorski: Unearthing Buried Musical Treasures

Colin Clarke: COHEN, ALLA ELANA: “Inner Temple” Volume 2 Series... (Marissa Licata)

Robert Maxham: Interviewing La Follia Barocca Members Enrico...

David DeBoor Canfield: Marching to Her Own Drummer: The Sui Generis Music...

Robert Schulslaper: Barbara Harbach: An American Voice

40:5 (May/June 2017)

Colin Clarke: Ian Hobson’s Chopin Cycle Discussed in Context

Raymond Tuttle: Slightly Off the Beat

Michael Cameron: Elizabeth C. Patterson and the Russian Choral...

Huntley Dent: THE CLASSICAL ELEMENTS (Albert Tiu)

James Reel: Newstead Trio—a Trio for the 21st Century

Peter J. Rabinowitz: THE CLASSICAL ELEMENTS (Albert Tiu)

Martin Anderson: Robert von Bahr of BIS—Still Thinking Big

Jerry Dubins: THE CLASSICAL ELEMENTS (Albert Tiu)

33:2 (Nov/Dec 2009)

Colin Clarke: THE CLASSICAL ELEMENTS (Albert Tiu)

José Serebrier: The Nine Glazunov Symphonies

Peter Burwasser: A Chat With Pianist Albert Tiu

Colin Clarke: Jill Crossland Discusses Book II of Bach’s “48”

Colin Clarke: SPANISH MUSIC FOR CELLO AND PIANO (Andrew Smith)

Robert Schulslaper: Intuitive Measures—A Conversation with Sarah Meneely-Kyder

Jerry Dubins: SPANISH MUSIC FOR CELLO AND PIANO (Andrew Smith)

Robert Maxham: Duo Allegro: A Meeting of Two Great Traditions

Dave Saemann: SPANISH MUSIC FOR CELLO AND PIANO (Andrew Smith)

Colin Clarke: Maurizio Baglini Reflects on the Beethoven-Liszt...

Maria Nockin: A Chat with Cellist Andrew Smith

Jerry Dubins: The Alexander String Quartet Revisits Beethoven

Henry Fogel: SALERNI, PAUL: For Love or Money. Family Letters.... (Sophia Burgos)

Martin Anderson: Ilan Volkov Records Stravinsky’s “Angles on History”...

Phillip Scott: SALERNI, PAUL: For Love or Money. Family Letters.... (Sophia Burgos)

33:1 (Sept/Oct 2009)

David DeBoor Canfield: Inspired by Poetry: The Songs and Chamber Music...

Henry Fogel: An Extraordinary Furtwängler Package from Audite

Colin Clarke: AMBROSINI, CLAUDIO: Song Book for Guitar. 3 Holograms (Alberto Mesirca)

Colin Clarke: A Divine Arrival: An Interview with Stephen Sutton

Robert Schulslaper: Yesterday, Today, and Tomorrow: A Conversation...

Henry Fogel: West Hill Radio Archives’ Met Broadcast Reissues

Adrian Corleonis: MEYERBEER; ALKAN; MOSCHELES (Stephanie McCallum)

Robert Schulslaper: La Tanya Hall: Sing Me a Story

Peter J. Rabinowitz: MEYERBEER; ALKAN; MOSCHELES (Stephanie McCallum)

James Reel: Immortal Performances—from the Golden Days of...

Jacqueline Kharouf: MEYERBEER; ALKAN; MOSCHELES (Stephanie McCallum)

James Reel: Nadja Salerno-Sonnenberg Delights in Doing It...

Dave Saemann: MEYERBEER; ALKAN; MOSCHELES (Stephanie McCallum)

Robert Maxham: Anthony Feinstein on Michael Rabin’s Life and...

Jacqueline Kharouf: Érard Pianos and Four Hands: An Interview with...

James Reel: Charles Amirkhanian Speaks His Mind about Other...

Huntley Dent: VIERNE: Violin Sonata. Piano Quintet (Judith Ingolfsson)

Martin Anderson: Manfred Eicher’s ECM New Series—Still New after...

Colin Clarke: VIERNE: Violin Sonata. Piano Quintet (Judith Ingolfsson)

James Reel: Harpsichordist Jory Vinikour—from Handel to Horovitz

Colin Clarke: MAGNARD; STEPHAN (Judith Ingolfsson)

Robert Maxham: Rachel Barton Pine and Trio Settecento Tour the...

Huntley Dent: FAURÉ, GABRIEL: Violin Sonatas Nos. 1 and 2 (Judith Ingolfsson)

32:6 (July/Aug 2009)

Colin Clarke: FAURÉ, GABRIEL: Violin Sonatas Nos. 1 and 2 (Judith Ingolfsson)

Jens F. Laurson: Marc Minkowski—Bach at Last!

Carla Maria Verdino-Süllwold: Centenary Concerts: Judith Ingolfsson and Vladimir...

Robert Schulslaper: Mazurkas and More: A Conversation with Vassily...

Peter Burwasser: GALLAGHER, JACK: Piano Sonata... (Frank Huang)

Michael Carter: ARS Produktion—Presenting Forgotten Treasures

Colin Clarke: GALLAGHER, JACK: Piano Sonata... (Frank Huang)

Richard A. Kaplan: ArkivMusic Reissues RCA Japan’s Ormandy Centenary...

Jerry Dubins: GALLAGHER, JACK: Piano Sonata... (Frank Huang)

Raymond Tuttle: Composer Jonathan Leshnoff Debuts on Naxos

Ronald E. Grames: GALLAGHER, JACK: Piano Sonata... (Frank Huang)

Jens F. Laurson: Violinist Carolin Widmann—Sometimes the Beauty...

David DeBoor Canfield: GALLAGHER, JACK: Symphony No. 2, “Ascendant”... (JoAnn Falletta)

Robert Schulslaper: Brass and Beyond: The Music of Eric Ewazen

David DeBoor Canfield: An American Master: The Music of Composer Jack...

32:5 (May/June 2009)

Colin Clarke: CULLEN, JEREMY: Notes/Poems/Dreams... (Jeremy Cullen)

Ronald E. Grames: Hans Vonk: Recent Releases on Arch Media and his...

Jacqueline Kharouf: Extra-Sonic Narratives: An Interview with Jeremy...

Paul Ingram: Getting to know Boris Tchaikovsky, courtesy of...

Maria Nockin: FACETS (Cline/Cuestas Duo)

Robert Maxham: Mark O’Connor’s Distinctively American Journey

Jerry Dubins: FACETS (Cline/Cuestas Duo)

Robert Schulslaper: At Play in America’s Attic: Rick Benjamin’s Quest...

Dave Saemann: FACETS (Cline/Cuestas Duo)

32:4 (Mar/Apr 2009)

Colin Clarke: Facets: An Interview with the Cline/Cuestas Duo

Colin Clarke: Speaking with Glyndebourne Festival General Director...

Mark Novak: TANEYEV: String Quartet No. 8 in A. String... (Carpe Diem Str Qrt)

Jerry Dubins: Carol Greenley—the Brio in Con Brio

Barry Brenesal: TANEYEV: String Quartet No. 8 in A. String... (Carpe Diem Str Qrt)

Richard A. Kaplan: Eloquence Celebrates its 10th Anniversary with...

Daniel Morrison: TANEYEV: String Quartet No. 8 in A. String... (Carpe Diem Str Qrt)

James Reel: PARMA & Navona—Bob Lord’s Startup Enterprises

Jerry Dubins: TANEYEV: String Quartet No. 8 in A. String... (Carpe Diem Str Qrt)

Robert Schulslaper: Romantic Interpretations: Pianist Alla Nikitskaya...

Mark Novak: Interview with Charles Wetherbee and Korine Fujiwara...

Richard A. Kaplan: Jonathan Cohler’s Ongaku Records—More than a “Clarinet...

Peter Burwasser: SCHUMANN: Carnaval, op. 9... (Sophia Agranovich)

Lynn René Bayley: Glen Roger Davis

Huntley Dent: SCHUMANN: Carnaval, op. 9... (Sophia Agranovich)

Carson Cooman: Organist Jane Parker-Smith—Mining Hidden Gems

Jerry Dubins: SCHUMANN: Carnaval, op. 9... (Sophia Agranovich)

32:3 (Jan/Feb 2009)

Colin Clarke: SCHUMANN: Carnaval, op. 9... (Sophia Agranovich)

Mortimer H. Frank: Standards of Criticism Revisited

Jerry Dubins: Schumann—Sophia Agranovich’s Latest Project?

Robert Maxham: The Elaris Duo: From Kansas to Oz—and Back

40:4 (Mar/Apr 2017)

Martin Anderson: Phoenix Edition Arises—and Capriccio Flies Again

Raymond Tuttle: Slightly Off the Beat

Robert Schulslaper: Soul to Soul: A Conversation with Gary William...

James Miller: VERDI: Il trovatore (Alberto Erede)

Peter Burwasser: Daniel Asia: Music as an Encounter with the Sacred

Ken Meltzer: VERDI: Otello (Herbert von Karajan)

Robert Schulslaper: Karen Walwyn Reflects on 9/11

Henry Fogel: VERDI: La forza del destino (Francesco Molinari Pradelli)

Jerry Dubins: Luisa Guembes-Buchanan Revisits Late Beethoven

Henry Fogel: PUCCINI: Turandot (Alberto Erede)

Martin Anderson: Mike Dutton Illuminates the Byways of British...

Ken Meltzer: PUCCINI: Tosca (Franceso Molinari Pradelli)

James Reel: The Prizewinning H2 (Sax) Quartet Eyes the Future

Bill White: PUCCINI; MASCAGNI, PIETRO (Silvio Varviso)

Carson Cooman: Cameron Carpenter Champions Organs Real and Virtual

Ken Meltzer: PUCCINI: Manon Lescaut (Franceso Molinari Pradelli)

32:2 (Nov/Dec 2008)

James Miller: PUCCINI: La fanciulla del West (Franco Capuana)

James Reel: OUR Recordings: a Michala Petri/Lars Hannibal...

James Miller: PONCHIELLI, AMILCARE: La gioconda (Gianandrea Gavazzeni)

Peter J. Rabinowitz: Surpassing The Seasons: José Serebrier on his...

Henry Fogel: LEONCAVALLO, RUGGERO; MASCAGNI, PIETRO (Francesco Molinari Pradelli)

Robert Maxham: Rachel Barton Pine—Breathing Life into Research

Bill White: BOITO: Mefistofele (Tullio Serafin)

James Reel: Telarc’s Latest Series: “Everybody’s Classics”

David Cutler: An Interview with Víctor Suzán Reed, Producer...

Robert Schulslaper: Notes on Light: A Conversation with Kaija Saariaho

David DeBoor Canfield: AMERICAN PIANO QUARTETS (Amara Pn Qrt)

Peter Burwasser: Talking with Blue Griffin’s Sergei Kvitko

Huntley Dent: AMERICAN PIANO QUARTETS (Amara Pn Qrt)

Raymond Tuttle: China’s Rhymoi Music: “The Slow Bird Flies Early”

Colin Clarke: American Piano Quartets: An Interview with the...

Peter J. Rabinowitz: “How Can You Be Bored?” Cyprien Katsaris on Transcriptions

Colin Clarke: A TIMELESS PLACE (William Stowman)

32:1 (Sept/Oct 2008)

David DeBoor Canfield: A TIMELESS PLACE (William Stowman)

Mortimer H. Frank: More Pristine Prizes: Toscanini, Mengelberg, and...

Robert Schulslaper: Peace, Music, and Friendship in a Timeless Place:...

Robert Maxham: Shannon Lee: Speaking the Language of the Violin

Radu A. Lelutiu: DEDICATIONS (Steven Spooner)

Peter J. Rabinowitz: First-Rate but Forgotten: Susan Kagan Champions...

Peter Burwasser: DEDICATIONS (Steven Spooner)

Martin Anderson: Violist Lawrence Power Records York Bowen for...

Jerry Dubins: DEDICATIONS (Steven Spooner)

Andrew Quint: Multichannel without Fear: A Guide for Fanfare...

James A. Altena: Golden Age Pianism Redivivus : A Return Engagement...

James Reel: Explorations in Zig-Zag Territoires

David DeBoor Canfield: CHIMERA (Scott-Garrison Duo)

Mortimer H. Frank: Herbert von Karajan: Complete on EMI

Henry Fogel: CHIMERA (Scott-Garrison Duo)

Raymond Tuttle: “Leave the Coughing to Mimi”: Telarc Records La...

Ronald E. Grames: CHIMERA (Scott-Garrison Duo)

Alan Swanson: Immediate and Direct: A Profile of Conductor Stephen...

Colin Clarke: On Things Chimeric: The Scott-Garrison Duo

31:6 (July/Aug 2008)

David DeBoor Canfield: Continuing the Tradition: An Interview with Bandmaster...

Mortimer H. Frank: Toscanini Live

Peter J. Rabinowitz: LEBANESE PIANO MUSIC (Tatiana Primak-Khoury)

Lynn René Bayley: EJS, OASI, TAP—Amusing Acronyms from the Freewheeling...

Henry Fogel: LEBANESE PIANO MUSIC (Tatiana Primak-Khoury)

Robert Schulslaper: Sound Bather: Composer Bruce Hobson Immerses Himself...

Jacqueline Kharouf: LEBANESE PIANO MUSIC (Tatiana Primak-Khoury)

James Reel: Dorian: Alive and Well, Thanks to Sono Luminus

Colin Clarke: LEBANESE PIANO MUSIC (Tatiana Primak-Khoury)

Robert Schulslaper: Gloria Cheng Imaginatively Translates Lutosławski,...

Jacqueline Kharouf: Inspiration and Emotional Heat: A Conversation...

Raymond Tuttle: Jennifer Larmore: A Talent for Royalty

Colin Clarke: PAÚS, RAMÓN: Madera Ocaso. Cobalto azul, en... (Yuval Gotlibovich)

31:5 (May/June 2008)

Maria Nockin: PAÚS, RAMÓN: Madera Ocaso. Cobalto azul, en... (Yuval Gotlibovich)

Jerry Dubins: Philip Ficsor on American Double and “The Bolcom...

Dave Saemann: PAÚS, RAMÓN: Madera Ocaso. Cobalto azul, en... (Yuval Gotlibovich)

Robert Schulslaper: Retrospections: A Conversation with Wayne Peterson

Maria Nockin: An Interview with Composer Ramón Paús

Peter J. Rabinowitz: Cyprien Katsaris and Piano 21—“Attracted like...

David DeBoor Canfield: VÁSQUEZ, HEBERT; SIERRA, ARLENE; LIANG, LEI... (Susan Narucki)

Robert Maxham: Livia Sohn Recreates the Excitement of a Bygone...

Colin Clarke: VÁSQUEZ, HEBERT; SIERRA, ARLENE; LIANG, LEI... (Susan Narucki)

Jerry Dubins: JoAnn Falletta Revisted, Four Years Later

Ronald E. Grames: VÁSQUEZ, HEBERT; SIERRA, ARLENE; LIANG, LEI... (Susan Narucki)

Colin Clarke: Approaches to Debussy: An Interview with Pianist...

Henry Fogel: Susan Narucki Speaks About Cuatro Corridos

31:4 (Mar/Apr 2008)

Marc Medwin: FOSS: Tashi. Solo Observed. Echoi (Stephen Gosling)

Robert Markow: The Sensational Singapore Symphony Orchestra

David DeBoor Canfield: FOSS: Tashi. Solo Observed. Echoi (Stephen Gosling)

Martin Anderson: William Vincent Wallace—Pianist Rosemary Tuck...

Peter J. Rabinowitz: FOSS: Tashi. Solo Observed. Echoi (Stephen Gosling)

James Reel: Paavo Järvi’s Reasons for Recording the Beethoven...

Robert Carl: FOSS: Tashi. Solo Observed. Echoi (Stephen Gosling)

Colin Clarke: Primeval Sounds: An Interview with Pianist Enrico...

Ronald E. Grames: FOSS: Tashi. Solo Observed. Echoi (Stephen Gosling)

James Reel: Gil Rose Illuminates BMOP Sound

Colin Clarke: FOSS: Tashi. Solo Observed. Echoi (Stephen Gosling)

Jerry Dubins: Martin Pearlman Completes Handel’s op. 6 Concerti...

Ronald E. Grames: Jean Kopperud, the NYNME, and the Genius of Lukas...

Lynn René Bayley: Nancy Van de Vate, Composer-Activist, Speaks Her...

Carla Maria Verdino-Süllwold: I AM WIND ON SEA: Contemporary Vocal Music from... (Aylish Kerrigan)

James Reel: Wu Han Adds CMS Studio Recordings to Her Juggling...

Barnaby Rayfield: A Corner of China that is Forever Ireland: Continent-Hopping...

Robert Schulslaper: Durham Resounding: Jon Lord’s Inspiration

Colin Clarke: WANDERER (Jamina Gerl)

31:3 (Jan/Feb 2008)

Dave Saemann: WANDERER (Jamina Gerl)

Barry Borman: Safe in My Garden—and other matters botanical,...

Huntley Dent: WANDERER (Jamina Gerl)

Colin Anderson: Lisa Batiashvili: “Music takes all of you”

Jerry Dubins: On Wanderers and Wandering: A Conversation with...

Richard A. Kaplan: The Sibelius Edition on BIS: A 30-Year Dream Realized

Ronald E. Grames: WEBER: Concertino. Clarinet Concertos... (Jonathan Cohler)

James Reel: Composer Lee McQuillan on Collection Connections

Richard A. Kaplan: WEBER: Concertino. Clarinet Concertos... (Jonathan Cohler)

Raymond Tuttle: Trio Mediaeval Finds Its Roots

Jerry Dubins: WEBER: Concertino. Clarinet Concertos... (Jonathan Cohler)

Colin Anderson: Sakari Oramo: “Elgar’s writing has pulse . . ....

Colin Clarke: WEBER: Concertino. Clarinet Concertos... (Jonathan Cohler)

James Reel: Harpist Yolanda Kondonassis Illuminates Carlos...

Dave Saemann: WEBER: Concertino. Clarinet Concertos... (Jonathan Cohler)

Robert Schulslaper: A Polyphonic Conversation with New York Polyphony

Carla Maria Verdino-Süllwold: Exploring the Unique: A Conversation with Jonathan...

Jerry Dubins: Zora Mihailovich Shares Her Love of Brahms

Colin Clarke: BORUP-JØRGENSON: Portal, op. 182. for orgel IV,... (Jens E. Christensen)

James Reel: Burkard Schliessmann Articulates His Approach...

David DeBoor Canfield: BORUP-JØRGENSON: Portal, op. 182. for orgel IV,... (Jens E. Christensen)

Michael Carter: John Rutter, on recording Handel’s Messiah

Martin Anderson: Organist Jens E. Christensen Talks about Axel...

Peter J. Rabinowitz: Discipline and Heart: A Conversation with Xiayin...

Joel Flegler: The Problem of Label Advertising and Artist Support:...

Robert Carl: A Conversation with Valentin Silvestrov: Postludes...

40:3 (Jan/Feb 2017)

Colin Clarke: A Right Royal Do: An Interview with Soprano Kate...

Raymond Tuttle: Slightly Off the Beat

31:2 (Nov/Dec 2007)

Colin Clarke: BOLCOM, WILLIAM; BROHN (Verdehr Tr)

Henry Fogel: Pristine Audio: A Major Advance in Restoration?

David DeBoor Canfield: BOLCOM, WILLIAM; BROHN (Verdehr Tr)

Robert Maxham: Alina Ibragimova, on Karl Amadeus Hartmann’s Works...

Colin Clarke: SHENG; ARUTIUNIAN, ALEXANDER (Verdehr Tr)

James Reel: Simone Dinnerstein, on Approaching the Goldberg...

David DeBoor Canfield: SHENG; ARUTIUNIAN, ALEXANDER (Verdehr Tr)

Arthur Lintgen: Lyrita Recorded Edition: Complete Catalogue Available...

Henry Fogel: SHENG; ARUTIUNIAN, ALEXANDER (Verdehr Tr)

Colin Anderson: Steven Osborne, seeking music where “there’s something...

Benjamin Pesetsky: Forty-Three Years of Commissioning: A Conversation...

31:1 (Sept/Oct 2007)

Maria Nockin: PAGANINI: Caprices for Unaccompanied Violin,... (Edson Scheid)

Barry Borman: Tom Jobim (and some other Brazilians)

Jerry Dubins: PAGANINI: Caprices for Unaccompanied Violin,... (Edson Scheid)

Andrew Quint: Swan Lake Never Looked So Good: From Opus Arte,...

Dave Saemann: PAGANINI: Caprices for Unaccompanied Violin,... (Edson Scheid)

William Zagorski: Nourishing Musical Fare from Bogner’s Café

Jerry Dubins: Four and Twenty Caprices Baked in a Pie, Oh My—Edson...

James Reel: Joshua Pierce—A Pianist Who Won’t Be Typecast

Ronald E. Grames: MOMENTS OF ARRIVAL (Julius P. Williams)

Phillip Scott: Endeavour: New Horizons

Colin Clarke: MOMENTS OF ARRIVAL (Julius P. Williams)

Peter Burwasser: Eschenbach’s Philadelphia Legacy: A Recording...

David DeBoor Canfield: MOMENTS OF ARRIVAL (Julius P. Williams)

30:6 (July/Aug 2007)

Ronald E. Grames: Elena Roussanova and the Art of Just Doing It

Henry Fogel: Goodbye, Slava

Ronald E. Grames: REDFORD, J.A.C.: Phantastes. Dream Dances... (Alison Edwards)

Barry Borman: May I Ask You a Riddle?

Colin Clarke: REDFORD, J.A.C.: Phantastes. Dream Dances... (Alison Edwards)

James Reel: ArkivMusic Offers Archival Music on Demand, Just...

David DeBoor Canfield: JAC (and Master) of All Trades: An Interview with...

Colin Anderson: Antonio Pappano Talks Tchaikovsky (and More)

Henry Fogel: LAURIDSEN, MORTEN: O Magnum Mysterium. A Winter Come.... (Jeremy Huw Williams)

Robert Maxham: Maria Bachmann: Paul Moravec, Jazz, and The Red...

Jim Svejda: LAURIDSEN, MORTEN: O Magnum Mysterium. A Winter Come.... (Jeremy Huw Williams)

Raymond Tuttle: Royal Brown: Still Musing About Film Music

David DeBoor Canfield: LAURIDSEN, MORTEN: O Magnum Mysterium. A Winter Come.... (Jeremy Huw Williams)

Michael Carter: Lights, Camera, Music!

Ronald E. Grames: On Prayer, and the Arts Songs of Morten Lauridsen:...

Jerry Dubins: The Class(y)cal Sax: An Interview with Theodore...

Ronald E. Grames: AMERICAN VOICES (Col. Larry H. Lang)

Colin Anderson: Isserlis: Wanting to get it all done

Huntley Dent: AMERICAN VOICES (Col. Larry H. Lang)

James Reel: Plumeri—Vocal When It Comes to Conducting

James V. Maiello: AMERICAN VOICES (Col. Larry H. Lang)

Robert Maxham: Rachel Barton Pine on Her All-Time Hero, Maud...

David DeBoor Canfield: AMERICAN VOICES (Col. Larry H. Lang)

30:5 (May/June 2007)

Ronald E. Grames: Colonel Lang, the U.S. Air Force Band, and American...

Barry Borman: George Harrison as Madrigalist

Mark Novak: CATOIRE: Violin Sonatas... (Laurence Kayaleh)

Martin Anderson: Listen to Audite

Maria Nockin: CATOIRE: Violin Sonatas... (Laurence Kayaleh)

James Reel: David Chesky: Writing Urban Concertos, Producing...

Dave Saemann: CATOIRE: Violin Sonatas... (Laurence Kayaleh)

James Reel: Yarlung: Promoting Young Professionals

Jerry Dubins: A Missing Link? Laurence Kayaleh on Georgy Catoire

Colin Anderson: Pinnock: “Bach’s music is the conflict of order...

Dave Saemann: PHILLIP KAWIN (Phillip Kawin)

30:4 (Mar/Apr 2007)

Scott Noriega: PHILLIP KAWIN (Phillip Kawin)

Barry Borman: The Guys with the Big Fiddles

Myron Silberstein: PHILLIP KAWIN (Phillip Kawin)

Colin Anderson: Leif: “I Love Exploring”

Colin Clarke: Pianist Phillip Kawin on Teaching, Analysis, and...

James Reel: John Rutter Lightens the Darkness

Peter Burwasser: STEVENSON; RACHMANINOFF; NOVELLO/STEVENSON... (Kenneth Hamilton)

Robert Maxham: Anne-Sophie Mutter: Revisiting Mozart

Colin Clarke: Encountering Ronald: The Astonishing Legacy of...

Martin Anderson: Alaria, Searching for Unusual Chamber Combinations

Raymond Tuttle: FRIEDMAN: Piano Transcriptions (Joseph Banowetz)

James Reel: Charles Bruffy, Doing Double Duty for “Eternal...

Huntley Dent: FRIEDMAN: Piano Transcriptions (Joseph Banowetz)

Robert Maxham: Sergiu Schwartz: An Old Soul Playing from the...

Mark Novak: FRIEDMAN: Piano Transcriptions (Joseph Banowetz)

Martin Anderson: Idealism and Enthusiasm in the Windy City: Callisto...

Peter Burwasser: FRIEDMAN: Piano Transcriptions (Joseph Banowetz)

James Reel: MMC Presents Richard Stoltzman in 4 New Works...

Dave Saemann: FRIEDMAN: Piano Transcriptions (Joseph Banowetz)

30:3 (Jan/Feb 2007)

Mark Novak: Baroque for Two Hands–A Romance of Sound. An Interview...

Barry Borman: Comedy in Music: The “Two-derful” Victor Borge

40:2 (Nov/Dec 2016)

James Reel: Regent Records: Gary Cole’s Label of Love

Raymond Tuttle: Slightly Off the Beat

Colin Clarke: Roberto Prosseda: Discovering Mendelssohn

Raymond Beegle: The Golden Years of the Gregg Smith Singers: In...

Jerry Dubins: Mission Accomplished: The Milken Archive of American...

David DeBoor Canfield: WALLACE, J.: String Quartet No. 1, “pale reflections…”... (Arneis Qrt)

Colin Anderson: Cleveland Chamber Symphony: Opening Our Ears and...

Huntley Dent: WALLACE, J.: String Quartet No. 1, “pale reflections…”... (Arneis Qrt)

Colin Anderson: Toccata Classics: Broadening Horizons

Colin Clarke: WALLACE, J.: String Quartet No. 1, “pale reflections…”... (Arneis Qrt)

Richard A. Kaplan: SIBELIUSAURUS: Wherein a Well-intentioned Fanfare...

Ronald E. Grames: WALLACE, J.: String Quartet No. 1, “pale reflections…”... (Arneis Qrt)

Peter Burwasser: Bis, Jonathan Biss!

Robert Schulslaper: Radio Days: A Conversation with John H. Wallace

30:2 (Nov/Dec 2006)

Bill White: HANDEL, GEORGE FRIDERIC: Messiah (1753 version) (Jeffrey Thomas)

Mortimer H. Frank: Toscanini: 50 Years Later

Bertil van Boer: HANDEL, GEORGE FRIDERIC: Messiah (1753 version) (Jeffrey Thomas)

David Denton: The Remarkable Story of Joyce Hatto, Part 2: An...

Alex McGehee: HANDEL, GEORGE FRIDERIC: Messiah (1753 version) (Jeffrey Thomas)

James Reel: Why Thomas Freas Values the Valveless, Devilish...

Henry Fogel: HANDEL, GEORGE FRIDERIC: Messiah (1753 version) (Jeffrey Thomas)

Colin Anderson: Julian Anderson: Writing Down the Music in His...

Joshua Cohen: HANDEL, GEORGE FRIDERIC: Messiah (1753 version) (Jeffrey Thomas)

Brian Robins: John Jenkins—A Great English Conservative

Michael De Sapio: HANDEL, GEORGE FRIDERIC: Messiah (1753 version) (Jeffrey Thomas)

James Reel: Chatting with Cellist Emmanuel Feldman

James A. Altena: Handel’s Messiah Done with Grace: An Interview...

Robert Maxham: Contemporary Chinese Music for the Violin: A Plain...

Myron Silberstein: LISZT: 6 Paganini Études. 5 Concert Études.... (Jerome Rose)

Peter Burwasser: A Conversation with Julius P. Williams

Peter Burwasser: LISZT: 6 Paganini Études. 5 Concert Études.... (Jerome Rose)

Raymond Tuttle: Song Zu Ying: A Diva from the East

Colin Clarke: LISZT: 6 Paganini Études. 5 Concert Études.... (Jerome Rose)

James Reel: The Takács Quartet—Newly Configured and Now on...

Peter Burwasser: The Romantic Pianist: A Chat with Jerome Rose

30:1 (Sept/Oct 2006)

Dave Saemann: SPANISH RECITAL (Alan Rinehart)

Barry Borman: The Two Caroles

Colin Clarke: SOLILOQUIES AND DREAMS FOR JANICE (Alan Rinehart)

David Denton: The Secret Pianist: The Remarkable Story of Joyce...

Bertil van Boer: THE GOLDEN CENTURY: Lute Music from 16th Century... (Alan Rinehart)

Colin Anderson: “I'm not a fortepiano guy!“

Dave Saemann: THE GOLDEN CENTURY: Lute Music from 16th Century... (Alan Rinehart)

Robert Maxham: Philippe Graffin in an Ongoing Discussion with...

Dave Saemann: MUSICAL BANQUET (Alan Rinehart)

Colin Anderson: Wallfisch and Graffiti Discuss Rósza, Heifetz,...

Robert Schulslaper: Old Wine in New Bottles: Interview with Guitarist...

29:6 (July/Aug 2006)

Martin Anderson: SURPRISED BY BEAUTY: A Listener’s Guide to the Recovery of Modern Music By Robert R. Reilly, with Jens F. Laurson. San Francisco: Ignatius Press, 2016.

Colin Anderson: John Newton of Sound Mirror Sounds Off on Sound

Huntley Dent: SURPRISED BY BEAUTY: A Listener’s Guide to the Recovery of Modern Music By Robert R. Reilly, with Jens F. Laurson. San Francisco: Ignatius Press, 2016.

Brian Robins: Arriving at a Monteverdi Peak: Robert King Records...

James Forrest: SURPRISED BY BEAUTY: A Listener’s Guide to the Recovery of Modern Music By Robert R. Reilly, with Jens F. Laurson. San Francisco: Ignatius Press, 2016.

James Reel: The Verdehr Trio: Making Music and Making a Medium

Walter Simmons: An Interview with Robert R. Reilly

Colin Anderson: Giving Beethoven a Chance: An Interview with Thomas...

Peter Burwasser: TO KEEP THE DARK AWAY (Gayle Martin)

Robert Maxham: Jennifer Koh—Transforming Points of Inspiration

Peter J. Rabinowitz: TO KEEP THE DARK AWAY (Gayle Martin)

29:5 (May/June 2006)

Colin Clarke: To Keep the Dark Away : A Joint Interview with...

Raymond Beegle: Zinka Milanov Centennial

James Forrest: BEETHOVEN, LUDWIG VAN: Cello Sonata No. 2 in g, op. 5/2 (James Kreger)

Pradeep Sebastian: Kollywood: Somewhere South of the Rainbow

Jerry Dubins: BEETHOVEN, LUDWIG VAN: Cello Sonata No. 2 in g, op. 5/2 (James Kreger)

James Reel: New Dynamic Records, a Dynamic New Label, Is Launched

James Forrest: BRAHMS, JOHANNES: Cello Sonata No. 1 in e, op 38 (James Kreger)

Colin Anderson: Sarah Chang Muses on Making Music and More

Jerry Dubins: BRAHMS, JOHANNES: Cello Sonata No. 1 in e, op 38 (James Kreger)

Robert Maxham: Shlomo Mintz: On a Quest for Truth Touched, but...

James Forrest: CHOPIN, FRÉDÉRIC: Introduction and Polonaise brillante,... (James Kreger)

29:4 (Mar/Apr 2006)

Jerry Dubins: A New Day at Fanfare — Chatting with James Kreger...

Christopher Williams: Oehms Classics: Ten Years of the Mörbisch Lake...

Carla Maria Verdino-Süllwold: The Varda Kotler YouTube Channel

Mortimer H. Frank: Karajan Recycles

David DeBoor Canfield: JOHNSTON, BEN: String Quartets Nos. 6–8... (Kepler Str Qrt)

Colin Anderson: The Penguin Guide: 30 Years On

Marc Medwin: JOHNSTON, BEN: String Quartets Nos. 6–8... (Kepler Str Qrt)

Martin Anderson: Leon McCawley—on the Gentle Mastery of Hans Gál

Colin Clarke: JOHNSTON, BEN: String Quartets Nos. 6–8... (Kepler Str Qrt)

Andrew Quint: Telarc's SACD Sampler: A Guided Tour of Multichannel...

Robert Carl: “A Freely-Given Gift of Love”: An Interview with...

Colin Anderson: Piers Lane, on Exploring a Pandora's Box of Musical...

Ronald E. Grames: REGER, MAX: Clarinet Sonatas Nos. 1–3... (Alan R. Kay)

Pradeep Sebastian: Bollywood: The Last Romantic?

Jerry Dubins: REGER, MAX: Clarinet Sonatas Nos. 1–3... (Alan R. Kay)

Jerry Dubins: Would a B♭ by any other name sound as sweet? Pianist...

Richard A. Kaplan: REGER, MAX: Clarinet Sonatas Nos. 1–3... (Alan R. Kay)

Phillip Scott: Australian Eloquence: A Meeting with Cyrus Meher-Homji

Gavin Dixon: Alan R. Kay discusses the Clarinet Music of Max...

Peter J. Rabinowitz: Abandon and Elevation: Luiza Borac Discusses Enescu's...

Ronald E. Grames: BORUP-JØRGENSON: Thalatta! Thalatta! Marine skitser.... (Erik Kaltoft)

29:3 (Jan/Feb 2006)

David DeBoor Canfield: BORUP-JØRGENSON: Thalatta! Thalatta! Marine skitser.... (Erik Kaltoft)

Colin Anderson: Insights and Ideas from Conductor David Lloyd-Jones

Marc Medwin: BORUP-JØRGENSON: Thalatta! Thalatta! Marine skitser.... (Erik Kaltoft)

Peter Burwasser: Talking to Jeffrey Jacob—Composer, Pianist, and...

Martin Anderson: Erik Kaltoft on the Private Music of Axel Borup-Jørgensen

James Reel: Johnny Reinhard Reflects on Microtonality, Intervals...

Ronald E. Grames: VEILED LIGHT (Jeremy D. Jones)

James Reel: Tigran Mansurian: Armenian by Birth; Genuine by...

Henry Fogel: VEILED LIGHT (Jeremy D. Jones)

Peter J. Rabinowitz: “New All Over Again“: José Serebrier Records the...

Colin Clarke: Veiled Light: An Exploration of Male Choral Repertoire...

Joel Kasow: Speaking with Nightingale Natalie Dessay

Peter J. Rabinowitz: DREAM IMAGES (Svetozar Ivanov)

29:2 (Nov/Dec 2005)

Colin Clarke: DREAM IMAGES (Svetozar Ivanov)

Martin Anderson: Capriccio: Uncovering Unknown Music

Huntley Dent: DREAM IMAGES (Svetozar Ivanov)

Robert Carl: Bollywood Calling: An Interview with Asha Bhosle

Jacqueline Kharouf: A Prior Dream: An Interview with Svetozar Ivanov...

Peter Burwasser: The World of Enrique Granados: A Conversation...

Ronald E. Grames: HOOVER, KATHERINE; DAVIES, PAUL; LIPTEN (Harold Rosenbaum)

James Reel: Pamela Decker: A Rigorous but Never Reserved Organist/Composer

Henry Fogel: HOOVER, KATHERINE; DAVIES, PAUL; LIPTEN (Harold Rosenbaum)

Robert Maxham: Violinist Michael Antonello Emerges from the Shadows...

Maria Nockin: HOOVER, KATHERINE: Requiem for the Innocent. The Last... (Harold Rosenbaum)

James Reel: Blue Griffin: Sergei Kvitko Discusses His Independent...

Ronald E. Grames: Katherine Hoover and Harold Rosenbaum: Recording...

Raymond Tuttle: Hooray for Bollywood!

Benjamin Pesetsky: HEISS: 4 Lyric Pieces... (J. Fenwick Smith)

Colin Anderson: Mark Elder: The Hallé, a Modern Orchestra

Colin Clarke: HEISS: 4 Lyric Pieces... (J. Fenwick Smith)

29:1 (Sept/Oct 2005)

David DeBoor Canfield: HEISS: 4 Lyric Pieces... (J. Fenwick Smith)

Henry Fogel: Franco Alfano: Unfairly Neglected?

Carla Maria Verdino-Süllwold: A Half-Century of New Music: Composer John Heiss

Martin Anderson: London Independent Records: Coming to a Store...

Alan Swanson: STEINBERG, MAXIMILIAN: Passion Week (Steven Fox)

Colin Anderson: Paavo Järvi—Growing Up and Soaring Upward

Gavin Dixon: STEINBERG, MAXIMILIAN: Passion Week (Steven Fox)

Raymond Tuttle: Robert De Cormier and the Joys of Counterpoint

Maria Nockin: Steven Fox introduces The Clarion Choir and Maximilian...

John Story: Fabio Biondi Discusses Vivaldi's Bajazet

Dave Saemann: MOZART; BEETHOVEN, LUDWIG VAN; BACH, JOHANN SEBASTIAN (Aralee Dorough)

Peter Burwasser: Talking with Klaas Trapman about Sergei Bortkiewicz

Michael Ullman: MOZART; BEETHOVEN, LUDWIG VAN; BACH, JOHANN SEBASTIAN (Aralee Dorough)

Martin Anderson: Ondine at 20: From Finland to Philadelphia

Ronald E. Grames: Aralee Dorough and Drelinger’s Ergonomic Flute

Paul Ingram: Corning Home to a Strange Land: Roman Mints and...

Huntley Dent: SILVA, PEDRO DA/CARUSO, LUCÍA: Le voyage dans la lune (excerpt) (Manhattan Camerata)

Adrian Corleonis: The Old Order Changeth—Chausson's King Arthur...

Raymond Tuttle: SILVA, PEDRO DA/CARUSO, LUCÍA: Le voyage dans la lune (excerpt) (Manhattan Camerata)

Robert Maxham: Zino Bogachek: Making Love through Unusual Repertoire

Carla Maria Verdino-Süllwold: SILVA, PEDRO DA/CARUSO, LUCÍA: Le voyage dans la lune (excerpt) (Manhattan Camerata)

James Reel: Talking with Violinist Julia Fischer

Huntley Dent: SILVA, PEDRO DA/CARUSO, LUCÍA: Jeanne d’Arc (Manhattan Camerata)

Colin Anderson: Launching a Label: Wigmore Hall Live

Raymond Tuttle: SILVA, PEDRO DA/CARUSO, LUCÍA: Jeanne d’Arc (Manhattan Camerata)

Brian Robins: Biber in New York: An interview with Andrew Parrott

Carla Maria Verdino-Süllwold: Giving a Soul to Things Lost: An Interview with...

James Reel: Leonard Bernstein's Peter Pan Flies at Last

Ronald E. Grames: Mezzo-soprano Sonja Bruzauskas on Watercolors,...

Jerry Dubins: Beethoven from A(usgelassen) to Z(art): A Conversation...

Huntley Dent: ROSNER: Piano Concerto No. 2, op. 30. Gematria,... (David Amos)

Michael Carter: Il Giardino Armonico Gives the Devil His Due

Henry Fogel: ROSNER: Piano Concerto No. 2, op. 30. Gematria,... (David Amos)

Martin Anderson: Refreshingly Radical Scarlatti from Yevgeny Sudbin

Myron Silberstein: ROSNER: Piano Concerto No. 2, op. 30. Gematria,... (David Amos)

Paul Ingram: A Song (and a Singer) for Anything: Gerald Finley,...

Barry Brenesal: ROSNER: Piano Concerto No. 2, op. 30. Gematria,... (David Amos)

28:6 (July/Aug 2005)

Henry Fogel: Interview with Conductor David Amos

William H. Youngren: Parsing Parsifal: Ruminations and a Review

40:1 (Sept/Oct 2016)

Martin Anderson: OehmsClassics: A Healthy Mix of Music and Musicians

Raymond Tuttle: Slightly Off the Beat

James Reel: José Luis Moscovich and Carlos Franzetti's Exorcism,...

David DeBoor Canfield: WISHART, BETTY: Sonatas I and II... (Jeri-Mae G. Astolfi)

Brian Robins: Requiem for an Archbishop: Robert King Records...

Colin Clarke: WISHART, BETTY: Sonatas I and II... (Jeri-Mae G. Astolfi)

Jerry Dubins: The Power of Love: Tenor Martin Dillon and the...

Jacqueline Kharouf: Playing Real Music: An Interview with Composer...

Robert Maxham: Maestro Ruggiero Ricci: Violin Virtuoso of the...

James A. Altena: WHITE, DAVID ASHLEY: Psalm 23... (Bradley Knapp)

James Reel: John Solum's Telling Ways with Telemann

Ronald E. Grames: David Ashley White and the Writing of Sacred Music

Colin Anderson: PentaTone: A Long-term Report

Joshua Cohen: STEVEN STARYK—A RETROSPECTIVE: Volume 8, Italian... (Steven Staryk)

James Reel: The Pacifica Quartet Tackles Mendelssohn

Dave Saemann: STEVEN STARYK—A RETROSPECTIVE: Volume 8, Italian... (Steven Staryk)

28:5 (May/June 2005)

David K. Nelson: Another Chance to Chat with Violinist Steven Staryk

Martin Anderson: MIDEM: Crossroads of the Musical World

Jim Svejda: PROKOFIEV: Piano Concertos Nos. 1 and 2 (Anna Shelest)

Colin Anderson: Lang Lang: Rac 2 and Beyond

Peter J. Rabinowitz: PROKOFIEV: Piano Concertos Nos. 1 and 2 (Anna Shelest)

Peter Burwasser: Brautigam's Beethoven and Beyond, on Fortepiano

Daniel Morrison: PROKOFIEV: Piano Concertos Nos. 1 and 2 (Anna Shelest)

Michael Carter: Alice Mary Smith: Victorian Symphonist

Mark Novak: PROKOFIEV: Piano Concertos Nos. 1 and 2 (Anna Shelest)

Brian Robins: Teknon—An Early-Music Label from Holland

Huntley Dent: PROKOFIEV: Piano Concertos Nos. 1 and 2 (Anna Shelest)

Michael Carter: Prevailing Winds

Peter J. Rabinowitz: MUSSORGSKY; GLINKA; TCHAIKOVSKY (Anna Shelest)

Martin Anderson: Morten Lauridsen and the Comfort of Melody

Daniel Morrison: MUSSORGSKY; GLINKA; TCHAIKOVSKY (Anna Shelest)

James Reel: Carol Williams Takes the Organ Out— Outdoors and...

Mark Novak: MUSSORGSKY; GLINKA; TCHAIKOVSKY (Anna Shelest)

Brian Robins: The Noise of Noyse: A New Early-Music Label Is...

David DeBoor Canfield: MUSSORGSKY; GLINKA; TCHAIKOVSKY (Anna Shelest)

Colin Anderson: What Jonathan Nott Is and Is Not

Colin Clarke: MUSSORGSKY; GLINKA; TCHAIKOVSKY (Anna Shelest)

Joel Kasow: Accord—According to Cyril Bahsief

Colin Clarke: Pictures and Beyond: Pianist Anna Shelest on Russian...

Andrew Quint: A Match Made in Heaven: Recording Miklós Rózsa's...

Raymond Tuttle: ROZOW: Fantasia Appassionata... (Robert Thies)

Joel Flegler: FROM THE PUBLISHER

Mark Novak: ROZOW: Fantasia Appassionata... (Robert Thies)

28:4 (Mar/Apr 2005)

Huntley Dent: ROZOW: Fantasia Appassionata... (Robert Thies)

Henry Fogel: In Memoriam: Renata Tebaldi (1922-2004)

Mark Novak: An Interview with Composer Shie Rozow

Barry Brenesal: The International Draeseke Society: Alan Krueck's...

Maria Nockin: PIAZZOLLA, ASTOR; GARRETT-GROAG (Nancy Roldán)

Martin Anderson: Matthew Wadsworth, Intrepid Lutenist, Plays Robert...

Jacqueline Kharouf: PIAZZOLLA, ASTOR; GARRETT-GROAG (Nancy Roldán)

Paul Ingram: John Riley, Dmitri Shostakovich, and the Big Picture

Dave Saemann: PIAZZOLLA, ASTOR; GARRETT-GROAG (Nancy Roldán)

James H. North: Leonard Bernstein's Young People's Concerts on...

Huntley Dent: PIAZZOLLA, ASTOR; GARRETT-GROAG (Nancy Roldán)

Paul Ingram: Disposing of Musical Dogma, with Julian Lloyd-Webber

Jacqueline Kharouf: An Air of Nostalgia: A Conversation with Nancy...

James Reel: Charles Bruffy: Sounding the Soul of the Phoenix...

Raymond Tuttle: WILLIAMS, JOHN: Jane Eyre... (Dan Redfeld)

Andrew Quint: Osmo Vänskä, The Minnesota Orchestra, and BIS...

Dave Saemann: WILLIAMS, JOHN: Jane Eyre... (Dan Redfeld)

Peter J. Rabinowitz: Fazil Say and the Mozart Concertos: “My Life Is...

Huntley Dent: WILLIAMS, JOHN: Jane Eyre... (Dan Redfeld)

Martin Anderson: Linn Records Makes the Main-Street Stores at Last

Carla Maria Verdino-Süllwold: REDFELD: A Hopeful Place (Dan Redfeld)

Christopher Abbot: Mahler at Midpoint: A Conversation with Michael...

Colin Clarke: REDFELD: A Hopeful Place (Dan Redfeld)

Laura Rónai: Sharon Bezaly: Flutist for the New Millennium

David DeBoor Canfield: REDFELD: A Hopeful Place (Dan Redfeld)

Raymond Tuttle: Defining Success for Himself: William Thomas McKinley...

Carla Maria Verdino-Süllwold: You Have To Be Diverse: Dan Redfeld

Brian Robins: Phantasm's Four Temperaments: A Conversation with...

Raymond Tuttle: TUNES OF THE TWENTIES By Robert Rawlins. New Jersey: Rookwood House Publishing, 2015.

28:3 (Jan/Feb 2005)

Carla Maria Verdino-Süllwold: TUNES OF THE TWENTIES By Robert Rawlins. New Jersey: Rookwood House Publishing, 2015.

James Reel: Living Stereo Lives Again

Colin Clarke: Reappraising an Era: Robert Rawlins on His Book...

Brian Robins: Carissimi's Day of Judgment: An Interview with...

Paul Orgel: MOZART: Piano Sonatas Nos. 1–6. Piano Sonata... (Roberto Prosseda)

Raymond Tuttle: Remarkable Musicians: Tsabropoulos and Lechner...

Colin Clarke: MOZART: Piano Sonatas Nos. 1–6. Piano Sonata... (Roberto Prosseda)

Jerry Dubins: A Matter of Soul: A Conversation with Charles...

Peter Burwasser: Roberto Prosseda Rediscovers Mozart

Paul Ingram: Piping over the Oceans: Alexa Still Revives the...

Colin Clarke: FOREST PAINTINGS (Irin Prechanvinit)

Peter J. Rabinowitz: Made in Heaven: José Serebrier's New Glazunov...

Huntley Dent: FOREST PAINTINGS (Irin Prechanvinit)

James Reel: Forte: A New and Innovative Independent Labels...

Maria Nockin: FOREST PAINTINGS (Irin Prechanvinit)

Martin Anderson: Günter Hänssler Rides Again: A Profile of Profil

Robert Schulslaper: Grown in Thailand: Interview with Guitarist Irin...

Michael Carter: Bridging the Gap: Hummel's Violin Concerto

Maria Nockin: BACH, JOHANN SEBASTIAN; YSAŸE; PROKOFIEV (Brunilda Myftaraj)

Jerry Dubins: Illuminations of the Beyond: A Conversation with...

Jerry Dubins: The Naked Violin—Interviewing Brunilda Myftaraj

28:2 (Nov/Dec 2004)

Colin Clarke: GRIEG, EDVARD; FRANCK, CÉSAR (Thomas Murray)

Stephane Villemin: Reding and Piette: Apostles of the Two Pianos

Jerry Dubins: GRIEG, EDVARD; FRANCK, CÉSAR (Thomas Murray)

Brian Robins: A Late Lully Masterpiece: Christophe Rousset Records...

James A. Altena: Thomas Murray, Maestro of the Romantic Organ

Peter Burwasser: An Interview with Paul Badura-Skoda

Colin Clarke: MÜLLER: Military Theatre. To Find Without... (Tobin Mueller)

Raymond Tuttle: A Different Kind of Tenor: An Interview with Jon...

Peter Burwasser: MÜLLER: Military Theatre. To Find Without... (Tobin Mueller)

Martin Anderson: Andreas Haefliger's Perspective on “Perspectives“

Carla Maria Verdino-Süllwold: Conversations with Composers: Tobin Mueller

James Reel: Clarion's Call to Present Great Choral Recordings

Daniel Morrison: SCHNITTKE: Violin Sonatas Nos. 1–3... (Roman Mints)

Michael Carter: The Weiss Squad

Huntley Dent: SCHNITTKE: Violin Sonatas Nos. 1–3... (Roman Mints)

Martin Anderson: Matthew Taylor Conducts Robert Simpson's Symphonic...

Gavin Dixon: Violinist Roman Mints Discusses Schnittke

James Reel: Botstein Resurrects Popov's First Symphony

Carla Maria Verdino-Süllwold: RACHMANINOFF: Dreams, op. 38/5; Where beauty... (Giovanni Doria Miglietta)

Brian Robins: From Mozart to Lumps of Pudding: An Interview...

Colin Clarke: RACHMANINOFF: Dreams, op. 38/5; Where beauty... (Giovanni Doria Miglietta)

Michael Carter: Jacobean Bach

Maria Nockin: A Chat with Giovanni Doria Miglietta

David L. Kirk: Moniuszko's Haunted Manor: What the Booklet Doesn't...

Bertil van Boer: SCARLATTI, A.: La Gloria di Primavera (Nicholas McGegan)

Jerry Dubins: The Milken Archive of American Jewish Music at...

Joshua Cohen: SCARLATTI, A.: La Gloria di Primavera (Nicholas McGegan)

Brian Robins: An Interview with Conductor Harry Bicket

Christopher Brodersen: A Conversation with Nicholas McGegan of Philharmonia...

Andrew Quint: Telarc's New Berlioz Requiem and Multichannel...

Maria Nockin: CLASSICAL JOURNEY (Lou Marinoff)

Robert Maxham: Violinist Rachel Barton Pine: Shedding New Light...

Dave Saemann: CLASSICAL JOURNEY (Lou Marinoff)

28:1 (Sept/Oct 2004)

Colin Clarke: From Bach to Buddhism via Table Hockey: An Interview...

Brian Robins: A Gluck Rarity: Christopher Moulds Records L'innocenza...

Maria Nockin: NON SOLUS: Music of the New World (Anton Machleder)

Paul Ingram: Beth Anderson: Music from a Streetwise Heaven

Dave Saemann: NON SOLUS: Music of the New World (Anton Machleder)

Michael Carter: A Passion for Salieri

Colin Clarke: NON SOLUS: Music of the New World (Anton Machleder)

James Reel: Revisiting Composer Daniel Asia

Robert Schulslaper: Beyond Solitude: A Conversation with Anton Machleder

James Reel: Premiere Music Distributors Brings Small Indie...

Alan Swanson: EVENING HYMN (Deanna Joseph)

Peter J. Rabinowitz: “Without Conviction, It's Going to be Worthless“:...

Ronald E. Grames: EVENING HYMN (Deanna Joseph)

27:6 (July/Aug 2004)

Henry Fogel: EVENING HYMN (Deanna Joseph)

Brian Robins: Celebrating Charpentier with Jeffrey Skidmore

Colin Clarke: EVENING HYMN (Deanna Joseph)

Raymond Tuttle: The Brodsky Quartet, and Other Good Bits

Alan Swanson: “I’ve learned from all of it.” An Interview with...

27:5 (May/June 2004)

Huntley Dent: UKRAINE – JOURNEY TO FREEDOM: A Century of Classical... (Solomiya Ivakhiv)

Martin Anderson: Mieczyslaw Weinberg, Master Symphonist

Colin Clarke: UKRAINE – JOURNEY TO FREEDOM: A Century of Classical... (Solomiya Ivakhiv)

Bernard Jacobson: Juilliard Treasures from the Library of Congress...

David DeBoor Canfield: Solomiy Ivakhiv’s Musical Journey

Peter J. Rabinowitz: The Royal Stockholm Philharmonic at One Hundred

Paul Orgel: BEETHOVEN, LUDWIG VAN; MOZART; MOZART, F. X. (Julius Berger)

Andrew Quint: Speaking with Composer Jennifer Higdon: The Communication...

Huntley Dent: BEETHOVEN, LUDWIG VAN; MOZART; MOZART, F. X. (Julius Berger)

J. F. Weber: The Milliard Ensemble in New York and on CD

Michael Ullman: BEETHOVEN, LUDWIG VAN; MOZART; MOZART, F. X. (Julius Berger)

James Reel: Conversing with Conductor Semyon Bychkov

Dave Saemann: BEETHOVEN, LUDWIG VAN; MOZART; MOZART, F. X. (Julius Berger)

Marc Mandel: More Live Callas from EMI

Jerry Dubins: Inspired by....A Conversation with Margarita Höhenrieder

Peter J. Rabinowitz: Allegro Launches the Moscow Studio Archives

Huntley Dent: FOSTER, GRANT: Romances... (Grant Foster)

Raymond Tuttle: “Ms. Guitar, Inc.“: A Chat with Sharon Isbin

Colin Clarke: When Love Speaks : Composer and Pianist Grant...

27:4 (Mar/Apr 2004)

Myron Silberstein: WEBER: Piano Sonatas Nos. 1–4... (Michelangelo Carbonara)

Colin Anderson: Vernon Handley Discusses Bax

Huntley Dent: WEBER: Piano Sonatas Nos. 1–4... (Michelangelo Carbonara)

James Reel: Gwendolyn Toth, on Her Label, Zefiro, and Her...

Jerry Dubins: A Warren of Weber—Chatting with Michelangelo Carbonara

Raymond Beegle: Looking Inward: A Conversation with Dmitri Hvorostovsky

Ronald E. Grames: CANFIELD, DAVID DEBOOR: Concerto after Glière for Alto... (Ian Hobson)

Jerry Dubins: JoAnn Falletta: Fanfare for the Uncommon Woman

Jerry Dubins: CANFIELD, DAVID DEBOOR: Concerto after Glière for Alto... (Ian Hobson)

James Reel: Sir Peter Moores's Love Affair(s) with Opera—...

Robert Schulslaper: Four Afterwords for Three Concertos

Peter Burwasser: An Interview with Composer Larry Bell

Peter J. Rabinowitz: CANFIELD, DAVID DEBOOR: Concerto after Glière for Alto... (Ian Hobson)

Brian Robins: Les Arts Florissants at Twenty-five: An Interview...

Henry Fogel: CANFIELD, DAVID DEBOOR: Concerto after Glière for Alto... (Ian Hobson)

Jerry Dubins: Musica Sveciae: Romance in the Land of the Midnight...

James A. Altena: Chameleon Composer: David DeBoor Canfield Speaks...

James Reel: Lorraine Hunt Lieberson Discusses Sellars and...

William Zagorski: SONGS TO FILL THE VOID (Robert Barefield)

Jerry Dubins: An Alchemist's Art: The Music of Charles Fernandez...

Dave Saemann: SONGS TO FILL THE VOID (Robert Barefield)

Peter J. Rabinowitz: A Philosophy, Not a Profession: The Art of Burkard...

Colin Clarke: SONGS TO FILL THE VOID (Robert Barefield)

Peter J. Rabinowitz: The Minnesota Orchestra at One Hundred

Maria Nockin: A Chat with Baritone Robert Barefield and Pianist...

James Reel: James Conlon Records Liszt's St. Stanislaus

Huntley Dent: FRIEDMAN: 6 Wiener Tänze nach Motiven von... (Joseph Banowetz)

Michael Carter: Angela Hewitt Talks Bach

Myron Silberstein: FRIEDMAN: 6 Wiener Tänze nach Motiven von... (Joseph Banowetz)

James Reel: The Budapest Philharmonic's Own Label Launch

Dave Saemann: FRIEDMAN: 6 Wiener Tänze nach Motiven von... (Joseph Banowetz)

Raymond Tuttle: Zander in Mahlerland

Mark Novak: Joseph Banowetz Performs Original Music of Ignaz...

27:3 (Jan/Feb 2004)

39:6 (July/Aug 2016)

Mortimer H. Frank: Beethoven Cycles Recycled by Naxos

Raymond Tuttle: Slightly Off the Beat

Robert Maxham: Hideko Udagawa: Exploring Khachaturian's Legacy

Colin Clarke: EWAZEN, ERIC; KELLOGG; BRAHMS, JOHANNES (Michael Thornton)

Martin Anderson: Luiza Borac Records the Enescu Piano Suites

Robert Markow: EWAZEN, ERIC; KELLOGG; BRAHMS, JOHANNES (Michael Thornton)

Martin Anderson: Sasha Sitkovetsky—A Second Album from Angel

Jerry Dubins: Inspired by Brahms: A Conversation with Michael...

Robert Maxham: Elmar Oliveira and Joseph Silverstein: On Joseph...

Colin Clarke: SHEFFER: The Conference of the Birds (Jonathan Sheffer)

Barry Brenesal: Sergiu Luca Provides Context

Henry Fogel: Interview with Composer Jonathan Sheffer

James Reel: A Conversation with Lowell Liebermann

Ronald E. Grames: RIMPLE: Piano Sonata, “Malcontento”. Suite... (Mark Rimple)

James Reel: The Eroica Trio—Epitomizing the Word “Heroic“

Bertil van Boer: RIMPLE: Piano Sonata, “Malcontento”. Suite... (Mark Rimple)

27:2 (Nov/Dec 2003)

Colin Clarke: Confronting the Janus: Music as Ouroboros, and...

Martin Anderson: Erkki-Sven Tüür and the Free Flow of Musical Energy

Raymond Tuttle: ZAHNHAUSEN; BOLLON; KOCHAN (Michala Petri)

Peter J. Rabinowitz: “A Certain Freshness“: Conversing with András...

Ronald E. Grames: ZAHNHAUSEN; BOLLON; KOCHAN (Michala Petri)

Martin Anderson: Miah Persson, A New Swedish Nightingale

Martin Anderson: A Conversation with Michala Petri

Jerry Dubins: Jewish Music in America: The Milken Archive Rediscovered

David DeBoor Canfield: TIMELESS: Wind Band Dances and Other Concert Favorites (Don L. Peterson)

Brian Robins: Handel's Final Opera—Alan Curtis Records Deidamia

Ronald E. Grames: TIMELESS: Wind Band Dances and Other Concert Favorites (Don L. Peterson)

James Reel: A Balance of Interests: Equilibrium Presents Percussion...

Jim Svejda: TIMELESS: Wind Band Dances and Other Concert Favorites (Don L. Peterson)

Raymond Tuttle: Classical Brubeck and Beyond

Ronald E. Grames: Dr. Donald L. Peterson and the Surprising BYU...

Ian Lace: Arnold Bax—Self-confessed “Brazen Romantic“

Ronald E. Grames: NELSON, ROBERT: Sapphire... (Sonja Bruzauskas)

James Reel: Zuill Bailey—A Cellist Breaking Barriers

Colin Clarke: NELSON, ROBERT: Sapphire... (Sonja Bruzauskas)

27:1 (Sept/Oct 2003)

Huntley Dent: NELSON, ROBERT: Sapphire... (Sonja Bruzauskas)

Barry Brenesal: Mordecai Shehori and Cembal d'amour: The Artist...

Jacqueline Kharouf: Intelligible Text: A Conversation with the Composer...

J. F. Weber: Sacred Music at Cuenca

Huntley Dent: SCHUMANN; DVOŘÁK, ANTONIN (Carmine Miranda)

Martin Anderson: Matti Raekallio on Einar Englund's Piano Concertos

Jerry Dubins: Decoding Schumann with Carmine Miranda

Martin Anderson: Dux, Flying the Flag for Polish Music

Bertil van Boer: CLERAMBAULT; MARCHAND (Yago Mahúgo)

Peter Burwasser: Rick Rowley, a Pianist with More than Music on...

Christopher Brodersen: A Conversation with Harpsichordist Yago Mahúgo,...

James Reel: Conversing with The Kalichstein-Laredo-Robinson...

Dave Saemann: BACH, JOHANN SEBASTIAN: Sonatas and Partitas for Solo Violin (Markku Luolajan-Mikkola)

Herbert Glass: Zoli's World: Conversing with the Pianist-Conductor...

Maria Nockin: BACH, JOHANN SEBASTIAN: Sonatas and Partitas for Solo Violin (Markku Luolajan-Mikkola)

Michael Carter: Knecht-ing the Dots

Bertil van Boer: BACH, JOHANN SEBASTIAN: Sonatas and Partitas for Solo Violin (Markku Luolajan-Mikkola)

Peter J. Rabinowitz: “What a Falling Off There Was“: Remembering Prokofiev

Maria Nockin: Interview with Markku Luolajan-Mikkola

Peter Burwasser: Daniel Levy, in His Own Words

Phillip Scott: KRENEK, ERNST: Piano Concertos Nos. 1–3 (Mikhail Korzhev)

Michael Carter: King of the Clarinet

Colin Clarke: KRENEK, ERNST: Piano Concertos Nos. 1–3 (Mikhail Korzhev)

James Reel: Brioso Celebrates Its 10th Anniversary

Peter Burwasser: KRENEK, ERNST: Piano Concertos Nos. 1–3 (Mikhail Korzhev)

James Reel: ARSIS: For the Love of Song

Marc Medwin: The Corners of History and the Price of Freedom:...

26:6 (July/Aug 2003)

Carla Maria Verdino-Süllwold: THIS WAY ABOUT: Poems by Katherine Hoover By Katherine Hoover. Bloomington, IN: iUniverse, 2015.

Brian Robins: An Interview with Marcia Hadjimarkos

Colin Clarke: HOOVER, KATHERINE: Dream Dances. Preludes (7) for... (Mirian Conti)

Martin Anderson: Pêteris Vasks, Voice of Latvia

Peter Burwasser: HOOVER, KATHERINE: Dream Dances. Preludes (7) for... (Mirian Conti)

Bernard Jacobson: Multichannel Classics: Jared Sacks Talks about...

David DeBoor Canfield: HOOVER, KATHERINE: Dream Dances. Preludes (7) for... (Mirian Conti)

Peter Burwasser: An Orchestra of 88 Keys: A Conversation with Chitóse...

Peter Burwasser: HOOVER, KATHERINE: String Quartets Nos. 1 and 2. Piano... (Colorado Qrt)

Barry Brenesal: Geneviève Soly on Christoph Graupner: How Modesty...

David DeBoor Canfield: HOOVER, KATHERINE: String Quartets Nos. 1 and 2. Piano... (Colorado Qrt)

James Reel: Christopher Taylor: Musician and Polymath

Colin Clarke: HOOVER, KATHERINE: String Quartets Nos. 1 and 2. Piano... (Colorado Qrt)

Robert Maxham: DOREMI: Resurrecting Julian Olevsky

Colin Clarke: KATHERINE HOOVER PLAYS KOKOPELI (Katherine Hoover)

Peter J. Rabinowitz: “Making it Vivid“: A Conversation with Richard...

Ronald E. Grames: Women’s Work – A Conversation with Composer Katherine...

Robert Maxham: Rachel Barton: Tying Together Concertos by Joachim...

Raymond Tuttle: EVANS, MICHAEL J.: Misery (Jan Hudeček)

26:5 (May/June 2003)

Peter Burwasser: EVANS, MICHAEL J.: Misery (Jan Hudeček)

Martin Anderson: Frans Helmerson, Cellist in Fifth Gear

Colin Clarke: EVANS, MICHAEL J.: Misery (Jan Hudeček)

Andrew Quint: A Technology Ahead of Its Time: PentaTone's Remastered...

Robert Schulslaper: Every Sound A Story: An Interview with Composer...

Martin Anderson: “Si monumentum requieris ...“ Ted Perry, Founder...

Natalie Piontek: COLOURS: Orchestral Transcriptions for Flute and... (Aralee Dorough)

Brian Robins: A Singular Contemporary of Bach: Robert King Records...

Ronald E. Grames: COLOURS: Orchestral Transcriptions for Flute and... (Aralee Dorough)

26:4 (Mar/Apr 2003)

Colin Clarke: COLOURS: Orchestral Transcriptions for Flute and... (Aralee Dorough)

Peter J. Rabinowitz: “The Inherent Expressiveness of Tone Quality“...

Dave Saemann: COLOURS: Orchestral Transcriptions for Flute and... (Aralee Dorough)

Barry Brenesal: Paul Paray, the Composer: An Interview with Eduard...

Ronald E. Grames: Aralee Dorough’s Flute in Colours

Martin Anderson: Violinist David Frühwirth on the Trails of Creativity

Colin Clarke: DECKER, PAMELA: Haven (Katherine Byrnes)

Martin Anderson: Bronius Kutavičius, Reviving Lithuania's Pagan...

David DeBoor Canfield: A New Direction for Composer-Organist Pamela Decker

James Reel: The Eclectic Seattle Pro Musica

Huntley Dent: SILVER AND GOLD (Cynthia Koledo DeAlmeida)

Martin Anderson: Richard Dubugnon, Composer: From the Past to Something...

Dave Saemann: SILVER AND GOLD (Cynthia Koledo DeAlmeida)

Brian Robins: Ex Cathedra's Hyperion Debut: A Conversation with...

Colin Clarke: SILVER AND GOLD (Cynthia Koledo DeAlmeida)

James Reel: Bartók (and More) on Bartók

Ronald E. Grames: SILVER AND GOLD (Cynthia Koledo DeAlmeida)

James Reel: Chatting with Chanticleer

Raymond Tuttle: SILVER AND GOLD (Cynthia Koledo DeAlmeida)

26:3 (Jan/Feb 2003)

Ronald E. Grames: Embracing the Silver and Gold: A Talk with Oboist...

Henry Fogel: A Basic Furtwängler Collection

Maria Nockin: ABEL, MARK: Home Is A Harbor. The Palm Trees... (Benjamin Makino)

James Reel: A Conversation with Mischa Maisky

Carla Maria Verdino-Süllwold: Composer Mark Abel: A Journey in His Own Way

James H. North: A Collecting Yankee in King Euro's Court

39:5 (May/June 2016)

Martin Anderson: Claus Ogermann, Accessible Composer

Raymond Tuttle: Slightly Off the Beat

Peter J. Rabinowitz: The Alternative to Oblivion: Jerome Rose and Monarch...

Peter Burwasser: ZAIMONT, JUDITH LANG: Pure, Cool (Water) – Symphony No.... (Niels Muus)

James Reel: Conversing with the Concertante Chamber Players

Raymond Tuttle: ZAIMONT, JUDITH LANG: Pure, Cool (Water) – Symphony No.... (Niels Muus)

Bernard Jacobson: The Flourishing Career of Ian Bostridge, the Thinking...

Colin Clarke: ZAIMONT, JUDITH LANG: Pure, Cool (Water) – Symphony No.... (Niels Muus)

26:2 (Nov/Dec 2002)

David DeBoor Canfield: Musical Hydrology or Hydrological Music? An Interview...

Martin Scot Kosins: PAST MUSIC PRESENT

Ronald E. Grames: ORPHEUS WITH HIS LUTE MADE TREES: The Shakespeare... (Andrea Chenoweth)

Martin Anderson: LSO Live—Taking the LSO Experience to New Audiences

Ronald E. Grames: SUMMER, JOSEPH: The Tempest (Stefan Lano)

Martin Anderson: 2L, A New Norwegian Label that Aims to Bring Down...

Colin Clarke: SUMMER, JOSEPH: The Tempest (Stefan Lano)

James Reel: Picturing Angel Romero—An Interview

David DeBoor Canfield: SUMMER, JOSEPH: The Tempest (Stefan Lano)

Brian Robins: A Vivaldi Debut: Jordi Savall Records Farnace...

Ronald E. Grames: Joseph Summer Discusses His Very Personal The...

Barry Brenesal: The AsV Platinum Series: A Thumbnail Guide

Maria Nockin: BEETHOVEN, LUDWIG VAN: Violin Sonatas Nos. 1–10 (Elan Duo)

James Reel: AsV Looks Both Forward and Backward at Twenty-One

Huntley Dent: BEETHOVEN, LUDWIG VAN: Violin Sonatas Nos. 1–10 (Elan Duo)

Peter Burwasser: Ellen Taaffe Zwilich Talks about Her Music

Jerry Dubins: BEETHOVEN, LUDWIG VAN: Violin Sonatas Nos. 1–10 (Elan Duo)

26:1 (Sept/Oct 2002)

Jerry Dubins: Exploring Beethoven’s Violin Sonatas with Andrew...

Martin Scot Kosins: Past Music Present

Henry Fogel: TANGO FADO PROJECT (Pedro H. da Silva)

Martin Anderson: Kimmo Hakola, Composer: Modernism and Magnolia...

Maria Nockin: TANGO FADO PROJECT (Pedro H. da Silva)

James Reel: An Interview with Edgar Meyer

Carla Maria Verdino-Süllwold: TANGO FADO PROJECT (Pedro H. da Silva)

Peter Burwasser: Music by the Numbers: Talking to Pianist Christopher...

Raymond Tuttle: TANGO FADO PROJECT (Pedro H. da Silva)

Martin Anderson: Thomas Dausgaard, Indefatigable Danish Conductor

Colin Clarke: TANGO FADO PROJECT (Pedro H. da Silva)

E. S. CREAMER: Luis Leguia; Developing the Carbon Fiber Cello

Phillip Scott: TANGO FADO PROJECT (Pedro H. da Silva)

Raymond Tuttle: SOWASH: Sunny Days. Convivial Suite. Impressionist... (Paul Patterson)

Dave Saemann: TANGO FADO PROJECT (Pedro H. da Silva)

Martin Anderson: Mikkelsen, Norwegian Conductor Uncovering his...

Robert Schulslaper: Fate Brought Us Together: The Dawn of Transclassical...

Peter J. Rabinowitz: Sviatoslav Richter in Kiev

Dave Saemann: TUTTI: Orchesral Arrangements for Piano Four Hands (Anna Shelest)

Robert Maxham: Gidon Kremer: Supreme Individualist at 55

Colin Clarke: TUTTI: Orchesral Arrangements for Piano Four Hands (Anna Shelest)

Robert Kirzinger: Aimez-vous Schweik? Cedille Records Brings Robert...

Peter Burwasser: TUTTI: Orchesral Arrangements for Piano Four Hands (Anna Shelest)

25:6 (July/Aug 2002)

Dave Saemann: SPIRIT AND ROMANCE (Anna Shelest)

Martin Scot Kosins: Past Music Present

Peter Burwasser: SPIRIT AND ROMANCE (Anna Shelest)

Barry Brenesal: Bryan Crimp, the Name behind APR Records

Colin Clarke: SPIRIT AND ROMANCE (Anna Shelest)

Robert Maxham: Ruggiero Ricci and the Violin Past, Present, and...

Colin Clarke: Spirit and Romance : Pianist Anna Shelest in Interview

Raymond Tuttle: Stephen Penilo: Composer and Lucky Pessimist

Mark Novak: ROPARTZ, JOSEPH-GUY: Dans l’ombre de la montagne. Un... (Stephanie McCallum)

James Reel: A Conversation with Cellist James Kreger

Myron Silberstein: ROPARTZ, JOSEPH-GUY: Dans l’ombre de la montagne. Un... (Stephanie McCallum)

James Reel: James DePriest Assembles His Recorded Legacy with...

Colin Clarke: ROPARTZ, JOSEPH-GUY: Dans l’ombre de la montagne. Un... (Stephanie McCallum)

Martin Anderson: Robert Craft on Schoenberg, his Gurrelieder, and...

Huntley Dent: ROPARTZ, JOSEPH-GUY: Dans l’ombre de la montagne. Un... (Stephanie McCallum)

James Reel: A Conversation with Violinist Vadim Repin

Mark Novak: Interview with Pianist Stephanie McCallum

Martin Anderson: Avie—New Label, New Approach

Jerry Dubins: GRAN RECITAL (Anna Likhacheva)

Robert Kirzinger: A Talk with Composer Shulamit Ran

Dave Saemann: GRAN RECITAL (Anna Likhacheva)

Royal S. Brown: In Memory of Adaya Henis

Robert Schulslaper: From Russia with Guitar: An Interview with Anna...

25:5 (May/June 2002)

Peter J. Rabinowitz: SCHUBERT: Piano Sonata in a, D 845... (Phillip Kawin)

Martin Scot Kosins: PAST MUSIC PRESENT

Colin Clarke: SCHUBERT: Piano Sonata in a, D 845... (Phillip Kawin)

Bernard Jacobson: Beethoven Concertos and More Thoughts from Russell...

Jerry Dubins: Talking Schubert with Phillip Kawin

Tom Moore: The Telemann Passions: An Interview with Johannes...

Ronald E. Grames: BUSHES AND BRIARS: Folk Songs for Choirs Books... (Jeffrey Hunt)

Tom Moore: An Interview with Marta Almajano

Jim Svejda: BUSHES AND BRIARS: Folk Songs for Choirs Books... (Jeffrey Hunt)

Martin Anderson: Freedom and Faithfulness: The Vertavo Quartet...

Carla Maria Verdino-Süllwold: BUSHES AND BRIARS: Folk Songs for Choirs Books... (Jeffrey Hunt)

Martin Anderson: Inessa Galante, Soprano with the Healing Voice

Ronald E. Grames: Jeffrey Hunt and the British Folk Song from Mid-America

Robert Kirzinger: Pierre-Laurent Aimard: An Artistic Life

David Cutler: LOTTE LEHMANN & HER LEGACY By Gary Hickling. New York: Gary Hickling, 2015.

Andrew Quint: HOLST, GUSTAV: The Planets... (André Previn)

Carla Maria Verdino-Süllwold: LOTTE LEHMANN & HER LEGACY By Gary Hickling. New York: Gary Hickling, 2015.

James Reel: A Man's Label Is His Castle: A Look at Palatine...

Joshua Cohen: LOTTE LEHMANN & HER LEGACY By Gary Hickling. New York: Gary Hickling, 2015.

Peter Burwasser: Marc-André Hamelin Talks About Godowsky

Andrew Quint: LOTTE LEHMANN & HER LEGACY By Gary Hickling. New York: Gary Hickling, 2015.

25:4 (Mar/Apr 2002)

Andrew Quint: Lotte Lehmann & Her Legacy: Modern Media Meets...

Martin Scot Kosins: Past Music Present

Carla Maria Verdino-Süllwold: I’VE FOUND A NEW BABY: Baroque Meets Afro-Latin... (Laury Gutiérrez)

Michael Carter: Sacred Masterpieces from Dresden

Phillip Scott: I’VE FOUND A NEW BABY: Baroque Meets Afro-Latin... (Laury Gutiérrez)

Christopher Abbot: A Talk with Steve Reich

Bertil van Boer: I’VE FOUND A NEW BABY: Baroque Meets Afro-Latin... (Laury Gutiérrez)

Brian Robins: 17th-century Love and Lament from Capella Figuralis

Huntley Dent: I’VE FOUND A NEW BABY: Baroque Meets Afro-Latin... (Laury Gutiérrez)

James Reel: Discovering Helen Taylor

Bertil van Boer: An Interview with Laury Gutiérrez

Peter J. Rabinowitz: Das Lied von der Masur: A Farewell to the Philharmonic

Colin Clarke: AMERICAN VISIONS (Ian Gindes)

Martin Anderson: Jordi Sávall, Violist for the Mornings of the...

Peter Burwasser: AMERICAN VISIONS (Ian Gindes)

Brian Robins: Mission Accomplished: Graham Lea-Cox Completes...

Huntley Dent: AMERICAN VISIONS (Ian Gindes)

Robert Kirzinger: Esa-Pekka Salonen: Interview with the Composer

Dave Saemann: AMERICAN VISIONS (Ian Gindes)

James Miller: Ben Heppner: More Than a Wagner Specialist

Colin Clarke: The American Visions of Pianist Ian Gindes

James Reel: The Eroica Trio's "Wow" Factor

Colin Clarke: PERSISTENCE: University of St. Thomas Commission... (Matthew George)

25:3 (Jan/Feb 2002)

David DeBoor Canfield: PERSISTENCE: University of St. Thomas Commission... (Matthew George)

J. F. Weber: TCHAIKOVSKY: Liturgy of St. John Chrysostom,... (Nikolai Kachanov)

Ronald E. Grames: PERSISTENCE: University of St. Thomas Commission... (Matthew George)

Martin Scot Kosins: Past Music Present

James A. Altena: Summa Neomusica : An Interview with Wind Ensemble...

Tom Moore: An Interview with Igor Kipnis

Carla Maria Verdino-Süllwold: ROARING DRAMAS (Albek Duo)

Peter Burwasser: A Slavic Poet of the Piano: Talking with Anna...

Colin Clarke: ROARING DRAMAS (Albek Duo)

Michael Carter: Dutch Treat

Colin Clarke: Roaring Dramas and Sound in Search of a Past:...

Bernard Jacobson: An American Pianist in France: An Interview with...

39:4 (Mar/Apr 2016)

Brian Robins: The "Topsy-Turvy World" of Galuppi: Diego Fasolis...

Raymond Tuttle: Slightly Off the Beat

James Reel: Speaking with Virko Baley, Founder of TNC Recordings

Colin Clarke: MANTEGA; PIAZZOLLA, ASTOR (Elena Yárritu)

Robert Maxham: Violinist Gregory Fulkerson: Unintimidated by...

Marc Medwin: MANTEGA; PIAZZOLLA, ASTOR (Elena Yárritu)

Brian Robins: Volume 7 and Going Strong: Robert King Discusses...

Ronald E. Grames: MANTEGA; PIAZZOLLA, ASTOR (Elena Yárritu)

Martin Anderson: Peter Boyer, a Fresh New Voice in American Music

Natalie Piontek: Emigrantes: Speaking with Flutist Elena Yarritu

Martin Anderson: Inside Bach's Mind: Decoding His Secret Language

Colin Clarke: CHOPIN, FRÉDÉRIC: Scherzos Nos. 1–4. Ballades Nos.... (Burkard Schliessmann)

25:2 (Nov/Dec 2001)

Huntley Dent: CHOPIN, FRÉDÉRIC: Scherzos Nos. 1–4. Ballades Nos.... (Burkard Schliessmann)

Martin Scot Kosins: Past Music Present

Dave Saemann: CHOPIN, FRÉDÉRIC: Scherzos Nos. 1–4. Ballades Nos.... (Burkard Schliessmann)

George Chien: Season's Greetings

Jerry Dubins: Chopin by the Numbers? A Perspective by Burkard...

Martin Anderson: Světlana Potanina, Pianist in the Russian Tradition

George Chien: GABRIELI, GIOVANNI; WILLIAMS, JOHN (Natl Brass Ens)

Martin Anderson: Alexandre Rabinovitch: A Russian Minimalist with...

Jim Svejda: GABRIELI, GIOVANNI; WILLIAMS, JOHN (Natl Brass Ens)

Brian Robins: Monteverdi from Padova: La Stagione Armonica Records...

Dave Saemann: GABRIELI, GIOVANNI; WILLIAMS, JOHN (Natl Brass Ens)

Robert Maxham: Janice Martin—Balancing Planning and Spontaneity

Joshua Cohen: GABRIELI, GIOVANNI; WILLIAMS, JOHN (Natl Brass Ens)

Brian Robins: The Miracle of Late Telemann: Hermann Max Conducts...

James A. Altena: A Sound Spectacular Redivivus : The National Brass...

Martin Anderson: John Veale, A Major British Voice Uncovered

Robert Markow: RIES, FERDINAND; DANZI, FRANZ; KRUFFT, NIKOLAUS FREIHERR VON (Steinar Granmo Nilsen)

Raymond Tuttle: Ingram Marshall: Music That Is About Something

Martin Anderson: Exploring Some Early Romantic Horn Sonatas with...

Brian Robins: In Praise of an Emperor: A Zelenka Premiere from...

Colin Clarke: REMEMBRANZAS DE MI GUITARRA (Enric Madriguera)

Peter J. Rabinowitz: Westminster Redux

Henry Fogel: REMEMBRANZAS DE MI GUITARRA (Enric Madriguera)

James Miller: An All-Purpose Web Site for Music, Not "Product"

Dave Saemann: REMEMBRANZAS DE MI GUITARRA (Enric Madriguera)

Brian Robins: Arminio: A Handel First from Alan Curtis

Robert Schulslaper: Remembering Segovia: The Road to Linares

James Reel: A Conversation with Anthony Davis

Colin Clarke: KRAMER: Insurmountable. The Grand Disconnect.... (David LaVorgna)

25:1 (Sept/Oct 2001)

David DeBoor Canfield: KRAMER: Insurmountable. The Grand Disconnect.... (David LaVorgna)

Martin Scot Kosins: Past Music Present

Robert Schulslaper: Looking Beyond with Keith Kramer

Barry Brenesal: Leonardo Leo: A Forgotten Baroque Master Reclaims...

Raymond Tuttle: NEW BACH ROCK (Steve Kovalcheck)

Raymond Tuttle: Pianist John Robiiette: Maybe an Idealist, But...

Dave Saemann: NEW BACH ROCK (Steve Kovalcheck)

Barry Brenesal: The Queen Elisabeth International Music Competition...

Colin Clarke: NEW BACH ROCK (Steve Kovalcheck)

Robert Maxham: Fiddler Alasdair Fraser—Ancient Voices, Crystal...

Carla Maria Verdino-Süllwold: Music is the Volcano Inside: A Conversation with...

James Reel: A Profile of ArtistLed

Colin Clarke: CADENZA! Modern American Duos for Clarinet or... (Ray Jackendoff)

Philip Anson: Magdalena Kožená: The Schöne Magdalene

Ronald E. Grames: CADENZA! Modern American Duos for Clarinet or... (Ray Jackendoff)

Christopher Williams: Opera in the Vernacular, Revisited: An Interview...

Henry Fogel: CADENZA! Modern American Duos for Clarinet or... (Ray Jackendoff)

Robert Maxham: Thomas Zehetmair: a Violinist for AH Musical Seasons

Ronald E. Grames: Fruits of Friendship: The Remarkable—and Unlikely—Jackendoff/McDonald...

Brian Robins: Bach Minus Two: Robert King Directs the Sacred...

Huntley Dent: FLOURISHES, TALES AND SYMPHONIES: Music for Brass... (Rodney Holmes)

Craig Zeichner: Shaker Songs in Seattle

Colin Clarke: FLOURISHES, TALES AND SYMPHONIES: Music for Brass... (Rodney Holmes)

James Reel: A Profile of Musica Omnia

Dave Saemann: FLOURISHES, TALES AND SYMPHONIES: Music for Brass... (Rodney Holmes)

James Miller: The Boston Symphony Orchestra Opens Its Broadcast...

James A. Altena: The Many Faces of the Chicago Gargoyle Brass and...

Robert Maxham: Alexander the Great: A Conversation with the Latest...

Colin Clarke: SCHUBERT: Impromptu in A♭, D 899/4... (Luisa Guembes-Buchanan)

24:6 (July/Aug 2001)

Huntley Dent: SCHUBERT: Impromptu in A♭, D 899/4... (Luisa Guembes-Buchanan)

Al Fasoldt: The Technophile

Peter Burwasser: SCHUBERT: Impromptu in A♭, D 899/4... (Luisa Guembes-Buchanan)

Martin Scot Kosins: Past Music Present

Jerry Dubins: SCHUBERT: Impromptu in A♭, D 899/4... (Luisa Guembes-Buchanan)

Walter Simmons: A Muczynski Retrospective

Robert Schulslaper: A Conversation with Luisa Guembes-Buchanan

Robert Kirzinger: Celebrating Gunther Schuller's 75th Year, and...

Jerry Dubins: TANEYEV: String Quartets Nos. 6 and 9 (Carpe Diem Str Qrt)

Brian Robins: Keiser's Der geliebte Adonis from Bremen: A Conversation...

Barry Brenesal: TANEYEV: String Quartets Nos. 6 and 9 (Carpe Diem Str Qrt)

Robert Carl: An Interview with James Sellars

Daniel Morrison: TANEYEV: String Quartets Nos. 6 and 9 (Carpe Diem Str Qrt)

Peter J. Rabinowitz: "Not by Accident": A Conversation with Madeleine...

John Bell Young: In Harmony: Carpe Diem and Sergei Taneyev

Peter Burwasser: Herbert Henck: Embracing the New

Colin Clarke: SMITH, STUART SAUNDERS: Notebook. Magdalene. Husbands and... (Susan Fancher)

Brian Robins: Monteverdi's Venice: Rare Sacred Works from Robin...

David DeBoor Canfield: SMITH, STUART SAUNDERS: Notebook. Magdalene. Husbands and... (Susan Fancher)

Robert Kirzinger: The Timeless Music of the Present: An Interview...

Ronald E. Grames: Susan Fancher and Stuart Saunders Smith’s Music...

Raymond Tuttle: Composer Libby Larsen: Letting the Music Speak...

Dave Saemann: BACH, JOHANN SEBASTIAN: Solo Cello Suites Nos. 6, 2, 3... (Andrew Dahlke)

Andrew Quint: A Big Step Closer to Real: Telarc's First DSD...

Raymond Tuttle: BACH, JOHANN SEBASTIAN: Solo Cello Suites Nos. 6, 2, 3... (Andrew Dahlke)

24:5 (May/June 2001)

Bertil van Boer: BACH, JOHANN SEBASTIAN: Solo Cello Suites Nos. 6, 2, 3... (Andrew Dahlke)

Martin Anderson: Dominique Labelle, a Soprano Living in the Present

Jerry Dubins: Bach on Saxophone? What Would Bach Say? Andrew...

James Reel: Conductor Charles Rosekranz and the Art of Passive...

Jerry Dubins: SCHUMANN; CHOPIN, FRÉDÉRIC (Findlay Cockrell)

Lynnda Greene: "Groovin' at the Piano": An Interview with Lara...

Dave Saemann: SCHUMANN; CHOPIN, FRÉDÉRIC (Findlay Cockrell)

Peter J. Rabinowitz: "Where Words Can Never Reach": Teresa Walters...

Colin Clarke: One Man in 2015: Pianist Findlay Cockrell on his...

Peter Burwasser: Robert Maggio's Musical Tales: An Interview

Carla Maria Verdino-Süllwold: OPEN YOUR HEART (Laura Claycomb)

Raymond Tuttle: Susan Nigro, Contrabassoon Crusader: "It's a musical...

Huntley Dent: OPEN YOUR HEART (Laura Claycomb)

James Reel: A Conversation with the Bruch Trio

Colin Clarke: Opening Her Heart: Soprano Laura Claycomb Discusses...

Craig Zeichner: Jean-Christophe Frisch and XVIII-21 Musique des...

Carla Maria Verdino-Süllwold: Voice as the Way: Geoffrey Andrews

Martin Anderson: An Interview with Miguel Baselga

39:3 (Jan/Feb 2016)

Brian Robins: The "American" Bach—Hermann Max Continues His...

Raymond Tuttle: Slightly Off the Beat

David Denton: A 75th Birthday Present: An Interview with Meyer...

Barry Borman: Minnie Riperton – In Paradisum

Bernard Jacobson: Idil Biret on Brahms and Others

Bertil van Boer: BACH, JOHANN SEBASTIAN: Sonata No. 2 for Unaccompanied... (Eduard Melkus)

James Reel: A Profile of Tantara Records

Dave Saemann: BACH, JOHANN SEBASTIAN: Sonata No. 2 for Unaccompanied... (Eduard Melkus)

Martin Anderson: Henry Desmarest, Rediscovered Master of the French...

David K. Nelson: An Interview with James Thornton with, and about,...

Martin Anderson: Eri Klas, Ambassador for Estonian Music

Peter J. Rabinowitz: MANA-ZUCCA: Prelude, op. 73... (Nanette Kaplan Solomon)

Raymond Tuttle: FANFARE FORUM IV: CELLULOID COPLAND

Jerry Dubins: MANA-ZUCCA: Prelude, op. 73... (Nanette Kaplan Solomon)

Paul A. Snook: FANFARE FORUM IV: CELLULOID COPLAND

Colin Clarke: MANA-ZUCCA: Prelude, op. 73... (Nanette Kaplan Solomon)

Ian Lace: FANFARE FORUM IV: CELLULOID COPLAND

Robert Schulslaper: Muse Over Miami: A Conversation with Nanette Kaplan...

Royal S. Brown: FANFARE FORUM IV: CELLULOID COPLAND

Marc Medwin: SAFAN: Make the Sun Dance. A Vision Full... (Craig Safan)

Brian Robins: Stolzel's Christmas Oratorio (continued)

Colin Clarke: SAFAN: Make the Sun Dance. A Vision Full... (Craig Safan)

David Denton: Opera in the Vernacular: An Interview with Musical...

Marc Medwin: Sonic Symbols and Fearful Symmetries: An Interview...

Martin Anderson: Andreas Scholl, a Countertenor with a Sense of...

Colin Clarke: FENNIMORE: 24 Romances. 3 Pieces for Piano.... (Jeffrey Middleton)

24:4 (Mar/Apr 2001)

Peter Burwasser: Pianist Jeffrey Middleton, Advocate for the Music...

Stephen Ellis: First Things First: A Fascination with Symphonies...

Dave Saemann: MANCUSI: Suite for String Orchestra. Trumpet... (Guido Mancusi)

Leslie Gerber: The Historical Record

Colin Clarke: MANCUSI: Suite for String Orchestra. Trumpet... (Guido Mancusi)

Al Fasoldt: The Technophile

Huntley Dent: MANCUSI: Suite for String Orchestra. Trumpet... (Guido Mancusi)

Michael Carter: The Swedish Mozart

Martin Anderson: Meeting Guido Mancusi, Multifaceted Composer-Conductor

Brian Robins: The Trojans at Bückeburg: A Johann Christoph Friedrich...

Dave Saemann: CHOPIN, FRÉDÉRIC; SOLER (Alain Lefèvre)

James Reel: A Modernist with a Taste for the Premodern: Composer...

Colin Clarke: CHOPIN, FRÉDÉRIC; SOLER (Alain Lefèvre)

James Reel: A Conversation with Flutist Marina Piccinini

John Bell Young: CHOPIN, FRÉDÉRIC; SOLER (Alain Lefèvre)

Robert Carl: An Interview with Elliott Carter

Huntley Dent: CHOPIN, FRÉDÉRIC; SOLER (Alain Lefèvre)

Peter J. Rabinowitz: Continuing the Creative Process: A Conversation...

John Bell Young: Interview with Alain Lefèvre

William Zagorski: Constantine Orbelian, the Moscow Chamber Orchestra,...

David DeBoor Canfield: MOORES SYMPHONY ORCHESTRA (Franz Anton Krager)

Tom Moore: Martin Haselböck Discusses Fux's Il fonte della...

Huntley Dent: MOORES SYMPHONY ORCHESTRA (Franz Anton Krager)

David Denton: An American in Prague: A Conversation with American...

Merlin Patterson: The Houston Connection, Part II: An Interview...

Brian Robins: Boycean Lamentations: ASV's Series Continues

Jerry Dubins: MOZART: Adagio and Allegro in f for Mechanical... (Karl Kraber)

Bernard Jacobson: Paris Tackles the Italian-Trained Saxon Londoner:...

Dave Saemann: MOZART: Adagio and Allegro in f for Mechanical... (Karl Kraber)

Peter Burwasser: Lang Lang: Rising Piano Star, and a Nice Young...

James Forrest: MOZART: Adagio and Allegro in f for Mechanical... (Karl Kraber)

Brian Robins: Martyrdom and Resurrection: New Recordings of...

Natalie Piontek: MOZART: Adagio and Allegro in f for Mechanical... (Karl Kraber)

Robert Maxham: Vivaldi Redivivus: Andrea Marcon and the Venice...

Jerry Dubins: MOZART: Piano Concerto No. 20 (trans. C.... (Gregory Allen)

Philip Anson: An Interview with Brian and Ralph Couzens of Chandos

James Forrest: MOZART: Piano Concerto No. 20 (trans. C.... (Gregory Allen)

Brian Robins: No, Dukát, Not Dukas: A Czech Baroque Master Rediscovered

Natalie Piontek: MOZART: Piano Concerto No. 20 (trans. C.... (Gregory Allen)

Martin Anderson: Under Baroque Colors: An Interview with Conductor...

James Forrest: HILL, EDWARD BURLINGAME: Flute Sonata. Idyl, Elegy and Scherzo.... (Karl Kraber)

24:3 (Jan/Feb 2001)

Dave Saemann: HILL, EDWARD BURLINGAME: Flute Sonata. Idyl, Elegy and Scherzo.... (Karl Kraber)

Leslie Gerber: The Historical Record

Jerry Dubins: HILL, EDWARD BURLINGAME: Flute Sonata. Idyl, Elegy and Scherzo.... (Karl Kraber)

Robert Maxham: Joshua Bell on Violins, Red or Otherwise, and...

Henry Fogel: HILL, EDWARD BURLINGAME: Flute Sonata. Idyl, Elegy and Scherzo.... (Karl Kraber)

Craig Zeichner: La Venexiana and the Italian New Wave

David DeBoor Canfield: A Flutist Over the Hill: An Interview with Karl...

James Reel: Doctrine and Discipline: The Music of Arthur Shepherd

Ronald E. Grames: BRYANT, STEVEN; PUCKETT; MACKEY, JOHN (Jerry Junkin)

Tom Moore: Jean-Paul Fouchécourt and the Air de Cour

Peter J. Rabinowitz: BRYANT, STEVEN; PUCKETT; MACKEY, JOHN (Jerry Junkin)

Bernard Jacobson: Reflections from Russell Sherman

David DeBoor Canfield: BRYANT, STEVEN; PUCKETT; MACKEY, JOHN (Jerry Junkin)

Tom Moore: György Vashegyi Conducts Charpentier

Andrew Quint: Surrounded by Jerry Junkin and The University...

Lynnda Greene: Albert Wong: A Wise Old Soul—at Ten!

Dave Saemann: JUNEAU: Te Deum. 5 Latin Motets. Magnum... (Thomas Juneau)

Peter J. Rabinowitz: Bernstein Remembered

Ronald E. Grames: JUNEAU: Te Deum. 5 Latin Motets. Magnum... (Thomas Juneau)

Raymond Tuttle: FANFARE FORUM III: LEONARD BERNSTEIN: A WHITE...

Colin Clarke: JUNEAU: Te Deum. 5 Latin Motets. Magnum... (Thomas Juneau)

James H. North: FANFARE FORUM III: LEONARD BERNSTEIN: A WHITE...

Ronald E. Grames: Thomas Juneau’s Visions Eternal and Practical

James Camner: FANFARE FORUM III: LEONARD BERNSTEIN: A WHITE...

Dave Saemann: SCHUMANN; BRAHMS, JOHANNES (Ettore Causa)

Walter Simmons: FANFARE FORUM III: LEONARD BERNSTEIN: A WHITE...

Jerry Dubins: SCHUMANN; BRAHMS, JOHANNES (Ettore Causa)

Peter Burwasser: Robert Manno, the Reluctant Composer

Huntley Dent: SCHUMANN; BRAHMS, JOHANNES (Ettore Causa)

Bernard Jacobson: Daniel Levy Talks About Music, Dietrich Fischer-Dieskau,...

Maria Nockin: A Chat with Violist Ettore Causa

Martin Anderson: Hilary Hahn, Violinist: From Ysaÿe to Internet

Henry Fogel: LISZT; MENDELSSOHN, FELIX (Luiz de Moura Castro)

Brian Robins: A Masterpiece from Modena: Alan Curtis Records...

Huntley Dent: LISZT; MENDELSSOHN, FELIX (Luiz de Moura Castro)

Martin Anderson: Robin Blaze: Countertenor for a New Century

Colin Clarke: LISZT; MENDELSSOHN, FELIX (Luiz de Moura Castro)

David Denton: The Sun Shines on Hessenberg

Jerry Dubins: RACHMANINOFF: Piano Concerto No. 3... (Luiz de Moura Castro)

Lynnda Greene: An Interview with Heidi Lowy

Henry Fogel: SCHUMANN: Arabeske in C, op. 18... (Luiz de Moura Castro)

Robert Maxham: Maxim Vengerov: At 26, Listening to the Internal...

Colin Clarke: SCHUMANN: Arabeske in C, op. 18... (Luiz de Moura Castro)

James Reel: A Conversation with Composer-Conductor Julian...

Henry Fogel: RACHMANINOFF: Piano Concerto No. 3... (Luiz de Moura Castro)

Tom Moore: Recovering a Forgotten Legacy: Piotr Nawrot and...

James Forrest: RACHMANINOFF: Piano Concerto No. 3... (Luiz de Moura Castro)

James Miller: Klavier Records Can Be a Little More Daring ....

Daniel Morrison: RACHMANINOFF: Piano Concerto No. 3... (Luiz de Moura Castro)

Brian Robins: Handel Compared: The Four Nations Ensemble Continues...

Huntley Dent: RACHMANINOFF: Piano Concerto No. 3... (Luiz de Moura Castro)

Brian Robins: René Clemencic Conducts Two Sacred Works by Caldara,...

Colin Clarke: Finding the Space: An Interview with Pianist Luiz...

Lynnda Greene: An Interview with Cathy Basrak: No More Viola...

Jerry Dubins: A View from the Inside Out—As Seen by David Bernard

Dan Flegler: Fanfare for the (Real) Millennium

John Bell Young: CHOPIN, FRÉDÉRIC: 24 Preludes, op. 28... (Jean-François Antonioli)

Bernard Jacobson: Sir Charles Mackerras Interviewed

Dave Saemann: CHOPIN, FRÉDÉRIC: 24 Preludes, op. 28... (Jean-François Antonioli)

24:2 (Nov/Dec 2000)

Radu A. Lelutiu: CHOPIN, FRÉDÉRIC: 24 Preludes, op. 28... (Jean-François Antonioli)

Al Fasoldt: The Technophile

Huntley Dent: CHOPIN, FRÉDÉRIC; BRAHMS, JOHANNES; FAURÉ, GABRIEL (Jean-François Antonioli)

Leslie Gerber: The Historical Record

Myron Silberstein: CHOPIN, FRÉDÉRIC; BRAHMS, JOHANNES; FAURÉ, GABRIEL (Jean-François Antonioli)

Craig Zeichner: Joel Cohen and the Shakers of Sabbathday Lake

John Bell Young: Interview with Pianist Jean-François Antonioli

Craig Zeichner: Favella Lyrica Uncovers Treasures from the Accademia...

Colin Clarke: USTVOLSKAYA: 12 Preludes. Piano Sonatas Nos.... (Natalia Andreeva)

George Chien: 'Tis the Season to Be Jolly

Daniel Morrison: USTVOLSKAYA: 12 Preludes. Piano Sonatas Nos.... (Natalia Andreeva)

David Denton: Taking Melody into the 21st Century: An Interview...

Huntley Dent: USTVOLSKAYA: 12 Preludes. Piano Sonatas Nos.... (Natalia Andreeva)

Raymond Tuttle: Composer Robert Martin at Furious Artisans: "Art...

Martin Anderson: Natalia Andreeva’s Path to Galina Ustvolskaya

Brian Robins: Rosenmüller Sacred Concertos from the Johann Rosenmüller...

Colin Clarke: MOMENTUM 21: New Music for a New Century (Kirk Trevor)

Craig Zeichner: John Scott and the Choir of St. Paul's Cathedral

Peter Burwasser: MOMENTUM 21: New Music for a New Century (Kirk Trevor)

Michael Jameson: HOT!: An Interview with Clarinetist Andrew Simon

David DeBoor Canfield: MOMENTUM 21: New Music for a New Century (Kirk Trevor)

Ian Lace: Pianist My Kim: A Passion to Promote Korean Music

Barnaby Rayfield: A Parting Glance before Commencing a New Era:...

James Reel: A Conversation with Composer James Aikman

Joel Flegler: Editorial: Citing the Site

Martin Anderson: Benedetto Marcello: The Rediscovery Continues

39:2 (Nov/Dec 2015)

Bernard Jacobson: Thirty Years of Vocal Art

Joel Flegler: The Editor Strikes Back

Peter J. Rabinowitz: "It's like breathing for me": Earl Wild at 85

Colin Clarke: SOLILOQUY (Paul York)

David Denton: A View from the Organ Loft: An Interview with...

David DeBoor Canfield: SOLILOQUY (Paul York)

Brian Robins: Carl Heinrich Graun's Christmas Oratorio: A Recent...

Ronald E. Grames: SOLILOQUY (Paul York)

Tom Moore: Brunckhorst, Arnold Matthias: A Conversation with...

Huntley Dent: SOLILOQUY (Paul York)

William Zagorski: Of Musicians and Muses: Carlos Franzetti and Allison...

Maria Nockin: SOLILOQUY (Paul York)

Joel Kasow: The Spoleto Festival: Interviews with Gian Carlo...

Colin Clarke: CELLO VISION (Paul York)

David Denton: An Interview with Philippe Engammare on Le Chant...

David DeBoor Canfield: CELLO VISION (Paul York)

Craig Zeichner: Michael Jaffee, Early-Music Veteran

Ronald E. Grames: CELLO VISION (Paul York)

James Camner: The Edison Trials—Voice Audition Cylinders of...

Maria Nockin: A Chat with Cellist Paul York

Martin Anderson: Jan Vogler, the Cellist Who Loves New York

John Bell Young: SORABJI: 100 Transcendental Studies (Fredrik Ullén)

Craig Zeichner: Gluck, Reform Opera, and Martin Pearlman

Radu A. Lelutiu: SORABJI: 100 Transcendental Studies (Fredrik Ullén)

James Reel: A Conversation with Conductor Gisèle Ben-Dor

Peter J. Rabinowitz: SORABJI: 100 Transcendental Studies (Fredrik Ullén)

24:1 (Sept/Oct 2000)

Lynn René Bayley: Fredrik Ullén and Sorabji

Leslie Gerber: The Historical Record

Maria Nockin: THOMAS, AMBROISE; DEBUSSY (Shane Thomas)

Al Fasoldt: The Technofile

Robert Schulslaper: THOMAS, AMBROISE; DEBUSSY (Shane Thomas)

Martin Anderson: Mikko Franck, Finnish Phenomenon, on Music and...

Carla Maria Verdino-Süllwold: Shane Thomas: Born to Music

Brian Robins: Cecílián Celebration: a Triumphant Boyce Revival

Maria Nockin: SCHUMANN; WALTON; MENDELSSOHN, FELIX (Steven Staryk)

Martin Anderson: Edward Wickham on Johannes Ockeghem, Composer...

James Forrest: SCHUMANN; WALTON; MENDELSSOHN, FELIX (Steven Staryk)

Craig Zeichner: Ulrich Stötzel Conducts the Music of the Hardest-Working...

Daniel Morrison: SCHUMANN; WALTON; MENDELSSOHN, FELIX (Steven Staryk)

Martin Anderson: John Gardner, Symphonist

Dave Saemann: SCHUMANN; WALTON; MENDELSSOHN, FELIX (Steven Staryk)

Bernard Jacobson: An Interview with Hélène Grimaud

David K. Nelson: Another Interview with Violinist Steven Staryk

Brian Robins: Sacred and Profane: Two Zelenka Discs from Paul...

Colin Clarke: SOFT BLINK OF AMBER LIGHT (Robert Simpson)

Martin Anderson: Nikolai Kapustin, Russion Composer of Classical...

Alan Swanson: SOFT BLINK OF AMBER LIGHT (Robert Simpson)

Brian Robins: Ludger Rémy Continues His Revival of Stölzel ......

James A. Altena: An Ensemble of Many-coloured Voices: An Interview...

Martin Anderson: Sebastian Knüpfer, Rediscovered Forerunner of...

Alan Swanson: NORDIC SOUND: Tribute to Axel Borup-Jørgensen (Clemens Schuldt)

Peter J. Rabinowitz: Simply a Performer: A Conversation with Zora Mihailovich

Phillip Scott: NORDIC SOUND: Tribute to Axel Borup-Jørgensen (Clemens Schuldt)

Robert Kirzinger: Jeffrey Jacob and New Ariel Recordings

Ronald E. Grames: NORDIC SOUND: Tribute to Axel Borup-Jørgensen (Clemens Schuldt)

Robert Maxham: Violinist Judith Ingolfsson: The Present Creating...

Phillip Scott: KOPPEL, THOMAS; GUDMUNDSEN-HOLMGREEN, PELLE; RASMUSSEN (Michala Petri)

Lawrence A. Johnson: The Chicago Symphony Orchestra: A Boxed Set

Alan Swanson: KOPPEL, THOMAS; GUDMUNDSEN-HOLMGREEN, PELLE; RASMUSSEN (Michala Petri)

James Reel: A Conversation with Conductor JoAnn Falletta

Ronald E. Grames: KOPPEL, THOMAS; GUDMUNDSEN-HOLMGREEN, PELLE; RASMUSSEN (Michala Petri)

David Denton: The Black Box Story: An Interview with Chris Craker,...

Lynn René Bayley: KOPPEL, ANDERS: Concerto for Recorder, Saxophone,... (Michala Petri)

James Reel: Climbing into Loft Recordings

Ronald E. Grames: Michala Petri and Contemporary Music: Never Too...

Brian Robins: Opus 111 Embarks on a Major Vivaldi Project

Carla Maria Verdino-Süllwold: MATSON: Cooperstown (Sasha Matson)

James Reel: A Conversation with Conductor Rico Saccani

Colin Clarke: MATSON: Cooperstown (Sasha Matson)

Robert Maxham: Andrew Manze on the Tightrope

Barnaby Rayfield: MATSON: Cooperstown (Sasha Matson)

23:6 (July/Aug 2000)

Carla Maria Verdino-Süllwold: Baseball as a Metaphor for Life: Sasha Matson’s...

Martin Anderson: Raumklang: Sebastian Rank's Living Dream

Robert Carl: KERNIS: On Distant Shores... (Susan Babini)

James Reel: The Art of Robert Bloom

Lynn René Bayley: KERNIS: On Distant Shores... (Susan Babini)

James Miller: Remembering a Singer Who Shouldn't Be Forgotten

Raymond Tuttle: KERNIS: On Distant Shores... (Susan Babini)

Peter J. Rabinowitz: Vox Paradox: A Conversation with Todd Landor

Colin Clarke: KERNIS: On Distant Shores... (Susan Babini)

Craig Zeichner: Jan Walters and Musica Fabula Continue to Harp...

Peter Burwasser: Interview with Aaron Jay Kernis

Martin Anderson: Jan-Erik Gustafsson on the Rediscovery of Einar...

Raymond Tuttle: KAM: Clarinet Sonata. Ontologies (Pre-Socratic... (Dmitri Ashkenazy)

James Reel: Deviations Along the Line of Truth: A Conversation...

Marc Medwin: KAM: Clarinet Sonata. Ontologies (Pre-Socratic... (Dmitri Ashkenazy)

Brian Robins: A Debut of Distinction—The Accademia Daniel Performs...

Raymond Tuttle: KAM: Preludes. String Quartet No. 3.... (Amy Tarantino)

James Reel: A Conversation with Jeannette Sorrell of Apollo's...

Marc Medwin: KAM: Preludes. String Quartet No. 3.... (Amy Tarantino)

Tom Moore: Poetical Music: Hans Bergmann Delves into the...

Colin Clarke: All About Time: An Interview with composer Dennis...

Martin Anderson: Philip Lane Casts Light on ASV's Light Classics

Barnaby Rayfield: HORNE: Cello Sonata... (Jeremy Crosmer)

Bernard Jacobson: A New Susanna from Germany

Natalie Piontek: A Conversation with Composer William Horne

Ian Lace: Jesus López-Cobos Talks About Respighi

Jerry Dubins: Preludes, Études, and Variations—Ian Hobson’s...

Brian Robins: Andreas Scholl Records Vivaldi—An Australian Odyssey

Colin Clarke: HICKS, MICHAEL: The Idea of Domes. The Stations... (Keith Kirchoff)

Craig Zeichner: Roque III—The Newest Ceruti Recording, Featuring...

Huntley Dent: HICKS, MICHAEL: The Idea of Domes. The Stations... (Keith Kirchoff)

Martin Anderson: Kim Kashkashian on Bartók, Eötvös, Kurtág, and...

David DeBoor Canfield: (Heart-)Felt Hammers: The Piano Music of Michael...

William Zagorski: A Passion for Bach: Ton Koopman's Reconstruction...

Colin Clarke: SORABJI; HABERMANN, MICHAEL (Michael Habermann)

Lawrence A. Johnson: An Interview with Frank Ferko

Peter J. Rabinowitz: SORABJI; HABERMANN, MICHAEL (Michael Habermann)

Craig Zeichner: The Best Soprano You Don't Know, Maria Cristina...

Lynn René Bayley: SORABJI; HABERMANN, MICHAEL (Michael Habermann)

James Reel: Hugh Wolff and cpo Record (Most of) the Antheil...

Peter Burwasser: SORABJI; HABERMANN, MICHAEL (Michael Habermann)

23:5 (May/June 2000)

Marc Medwin: Music from the Borderland of Chaos: An Interview...

Leslie Gerber: The Historical Record

Huntley Dent: HOFFMANN, E. T. A.; SCHUMANN (Luisa Guembes-Buchanan)

Al Fasoldt: Technofile

Lynn René Bayley: HOFFMANN, E. T. A.; SCHUMANN (Luisa Guembes-Buchanan)

Robert Maxham: Reflections on The Red Violin

Jerry Dubins: Luisa Guembes-Buchanan—Mistress of Her Own Domain

Brian Robins: The Purcell Quartet: Discovering a Neglected Master...

John Bell Young: LYSENKO: First Rhapsody on Ukrainian National... (Arthur Greene)

James Reel: A Conversation with Eugene Corporan

Myron Silberstein: LYSENKO: First Rhapsody on Ukrainian National... (Arthur Greene)

Martin Anderson: Divox and Destiny

Huntley Dent: LYSENKO: First Rhapsody on Ukrainian National... (Arthur Greene)

Brian Robins: A Sei Voci Records Polychoral Music from Rome

Daniel Morrison: LYSENKO: First Rhapsody on Ukrainian National... (Arthur Greene)

David Denton: An Interview with Peter Czornyj, Managing Director...

John Bell Young: Arthur Greene: An American Virtuoso in Ukraine

Raymond Tuttle: Star-Child's Father: George Crumb Turns 70

Colin Clarke: FIELDS: Progeny of Memory. Absinthe, Spirit... (Christopher French)

Brian Robins: The Caldara Revival Continues: A Festive Viennese...

Raymond Tuttle: FIELDS: Progeny of Memory. Absinthe, Spirit... (Christopher French)

J. F. Weber: Another Spectacular Mass by Heinrich Biber

Colin Clarke: FIELDS: Double Cluster. Space Sciences (Jan Kučera)

Brian Robins: La Columbina: "A Very Latin Ensemble"

Raymond Tuttle: FIELDS: Double Cluster. Space Sciences (Jan Kučera)

Tom Moore: Domestic Pleasures: An Interview with Dominique...

Robert Schulslaper: Splendor in Sound: A Conversation with Matthew...

Tom Moore: New Light on a Neapolitan Master: A Conversation...

Ronald E. Grames: CONTE, DAVID: The Gift of the Magi (Nicole Paiement)

James Reel: A Conversation with Flutist Emmanuel Pahud

Colin Clarke: CONTE, DAVID: The Gift of the Magi (Nicole Paiement)

23:4 (Mar/Apr 2000)

Raymond Tuttle: CONTE, DAVID: Ave Maria. O magnum mysterium.... (Stephen Kennedy)

Al Fasoldt: Technofile

Ronald E. Grames: CONTE, DAVID: Ave Maria. O magnum mysterium.... (Stephen Kennedy)

Mortimer H. Frank: Martin Bernstein (1904-1999): An Obituary

Raymond Tuttle: CONTE, DAVID: Cello Sonata... (Emil Miland)

Andrew Quint: The Super Audio Compact Disc—An Impressive First...

Lynn René Bayley: CONTE, DAVID: Cello Sonata... (Emil Miland)

James Camner: The Music Heritage Society and the United States...

Colin Clarke: CONTE, DAVID: Cello Sonata... (Emil Miland)

Art Lange: Fanfare for the Millennium: One More Time

Ronald E. Grames: CONTE, DAVID: Cello Sonata... (Emil Miland)

Raymond Tuttle: Opening Up The John Adams Earbox

David DeBoor Canfield: CONTE, DAVID: Cello Sonata... (Emil Miland)

James Reel: More Burnished Than Brash: A Chat with Composer...

Carson Cooman: A Conversation with David Conte

James Reel: Dan Franklin Smith and the Atterberg Piano Concerto

Huntley Dent: INSPIRED BY BACH (Julius Berger)

José Serebrier: Serebrier on Kodály

Raymond Tuttle: INSPIRED BY BACH (Julius Berger)

Martin Anderson: In the Company of Lutes

Jerry Dubins: Inspired by Bach—Chatting with Cellist Julius...

Martin Anderson: Going Dutch, and Being Themselves

39:1 (Sept/Oct 2015)

Joel Kasow: An Interview with Véronique Gens

Huntley Dent: BRITTEN; SHOSTAKOVICH; AL-ZAND (Ivo-Jan van der Werff)

James Reel: A Conversation with Choral Conductor Leo Nestor

Jerry Dubins: BRITTEN; SHOSTAKOVICH; AL-ZAND (Ivo-Jan van der Werff)

David Denton: An Interview with Mariss Jansons, Conductor of...

Martin Anderson: Ivo-Jan van der Werff Connects with Britten and...

David Denton: Ingo Metzmacher: A Great Conductor for the 21st...

Andrew Quint: MusiCHI Matures: Smarter, Prettier, and Easier

Ian Lace: Cyprès: Promoting Belgium's Rich Musical Heritage

Maria Nockin: SUGARLOAF MOUNTAIN: AN APPALACHIAN GATHERING (Jeannette Sorrell)

David Denton: The Complete Bach Edition on 170 Discs from Hänssler:...

Carla Maria Verdino-Süllwold: SUGARLOAF MOUNTAIN: AN APPALACHIAN GATHERING (Jeannette Sorrell)

James Reel: A Conversation with Conductor Vakhtang Jordánia

Lynn René Bayley: SUGARLOAF MOUNTAIN: AN APPALACHIAN GATHERING (Jeannette Sorrell)

Bernard Jacobson: Ned Rorem Gives Evidence: An Interview with the...

James A. Altena: Manifold Crossings: An Interview with Conductor...

Martin Anderson: ECM's Estonia

Robert Schulslaper: THREE MOVEMENTS FOR SIX HANDS By Terry Row. Santa Barbara, CA: Clifton Edwin Pub, 2015.

J. F. Weber: Not Quite a Liturgical Reconstruction

Carla Maria Verdino-Süllwold: THREE MOVEMENTS FOR SIX HANDS By Terry Row. Santa Barbara, CA: Clifton Edwin Pub, 2015.

Joel Kasow: An Interview with François Le Roux

Jerry Dubins: Plausibility vs. Probability—Brahms and Clara...

Brian Robins: Dynamic Pofile—An Interview with Daniela Mosetti...

Carla Maria Verdino-Süllwold: REMEMBERING HEAVEN (Alessandra Paonessa)

Peter Burwasser: A Chat with Lou Harrison

Maria Nockin: REMEMBERING HEAVEN (Alessandra Paonessa)

Brian Robins: Ludger Rémy Revives Forgotten Benda Cantatas

Carla Maria Verdino-Süllwold: Alessandra Paonessa: Soprano Drawn to Classical...

Martin Anderson: Fresh Light on Marcello

Jim Svejda: DVOŘÁK, ANTONIN; HERBERT, VICTOR (James Kreger)

Robert Maxham: Robert McDuffie: Georgia Peach Meets the Big Apple

James Forrest: DVOŘÁK, ANTONIN; HERBERT, VICTOR (James Kreger)

Bernard Jacobson: An Interview with the Eroica Quartet (or, more...

Carla Maria Verdino-Süllwold: DVOŘÁK, ANTONIN; HERBERT, VICTOR (James Kreger)

Brian Robins: Bach from Japan—An Interview with Masaaki Suzuki

James Forrest: Interview with Cellist James Kreger

23:3 (Jan/Feb 2000)

Colin Clarke: JANDALI: Variations for Piano and Orchestra... (Malek Jandali)

Leslie Gerber: The Historical Record

David DeBoor Canfield: JANDALI: Variations for Piano and Orchestra... (Malek Jandali)

Al Fasoldt: Technofile

Dave Saemann: JANDALI: Variations for Piano and Orchestra... (Malek Jandali)

Brian Robins: Music at Versailles—Bargain Boxes from Astrée...

Jerry Dubins: JANDALI: Variations for Piano and Orchestra... (Malek Jandali)

Martin Anderson: Communication All the Time: An Interview with...

David DeBoor Canfield: Middle-Eastern Musical Ambassador: An Interview...

Martin Anderson: That Special Quality: An Interview with Stefan...

Bertil van Boer: SOLER: Harpsichord Sonatas Nos. 1–120 (Barbara Harbach)

David Denton: "It is the music that is divine, not the label":...

Lynn René Bayley: Meet Barbara Harbach

David Denton: The Chopin Exploration: Opus 111 Marks the 150th...

Bertil van Boer: LATIN-BAROQUE FUSION (Rumbarocco)

James Reel: The Journey of Singer-Turned-Producer John Ostendorf

Maria Nockin: LATIN-BAROQUE FUSION (Rumbarocco)

Brian Robins: New Light on Early Song—Ellen Hargis Sings Jacopo...

Carla Maria Verdino-Süllwold: LATIN-BAROQUE FUSION (Rumbarocco)

Robert Maxham: A Conversation with Elmar Oliveira, Violinist...

Raymond Tuttle: LATIN-BAROQUE FUSION (Rumbarocco)

Raymond Tuttle: "Legends" in Our Own Time: Decca Celebrates Its...

Christopher Brodersen: BON, ANNA: Divertimento IV. Offertory Ardete... (Laury Gutiérrez)

Brian Robins: New Kids on the Block: An Interview with Alistair...

Bertil van Boer: BON, ANNA: Divertimento IV. Offertory Ardete... (Laury Gutiérrez)

Brian Robins: Neapolitan Treasure Trove—Jommelli (and a Forgotten...

Christopher Brodersen: A Conversation with Laury Gutiérrez of La Donna...

Walter Simmons: New York Philharmonic: An American Celebration

Raymond Beegle: KAHN, ROBERT: Violin Sonatas (Julia Bushkova)

Brian Robins: Caldara from Hungary: The First Complete Recording...

Jim Svejda: KAHN, ROBERT: Violin Sonatas (Julia Bushkova)

Martin Anderson: Mistress of the Bow: An Interview with Sarah Chang

Jerry Dubins: KAHN, ROBERT: Violin Sonatas (Julia Bushkova)

Brian Robins: Winning a Wife and Wife-Swapping — Two 18th-century...

Maria Nockin: A Chat with Violinist Julia Bushkova and Pianist...

Ian Lace: An Interview with Reynir Thor Finnbogason, Founder...

38:6 (July/Aug 2015)

Brian Robins: Boccherini, King, and Baron

David DeBoor Canfield: WOODMAN: Harmony and Counterpoints... (Erik Simmons)

George Chien: The Harmonia Mundi Bach Edition

Colin Clarke: WOODMAN: Harmony and Counterpoints... (Erik Simmons)

Royal S. Brown: The Emerson Quartet: A Quadraphonic Interview

Jerry Dubins: WOODMAN: Harmony and Counterpoints... (Erik Simmons)

William Zagorski: Fanfare for the Millennium

Carson Cooman: A Conversation with James Woodman

William H. Youngren: Fanfare for the Millennium

Huntley Dent: BALENTINE; MONK; GILLESPIE (Robert Walzel)

J. F. Weber: Fanfare for the Millennium

Colin Clarke: BALENTINE; MONK; GILLESPIE (Robert Walzel)

Michael Ullman: Fanfare for the Millennium

Raymond Tuttle: BALENTINE; MONK; GILLESPIE (Robert Walzel)

Raymond Tuttle: Fanfare for the Millennium

David DeBoor Canfield: Wild Exotic Clarinet: Robert Walzel Plays Music...

Charles Timbrell: Fanfare for the Millennium

Maria Nockin: SÁNCHEZ-PORTUGUEZ; CASERTA, ANTHONELLO DA (Guido Sánchez-Portuguez)

John Story: Fanfare for the Millennium

Colin Clarke: SÁNCHEZ-PORTUGUEZ; CASERTA, ANTHONELLO DA (Guido Sánchez-Portuguez)

Paul A. Snook: Fanfare for the Millennium

Robert Schulslaper: Brushstrokes: A Conversation with Guitarist/Composer...

Walter Simmons: Fanfare for the Millennium

Scott Noriega: PALS: Piano Sonata, op. 143. Duo-Sonata... (Elisabeth Zeuthen Schneider)

Bob Rose: Fanfare for the Millennium

Jerry Dubins: Exploring the Music of Leopold van der Pals with...

Brian Robins: Fanfare for the Millennium

Colin Clarke: PAGANIMANIA (Christopher Janwong McKiggan)

James Reel: Fanfare for the Millennium

Huntley Dent: PAGANIMANIA (Christopher Janwong McKiggan)

Paul Rapoport: Fanfare for the Millennium

Raymond Tuttle: PAGANIMANIA (Christopher Janwong McKiggan)

Peter J. Rabinowitz: Fanfare for the Millennium

Robert Schulslaper: Around the world with Paganini

Andrew Quint: Fanfare for the Millennium

Carla Maria Verdino-Süllwold: Varda Kotler: Championing the Art of Song and...

Benjamin Pernick: Fanfare for the Millennium

Colin Clarke: KENESSEY, STEFANIA DE: After The City Wept. High Summer.... (Adina Aaron)

James H. North: Fanfare for the Millennium

Carla Maria Verdino-Süllwold: KENESSEY, STEFANIA DE: After The City Wept. High Summer.... (Adina Aaron)

David K. Nelson: Fanfare for the Millennium

Robert Carl: Interview with Composer Stefania de Kenessey

James Miller: Fanfare for the Millennium

Raymond Tuttle: UK DK (Michala Petri)

Robert McColley: Fanfare for the Millennium

Ronald E. Grames: UK DK (Michala Petri)

Robert Maxham: Fanfare for the Millennium

Marc Medwin: MESSIAEN: Trois petite liturgies de la présence... (Marcus Creed)

Haig Mardirosian: Fanfare for the Millennium

Phillip Scott: MESSIAEN: Trois petite liturgies de la présence... (Marcus Creed)

Marc Mandel: Fanfare for the Millennium

Raymond Tuttle: CORELLI, ARCANGELO: Recorder Sonatas, op. 5/7–12 (Michala Petri)

John W. Lambert: Fanfare for the Millennium

Martin Anderson: OUR Recordings: Lars Hannibal Profiles his Label

Ian Lace: Fanfare for the Millennium

Jerry Dubins: Engaging Pianist Ariel Halevy On Brahms

Robert Kirzinger: Fanfare for the Millennium

Colin Clarke: CHOPIN, FRÉDÉRIC: Études, opp. 10, 25, post (Irina Bogdanova)

Joel Kasow: Fanfare for the Millennium

Huntley Dent: CHOPIN, FRÉDÉRIC: Études, opp. 10, 25, post (Irina Bogdanova)

Susan Kagan: Fanfare for the Millennium

Dave Saemann: CHOPIN, FRÉDÉRIC: Études, opp. 10, 25, post (Irina Bogdanova)

Lawrence A. Johnson: Fanfare for the Millennium

Lynn René Bayley: Meet Irina Bogdanova

Michael Jameson: Fanfare for the Millennium

John Bell Young: SCRIABIN: Piano Sonatas Nos. 1, 2, 6, 7.... (Matthew Bengtson)

Bernard Jacobson: Fanfare for the Millennium

Lynn René Bayley: SCRIABIN: Piano Sonatas Nos. 1, 2, 6, 7.... (Matthew Bengtson)

Leslie Gerber: Fanfare for the Millennium

Natalie Piontek: SCRIABIN: Piano Sonatas Nos. 1, 2, 6, 7.... (Matthew Bengtson)

Mortimer H. Frank: Fanfare for the Millennium

John Bell Young: Celebrating the Scriabin Centennial with Pianist...

Henry Fogel: Fanfare for the Millennium

Andrew Quint: The 3beez Wax Box: New and Improved

Joel Flegler: Fanfare for the Millennium

Bertil van Boer: DOLCE NAPOLI: Sonatas and Concertos for Recorder (Inês d’Avena)

Stephen Ellis: Fanfare for the Millennium

Christopher Brodersen: Meet Recorder Player Inês d’Avena

David Denton: Fanfare for the Millennium

38:5 (May/June 2015)

Adrian Corleonis: Fanfare for the Millennium

Jerry Dubins: LE ROMAN DES LUMIÈRES: Chansons dans le roman... (Martin Wåhlberg)

George Chien: Fanfare for the Millennium

Bertil van Boer: LE ROMAN DES LUMIÈRES: Chansons dans le roman... (Martin Wåhlberg)

Robert Carl: Fanfare for the Millennium

Jerry Dubins: BERTOUCH; THEILE; VIERDANCK (Ingeborg Dalheim)

James Camner: Fanfare for the Millennium

Bertil van Boer: A Conversation with Martin Wåhlberg of Trondheim...

Peter Burwasser: Fanfare for the Millennium

Maria Nockin: EN-COR! (American Hn Qrt)

Richard Burke: Fanfare for the Millennium

Colin Clarke: EN-COR! (American Hn Qrt)

Royal S. Brown: Fanfare for the Millennium

Robert Markow: American Horn Quartet: Interview with Kerry Turner

John Bauman: Fanfare for the Millennium

Colin Clarke: MYSTICAL VOICES: The Choral Music of Michael John... (Michael John Trotta)

Martin Anderson: Fanfare for the Millennium

Carla Maria Verdino-Süllwold: Michael John Trotta: Creating New Voices and Expanding...

Christopher Abbot: Fanfare for the Millennium

Phillip Scott: VISIONS FUGITIVES: Music for Strings (Terje Tonnesen)

Joel Flegler: Fanfare for the Millennium: Introduction

Henry Fogel: VISIONS FUGITIVES: Music for Strings (Terje Tonnesen)

23:2 (Nov/Dec 1999)

Art Lange: VISIONS FUGITIVES: Music for Strings (Terje Tonnesen)

James Reel: A Chat with Cellist Shauna Rolston

James Forrest: VISIONS FUGITIVES: Music for Strings (Terje Tonnesen)

James Reel: Proctor of Elysium: A Chat with Peter Tiboris

Phillip Scott: Standing Up for Great Music: Terje Tønnesen and...

Jack Silver: Restoring Lubka Kolessa

Robert Carl: SMITH, STUART SAUNDERS: Notebook. Family Portraits. Here... (John Fonville)

Martin Anderson: The Grieg Trio, Back on Simax: Ellen Margrete...

Huntley Dent: SMITH, STUART SAUNDERS: Notebook. Family Portraits. Here... (John Fonville)

Royal S. Brown: Mission: Possible—A Profile of Aleph Enterprises

Colin Clarke: SMITH, STUART SAUNDERS: Notebook. Family Portraits. Here... (John Fonville)

Peter Burwasser: Music and Words: Perfect Together: An Interview...

Keith Kramer: A Journey of Exploration and Innovation: An Interview...

Peter J. Rabinowitz: "Iťs Just the Way I Am": A Conversation with Valentina...

Colin Clarke: REALE: Seven Deadly Sins... (Jessica Mathaes)

Ian Lace: Ian Lace Talks to Lisa Milne, John Mark Ainsley,...

Maria Nockin: REALE: Seven Deadly Sins... (Jessica Mathaes)

James Miller: The Philadelphia Orchestra's Centennial Salute:...

David DeBoor Canfield: Novelty vs. Originality: An Interview with Composer...

Martin Anderson: Twenty Years of Les Arts Florissants: William...

Colin Clarke: FINEBERG; DUFOURT (Marilyn Nonken)

James Reel: A Visit to Musicians Showcase Recordings

Peter Burwasser: FINEBERG; DUFOURT (Marilyn Nonken)

Martin Anderson: The Greatness of Franz Liszt: Leslie Howard Talks...

David DeBoor Canfield: FINEBERG; DUFOURT (Marilyn Nonken)

José Serebrier: Jose Serebrier on Scheherazade

Marc Medwin: Performance, Leadership and Responsibility: A...

Martin Anderson: From Acorn to Oak: Werner Dabringhaus Talks to...

Huntley Dent: GOEBBELS, HEINER; ZAPPA, FRANK (Thomas Søndergård)

Joel Kasow: Great Recordings of the Century: Karajan's Operatic...

Martin Anderson: Zapping Them with Zappa in Oslo

Martin Anderson: A Penchant for Polyphony: Laurence Dreyfus of...

Jerry Dubins: CHOPIN, FRÉDÉRIC: Życzenie (The Wish)... (Maria Knapik)

Christopher Abbot: "Nothing in my life calls on me so completely...

Carla Maria Verdino-Süllwold: Maria Knapik: Soprano with a Mission

Royal S. Brown: An Interview with Christian Thielemann

Huntley Dent: SCHUBERT; DEBUSSY (Jai Jeffryes)

David Denton: David Denton Speaks to Peter Cropper, Leader of...

Colin Clarke: SCHUBERT; DEBUSSY (Jai Jeffryes)

23:1 (Sept/Oct 1999)

Peter Burwasser: SCHUBERT; DEBUSSY (Jai Jeffryes)

Leslie Gerber: The Historical Record

Colin Clarke: Music Resounding: The Playing and Projects of...

Al Fasoldt: The Common-Sense Audiophile

Raymond Tuttle: PEP: Piano and Erhu Project, Vol. 1 (Corey Hamm)

Paul A. Snook: FANFARE FORUM II: MUSIC OF ROY HARRIS

Lynn René Bayley: PEP: Piano and Erhu Project, Vol. 1 (Corey Hamm)

Robert McColley: FANFARE FORUM II: MUSIC OF ROY HARRIS

Colin Clarke: BEYOND SHADOWS (Nu:BC Collective)

Henry Fogel: FANFARE FORUM II: MUSIC OF ROY HARRIS

Raymond Tuttle: BEYOND SHADOWS (Nu:BC Collective)

Stephen Ellis: FANFARE FORUM II: MUSIC OF ROY HARRIS

Lynn René Bayley: BEYOND SHADOWS (Nu:BC Collective)

Martin Anderson: FANFARE FORUM II: MUSIC OF ROY HARRIS

Art Lange: RZEWSKI: The People United Will Never Be... (Corey Hamm)

Lawrence A. Johnson: Introduction: An Interview with David Alan Miller

Raymond Tuttle: RZEWSKI: The People United Will Never Be... (Corey Hamm)

Joel Flegler: FANFARE FORUM II: MUSIC OF ROY HARRIS

Colin Clarke: RZEWSKI: The People United Will Never Be... (Corey Hamm)

Martin Anderson: Being Yourself: John McCabe, Composer and Pianist,...

Lynn René Bayley: Corey Hamm: The Multitasking Pianist

Peter J. Rabinowitz: "The Bernstein Century": A Conversation With Thomas...

David DeBoor Canfield: FUCHS, K.: Falling Man. Movie House. Songs... (Roderick Williams)

Peter J. Rabinowitz: "You Can Never Miss With Quality": Dmitry Paperno...

Ronald E. Grames: FUCHS, K.: Falling Man. Movie House. Songs... (Roderick Williams)

Robert Carl: An Interview with Thomas Buckner, Baritone and...

Colin Clarke: FUCHS, K.: Falling Man. Movie House. Songs... (Roderick Williams)

James Reel: A Conversation with Composer Daron Hagen

Jerry Dubins: “Falling” for Kenneth Fuchs—A Follow-up Interview...

Martin Anderson: An Interview with Pieter Wispelwey

Jerry Dubins: OCCIDENT MEETS ORIENT (Carol FitzPatrick)

Bernard Jacobson: Bernard Jacobson Talks about and with Ian Bostridge:...

Colin Clarke: OCCIDENT MEETS ORIENT (Carol FitzPatrick)

George Chien: BACH 2000 From Teldec

Carla Maria Verdino-Süllwold: Carole FitzPatrick, Robert Barefield, and Russell...

James Reel: A Conversation with Saxophonist Albert Regni

Huntley Dent: BRAHMS, JOHANNES; SCHUMANN (Sophia Agranovich)

Raymond Tuttle: A Capitol State of Affairs: Full Dimensional Sound...

Myron Silberstein: BRAHMS, JOHANNES; SCHUMANN (Sophia Agranovich)

Brian Robins: Singing to the Glory of God: Brian Robins talks...

Jerry Dubins: BRAHMS, JOHANNES; SCHUMANN (Sophia Agranovich)

Royal S. Brown: New Music by Dead Guys: A Profile of JRB Records

Lynn René Bayley: Catching Up with Sophia Agranovich

Martin Anderson: Essential Baroque: Robert King, Founder-Conductor...

Joel Flegler: How To Become a Publisher

Brian Robins: Alia Vox—New Directions for Jordi Savall: An Interview

38:4 (Mar/Apr 2015)

Royal S. Brown: An Interview with Andreas Scholl

Andrew Quint: A TIDAL Wave of Music: HD Streaming Comes to the...

James Reel: Cedille Records Celebrates Its 10th Anniversary

Hazel Rowland: LUMINOSITY (Bradley Genevro)

Peter J. Rabinowitz: Learning in Every Concert: A Conversation with...

J. F. Weber: LUMINOSITY (Bradley Genevro)

David Denton: Nine Years After Its Birth, David Denton Takes...

James A. Altena: Lift High the BrassCross: An Interview with William...

Michael Ullman: The Philosopher's Stone: An Interview with David...

Jerry Dubins: Talking Bach with Pianist Burkard Schliessmann

22:6 (July/Aug 1999)

James Forrest: SHADES & CONTRASTS: Classical Guitar (Christina Sandsengen)

Leslie Gerber: The Historical Record

Jerry Dubins: SHADES & CONTRASTS: Classical Guitar (Christina Sandsengen)

Al Fasoldt: The Common-Sense Audiophile

Martin Anderson: Christina Sandsengen, Guitarist on her Mettle

Peter Burwasser: The Disciplined Passion of Cristiana Pegoraro:...

Jerry Dubins: BUONAMENTE, GIOVANNI BATTISTA: Sonata sesta sopra “Ruggiero.”... (Laura Pontecorvo)

James Reel: Citadel Records: A Fortress of Unusual Repertoire

Henry Fogel: BUONAMENTE, GIOVANNI BATTISTA: Sonata sesta sopra “Ruggiero.”... (Laura Pontecorvo)

David Denton: David Denton Speaks to Andreas Spreer, Owner of...

Bertil van Boer: BACH, CARL PHILIPP EMANUEL: Flute Quartets... (Laura Pontecorvo)

Brian Robins: Bach from Finland: Monica Groop Talks to Brian...

Bertil van Boer: A Conversation with Laura Pontecorvo

James H. North: The Music Survives: Decca/London's "Entartete...

John Bell Young: THOMSON: Music Chronicles 1940–1954 By Virgil Thomson. Ed. Tim Page. New York: Library of America, 2014.

David Denton: David Denton Talks to the Management Team That...

Robert Schulslaper: THOMSON: Music Chronicles 1940–1954 By Virgil Thomson. Ed. Tim Page. New York: Library of America, 2014.

Brian Robins: Alessandro Scarlatti on Opus 111: A Retrospective

Alan Swanson: THOMSON: Music Chronicles 1940–1954 By Virgil Thomson. Ed. Tim Page. New York: Library of America, 2014.

Royal S. Brown: An Interview with Riccardo Chailly

Huntley Dent: THOMSON: Music Chronicles 1940–1954 By Virgil Thomson. Ed. Tim Page. New York: Library of America, 2014.

James Reel: Musical Heritage Society: Not Just Baroque-Till-You-Choke

Robert Schulslaper: A Way with Words: Tim Page Remembers Virgil Thomson

Robert Maxham: Kyung-Wha Chung: Reflections on Life and Art

Colin Clarke: SONGS OF A DESERT BIRD (Yoriko Ikeya)

Royal S. Brown: Restoring the Golden Age of Film Music: An Interview...

David DeBoor Canfield: SONGS OF A DESERT BIRD (Yoriko Ikeya)

22:5 (May/June 1999)

Colin Clarke: CORBETT, SIDNEY: Gesänge der Unruhe. Im Angesicht... (Modern Art Ens)

Leslie Gerber: The Historical Record

Robert Carl: CORBETT, SIDNEY: Gesänge der Unruhe. Im Angesicht... (Modern Art Ens)

Al Fasoldt: The Common-Sense Audiophile

Robert Schulslaper: Turning Nothing into Something

James Camner: The United States Marine Band Bicentennial Collection—200...

Carla Maria Verdino-Süllwold: BRITTEN: On This Island, op. 11. Cabaret... (Linda Mabbs)

Raymond Tuttle: High Standards and "High Performance": BMG Classics...

Maria Nockin: BRITTEN: On This Island, op. 11. Cabaret... (Linda Mabbs)

Martin Anderson: Expounding Esposito, Finding Field, Preparing...

Alan Swanson: Songs Without Shoes: Linda Mabbs, Delores Ziegler,...

David Denton: David Denton Meets with Andreas Boyde, the German...

Lynn René Bayley: Introducing Pianist Tomasz Lis

Raymond Tuttle: All that, and more: a conversation with composer...

Lynn René Bayley: HAYDN, FRANZ JOSEPH: Piano Sonatas... (Alexander Kobrin)

Raymond Tuttle: The Columbia Broadway Masterworks Series: Sony...

Huntley Dent: HAYDN, FRANZ JOSEPH: Piano Sonatas... (Alexander Kobrin)

Paul A. Snook: "Modern Classics" from Sweden

Peter J. Rabinowitz: HAYDN, FRANZ JOSEPH: Piano Sonatas... (Alexander Kobrin)

Peter J. Rabinowitz: The Search for Rarity: A Conversation with Pro...

Lynn René Bayley: SCHUMANN: Carnaval. Waldszenen. Arabeske (Alexander Kobrin)

Peter Burwasser: A Conversation with Babette Hierholzer

Jerry Dubins: SCHUMANN: Carnaval. Waldszenen. Arabeske (Alexander Kobrin)

Tom Moore: A New Look for Stephen Foster: Countertenor Jeffrey...

Huntley Dent: SCHUMANN: Carnaval. Waldszenen. Arabeske (Alexander Kobrin)

Robert Maxham: The Miracle Makers: An Interview with Elmar Oliveira...

Colin Clarke: Pianist Alexander Kobrin in Conversation

Martin Anderson: Vertavo: The Happy Quartet Cellist Bjørg Værnes...

Colin Clarke: IN MEMORIAM MAESTRO ALEXIS WEISSENBERG (Ivajla Kirova)

Christopher Abbot: "I always trusted what his scores said to me":...

Huntley Dent: IN MEMORIAM MAESTRO ALEXIS WEISSENBERG (Ivajla Kirova)

Royal S. Brown: An Interview with Erich Kunzel

Maria Nockin: A Chat with Pianist and Composer Ivajla Kirova

Robert Carl: A Triumphant Return to Film: An Interview with...

Dave Saemann: CHOPIN, FRÉDÉRIC: Piano Sonatas Nos. 1 and 3 (Ángeles Iglesias)

Henry Fogel: A Conversation with Pierre Boulez

Colin Clarke: Tackling Chopin: An Interview with Pianist Ángeles...

David Denton: David Denton Speaks to Karsten Witt, President...

Huntley Dent: SAXSPECTRUM 1 (Glen Gillis)

22:4 (Mar/Apr 1999)

Colin Clarke: SAXSPECTRUM 1 (Glen Gillis)

Leslie Gerber: The Historical Record

David DeBoor Canfield: Composer and Saxophonist: An Interview with Glen...

Al Fasoldt: The Common-Sense Audiophile

Maria Nockin: ONLY (Julian Lawrence Gargiulo)

David Johnson: Opera Rara—The First 20 Years

Carla Maria Verdino-Süllwold: Julian Gargiulo: A Romantic Pianist for a Modern...

James Reel: A Trio of Duos: The Gemini Piano Trio

Carla Maria Verdino-Süllwold: The Poetry of Song: Ida Faiella

John Story: An Interview with Bruce Hobson

J. F. Weber: PILGRIMAGE TO MONTSERRAT (Winsome Evans)

Raymond Tuttle: Read Any Good CDs Lately? Penguin Music Classics's...

Hazel Rowland: PILGRIMAGE TO MONTSERRAT (Winsome Evans)

David Denton: David Denton Visits a British Record Company Where...

Barry Brenesal: Interview with Winsome Evans

Peter J. Rabinowitz: Making a Difference: A Conversation with Edmund...

Barry Brenesal: RAMEAU: Complete Works for Harpsichord (Mahan Esfahani)

Robert Maxham: Aaron Rosand on Violins and Violinists: Views...

Henry Fogel: CORELLI, ARCANGELO: Sonatas, op. 5/7–12 (Michala Petri)

Lawrence A. Johnson: Great Recordings of the Century, Part 2

Ronald E. Grames: Mahan Esfahani on Arcangelo Corelli and Getting...

Martin Anderson: Tchaikovsky Reconsidered: Andrei Hoteev Talks...

Maria Nockin: JAZZ WITH THE CLASSICS (Paquito D’Rivera)

Raymond Tuttle: Platinum Entertainment's Royal Treatment: The...

Colin Clarke: JAZZ MEETS THE CLASSICS (Paquito D’Rivera)

Lawrence A. Johnson: An Interview with Franz Welser-Möst

Carla Maria Verdino-Süllwold: Paquito D’Rivera: Erasing the Boundaries between...

Brian Robins: An Interview with Paul van Nevel of the Huelgas...

Huntley Dent: KODÁLY; CRUMB, GEORGE; HINDEMITH, PAUL (Kim Cook)

Lawrence A. Johnson: An Interview with Gil Shaham

James Forrest: KODÁLY; CRUMB, GEORGE; HINDEMITH, PAUL (Kim Cook)

Martin Anderson: John Tavener and Paul Goodwin talk to Martin Anderson

Jerry Dubins: Chatting with Kim Cook, Cellist Extraordinaire

22:3 (Jan/Feb 1999)

Colin Clarke: BERNSTEIN, CHARLES HAROLD: String Quartet No. 2, “Wanderer”.... (Los Angeles Str Qrt)

Leslie Gerber: The Historical Record

Lynn René Bayley: BERNSTEIN, CHARLES HAROLD: String Quartet No. 2, “Wanderer”.... (Los Angeles Str Qrt)

Al Fasoldt: The Common-Sense Audiophile

David DeBoor Canfield: BERNSTEIN, CHARLES HAROLD: String Quartet No. 2, “Wanderer”.... (Los Angeles Str Qrt)

Robert Carl: Kronos at Twenty-five: A Conversation with David...

Henry Fogel: BERNSTEIN, CHARLES HAROLD: String Quartet No. 2, “Wanderer”.... (Los Angeles Str Qrt)

Michael Ullman: A Profile of the Huntington Piano Trio

David DeBoor Canfield: Facets of the Career of Charles Harold Bernstein

Peter J. Rabinowitz: "I Never Look Back": A Conversation with Ruth...

Colin Clarke: AN AMERICAN JOURNEY (Avguste Antonov)

Randy A. Salas: Canadian Label Opening Day Brings a Fresh Musical...

Raymond Beegle: AN AMERICAN JOURNEY (Avguste Antonov)

Brian Robins: An Interview with Robert Aubry Davis of Millennium...

David DeBoor Canfield: AN AMERICAN JOURNEY (Avguste Antonov)

Peter Burwasser: An Interview with Tom Deacon, Producer of "Great...

Robert Schulslaper: American Journey: A Conversation with Avguste...

Benjamin Pernick: New York Philharmonic: The Mahler Broadcasts

Huntley Dent: BRAHMS, JOHANNES; SCHUMANN (Sophia Agranovich)

Lawrence A. Johnson: The Return of Great Recordings of the Century:...

Myron Silberstein: BRAHMS, JOHANNES; SCHUMANN (Sophia Agranovich)

Raymond Tuttle: Christina Petrowska: Renaissance Woman . . . and...

Jerry Dubins: BRAHMS, JOHANNES; SCHUMANN (Sophia Agranovich)

James Reel: A Look at Eclectra Recording

Lynn René Bayley: Catching Up with Sophia Agranovich

Royal S. Brown: An Interview with Lawrence Foster

Joel Flegler: Editorial: Is Fanfare Now the Magazine for Serious...

Bernard Jacobson: Leif Ove Andsnes Interviewed

38:3 (Jan/Feb 2015)

David Denton: David Denton in Conversation with Oliver Knussen,...

Raymond Tuttle: VAN VEEN: Minimal Preludes... (Jeroen Van Veen)

Michael Jameson: Consortium Classicum—Thirty-One and Still Counting:...

Colin Clarke: VAN VEEN: Minimal Preludes... (Jeroen Van Veen)

22:2 (Nov/Dec 1998)

Raymond Tuttle: Jeroen van Veen: The Maximal Minimalist Missionary

Leslie Gerber: The Historical Record

Jerry Dubins: BRAHMS, JOHANNES: Waltzes, op. 39... (Fiammetta Tarli)

Al Fasoldt: The Common-Sense Audiophile

Scott Noriega: BRAHMS, JOHANNES: Waltzes, op. 39... (Fiammetta Tarli)

Peter J. Rabinowitz: The Secret Behind the Wall: A Conversation with...

Huntley Dent: BRAHMS, JOHANNES: Waltzes, op. 39... (Fiammetta Tarli)

Ian Lace: Adriano Talks About Recording Respighi, Film-Music...

Robert Schulslaper: Presenting ICSM Records

David Denton: David Denton Speaks to Wadek Glowacz, Manager...

Colin Clarke: DECLAMATORY COUNTERPOINT (Christoph Schluren)

Martin Anderson: Baroque with a French Flair: Alain Lanceron of...

Martin Anderson: Christoph Schlüren’s Symphonic Momentum

James Reel: A Conversation with Flutist André-Gilles Duchemin

Carla Maria Verdino-Süllwold: Playing What He Hears: Tobin Mueller

Brian Robins: From Rutter to Rachmaninov: An interview with...

Marc Medwin: KEYPUNCH (John McDonald)

James Reel: A Conversation with John Rutter

Colin Clarke: KEYPUNCH (John McDonald)

Brian Robins: 25 Years of Boston Baroque: An Interview with...

Robert Schulslaper: Three Heads, Six Hands

Royal S. Brown: A Profile of dacapo

Raymond Tuttle: KITZKE: The Character of American Sunlight.... (Essential Music)

Lawrence A. Johnson: An Interview with Christoph Eschenbach

Raymond Tuttle: KITZKE: The Green Automobile. The Paha... (Jerome Kitzke)

George Chien: Introduction to the Want Lists for 1998

Robert Carl: Interview with Composer Jerome Kitzke

22:1 (Sept/Oct 1998)

Lynn René Bayley: CARACLARINA: Caroline Hartig Plays Classical to... (Caroline Hartig)

José Serebrier: The Songs of Edvard Grieg

Maria Nockin: A Chat with Clarinet Virtuoso Caroline Hartig

David Denton: An Interview with Romanian Pianist Dana Ciocarlie

George Chien: BACH, JOHANN SEBASTIAN: Harpsichord Concertos, BWV 1052,... (Aapo Häkkinen hpd)

Mortimer H. Frank: New York Philharmonic: The Historic Broadcasts

Lynn René Bayley: KRAUS, JOSEPH MARTIN: Overtures... (Aapo Häkkinen)

Tom Moore: Treasures from Naples

Raymond Tuttle: KRAUS, JOSEPH MARTIN: Overtures... (Aapo Häkkinen)

Christopher Abbot: An Interview with André Previn

Christopher Brodersen: A Conversation with Harpsichordist and Conductor...

Marc Mandel: Maria Callas on EMI: A Legacy Enhanced

Jonathan Woolf: CZECH-AMERICAN HORN DUO (Steven Gross)

James Reel: An Interview with Andor Toth

Robert Markow: CZECH-AMERICAN HORN DUO (Steven Gross)

William Zagorski: Robert Stallman: Piper Unlimited

Carla Maria Verdino-Süllwold: Steven Gross: Creating a Future for Solo and Duo...

Ian Lace: The Jerusalem Trio Talks about Recording Brahms...

Colin Clarke: AMERICAN RHAPSODY (Catherine Gordeladze)

James Reel: A Conversation with Yoel Levi

Huntley Dent: AMERICAN RHAPSODY (Catherine Gordeladze)

Peter J. Rabinowitz: Putting Your Best Foote Forward: Klaus Heymann...

Peter J. Rabinowitz: AMERICAN RHAPSODY (Catherine Gordeladze)

21:6 (July/Aug 1998)

Lynn René Bayley: Talking Piano with Catherine Gordeladze

Leslie Gerber: The Historical Record

Maria Nockin: A Chat with James Ginsburg, Founder and President...

Al Fasoldt: The Common-Sense Audiophile

Ronald E. Grames: VOICES IN THE WIND (Leonard Garrison)

Walter Simmons: Fanfare Forum: The Elgar/Payne Symphony No. 3

Colin Clarke: Voices in the Wind: Flutist Leonard Garrison on...

Peter J. Rabinowitz: Fanfare Forum: The Elgar/Payne Symphony No. 3

Peter Burwasser: The Continuing Adventures of Pianist Joel Fan

Lawrence A. Johnson: Fanfare Forum: The Elgar/Payne Symphony No. 3

Huntley Dent: MAHLER, GUSTAV: Symphony No. 2 (arr. for 2 pianos,... (Briely Cutting)

Bernard Jacobson: Fanfare Forum: The Elgar/Payne Symphony No. 3

Dave Saemann: MAHLER, GUSTAV: Symphony No. 2 (arr. for 2 pianos,... (Briely Cutting)

Joel Flegler: Fanfare Forum: The Elgar/Payne Symphony No. 3

Hazel Rowland: Interview with Stephen Emmerson

Martin Anderson: In at the Birth of Something Big: Helmut Rilling...

Jerry Dubins: BEETHOVEN, LUDWIG VAN: Piano Sonatas (Roberto McCausland Dieppa)

Ian Lace: John Wilson—Conductor, Arranger and Eric Coates...

Huntley Dent: BEETHOVEN, LUDWIG VAN: Piano Sonatas (Roberto McCausland Dieppa)

David Denton: David Denton Speaks to the Vanbrugh Quartet

Lynn René Bayley: BEETHOVEN, LUDWIG VAN: Piano Sonatas (Roberto McCausland Dieppa)

Lawrence A. Johnson: Russian Revelation, Part One

Robert Schulslaper: Sound Above All: A Conversation with Roberto McCausland...

Peter J. Rabinowitz: "That's Part of the Pleasure": A Conversation...

Colin Clarke: CROZIER: With Blood, With Ink (Timothy Myers)

21:5 (May/June 1998)

Maria Nockin: CROZIER: With Blood, With Ink (Timothy Myers)

Leslie Gerber: The Historical Record

Marc Medwin: CROZIER: With Blood, With Ink (Timothy Myers)

Al Fasoldt: The Common-Sense Audiophile

Ronald E. Grames: Discovering the Inspiring Sor Juana in Fort Worth:...

James Reel: The Out-of-Towners: Max Lifchitz and North/South...

Lynn René Bayley: COLINA: Requinauts (Ira Levin)

Peter J. Rabinowitz: Doing It Yourself: A Conversation with Ivory Classics

Colin Clarke: COLINA: Requinauts (Ira Levin)

James Reel: The Tucson Winter Chamber Music Festival on CD

David DeBoor Canfield: Mortality in Mind: The Requinauts of Michael Colina

Andrew Quint: Pianist Catherine Wilson: "Spreading the Good...

Huntley Dent: GROENEWEGEN: 24 Preludes (Andrew Clark)

Ian Lace: The Bax Symphonies Contributions: David Lloyd-Jones,...

Jerry Dubins: GROENEWEGEN: 24 Preludes (Andrew Clark)

Robert Maxham: A Conversation with Andrew Manze

Alan Swanson: No Second Fiddle: A Conversation with Pianist...

21:4 (Mar/Apr 1998)

Colin Clarke: CHING: A Midsummer Night’s Dream (Curtis Tucker)

Al Fasoldt: The Common-Sense Audiophile

Maria Nockin: CHING: A Midsummer Night’s Dream (Curtis Tucker)

Andrew Quint: Classic Records—Not Just For Audiophiles Anymore?

Ronald E. Grames: Michael Ching’s “Genre-Bending” A Midsummer Night’s...

James Camner: The History of the American Opera Singer Is Explored...

Colin Clarke: MENDELSSOHN, FELIX: Piano Concertos Nos. 1 and 2... (Christian Chamorel)

James Reel: An Interview with Yolanda Kondonassis

Jerry Dubins: MENDELSSOHN, FELIX: Piano Concertos Nos. 1 and 2... (Christian Chamorel)

David Denton: David Denton Speaks to the Swedish Guitar Duo,...

Lynn René Bayley: A Few Moments With Christian Chamorel

Raymond Tuttle: Touching on Klavier: An Interview with Harold...

Huntley Dent: BURTON, STEPHEN DOUGLAS: Symphony No. 2, “Ariel” (Christopher Keene)

Lawrence A. Johnson: Arte Nova

Dave Saemann: BURTON, STEPHEN DOUGLAS: Symphony No. 2, “Ariel” (Christopher Keene)

Mortimer H. Frank: Deutsche Grammophon's Beethoven Edition A Major...

Jim Svejda: BURTON, STEPHEN DOUGLAS: Symphony No. 2, “Ariel” (Christopher Keene)

Martin Anderson: A Quarter Century of BIS Robert Von Bahr Talks...

David DeBoor Canfield: Plath Aftermath: An Interview with Composer Stephen...

21:3 (Jan/Feb 1998)

Huntley Dent: MOZART: Piano Sonatas... (Luisa Guembes-Buchanan)

Al Fasoldt: The Common-Sense Audiophile

Lynn René Bayley: MOZART: Piano Sonatas... (Luisa Guembes-Buchanan)

James Reel: INITIUM: VIRTUAL MUSIC FROM IDAHO

Jerry Dubins: Luisa Buchanan: Round Four

Brian Robins: Seon Revived

Colin Clarke: FANTASTIQUE: Premieres for Trumpet and Wind Ensemble (Eric Berlin)

Martin Anderson: Lahti, BIS, and Some Radical Sibelius: Osmo Vänskä...

Henry Fogel: Interview with Eric Berlin

Mortimer H. Frank: Resurrecting New York Philharmonic Broadcasts:...

Jerry Dubins: RICH BARRY GUITARIST (Rich Barry)

Peter J. Rabinowitz: Perio-Specific Yet Timeless: Jody Karin Applebaum...

Maria Nockin: RICH BARRY GUITARIST (Rich Barry)

Randy A. Salas: On Location with the National Chamber Players

Robert Schulslaper: Who is Rich Barry? Ask Google

David Denton: David Denton Speaks To Jerome Hynes, Chief Executive...

Jerry Dubins: REFLECTIONS (Valarie Anderson)

Raymond Tuttle: The Bionic Bach: A Talk with João Carlos Martins

Huntley Dent: LARSEN, LIBBY; BAKER, CLAUDE; TOMASI (Eugene Rousseau)

21:2 (Nov/Dec 1997)

Henry Fogel: RIPPER: Trio for Clarinet, Viola, and Piano... (Valarie Anderson)

Al Fasoldt: The Common-Sense Audiophile

Huntley Dent: RIPPER: Trio for Clarinet, Viola, and Piano... (Valarie Anderson)

Raymond Tuttle: Evening The Score: The Nonesuch Film Music Series

Henry Fogel: REFLECTIONS (Valarie Anderson)

James Camner: Ward Marston Breaks Out—The Birth of Marston,...

Huntley Dent: REFLECTIONS (Valarie Anderson)

David Johnson: The Way They Were: The Beethoven Sonatas on Authentic...

David DeBoor Canfield: Wood- or Whirlwind Duo: A Conversation with John...

Ralph V. Lucano: A Visit with Constance Hauman

Joel Flegler: Editorial: Going with the Flow: High-Resolution...

Tom Moore: An Interview with REBEL

38:2 (Nov/Dec 2014)

James Reel: Jon Nakamatsu, 1997 Van Cliburn Gold Medalist

Huntley Dent: SECHS KLAVIERSTÜCKE (Iskander Zakirov)

Royal S. Brown: Call Her Maestra. An Interview with Joann Falletta

Colin Clarke: SECHS KLAVIERSTÜCKE (Iskander Zakirov)

21:1 (Sept/Oct 1997)

Colin Clarke: MOZART; GRIEG, EDVARD (Iskander Zakirov)

Al Fasoldt: The Common-Sense Audiophile

Peter Burwasser: Interview with Pianist Iskander Zakirov

Robert Maxham: Jacob Harnoy of DOREMI: Opening a Clear Window...

Lynn René Bayley: BEETHOVEN, LUDWIG VAN: Piano Sonatas (Lisa Yui)

Randy A. Salas: “A True Maestro“—Eiji Oue Settles In with the...

Jerry Dubins: BEETHOVEN, LUDWIG VAN: Piano Sonatas (Lisa Yui)

Ian Lace: An Interview with Murray Perahia

Colin Clarke: BEETHOVEN, LUDWIG VAN: Piano Sonatas (Lisa Yui)

Royal S. Brown: The Story of Ocean Records

Peter J. Rabinowitz: Nabokov, Nyiregyházi, and Unbridled Passion: A...

David K. Nelson: A Conversation with Mela Tenenbaum

Maria Nockin: KENNST DU DAS LAND? (Barbara Winchester)

Verona Cerona: An Interview with Kemal Gekič A Croatian pianist,...

Jerry Dubins: THE JAGUAR AND THE MOON (Barbara Winchester)

Lawrence A. Johnson: An Interview With Rachel Barton

Carla Maria Verdino-Süllwold: Barbara Winchester: Champion of Vocal Chamber...

Kevin N. Moll: Resurrecting Early Music: From Manuscript to Compact...

Maria Nockin: WALLACE, WILLIAM: Gargoyles. Nocturne. The Coming... (Annika Hinsche)

Michael Ullman: An Interview with Max Levinson

Maria Nockin: WALLACE, WILLIAM: The Elements. A Heavy Sleep. Black... (Frank Wallace)

Royal S. Brown: An Interview with Stephen Hough

Colin Clarke: WALLACE, WILLIAM: The Elements. A Heavy Sleep. Black... (Frank Wallace)

James Reel: A Conversation with Jon Kimura Parker

David DeBoor Canfield: WALLACE, WILLIAM: The Elements. A Heavy Sleep. Black... (Frank Wallace)

Michael Jameson: Savoring the Unexpected on Chandos ... Symphonies...

Robert Schulslaper: Music’s Widening Gyre

Randall Couch: Confronting an Original: A Conversation with Paul...

Jerry Dubins: REFLECTIONS (Rasa Vitkauskaite)

Peter J. Rabinowitz: “Redefining Classical Music“: A Conversation with...

Robert Schulslaper: Reflections: A Conversation with Rasa Vitkauskaite

Robert McColley: Georg Tintner, Naxos, and the Music of Anton Bruckner

Ronald E. Grames: WELCOME YULE! (Lester Seigel)

20:6 (July/Aug 1997)

Carla Maria Verdino-Süllwold: WELCOME YULE! (Lester Seigel)

Al Fasoldt: The Common-Sense Audiophile

Maria Nockin: WELCOME YULE! (Lester Seigel)

Royal S. Brown: Emotional (and Musical) Fitness: An Interview...

Maria Nockin: Sursum Corda Chorus Master Lester Seigel Discusses...

Raymond Tuttle: CD-ROMing Around Wagner's Ring

Huntley Dent: SCHUBERT; SCHUMANN (Joel Schoenhals)

Royal S. Brown: A Profile of Classico Records

David DeBoor Canfield: CHINESE PIANO MUSIC (Joel Schoenhals)

James Reel: No Room for Fear: An Interview with Pianist Àrcadi...

Raymond Tuttle: CHINESE PIANO MUSIC (Joel Schoenhals)

James Reel: A Conversation with Gilbert Levine

Henry Fogel: SCHUBERT; SCHUMANN (Joel Schoenhals)

Bernard Jacobson: The Haydn Society Lives Again

Colin Clarke: Unpacking Diversity: Pianist Joel Schoenhals on...

Ian Lace: Daniel Levy—A Complete Musician IAN LACE MEETS...

Colin Clarke: PEYTON: Songs from T. Sturge Moore. Sonnets... (Scott Wheeler)

Raymond Tuttle: A First Look at JVC Classics

David DeBoor Canfield: PEYTON: Songs from T. Sturge Moore. Sonnets... (Scott Wheeler)

David K. Nelson: An Interview with Michelle Makarski

Robert Schulslaper: Elegant Craft and Sensitive Musical Command: A...

20:5 (May/June 1997)

Colin Clarke: NEW AMERICAN MASTERS, Vol. 5 (Palisades Virtuosi)

Al Fasoldt: The Common-Sense Audiophile

David DeBoor Canfield: NEW AMERICAN MASTERS, Vol. 5 (Palisades Virtuosi)

Raymond Tuttle: At the Borderline of Silence—An Interview with...

Robert Schulslaper: NEW AMERICAN MASTERS, Vol. 5 (Palisades Virtuosi)

Royal S. Brown: An Interview with Richard Danielpour

Robert Schulslaper: Three-Part Invention: Palisades Virtuosi Tells...

Michael Jameson: Hans Pfitzner, Palestrina, and a Legacy of Obscure...

Jerry Dubins: SCHUBERT: Gretchen am Spinnrade (trans. Liszt)... (Peter Miyamoto)

20:4 (Mar/Apr 1997)

Colin Clarke: Pianist Peter Miyamoto Discusses His Blue Griffin...

Al Fasoldt: The Common-Sense Audiophile

Ronald E. Grames: ADAMS, JOHN: City Noir. Saxophone Concerto (David Robertson)

Walter Simmons: A Continuing Reassessment of Samuel Barber

Robert Carl: ADAMS, JOHN: City Noir. Saxophone Concerto (David Robertson)

James Reel: A Label and a Cultural Sponsor: Americus Records

Ronald E. Grames: Noir-ly Evenings in St. Louis: A Conversation...

Bernard Jacobson: An Interview with Eunice Norton

Colin Clarke: MANSON: California Concertino... (Sara Andon)

Royal S. Brown: An Interview with Thomas Demenga

David DeBoor Canfield: West Coast Icon: An Interview with Bevan Manson

Peter Burwasser: Marc-André Hamelin: “Don't Call Me A Virtuoso.“

Maria Nockin: AN AMERICAN TAPESTRY (Peter Lightfoot)

Royal S. Brown: An Interview with Robert Taub

Carla Maria Verdino-Süllwold: Singing as an Extension of Speech: Baritone Peter...

Ian Lace: Percy Grainger—A Reassessment. IAN LACE TALKS...

Maria Nockin: HIDDEN TREASURES (Seunghee Lee)

Brian Robins: An Interview with Rinaldo Alessandrini

Carla Maria Verdino-Süllwold: Clarinetist Seunghee Lee: Perfectionism and Passion

Royal S. Brown: Klaus Heymann's Third Interview with Fanfare

Jerry Dubins: MENDELSSOHN, FELIX; CRAMER (Kory Katseanes)

20:3 (Jan/Feb 1997)

Lynn René Bayley: MAHLER, GUSTAV: Symphony No. 2 (Kory Katseanes)

James Reel: Zbigniew Zuk: The Next Hermann Baumann?

Huntley Dent: MAHLER, GUSTAV: Symphony No. 2 (Kory Katseanes)

Art Lange: The Common-Sense Audiophile

Robert Markow: Interview with Conductor Kory Katseanes

Al Fasoldt: The Common-Sense Audiophile

Maria Nockin: DON QUIJOTE Y DULCINEA (Jones & Maruri Duo)

James Reel: A Privileged Journey: Duo Pianists Explore Liszt's...

Maria Nockin: EVOCACIONES DE ESPAÑA (Jones & Maruri Duo)

Raymond Tuttle: Music from the Gut: An Interview with Kenneth...

Maria Nockin: BACH, JOHANN SEBASTIAN: Cello Suites, BWV 1007–1012 (Michael Kevin Jones)

Joel Kasow: An Interview with Chris Merritt

Lynn René Bayley: BACH, JOHANN SEBASTIAN: Cello Suites, BWV 1007–1012 (Michael Kevin Jones)

Royal S. Brown: An Interview with Drew Minter

Jerry Dubins: Chatting with Cellist Michael Kevin Jones

Michael Jameson: Crisis and Catharsis: The Music of Negation. Mahler's...

Martin Anderson: Gunnar Idenstam’s French Impressions

Royal S. Brown: An Interview with Gerd Albrecht

George Chien: BACH, JOHANN SEBASTIAN: Cantatas Nos. 170, 54, 53; No.... (Charles Humphries)

20:2 (Nov/Dec 1996)

Bertil van Boer: BACH, JOHANN SEBASTIAN: Cantatas Nos. 170, 54, 53; No.... (Charles Humphries)

Joseph E. Romero: Ear on Europe

Christopher Brodersen: A Most Unusual Voice: An Interview with Countertenor...

Al Fasoldt: The Common-Sense Audiophile

Henry Fogel: GRUNDMAN: Quartet for Strings, “Surviving... (Brodsky Qrt)

Paul Rapoport: In Memory of Vagn Holmboe: A Personal Note

Peter J. Rabinowitz: GRUNDMAN: A Mortuis Resurgere (The Resurrection... (Brodsky Qrt)

Stephen Ellis: Canberra's Anthology of Australian Music, Series...

Colin Clarke: GRUNDMAN: A Mortuis Resurgere (The Resurrection... (Brodsky Qrt)

Art Lange: The Jazz Side of Music & Arts

Henry Fogel: Questions for Jorge Grundman

Randy A. Salas: Star of Indiana Blazes Musical Trails with Brass...

Maria Nockin: HARPSICHORD AT THE HOLIDAYS: Christmas Carols... (Elaine Funaro)

Joanne Forman: The Song Is the Flower: The Music of Lee Hoiby

Christopher Brodersen: ­­­New Life for an Old Instrument: An Interview...

Royal S. Brown: From the Tchaikovsky Competition to the Tchaikovsky...

Carla Maria Verdino-Süllwold: WHITACRE: Water Night. Three Songs of Faith.... (Ronald Staheli)

James Camner: Masterworks Heritage—An Ambitious Debut

Lynn René Bayley: DUKELSKY: Surrealist Suite. Parisian Suite.... (Scott Holden)

Royal S. Brown: An Interview With Richard Hickox

Carla Maria Verdino-Süllwold: DUKELSKY: Surrealist Suite. Parisian Suite.... (Scott Holden)

George Chien: The Want List 1996

Art Lange: DUKELSKY: Surrealist Suite. Parisian Suite.... (Scott Holden)

20:1 (Sept/Oct 1996)

James H. North: BARTÓK; TRADITIONAL (Claudine Bigelow)

Al Fasoldt: The Common-Sense Audiophile

Jerry Dubins: BARTÓK; TRADITIONAL (Claudine Bigelow)

Martin Anderson: Making His Marek THE CONDUCTOR GARY BRAIN TALKS...

Lynn René Bayley: BARTÓK; TRADITIONAL (Claudine Bigelow)

Brian Robins: An Interview with Anthony Rooley of Musica Oscura

Ronald E. Grames: Ben Fales and BYU’s Musical Ambitions

Shirley Apthorp: The Hilliard Ensemble

Peter Burwasser: EVANS, MICHAEL J.: CIPHER (Karolina Rojahn)

Royal S. Brown: A Profile of Angela Gheorghiu

Colin Clarke: “Colors in my Crayon Box”: Michael J. Evans on...

James Reel: A Conversation with Patrice Michaels Bedi

Henry Fogel: RHAPSODIE FRANÇAISE (Jonathan Cohler)

Shirley Apthorp: All About ARTS

Colin Clarke: AMERICAN TRIBUTE (Jonathan Cohler)

Joel Kasow: An Interview with David Pittman-Jennings

Peter Burwasser: AMERICAN TRIBUTE (Jonathan Cohler)

Royal S. Brown: A New Source for Film Music: Edel America

Richard A. Kaplan: AMERICAN TRIBUTE (Jonathan Cohler)

Raymond Tuttle: A Man for All (Concert and Opera) Seasons: A Talk...

Maria Nockin: ROMANZA (Jonathan Cohler)

Royal S. Brown: A Journey Toward Rediscovery: An Interview with...

Richard A. Kaplan: A Conversation with Jonathan Cohler

Royal S. Brown: Ongaku, as in Music: An Interview with Jonathan...

Bill White: SEMIRAMIDE LA SIGNORA REGALE (Anna Bonitatibus)

James Reel: Naxos Dares Another Beethoven Cycle

Carla Maria Verdino-Süllwold: The Royal Lady and the Majestic Mezzo: Anna Bonitatibus...

Raymond Tuttle: Esa-Pekka Salonen, Ten Years Later

Maria Nockin: BECK, BUNNY; WILLIAMS, HANK (Bunny Beck)

19:6 (July/Aug 1996)

Carla Maria Verdino-Süllwold: BECK, BUNNY; WILLIAMS, HANK (Bunny Beck)

Al Fasoldt: The Common-Sense Audiophile

Lynn René Bayley: Dig Bunny Beck!

Martin Anderson: Einojuhani Rautavaara, Symphonist THE FINNISH...

Colin Clarke: ANDRIOTIS: Under. Early Morning Liftoff. The... (Strat Andriotis)

James Reel: A Composer's Pianist: Ramon Salvatore

Maria Nockin: Spanning Musical Styles: An Interview with Strat...

Royal S. Brown: A Profile of Helicon Records

38:1 (Sept/Oct 2014)

Martin Anderson: Fifty Years of Plus and Minus THE CZECH COMPOSER...

Carla Maria Verdino-Süllwold: A Competition Where Everyone is a Winner: The...

Raymond Tuttle: Bridge Records and “Great Performances from The...

Carla Maria Verdino-Süllwold: TIMELESS (Kate Prestia-Schaub)

Martin Anderson: Sanz and Wit with Poesy Allied HOPKINSON SMITH...

Colin Clarke: TIMELESS (Kate Prestia-Schaub)

Joel Kasow: Interview with Myriam Scherchen and René Tremine...

Maria Nockin: Playing the Flute is a Family Tradition: An Interview...

Royal S. Brown: An Interview with Wynton Marsalis

Maria Nockin: JEWISH CELLO MASTERPIECES II (Richard Locker)

19:5 (May/June 1996)

Lynn René Bayley: JEWISH CELLO MASTERPIECES II (Richard Locker)

Joseph E. Romero: Ear on Europe

Henry Fogel: JEWISH CELLO MASTERPIECES II (Richard Locker)

Al Fasoldt: The Common-Sense Audiophile

Jerry Dubins: You Don’t Have to be Jewish—Chatting with Richard...

Michael Jameson: The Nettle-Markham Duo in conversation with Michael...

Henry Fogel: MUSIC FROM ARMENIA FOR CELLO AND PIANO (Heather Tuach)

J. F. Weber: Choir on Cape Cod

Martin Anderson: From Armenia with Love: Music for Cello and Piano

Martin Anderson: A Major Sibelius Rediscovery MARTIN ANDERSON GOES...

Bertil van Boer: BACH, JOHANN SEBASTIAN; PACHELBEL (Barbara Harbach)

Royal S. Brown: From Russia (And Oregon) with Love: The D'Amore...

David DeBoor Canfield: Fanning the Flames of Tonality: The Music of Barbara...

James Reel: A Conversation with Judith Lang Zaimont

Carla Maria Verdino-Süllwold: Patrice Michaels: Fruits of a First Love

Tom Moore: An Interview with Marcel Pérès

37:6 (July/Aug 2014)

19:4 (Mar/Apr 1996)

Maria Nockin: SHATIN: Glyph. Time to Burn. Grito del... (James Dunham)

Al Fasoldt: The Common-Sense Audiophile

Colin Clarke: Time To Burn: Judith Shatin in conversation

William Zagorski: Ricercali, Fantasies, and a Timely Romance: The...

Robert Schulslaper: Made in England: A Conversation with Matthew Sear

David K. Nelson: “It is Not Enough to be a Violinist“—An Interview...

Colin Clarke: WIDOR: Mélodie. Pages intimes, op. 2/3–6... (Paul Rickard-Ford)

Tom Moore: An Interview with David Douglass

Peter J. Rabinowitz: WIDOR: Mélodie. Pages intimes, op. 2/3–6... (Paul Rickard-Ford)

James Reel: Round Top Records: A Small Label from a Big State

Robert Schulslaper: From Convent to Cathedral with Paul Rickard-Ford

Martin Anderson: A Latter-day Ysaýe? MARTIN ANDERSON TALKS TO MARAT...

Lynn René Bayley: PURSER: The Banks of Corrib. Creagan Beaga.... (Bonnie Rideout)

Royal S. Brown: The Return of Juana Zayas

Colin Clarke: PURSER: The Banks of Corrib. Creagan Beaga.... (Bonnie Rideout)

James Reel: Conductor Hobart Earle: An American in and for...

Jerry Dubins: PURSER: The Banks of Corrib. Creagan Beaga.... (Bonnie Rideout)

Michael Ullman: An Interview with Sir Michael Tippett

Martin Anderson: John Purser: Scottish Composer, International...

Royal S. Brown: An Interview with Michael Tilson Thomas

Lynn René Bayley: LATIN AMERICAN GUITAR FAVOURITES (Warren Nicholson)

19:3 (Jan/Feb 1996)

Maria Nockin: A Conversation with Classical Guitarist Warren...

James Reel: Coming Attractions

Raymond Tuttle: NEWMAN, MARIA: Concerto for Cello and String Orchestra... (Scott Hosfeld)

Joseph E. Romero: Ear On Europe

Colin Clarke: NEWMAN, MARIA: Concerto for Cello and String Orchestra... (Scott Hosfeld)

Martin Anderson: Sorabji and Habermann: A Composer and His Interpreter...

Lynn René Bayley: NEWMAN, MARIA: Concerto for Cello and String Orchestra... (Scott Hosfeld)

James H. North: The Slatkin Years: Leonard Slatkin Conducting...

David DeBoor Canfield: Like Father, Like Daughter: The Music of Maria...

Joel Kasow: An Interview With William Christie

Dave Saemann: BACH, JOHANN SEBASTIAN; BULL, JOHN (Anthony Newman)

David K. Nelson: An Interview with Violinist Chin Kim

David DeBoor Canfield: NEWMAN, ANTHONY: Complete Original Works, including... (Various)

Shirley Apthorp: The Artists at Upbeat

Colin Clarke: NEWMAN, ANTHONY: Complete Original Works, including... (Various)

James Reel: Born Again—The Hungaroton Revival

Christopher Brodersen: An Interview with Anthony Newman

Raymond Tuttle: Barbara Harbach, Hester Park, and Other Women...

Colin Clarke: DANCE OF SHADOWS (Roman Mints)

Leslie Gerber: Richter Revived

Martin Anderson: Roman Mints’s New Perspectives on the Solo Violin

Royal S. Brown: Recording the Emotion of Music: A Profile of PopeMusic

Maria Nockin: SEGOVIA: Estudios diarios. Estudio sin luz.... (Agustin Maruri)

Richard Burke: An Interview with Yefim Bronfman

J. F. Weber: NARVÁEZ, DE: Los seys libros de Delphín de Música (Agustin Maruri)

Royal S. Brown: An Interview With Thomas Tirino

Maria Nockin: ARPEGGIONE—Original Compositions for Cello and... (Jones & Maruri Cello-Guitar Duo)

19:2 (Nov/Dec 1995)

Jerry Dubins: SEGOVIA: Estudios diarios. Estudio sin luz.... (Agustin Maruri)

Joseph E. Romero: Ear on Europe

Robert Schulslaper: I Still Have Some Ideas: A Conversation with Agustín...

Al Fasoldt: The Common-Sense Audiophile

Lynn René Bayley: ROCHBERG; CHIHARA; ROREM (Jerome Lowenthal)

James Reel: Deutsche Schallplatten Enters the Free Market

Peter J. Rabinowitz: ROCHBERG; CHIHARA; ROREM (Jerome Lowenthal)

Royal S. Brown: An Interview With Chee-Yun

Art Lange: ROCHBERG; CHIHARA; ROREM (Jerome Lowenthal)

Raymond Tuttle: LaserLight “Scores“ Again: Digital CD + ROMs For...

Peter Burwasser: Interview with Pianist Jerome Lowenthal

Peter J. Rabinowitz: “You Can't Be Comfortable:“ Earl Wild At Eighty

Colin Clarke: LINKS (Lynn Klock)

Royal S. Brown: Artek and the Art of Early Music: An Interview...

Ronald E. Grames: Exploring Links with Lynn Klock and Dennis Zeisler

Robert Carl: Back in the GDR

Scott Noriega: JANÁČEK, LEOŠ: Theme and Variations... (Lars David Kellner)

James Reel: An Interview with James DePreist

Robert Schulslaper: Lars David Kellner: Going Back to the Roots

George Chien: The Want List 1995

Lynn René Bayley: RUBY BRAFF AND DICK HYMAN PLAY NICE TUNES (Ruby Braff)

19:1 (Sept/Oct 1995)

Lynn René Bayley: Dick Hyman, the All-Purpose Jazz Pianist

Joseph E. Romero: Ear on Europe

David DeBoor Canfield: HENDERSON, ALVA: Love is Not All... (Melanie Emelio)

Al Fasoldt: The Common-Sense Audiophile

Lynn René Bayley: HENDERSON, ALVA: Love is Not All... (Melanie Emelio)

Mike Silverton: A Conversation With O.O. Discs's Joseph Celli

Colin Clarke: Composer Alva Henderson in Interview

J. F. Weber: Marian Devotion in the Renaissance ...

Huntley Dent: RAGTIME CLASSICS 1901–1919 (Brian Dykstra)

Brian Robins: Interview With Andrew Davis

George Chien: RAGTIME CLASSICS 1901–1919 (Brian Dykstra)

Raymond Tuttle: Filial Devotion and the Rediscovery of Nicolae...

Robert Schulslaper: RAGTIME CLASSICS 1901–1919 (Brian Dykstra)

Royal S. Brown: An Interview with Frederick Renz

Lynn René Bayley: Brian Dykstra: Ragging the Scale

Royal S. Brown: Budget Labels, the Sequel: The Return of the Vox...

Raymond Tuttle: REFUGE (Divan Consort)

Martin Anderson: Opus Est Martin Anderson Talks to Yolanta Skura

Colin Clarke: REFUGE (Divan Consort)

James Reel: A Visit with Ambassador Recordings

Maria Nockin: A Chat with the Artistic Directors of Divan Consort

Peter J. Rabinowitz: “It's Not Endless, But...“: Niels Höirup and BMG's...

Myron Silberstein: HAYDN, FRANZ JOSEPH: “London” Sonatas... (Sylvia Berry)

Tom Moore: An Interview with Paul Hillier

Jerry Dubins: HAYDN, FRANZ JOSEPH: “London” Sonatas... (Sylvia Berry)

18:6 (July/Aug 1995)

Peter Burwasser: Interview with Pianist Sylvia Berry

Joseph E. Romero: Ear On Europe

Dave Saemann: BEETHOVEN, LUDWIG VAN: Symphonies (David Bernard)

Al Fasoldt: The Common-Sense Audiophile

Daniel Morrison: BEETHOVEN, LUDWIG VAN: Symphonies (David Bernard)

James H. North: THE MUSIC OF DONALD ERB

Jerry Dubins: BEETHOVEN, LUDWIG VAN: Symphonies (David Bernard)

Stephen Ellis: Canberra's Anthology of Australian Music, Second...

Jerry Dubins: A Journey through Beethoven’s Nine Symphonies...

Royal S. Brown: An Interview with Maria Kliegel

Jerry Dubins: John Axelrod on Brahms’s Symphonies and Clara...

Randy A. Salas: Frederick Fennell: Bringing the Winds of Japan...

Colin Clarke: The many sides of “Mr. Synclavier”: an interview...

Peter J. Rabinowitz: Twin Peaks; or, Everest and Vanguard Rescued:...

Maria Nockin: BRAHMS, JOHANNES: Violin Sonatas Nos. 1–3... (Michael Antonello)

Royal S. Brown: On to Elysium: An Interview with Peter Tiboris

Dave Saemann: BACH, JOHANN SEBASTIAN: Violin Concertos (Michael Antonello)

Royal S. Brown: On to Excalibur: A Look at the New Intrada Series

Maria Nockin: VIVALDI, ANTONIO; PUCCINI; BACH, JOHANN SEBASTIAN (Michael Antonello)

Martin Anderson: A Danish David Takes on the World's Goliaths:...

Maria Nockin: BACH, JOHANN SEBASTIAN: Violin Concertos (Michael Antonello)

Charles Timbrell: Alfred Cortot's “Study Editions“

Christopher Brodersen: A Conversation with Michael Antonello and Peter...

Royal S. Brown: An Interview with Alexander Rahbari

37:5 (May/June 2014)

18:5 (May/June 1995)

Jerry Dubins: 20TH-CENTURY MASTERWORKS FOR SOLO VIOLIN (Daniel Stepner)

Al Fasoldt: The Common-Sense Audiophile

Maria Nockin: Interview with Violinist Daniel Stepner

Martin Anderson: A Composer Loyal to His Principles MARTIN ANDERSON...

David DeBoor Canfield: SLEEPER: Violin Concerto No. 1, “hypnagogia.”... (Thomas Sleeper)

J. F. Weber: René Clemencic's Vintage Years ...

Raymond Tuttle: SLEEPER: Violin Concerto No. 1, “hypnagogia.”... (Thomas Sleeper)

Royal S. Brown: Vernissage: A Preview of Corning Attractions

Lynn René Bayley: SLEEPER: Violin Concerto No. 1, “hypnagogia.”... (Thomas Sleeper)

Martin Anderson: An Interview With Miriam Gauci

Robert Schulslaper: Thomas Sleeper: Multiple Choice

Michael Ullman: An Interview With Inna Heifetz

Maria Nockin: SAUL: Piano Sonatas Nos. 1, 2, 4, 5... (Walter Saul)

Martin Anderson: Living Memories: A Conversation with Renaud Machart

Colin Clarke: SAUL; WARKENTIN (Daphne Saul)

David K. Nelson: The 1995 USA International Harp Competition

Colin Clarke: SAUL: From Alpha to Omega (Walter Saul)

James Reel: Aware of the Past, Looking to the Future: Composer...

Colin Clarke: Songs of Requited Love: Walter Saul’s Faith, Love,...

Royal S. Brown: An Interview with Pietro Spada

Raymond Tuttle: MIKKELBORG: Going to Pieces - Without Falling... (Michala Petri)

Martin Anderson: The Other DG: A Conversation with Dabringhaus...

Colin Clarke: BORUP-JØRGENSON: Periphrasis. Nachtstück. Architraves.... (Michala Petri)

Walter Simmons: Nicolas Flagello (1928-1994): A Lost Voice

Bertil van Boer: TELEMANN, GEORG PHILIPP: Sonatas for Recorder and Basso... (Michala Petri)

18:4 (Mar/Apr 1995)

Ronald E. Grames: No Limitations: Michala Petri and the Recorder

Joseph E. Romero: Ear On Europe

Maria Nockin: EMBRACE THE WIND (James J. Pellerite)

Al Fasoldt: The Common-Sense Audiophile

David DeBoor Canfield: The Mystique of the Northern Plains Flute: A Conversation...

Royal S. Brown: An Interview with Gilbert Levine

Jerry Dubins: COME DANCE WITH ME (Katarzyna Musiał)

David K. Nelson: A Conversation with Aaron Rosand

Paul Orgel: COME DANCE WITH ME (Katarzyna Musiał)

James Reel: An Interview with George C. Baker

Lynn René Bayley: Come Dance with Katarzyna Musiał!

Royal S. Brown: An Interview with Kevin Moll

Jerry Dubins: BEETHOVEN, LUDWIG VAN: Piano Sonatas Nos. 9, 10, 23, 31 (Steven Masi)

Martin Anderson: Something Old, Something New An Interview with...

Colin Clarke: Scaling Everest: Steven Masi in conversation about...

James Reel: Joäo Carlos Martins: Bach for the Twenty-first...

Bill White: OPERA AT THE BANDSTAND By George W. Martin. Lanham, MD: Scarecrow, 2014. xx+

Raymond Tuttle: Epiphany Recordings: The Magic of “Something About...

Alan Swanson: Hooked on Opera: A Profile of George W. Martin

Royal S. Brown: Mode Records: A Profile

Paul Orgel: BRAHMS, JOHANNES: Piano Sonata No. 2. Scherzo, op.... (Eric Le Van)

David K. Nelson: 'To Document the Art; To Give the Future Music...

Jerry Dubins: BRAHMS, JOHANNES: Piano Sonata No. 2. Scherzo, op.... (Eric Le Van)

Peter J. Rabinowitz: Every Note He Ever Wrote: The Naxos Liszt Project

Peter Burwasser: EXIL/EXILE. Piano Music by Composers with Roots... (Eric Le Van)

18:3 (Jan/Feb 1995)

Jerry Dubins: On Composers in Exile—A Conversation with Eric...

Al Fasoldt: The Common-Sense Audiophile

Henry Fogel: MUSIC FROM THE WELSH MINES (Rhos Male Voice Choir)

Royal S. Brown: FILM MUSINGS

Lynn René Bayley: FILM NOIR. Original film soundtracks from A Streetcar... (Ziggy Elman)

Royal S. Brown: An Interview with Laurel Zucker

Lynn René Bayley: CHET BAKER: ITALIAN MOVIES: Original soundtracks... (Chet Baker)

Royal S. Brown: An Interview with Mark Kaplan

Raymond Tuttle: JAZZ ON FILM … THE NEW WAVE. Original soundtracks... (Martial Solal)

William Zagorski: Camerata: Where East and West Merge

Lynn René Bayley: Interview with Jason Lee Lazell

James H. North: The Boston Symphony Orchestra Preserves Its History:...

David DeBoor Canfield: Shifting Winds: An Interview with Jerry Junkin

Royal S. Brown: The San Diego Chamber Orchestra: Ten Years Young

Dave Saemann: IN MY MEMORY. American Songs and Song Cycles (Kerry Jennings)

Royal S. Brown: An Interview with Paavo Järvi

Colin Clarke: IN MY MEMORY. American Songs and Song Cycles (Kerry Jennings)

18:2 (Nov/Dec 1994)

Maria Nockin: Interview with Tenor Kerry Jennings

Joseph E. Romero: Ear on Europe

Lynn René Bayley: BRAHMS, JOHANNES: String Sextets Nos. 1 and 2. String... (Alexander Str Qrt)

Al Fasoldt: The Common-Sense Audiophile

Jerry Dubins: BRAHMS, JOHANNES: String Sextets Nos. 1 and 2. String... (Alexander Str Qrt)

Martin Anderson: The Salabert Story: An Interview with Hervé Burckel...

Lynn René Bayley: SCHUMANN; BRAHMS, JOHANNES (Alexander Str Qrt)

James Camner: The Vienna Opera—Live An Overview

Jerry Dubins: And now Brahms—Zak Grafilo on the Alexander Quartet’s...

Martin Anderson: GLOSSA: An Interview with José Carlos Gabello

Colin Clarke: Stained Glass Windows: Conductor Bradley Genevro...

Royal S. Brown: An Interview with Frederic Chiù

Art Lange: AMERICAN FANTASIES (Hasse Borup)

Martin Anderson: Interview with Múza Rubackyté

Peter Burwasser: AMERICAN FANTASIES (Hasse Borup)

George Chien: The 1994 Want List

Peter Burwasser: Making Classical Music Cool: An Interview with...

18:1 (Sept/Oct 1994)

Jerry Dubins: GOLDEN CELEBRATION. A Recital of American and... (Gerald Carey)

Joseph E. Romero: Ear on Europe

Dave Saemann: GOLDEN CELEBRATION. A Recital of American and... (Gerald Carey)

Al Fasoldt: The Common-Sense Audiophile

Maria Nockin: Interview with Flutist Gerald V. Carey and Cellist...

Peter J. Rabinowitz: The Two-Hundred Percent Quartet: A Conversation...

Scott Noriega: SWISS ASPECTS. Orchestral Music from Argovia 1945–1970 (Douglas Bostock)

Raymond Tuttle: “Never fail to make music“: RCA Victor's Pierre...

Peter J. Rabinowitz: SWISS ASPECTS. Orchestral Music from Argovia 1945–1970 (Douglas Bostock)

William Zagorski: Fandangos and Rococo Variations: A Postconcert...

Ronald E. Grames: SWISS ASPECTS. Orchestral Music from Argovia 1945–1970 (Douglas Bostock)

James Reel: From Beginning to End: Danish Music on dacapo

David DeBoor Canfield: SWISS ASPECTS. Orchestral Music from Argovia 1945–1970 (Douglas Bostock)

Royal S. Brown: An Interview with Marios Nobre

Martin Anderson: Douglas Bostock’s Aargau Adventures

Tom Moore: Early Music, Old and New, from Lyrichord

37:4 (Mar/Apr 2014)

Randy A. Salas: Bongiovanni: (Still) Celebrating 70 Years of Music-making

Colin Clarke: ZES: The Divine Liturgy of St. John... (Alexander Lingas)

James Reel: Impressions of Jenő Jandó

Ronald E. Grames: Reflections on the Byzantine: A Conversation with...

Royal S. Brown: Koch International Classics: An Interview with...

Lynn René Bayley: LE CIRQUE (William Anderson)

Martin Anderson: A Siren Voice for French Music

Maria Nockin: LE CIRQUE (William Anderson)

17:6 (July/Aug 1994)

Colin Clarke: LE CIRQUE (William Anderson)

Joseph E. Romero: Ear on Europe

Robert Schulslaper: Furious Artisans and the Pursuit of Perfection

Al Fasoldt: The Common-Sense Audiophile

Raymond Tuttle: GHOSTS AND BALLYHOO: MEMOIRS OF A FAILED L.A. MUSIC JOURNALIST . By Thomas Wictor. Atglen, PA: Schiffer Publishing, 2013.

Royal S. Brown: The 20th Century Fox “Film Scores“ Series: An...

Maria Nockin: GHOSTS AND BALLYHOO: MEMOIRS OF A FAILED L.A. MUSIC JOURNALIST . By Thomas Wictor. Atglen, PA: Schiffer Publishing, 2013.

Alex Ross: The Philosophy at New Albion

Robert Schulslaper: Ghosts and Ballyhoo: A Conversation with Thomas...

17:5 (May/June 1994)

Jerry Dubins: ROSLAVETS: Cello Sonatas No. 1; No. 2... (Lachezar Kostov)

Joseph E. Romero: Ear on Europe

Peter Burwasser: NENOV: Theme and Variations in F♯... (Viktor Valkov)

Al Fasoldt: The Common-Sense Audiophile

Peter J. Rabinowitz: NENOV: Theme and Variations in F♯... (Viktor Valkov)

Joseph E. Romero: Midem '94: Multimedia, The Rising Star

Colin Clarke: NENOV: Theme and Variations in F♯... (Viktor Valkov)

Martin Anderson: Future in the Past

Martin Anderson: Viktor Valkov Plays Piano Music by his Compatriot...

Royal S. Brown: The Czech Philharmonic: A Centenary Celebration...

Jerry Dubins: RACHMANINOFF; YOSHINAKA (Yaroslav Senyshyn)

James H. North: Nineteenth-Century Czech Opera on Disc: Smetana....

Colin Clarke: RACHMANINOFF; YOSHINAKA (Yaroslav Senyshyn)

James Reel: Accessible New Foreground Music: Electroacoustic...

Maria Nockin: REFLECTIONS & RELATIONSHIPS (Yaroslav Senyshyn)

Royal S. Brown: Berlin Classics: The Wall Has Fallen

Colin Clarke: REFLECTIONS & RELATIONSHIPS (Yaroslav Senyshyn)

17:4 (Mar/Apr 1994)

Robert Schulslaper: “The whole point of music is emotion”*: A conversation...

Joseph E. Romero: Ear On Europe

Ronald E. Grames: ARCTIC LIGHT: FINNISH ORTHODOX MUSIC (Ivan Moody)

James Reel: Laser Disc Views

James A. Altena: Mystical Light from Arctic Climes: An Interview...

Al Fasoldt: The Common-Sense Audiophile

Paul Orgel: RETROSPECTION (Susan Merdinger)

Royal S. Brown: An Interview with liana Vered

Lynn René Bayley: RETROSPECTION (Susan Merdinger)

James H. North: The Art of Transferring 78s: A Visit with Mark...

Jerry Dubins: Then and Now—A Conversation with Pianist Susan...

James Reel: The Survival of a Mythic Creature: The Independent...

Colin Clarke: LEVAILLANT: Echo de Narcisse. Paysage de Conte.... (Denis Levaillant)

Royal S. Brown: Discovering Discover International

Leni Bogat: Composer Denis Levaillant: Renaissance Man

James Camner: Great Operas at the Met: An Unsurpassed Opera...

Colin Clarke: KYR: A Time for Life (Alexander Lingas)

Peter J. Rabinowitz: Taking a U-Turn: An Interview with ASV's Richard...

Carson Cooman: The Joy of Creation: An Interview with Robert...

William Zagorski: A Categorical View on Categories: The Recording...

Raymond Tuttle: STEINER: Treasure of Sierra Madre... (Barry Araújo Kolman)

Royal S. Brown: A Profile of Bonneville

Arthur Lintgen: STEINER: Treasure of Sierra Madre... (Barry Araújo Kolman)

Peter J. Rabinowitz: An Entire Philosophy Of Life: A Visit To Nimbus...

Jorge Variego: EL LENGUAJE DE LA MUSICA, AL DESCUBIERTO: Un Método Tan Fácil Que Cualquier Persona Es Capaz De Aprender A Leer Y Escribir Música By Barry Araújo Kolman. Trans. by Maria Eugenia Melerio. Editorial Seleer, 2013,

17:3 (Jan/Feb 1994)

Maria Nockin: THE LANGUAGE OF MUSIC REVEALED: A Real Easy Way for Anyone to Learn to Read and Write Music By Barry Araújo Kolman. Boca Raton: Universal Publishers, 2012.

Joseph E. Romero: Ear On Europe

Alan Swanson: Clarinets, Classrooms, and Conducting: A Conversation...

James Reel: Coming Attractions

Jerry Dubins: Chatting with Pianist Weiyin Chen in the Key of...

James Reel: Laser Disc Views

Colin Clarke: BRICKLE; BUSONI; PEROTINUS (Cygnus Ens)

Al Fasoldt: The Common-Sense Audiophile

David DeBoor Canfield: BRICKLE; BUSONI; PEROTINUS (Cygnus Ens)

Allan Evans: Jerome Lowenthal on Liszt: A Conversation with...

Lynn René Bayley: Frank Brickle and his “Music of the Spheres”

Royal S. Brown: Profile Of Doron Music

37:3 (Jan/Feb 2014)

Randy A. Salas: New from Switzerland: Divox and Memoria

Gavin Dixon: REGER, MAX: Silhouetten (7), op. 53... (Martha Thomas)

Royal S. Brown: Skarbo: The French Accent

Jerry Dubins: Remembering a Forgotten Romantic: Chatting with...

William Zagorski: Matthew H. Phillips and Those Fabulous Americans—Most...

Robert Maxham: ELGAR: Violin Concerto (Gabriel Ng)

Royal S. Brown: FY-Solstice ... as in François and Yvette

Robert Markow: From Singapore: Orchestra of the Music Makers

Peter J. Rabinowitz: A Testament To Quality: A Conversation with Stewart...

Colin Clarke: HAIR; MAHIN (Scottish Voices)

Royal S. Brown: A Profile Of Clarinet Classics

Martin Anderson: Graham Hair, Ecstatic Australian in Glasgow, Talks...

Alex Ross: The cpo Story

Lynn René Bayley: INCANTATIONS AND INSPIRATIONS (Duo d’amore)

David Johnson: Claves Records: The First Quarter-Century

Colin Clarke: INCANTATIONS AND INSPIRATIONS (Duo d’amore)

17:2 (Nov/Dec 1993)

Maria Nockin: A Chat with the Duo d’amore

Joseph E. Romero: Ear On Europe

Colin Clarke: CHESKY: The New York Rags (David Chesky)

James Reel: Coming Attractions

David DeBoor Canfield: CHESKY: The New York Rags (David Chesky)

James Reel: Laser Disc Views

Robert Schulslaper: New York City Composer: David Chesky on Time,...

Al Fasoldt: The Common-Sense Audiophile

Jerry Dubins: PARRY: String Quartet No. 3 in G. String... (Bridge Qrt)

James Miller: Tim Page on Catalyst

Daniel Morrison: O’NEILL, N.: String Quartet in C. Piano Trio... (Bridge Qrt)

Stephen Ellis: Australian Commitment and Enterprise, Finale:...

Jerry Dubins: O’NEILL, N.: String Quartet in C. Piano Trio... (Bridge Qrt)

Randy A. Salas: Leonard Slatkin's Pictures. New Shoes for an Old...

Paul A. Snook: O’NEILL, N.: String Quartet in C. Piano Trio... (Bridge Qrt)

Royal S. Brown: From Sweden: Phono Suecia

Daniel Morrison: IBERT: String Quartet... (Bridge Qrt)

Tom Moore: The Ladies of Ladymass: An Interview

Jerry Dubins: IBERT: String Quartet... (Bridge Qrt)

Anthony D. Coggi: The Road to Quadrivium

Martin Anderson: The Bridge String Quartet, Champions of English...

David Johnson: A Truly Blessed Schubertian: An Interview with...

Jerry Dubins: BACH, JOHANN SEBASTIAN: Goldberg Variations (Sophia Gilmson)

Michael Ullman: Concord's Extraordinary Piano Series

Christopher Brodersen: A Confluence of Two Worlds: Pianist and Harpsichordist...

James Camner: Romophone: High-Tech Reissues of Antique Vocal...

Maria Nockin: KODÁLY: Sonata for Solo Cello, op. 8... (Lionel Handy)

Joseph E. Romero: FNAC MUSIC: A Baroque “Affaire“

Jerry Dubins: KODÁLY: Sonata for Solo Cello, op. 8... (Lionel Handy)

William Zagorski: On the Building of Pipelines: William Thomas McKinley...

Peter J. Rabinowitz: BAX: Sonatina in D. Rhapsodic Ballad.... (Lionel Handy)

Royal S. Brown: An Interview with Susanne Mebes

Daniel Morrison: BAX: Sonatina in D for Cello and Piano... (Lionel Handy)

George Chien: The Want List 1993

Maria Nockin: BAX: Sonatina in D for Cello and Piano... (Lionel Handy)

17:1 (Sept/Oct 1993)

Jerry Dubins: Lionel Handy on Bax, Kodály, and the Cello

Joseph E. Romero: Ear on Europe

Colin Clarke: HEINZER: Baie Mahault. Symphony No. 4 (Julius Aria Sahbai)

James Reel: Coming Attractions

Martin Anderson: Josef Peter Heinzer, Swiss Symphonist—and Diver

James Reel: Laser Disc Views

Peter J. Rabinowitz: It Starts from Nowhere: JoAnn Falletta and the...

Al Fasoldt: The Common-Sense Audiophile

Colin Clarke: GERSHWIN; CONFREY; BEIDERBECKE (Geoffrey Haydon)

Royal S. Brown: An Interview with David Schrader

Robert Schulslaper: Gershwin Plus: A Conversation with Geoffrey Haydon

Peter J. Rabinowitz: “Making It Shine Again“: Dutton Laboratories'...

Barry Brenesal: BORTNIANSKY, DIMITRI: Cherubic Hymn No. 7. Choral Concertos... (Marika Kuzma)

Royal S. Brown: Proprius, as in “One's Own“

Daniel Morrison: BORTNIANSKY, DIMITRI: Cherubic Hymn No. 7. Choral Concertos... (Marika Kuzma)

Michael Ullman: Concord Concerto

Barry Brenesal: Interview with Marika Kuzma

James Camner: Eklipse Records—A Fascinating Historic Grab-Bag

Peter J. Rabinowitz: NADIA REISENBERG CARNEGIE HALL RECITAL 1947 (Nadia Reisenberg)

Royal S. Brown: Altarus ... America

Lynn René Bayley: NADIA REISENBERG CARNEGIE HALL RECITAL 1947 (Nadia Reisenberg)

James Reel: An Interview with James Sedares

Michael Ullman: MOZART: Sonatas for Piano Four Hands... (Nadia Reisenberg)

James H. North: Korngold and Krenek: Decca/London Takes Another...

Radu A. Lelutiu: NADIA REISENBERG: LIVE IN CONCERT (Nadia Reisenberg)

Royal S. Brown: Telarc and the Atlanta Symphony Orchestra: A Happy...

Dave Saemann: CHOPIN, FRÉDÉRIC: Nocturnes... (Nadia Reisenberg)

16:6 (July/Aug 1993)

Paul Orgel: NADIA REISENBERG AND ERICK FRIEDMAN IN PERFORMANCE... (Erick Friedman)

Joseph E. Romero: Ear on Europe

Dave Saemann: NADIA REISENBERG AND ERICK FRIEDMAN IN PERFORMANCE... (Erick Friedman)

James Reel: Coming Attractions

David DeBoor Canfield: NADIA REISENBERG: LIVE IN CONCERT (Nadia Reisenberg)

James Reel: Laser Disc Views

Robert Schulslaper: Preserving Their Legacy: A Conversation with Robert...

Al Fasoldt: The Common-Sense Audiophile

Jorge Variego: ULMAN, BARBARA: The Centipede... (Daniel Shaw)

Richard Burke: Living Stereo

Colin Clarke: ULMAN, BARBARA: The Centipede... (Daniel Shaw)

Stephen Ellis: Australian Commitment and Enterprise, Part II:...

David DeBoor Canfield: ULMAN, BARBARA: The Centipede... (Daniel Shaw)

Royal S. Brown: An Interview with Peter Tiboris

Lynn René Bayley: Composer Barbara Ulman: A “New Voice”

Jeff James: An Interview with XLNT's Jim Cohn

David DeBoor Canfield: THE HOURS BEGIN TO SING (Lisa Delan)

Royal S. Brown: An Interview with llya Stupel

Lynn René Bayley: THE HOURS BEGIN TO SING (Lisa Delan)

William Zagorski: On the Marketing of a Vision: Conifer in the U.S.

Peter J. Rabinowitz: GETTY: Homework Suite... (Conrad Tao)

Royal S. Brown: BIS: The CD—and the Mini-Disc Too

Colin Clarke: GETTY: Plump Jack (Ulf Schirmer)

16:5 (May/June 1993)

Henry Fogel: GETTY: Plump Jack (Ulf Schirmer)

Joseph E. Romero: Ear on Europe

Lynn René Bayley: GETTY: Usher House (Lawrence Foster)

James Reel: Coming Attractions

Lynn René Bayley: Meet Gordon Getty

James Reel: Laser Disc Views

Lynn René Bayley: BRAHMS, JOHANNES; SCHUMANN, CLARA (John Axelrod)

Al Fasoldt: The Common-Sense Audiophile

Dave Saemann: BRAHMS, JOHANNES; SCHUMANN, CLARA (John Axelrod)

Royal S. Brown: An Interview with Derek Han

Jerry Dubins: BRAHMS, JOHANNES; SCHUMANN, CLARA (John Axelrod)

Tom Moore: Das Alte Werk Rediviva

Jerry Dubins: John Axelrod on Brahms’s Symphonies and Clara...

Royal S. Brown: My Name Is Barry ... John Barry

David DeBoor Canfield: COCHRAN: Mazurkas... (Julian Cochran)

Michael Ullman: The Shimmer in the Motion of Things: An Interview...

Colin Clarke: COCHRAN: Mazurkas... (Julian Cochran)

Royal S. Brown: A Profile of Mitsuko Shirai and Hartmut Höll

Peter Burwasser: An interview with Julian Cochran

Stephen Ellis: Commitment and Enterprise: ABC Classics and Vox...

Lynn René Bayley: HOMMAGE Á ZUZANA RŮŽIČKOVÁ (Zuzana Růžičková)

Royal S. Brown: An Interview with Idil Biret

James H. North: KALABIS: Symphony No. 2, “Sinfonia pacis”.... (Zdeněk Košler)

William Zagorski: On the Making of Herschel Gilbert's Laurel Record

Martin Anderson: HARPSICHORD MUSIC FROM ENGLAND, SPAIN, AND PORTUGAL (Zuzana Růžičková)

Royal S. Brown: A Profile of Francesco d'Avalos

Bertil van Boer: HARPSICHORD MUSIC FROM ENGLAND, SPAIN AND PORTUGAL (Zuzana Růžičková)

16:4 (Mar/Apr 1993)

Martin Anderson: Zuzana Růžičková, Doyenne of the Harpsichord—and...

Joseph E. Romero: Ear on Europe

David DeBoor Canfield: HIGDON, JENNIFER: Amazing Grace... (Serafin Str Qrt)

James Reel: Coming Attractions

Colin Clarke: HIGDON, JENNIFER: Amazing Grace... (Serafin Str Qrt)

James Reel: Laser Disc Views

Jorge Variego: HIGDON, JENNIFER: Amazing Grace... (Serafin Str Qrt)

Al Fasoldt: The Common-Sense Audiophile

Lynn René Bayley: HIGDON, JENNIFER: Amazing Grace... (Serafin Str Qrt)

Royal S. Brown: Analekta: The Mainstream of Canada

Radu A. Lelutiu: QUARTET AMERICAN STYLE: POSTCARDS FROM THE AMERICAN... (Serafin Str Qrt)

James H. North: Youri Egorov. A Life. The Foundation. New Releases....

Colin Clarke: QUARTET AMERICAN STYLE: POSTCARDS FROM THE AMERICAN... (Serafin Str Qrt)

Royal S. Brown: An Interview with Paul Hillier

Daniel Morrison: QUARTET AMERICAN STYLE: POSTCARDS FROM THE AMERICAN... (Serafin Str Qrt)

Bernard D. Sherman: Bach in Full Voice: Jeffrey Thomas and the American...

Lynn René Bayley: Inside the Serafin String Quartet

Royal S. Brown: Sergio and Odair Assad: Duo Guitarists Extraordinaire

Maria Nockin: MCDONALD: Lyrical Study. Poem, op. 12b... (Joanna Kurkowicz)

Robert McColley: Blackwood at Sixty: Easley Does It All

Ronald E. Grames: MCDONALD: Lyrical Study. Poem, op. 12b... (Joanna Kurkowicz)

Royal S. Brown: An Interview with Rodion Shchedrin

David DeBoor Canfield: The Violin Music of John McDonald

16:3 (Jan/Feb 1993)

Jerry Dubins: PIANIST LOST: EXCESSES AND EXCUSES (Peter Halstead)

Joseph E. Romero: Ear on Europe

Peter Burwasser: PIANIST LOST: EXCESSES AND EXCUSES (Peter Halstead)

James Reel: Coming Attractions

Robert Schulslaper: Music is Just the Start of It: A Conversation...

James Reel: Laser Disc Views

37:2 (Nov/Dec 2013)

Al Fasoldt: The Common-Sense Audiophile

Andrew Quint: The 3beez Wax Music Management System: A CD Player...

Royal S. Brown: Marc Grauwels/Syrinx Records/Marc Grauwels

Robert Markow: The Montreal Chamber Music Festival

William Wians: The Complete Musician: A Conversation with Gunther...

Jerry Dubins: MENDELSSOHN, FELIX; MENDELSSOHN-HENSEL, FANNY (Nancy Green)

Royal S. Brown: From Pickwick International: IMP and RPO via Allegro

Paul Orgel: MENDELSSOHN, FELIX; MENDELSSOHN-HENSEL, FANNY (Nancy Green)

David Hurwitz: Classical Heavy Metal? A Conversation with Paul...

Jerry Dubins: Mainly Mendelssohn: A Conversation with Nancy...

Royal S. Brown: An Interview with Markus Klinko

Scott Noriega: BEETHOVEN, LUDWIG VAN; BIZET (David McGrory)

David Hurwitz: Competition No. 2

Jerry Dubins: From Beethoven to Bizet: Chatting with Pianist...

James Miller: Ernest Ansermet: Economy, Proportion, and Logic

Colin Clarke: SKELTON: Ohr Songs (Stephen Lusmann)

Royal S. Brown: Kurt Masur Today: A Brief Profile

David DeBoor Canfield: With a Song in His Heart: An Interview with Logan...

Kevin Bazzana: Glenn Aplenty: Sony Classical's New Glenn Gould...

Maria Nockin: John Eaken Chats About His Trio’s Holiday Recordings

Royal S. Brown: A Conversation with Hae Jung Kim

Peter J. Rabinowitz: LIMA, TOMÁS DE: Sonatas... (Miguel Campinho)

16:2 (Nov/Dec 1992)

Martin Anderson: Miguel Campinho presents Eurico Tomás de Lima...

James Reel: Coming Attractions

Jerry Dubins: SCHUBERT; SCHUBERT-LISZT; PAGANINI-LISZT... (Zsolt Bognár)

Bernard D. Sherman: “Maybe We Are All Wrong“— An Interview with Gustav...

Colin Clarke: SCHUBERT; SCHUBERT-LISZT; PAGANINI-LISZT... (Zsolt Bognár)

James Reel: Laser Disc Views

Radu A. Lelutiu: A Conversation with Zsolt Bognár

Al Fasoldt: The Common-Sense Audiophile

Maria Nockin: Rachel Barton Pine Discusses Her Interpretations...

Royal S. Brown: Continuing to Build Bridge Records

37:1 (Sept/Oct 2013)

David Hurwitz: Meyer Kupferman: The Business of Atonal Jazz

Bertil van Boer: ROYER: Premier livre de pièces pour clavecin (Yago Mahúgo)

Scott Wheeler: Sony Broadway—Eleven Reissues

Christopher Brodersen: A Close Call: Harpsichordist Yago Mahúgo

Royal S. Brown: An Interview with Kenneth Klein

Jerry Dubins: BEETHOVEN, LUDWIG VAN: Piano Sonatas (Steven Masi)

David Johnson: The Archduke Behind Beethoven's Trio: An Interview...

Maria Nockin: Interview with Steven Masi

Royal S. Brown: CRI: The Old and the New

Phillip Scott: HIGDON, JENNIFER: Dash. Sonata for Alto Sax and Piano.... (Nicole Riner)

George Chien: The Want List 1992

David DeBoor Canfield: HIGDON, JENNIFER: Dash. Sonata for Alto Sax and Piano.... (Nicole Riner)

16:1 (Sept/Oct 1992)

Lynn René Bayley: Interviewing Jennifer Higdon

Joseph E. Romero: Ear on Europe

Lynn René Bayley: Stringing Along With Trio Voce

James Reel: Coming Attractions

Robert Schulslaper: A Voyage Home: Recording the Music of My Country....

James Reel: Laser Disc Views

Maria Nockin: OWEN: River Runs (Chuck Owen)

Al Fasoldt: The Common-Sense Audiophile

Phillip Scott: Chuck Owen Goes With The Flow

Royal S. Brown: A Conversation with Jordi Savall

Maria Nockin: BEETHOVEN, LUDWIG VAN: Cello Sonatas 1–5. Variations on... (Florestan Duo)

Peter J. Rabinowitz: The Golden Age Revisited

Jerry Dubins: Beethoven and the Cello—A Chat with the Florestan...

David Johnson: The Caravels Return: France's K617 Recovers the...

David DeBoor Canfield: FLAGELLO; ROSNER (David Bertman)

Royal S. Brown: Bay Cities: Film Music, the Classics... and Somewhere...

Ronald E. Grames: FLAGELLO; ROSNER (David Bertman)

David Mason Greene: Gaieté Lyrique

Lynn René Bayley: FLAGELLO; ROSNER (David Bertman)

Royal S. Brown: Collins Classics: A Profile

Phillip Scott: FLAGELLO; ROSNER (David Bertman)

Mortimer H. Frank: Leonard Bernstein: The Royal Edition A new Sony...

Walter Simmons: The Houston Connection

Ralph V. Lucano: John Rutter and Collegium Records

Lynn René Bayley: BRAHMS, JOHANNES: String Quintets Nos. 1 and 2 (Uppsala Ch Soloists)

Royal S. Brown: An Interview with Hugh Wolff

Martin Anderson: Bracing Brahms from the Uppsala Chamber Soloists

Ralph V. Lucano: A Conversation with William Sharp

Lynn René Bayley: BACH, JOHANN SEBASTIAN: Goldberg Variations (arr. Schmeding) (Martin Schmeding)

Peter J. Rabinowitz: Lime Jello and Godowsky: A Conversation with Jody...

James A. Altena: BACH, JOHANN SEBASTIAN: Goldberg Variations (arr. Schmeding) (Martin Schmeding)

Royal S. Brown: A Profile of Margaret Buechner

Carson Cooman: Where Your Ideas Lead You: An Interview with Martin...

15:6 (July/Aug 1992)

Robert Schulslaper: Bruce Wolosoff: American Eclectic

James Reel: Coming Attractions

Peter J. Rabinowitz: SCHUBERT; CHOPIN, FRÉDÉRIC; LISZT... (Hristo Kazakov)

James Reel: Laser Disc Views

Radu A. Lelutiu: SCHUBERT; CHOPIN, FRÉDÉRIC; LISZT... (Hristo Kazakov)

Al Fasoldt: The Common-Sense Audiophile

Peter Burwasser: DEBUSSY: Suite Bergamasque... (Hristo Kazakov)

Royal S. Brown: The Tallis Scholars, Gimell, and Peter Phillips

Jerry Dubins: DEBUSSY: Suite Bergamasque... (Hristo Kazakov)

James H. North: Paul Hindemith as Opera Composer

Radu A. Lelutiu: DEBUSSY: Suite Bergamasque... (Hristo Kazakov)

Royal S. Brown: A Major Film/Music Collaboration Richard Robbins...

Radu A. Lelutiu: Catching Up with Hristo Kazakov

James Reel: Fortitude in Phoenix: Conductor James Sedares...

Maria Nockin: STILL: The Little Song that Wanted to... (Howard Hanson)

Royal S. Brown: An Interview with Tatiana Nikolaeva

Dave Saemann: STILL: The Little Song that Wanted to... (Howard Hanson)

Mike Silverton: Doors to Perception Ajar: A Conversation with...

David DeBoor Canfield: Still Going Strong: An Interview with Judith Anne...

Royal S. Brown: A Look at Timpani

Maria Nockin: GRIGORIU: Trinity Concerto. The Great Passage.... (Ian Hobson)

15:5 (May/June 1992)

Lynn René Bayley: MARTINŮ: Prélude en forme de scherzo. Orchestral... (Ian Hobson)

James Reel: Coming Attractions

Phillip Scott: MARTINŮ: Prélude en forme de scherzo. Orchestral... (Ian Hobson)

James Reel: Laser Disc Views

Jerry Dubins: Ian Hobson Celebrates the 180th Anniversary of...

Al Fasoldt: The Common-Sense Audiophile

David DeBoor Canfield: The Flute and Compositional Artistry of Su Lian...

Royal S. Brown: An Interview with Julian Lloyd Webber

Colin Clarke: PICTURES (Die 12 Pianisten)

David Hurwitz: Countertenors and Other Musical Curiosities: A...

David DeBoor Canfield: BOLERO NIGHT (Die 12 Pianisten)

Royal S. Brown: Cala: A Recording Company with a Philosophy

David DeBoor Canfield: Don’t Hog the Keys! An Interview with Christoph...

Peter J. Rabinowitz: Not a Specialist: A Conversation with Yefim Bronfman

Jerry Dubins: MCLEAN, M.; SCHUMANN; SHOSTAKOVICH (Roger Myers)

David Hurwitz: Music of Passion and Beauty: Sony Classical Producer...

Phillip Scott: Fantasy and Farewell: An Interview with Roger...

Michael Ullman: An All-Star Orchestra

Colin Clarke: MOZART: Piano Sonatas (Dena Piano Duo)

Allan Evans: Pauline Oliveros: Deep Listening

James A. Altena: Four-Handed Synergy: An Interview with the Dena...

15:4 (Mar/Apr 1992)

Ronald E. Grames: VANMATRE; PENSYL (Rick VanMatre)

Mike Silverton: Running Amuck

Lynn René Bayley: Discovering Rick VanMatre and “Outside” Jazz

James Reel: Coming Attractions

Colin Clarke: SCHWENDINGER: High Wire Act. Nonet. Rumor. Sonata... (BrightMusic)

James Reel: Laser Disc Views

Art Lange: SCHWENDINGER: High Wire Act. Nonet. Rumor. Sonata... (BrightMusic)

Al Fasoldt: The Common-Sense Audiophile

Barnaby Rayfield: SCHWENDINGER: High Wire Act. Nonet. Rumor. Sonata... (BrightMusic)

Royal S. Brown: An Interview with Christian Lindberg

Robert Schulslaper: Laura Elise Schwendinger’s High Wire Act

William Zagorski: On the Slaying of Minotaurs: Klaus Heymann and...

Lynn René Bayley: ANIMA DEL SUR (SOUL OF THE SOUTH) (Castellani-Andriaccio Guitar Duo)

Ralph V. Lucano: Philippe Herreweghe Branches Out

Maria Nockin: A Chat with Michael Andriaccio and Joanne Castellani...

David Hurwitz: Leonard Bernstein: A Portrait

Lynn René Bayley: PELOSI: 13 Preludes and Fugues with Epilogue (Mateusz Borowiak)

James Camner: Welcome Back, IRCC!

David DeBoor Canfield: All Through the Keys: An Interview with Pianist...

Jon Tuska: Harmonia Mundi USA Celebrates a Decade of Achievement

Colin Clarke: PELOSI: 13 Preludes and Fugues with Epilogue (Mateusz Borowiak)

Michael Ullman: Eddie Daniels: The Sound of Maturity

Lynn René Bayley: PELOSI: String Quartets Nos. 1 and 2... (Piotr Tarcholik)

James H. North: Resurrecting Alexander Zemlinsky

Colin Clarke: PELOSI: String Quartets Nos. 1 and 2... (Piotr Tarcholik)

Peter J. Rabinowitz: “Part of the Bigger Circle“: A Conversation with...

David DeBoor Canfield: A Musical Memorial for Rosemarie: An Interview...

Scott Wheeler: Sony Broadway—A New Kismet and Eight Reissues

Dave Saemann: MOZART: Eine kleine Nachtmusik, K 525... (Marcello di Lisa)

15:3 (Jan/Feb 1992)

Christopher Brodersen: Making Great Strides: An Interview with Marcello...

James Reel: Coming Attractions

Peter Burwasser: LISZT: Eight Transcriptions from Christus (Nicolas Horvath)

James H. North: A Serious Record Collector Abroad

Colin Clarke: LISZT: Eight Transcriptions from Christus (Nicolas Horvath)

William H. Youngren: The Other Toscanini Project

Jerry Dubins: LISZT: Eight Transcriptions from Christus (Nicolas Horvath)

James Reel: Laser Disc Views

Radu A. Lelutiu: A Conversation with Nicolas Horvath

Al Fasoldt: The Common-Sense Audiophile

David DeBoor Canfield: FUCHS, K.: Atlantic Riband. American Rhapsody.... (JoAnn Falletta)

Royal S. Brown: Koch International: Past, Present, and Future

Phillip Scott: FUCHS, K.: Atlantic Riband. American Rhapsody.... (JoAnn Falletta)

David Hurwitz: The Norwegian Victoria Music Festival or is There...

Jerry Dubins: FUCHS, K.: Atlantic Riband. American Rhapsody.... (JoAnn Falletta)

Peter J. Rabinowitz: “The Label Must Have a Spirit“: A Conversation...

David DeBoor Canfield: FUCHS, K.: Atlantic Riband. American Rhapsody.... (JoAnn Falletta)

Peter J. Rabinowitz: “To Enrich Our Whole Lives“: A Conversation with...

Jerry Dubins: The New Americana—A Conversation with Composer...

Tom Moore: New Things from the East: Slovak Treasures of...

Ronald E. Grames: Finding Art and Life in the Moment: Donald Nally...

Robert McColley: Cedille Records: New Spotlight on Classics in...

David DeBoor Canfield: PETRIDOU: Songs... (Alison Smart)

James Reel: Aiming High: The Ascent of Summit Records

Martin Anderson: Cilia Petridou, A Voice of Cypriot Exile

Leslie Gerber: A Conversation with Santiago Rodriguez

George Chien: Steven Staryk—A Retrospective: Volume 3 (Steven Staryk)

Ralph V. Lucano: An Interview with Jerry Hadley

Jerry Dubins: Steven Staryk—A Retrospective: Volume 1 (Steven Staryk)

Jon Tuska: Art & Electronics: A Unique Partnership

Dave Saemann: Steven Staryk—A Retrospective: Volume 1 (Steven Staryk)

David K. Nelson: An Interview with Violinist Kyoko Takezawa

David K. Nelson: A Conversation with Violinist Steven Staryk

15:2 (Nov/Dec 1991)

36:6 (July/Aug 2013)

James Reel: Coming Attractions

George Chien: MOZART: Requiem (ed. Süssmayr) (Stephen Cleobury)

James Reel: Laser Disc Views

J. F. Weber: MOZART: Requiem (ed. Süssmayr) (Stephen Cleobury)

Mike Silverton: Running Amuck

J. F. Weber: NINE LESSONS AND CAROLS (Stephen Cleobury)

Al Fasoldt: The Common-Sense Audiophile

George Chien: NINE LESSONS AND CAROLS (Stephen Cleobury)

Michael Ullman: Back to the Mainstream

Christopher Brodersen: Magister puerorum: An Interview with Stephen Cleobury

Ralph V. Lucano: A Conversation, and Then Some, with Thomas Hampson

Jerry Dubins: All Hail Arianna—An American Quartet Comes of...

Mike Silverton: Connoisseur Redivivus: Getting to Know a Dedicated...

James A. Altena: COLONNA: Psalmi ad Vesperas (Robert Simpson)

Edward Strickland: “Another World Entirely“: Ingram Marshall in Alcatraz

Alan Swanson: COLONNA: Psalmi ad Vesperas (Robert Simpson)

David Hurwitz: Victoria on the Move

Bertil van Boer: COLONNA: Psalmi ad Vesperas (Robert Simpson)

David K. Nelson: “I'm Going To Play Like I Want, And If They Don't...

James A. Altena: Voices Crying in the Wilderness: An Interview...

Mike Silverton: Of and With Voice: Robert Ashley Talks About His...

David DeBoor Canfield: PICKARD: Piano Trio... (Rupert Marshall-Luck)

David Hurwitz: A New Point on the Musical MAP

Jerry Dubins: HOLBROOKE, JOSEF; BANTOCK (Rupert Marshall-Luck)

Kevin Bazzana: “Eternal Gould“: Eight new recordings of Glenn...

Martin Anderson: Rupert Marshall-Luck, Defender of the English...

Susan Kagan: An Interview with Ursula Oppens

Bertil van Boer: KREBS: Partita No. 6 in E♭, Krebs-WV 827... (Rebecca Pechefsky)

Joseph E. Romero: Dante - At the Gates

Barry Brenesal: KREBS: Partita No. 6 in E♭, Krebs-WV 827... (Rebecca Pechefsky)

George Chien: The Want List 1991

Christopher Brodersen: Rediscovering Neglected Masters: Harpsichordist...

15:1 (Sept/Oct 1991)

Maria Nockin: WARD-STEINMAN: Elegie for Astronauts. Moiré. Free... (David Amos)

James Reel: Coming Attractions

David DeBoor Canfield: Musical Lift-Off: An Interview with David Ward-Steinman

Al Fasoldt: The Common-Sense Audiophile

Robert Maxham: BEETHOVEN, LUDWIG VAN: The Violin Sonatas (Barbara Govatos)

Neil Levenson: New for Audiophiles

Michael Ullman: BEETHOVEN, LUDWIG VAN: The Violin Sonatas (Barbara Govatos)

James Reel: Laserdisc Views

Lynn René Bayley: Govatos and Barone Discuss Beethoven

William Zagorski: Carlo Maria Giulini: Finding the Heart of the...

David DeBoor Canfield: Cause and Effect: An Interview with Keith Kramer

David Hurwitz: Opus 111—A Tough Act to Follow

Michael Ullman: HAYDN, FRANZ JOSEPH: Piano Sonatas (Alexander Kobrin)

James Miller: A Window (Keyhole?) into the Past

Colin Clarke: HAYDN, FRANZ JOSEPH: Piano Sonatas (Alexander Kobrin)

David Hurwitz: A Conversation with Jonathan Wearn: He Ain't in...

Colin Clarke: BRAHMS, JOHANNES: Two Rhapsodies, Op. 79... (Alexander Kobrin)

Royal S. Brown: Melodiya U.S.A. and Koch International: At Last!

Michael Ullman: BRAHMS, JOHANNES: Two Rhapsodies, Op. 79... (Alexander Kobrin)

Adrian Corleonis: In Memoriam GUNNAR JOHANSEN 21 January 1906-25...

Robert Schulslaper: Brahms, Haydn, and the Cliburn: A Conversation...

Ron McDonald: Perestroika and Glasnost in Digital Sound: The...

James Miller: SCHUMANN: Hermann and Dorothea Overture,... (Stewart Robertson)

Ralph V. Lucano: An Interview with Charles Rosekrans

Jerry Dubins: Re-Assessing Schumann’s Violin Concerto with Elmar...

Mike Silverton: The Man Behind a Jewel: A Conversation with Harmonie...

Peter Burwasser: DORFF, DANIEL: Blast Off! Goldilocks and the Three... (Rossen Milanov)

Edward Strickland: The Well-Tempered Keyboards of Bach and Jarrett

David DeBoor Canfield: DORFF, DANIEL: Perennials. Three Romances. Bach... (Shannon Scott)

14:6 (July/Aug 1991)

Lynn René Bayley: DORFF, DANIEL: Perennials. Three Romances. Bach... (Shannon Scott)

Mike Silverton: Running Amuck

Peter Burwasser: An Interview with Daniel Dorff

Al Fasoldt: The Common-Sense Audiophile

Jerry Dubins: RACHMANINOFF; MEDTNER (Paul Stewart)

Henry Fogel: Furtwängler from Japan

Daniel Morrison: MEDTNER: Sonatina in g. Piano Sonatas... (Paul Stewart)

Walter Simmons: David Amos Conducts Modern Masters

Jerry Dubins: MEDTNER: Sonatina in g. Piano Sonatas... (Paul Stewart)

Tom Moore: A Conversation with John Nelson

Colin Clarke: Pianist Paul Stewart and the Road to Medtner

Scott Wheeler: Factory Classical: An Interview with Tony Wilson

Lynn René Bayley: BERLIOZ; PALEJ (Eric Paetkau)

Allan Evans: A Conversation with John O'Conor

Raymond Tuttle: Passion and Vision in Toronto: Eric Paetkau and...

14:5 (May/June 1991)

Peter J. Rabinowitz: NÖLCK; MENDELSSOHN, FELIX (Beth Vanderborgh)

Anthony D. Coggi: A Conversation with Daniel Barenboim

Maria Nockin: NÖLCK; MENDELSSOHN, FELIX (Beth Vanderborgh)

Ralph V. Lucano: Helen Donath Comes to the Met (at Last)

Robert Schulslaper: The Incredible Nölck: Romantic Gems for the Cello...

Walter Simmons: An Interview with Arnold Rosner

Maria Nockin: GERSHWIN; GOTTSCHALK, LOUIS MOREAU; GOULD, MORTON (Findlay Cockrell)

Al Fasoldt: The Common-Sense Audiophile

Radu A. Lelutiu: A Conversation with Pianist Findlay Cockrell

Neil Levenson: New for Åudiophiles

Maria Nockin: STRAUSS; FRANCK, CÉSAR (Augustin Dumay)

Peter J. Rabinowitz: “I Prefer It to Be Enormous“: A Conversation with...

Robert Maxham: STRAUSS; FRANCK, CÉSAR (Augustin Dumay)

David K. Nelson: Violinist as Metaphor—Mischa Elman's Centenary...

Lynn René Bayley: STRAUSS; FRANCK, CÉSAR (Augustin Dumay)

William Zagorski: David Zinman A Word Portrait of a Sound Artist

Robert Maxham: A Conversation with Augustin Dumay on Strauss’s...

Robert McColley: Arabesque Recordings: Back—Or Rather Still—In...

Barry Brenesal: SULLIVAN: The Pirates of Penzance (Blake Walter)

James H. North: Excursions with a Trombone

Raymond Beegle: SULLIVAN: The Pirates of Penzance (Blake Walter)

Tom Moore: Jared Sacks and Channel Classics

Bill White: SULLIVAN: The Pirates of Penzance (Blake Walter)

Leslie Gerber: Conversation with Anthony di Bonaventura

Barry Brenesal: Interview with Evan Richards of the Madison Savoyards

14:4 (Mar/Apr 1991)

Radu A. Lelutiu: CHOPIN, FRÉDÉRIC: Piano Sonatas... (Vassily Primakov)

Al Fasoldt: The Common-Sense Audiophile

Peter J. Rabinowitz: CHOPIN, FRÉDÉRIC: Piano Sonatas... (Vassily Primakov)

Neil Levenson: New for Audiophiles

Jerry Dubins: CHOPIN, FRÉDÉRIC: Piano Sonatas... (Vassily Primakov)

Henry Fogel: The Complete Caruso: BMG/RCA Gets it Right

Dave Saemann: CHOPIN, FRÉDÉRIC: Piano Sonatas... (Vassily Primakov)

Royal S. Brown: Quadruple Life: An Interview with Lalo Schifrin

Robert Schulslaper: “Chopin, Chopin, Chopin”: a Conversation with...

Peter J. Rabinowitz: “Fun As Well As Philosophical“: A Conversation...

Scott Noriega: ALKAN: Recueil de Chants Nos. 1-3, Opp.... (Stephanie McCallum)

J. F. Weber: Vivarte: An Early Music Series from Sony

Michael Ullman: BEETHOVEN, LUDWIG VAN: Seven Bagatelles, Op. 33... (Stephanie McCallum)

Charles Timbrell: A Conversation with Claude Frank

Michael Ullman: SCHUMANN: Kinderscenen. Fantasie, Op. 17;... (Stephanie McCallum)

Mike Silverton: Mission Mid-Stream: New World Records' Phase Two

Adrian Corleonis: ALKAN: Recueil de Chants Nos. 1-3, Opp.... (Stephanie McCallum)

William Zagorski: A Hans Knappertsbusch Portrait From Music and...

Lynn René Bayley: ALKAN: Recueil de Chants Nos. 1-3, Opp.... (Stephanie McCallum)

Leslie Gerber: A Conversation with Claves's Marguerite Duetschler

Colin Clarke: ALKAN: Recueil de Chants Nos. 1-3, Opp.... (Stephanie McCallum)

James H. North: Joanna Bruzdowicz: The New Internationalist

Martin Anderson: Stephanie McCallum on Beethoven, Schumann, and...

David K. Nelson: A Conversation with Pinchas Zukerman

Robert Maxham: DVOŘÁK, ANTONIN; BRUCH; VIEUXTEMPS (Michael Antonello)

14:3 (Jan/Feb 1991)

Dave Saemann: DVOŘÁK, ANTONIN; BRUCH; VIEUXTEMPS (Michael Antonello)

Leslie Gerber: Conversation with Louis Lortie

Maria Nockin: A Chat with Michael Antonello

Leslie Gerber: Conversation with Boris Berman

Peter J. Rabinowitz: BRIGHT MOODS (Milica Jelača Jovanović)

Alan Rosenthal: Jazz: The New Whippersnappers

Lynn René Bayley: Meet Milica Jelača Jovanović

Al Fasoldt: The Common-Sense Audiophile

36:5 (May/June 2013)

Neil Levenson: New for Audiophiles

Henry Fogel: Restorations by Immortal Performances

Michael Ullman: Mozart as Symphonist: The Hans Graf Recordings

Maria Nockin: A Chat with Composer Maureen Gregory

Ron McDonald: Mercury's Presents

Maria Nockin: Buckley Mills, a Violinist and Composer Who Works...

William Zagorski: Quo Vadis Zubin Mehta?

Maria Nockin: HEINZER: Piano Trios 1-3... (Lea Gabriela Heinzer)

James H. North: The Mengelberg Legacy

David DeBoor Canfield: HEINZER: Piano Trios 1-3... (Lea Gabriela Heinzer)

Allan Evans: A Conversation With Charles Rosen

Maria Nockin: A Composer whose Music is Inspired by His Undersea...

William H. Youngren: Sony's Pierre Boulez Edition: The First Discs

Radu A. Lelutiu: RENÉE REZNEK PIANO RECITAL (Renée Reznek)

Royal S. Brown: An Interview with Henry Mancini

Peter Burwasser: RENÉE REZNEK PIANO RECITAL (Renée Reznek)

Tom Moore: Audiophile from Stuttgart: Christa Maria Biiz's...

Lynn René Bayley: RENÉE REZNEK PIANO RECITAL (Renée Reznek)

James Badal: Neeme Järvi on Record

Robert Schulslaper: Music in Our Time: A Conversation with Renée Reznek

14:2 (Nov/Dec 1990)

Lynn René Bayley: Interview with Luiz de Moura Castro

Art Lange: A Brief History of the Hat

David DeBoor Canfield: The Viola in His Life: An Interview with Paul...

William Zagorski: From Moscow to Montreal in Pursuit of Music An...

Jerry Dubins: THE PORTLAND STATE CHAMBER CHOIR—A DROP IN THE... (Ethan Sperry)

Harry Butler: The Beecham Edition A Welcome Bonus from EMI

Maria Nockin: A Chat with Choral Conductor Ethan Sperry

Mortimer H. Frank: Karajan and the Symphony

Art Lange: SATIE; CAGE, JOHN (Luisa Guembes-Buchanan)

Richard Head: Hungary's First Harpsichordist János Sebestyén...

Paul Orgel: BEETHOVEN, LUDWIG VAN: Piano Sonatas (Luisa Guembes-Buchanan)

Ralph V. Lucano: A Conversation with Thomas Allen

Jerry Dubins: Catching up with Pianist Luisa Guembes-Buchanan

Robert McColley: Centaur: A Young American Classical Label

Maria Nockin: Home is Wherever We Are This Week: Keeping up...

Al Fasoldt: The Common-Sense Audiophile

Maria Nockin: MASTERS OF THE BAROQUE (Ens Gaudior)

Neil Levenson: New for Audiophiles

Lynn René Bayley: MASTERS OF THE BAROQUE (Ens Gaudior)

George Chien: The Want List 1990

Bertil van Boer: Alexandra MacCracken and Ensemble Gaudior

Stephen Ellis: A View from Canberra: The Anthology of Australian...

Maria Nockin: MAHLER, GUSTAV: Symphony No. 1 (David Bernard)

Mike Silverton: Doing the Right Thing: A Chat with Neuma's Shirish...

Dave Saemann: MAHLER, GUSTAV: Symphony No. 1 (David Bernard)

William Wians: Success in Musical America: A Talk with Andrew...

Dave Saemann: STRAUSS: Tod und Verklärung. Till Eulenspiegels... (David Bernard)

14:1 (Sept/Oct 1990)

Jerry Dubins: STRAUSS: Tod und Verklärung. Till Eulenspiegels... (David Bernard)

Leslie Gerber: An Interview with Russell Sherman

Dave Saemann: MENDELSSOHN, FELIX; SCHUBERT (David Bernard)

William Zagorski: The Guarneri Quartet - Twenty-Five Years of Music-Making...

Jerry Dubins: A Tree Grows in Brooklyn but an Orchestra Flourishes...

Jon Tuska: A Conversation with Robert Shaw

Raymond Tuttle: RUBIN: Night Song for Noa... (Jefferson Campbell)

Al Fasoldt: The Common-Sense Audiophile

Ronald E. Grames: RUBIN: Night Song for Noa... (Jefferson Campbell)

Neil Levenson: New for Audiophiles

Raymond Tuttle: Chasing Rabbits with Composer Justin Rubin

Ralph V. Lucano: Arleen Auger: “I'm NOT just a Bach singer!“

Peter Burwasser: BACH, JOHANN SEBASTIAN: Goldberg Variations (Hristo Kazakov)

James Camner: Eight Blockbuster Soundtracks from MGM

Radu A. Lelutiu: A Conversation with Pianist Hristo Kazakov

Anthony D. Coggi: The Melodram Story An Interview with Ina Delcampo

Raymond Tuttle: ADVICE FROM A MISGUIDED MAN (Colin Maier)

Peter J. Rabinowitz: Back to the FFRR: London's Historic Series

Lynn René Bayley: ADVICE FROM A MISGUIDED MAN (Colin Maier)

Jay Coote: Vintage California Handel

Jerry Dubins: No Ill Wind Here—A Conversation with Oboist Colin...

13:6 (July/Aug 1990)

David DeBoor Canfield: Interrupted Melody: The Compositional Career of...

Eric Van Tassel: A Sacred Space: An Interview with the Consort...

Lynn René Bayley: Nick Peros and Phoenix Classical

Ralph V. Lucano: Irwin Gage: An American in Zurich

36:4 (Mar/Apr 2013)

Al Fasoldt: The Common-Sense Audiophile

Lynn René Bayley: Interviewing Elizabeth Farnum

Neil Levenson: New for Audiophiles

Jerry Dubins: BRAUN, YEHEZKEL; LUZ (Lior Eitan)

Mike Silverton: A Conversation with Arne-Peter Rognan

Lynn René Bayley: BRAUN, YEHEZKEL; LUZ (Lior Eitan)

Tom Moore: An Interview with Julianne Baird

Jerry Dubins: A Conversation with Israeli Composer Rotem Luz

Mike Silverton: The Reluctant Pro: A Chat with Richard Kapp

Maria Nockin: FOSTER, GRANT: The Pearl of Dubai Suite... (Mira Yevtich)

13:5 (May/June 1990)

Dave Saemann: FOSTER, GRANT: The Pearl of Dubai Suite... (Mira Yevtich)

Ralph V. Lucano: A Visit with Mirella Freni

Colin Clarke: Pianist Mira Yevtich in Interview

William Zagorski: THE HILLIARD ENSEMBLE- IN QUEST OF FORGOTTEN JEWELS

Richard A. Kaplan: ENESCU, GEORGE; SCHREKER, FRANZ; SCHOENBERG, ARNOLD (Gregory Wolynec)

Al Fasoldt: The Common-Sense Audiophile

James H. North: ENESCU, GEORGE; SCHREKER, FRANZ; SCHOENBERG, ARNOLD (Gregory Wolynec)

Neil Levenson: New for Audiophiles

Jerry Dubins: ENESCU, GEORGE; SCHREKER, FRANZ; SCHOENBERG, ARNOLD (Gregory Wolynec)

Mike Silverton: ZBINDEN: Concerto for Orchestra, op. 57.... (Armin Jordan)

Barry Brenesal: ENESCU, GEORGE; SCHREKER, FRANZ; SCHOENBERG, ARNOLD (Gregory Wolynec)

David Johnson: WOLF, HUGO; BRUCH (Uwe Gronostay)

Jerry Dubins: Gateway to Heaven—Chatting with Gateway’s Gregory...

Haig Mardirosian: WIDOR: Symphonies (Daniel Roth)

Jeremy Marchant: AMERICAN BREEZE (Musical Arts Woodwind Qnt)

J. F. Weber: “The Excellent Signor Giaches“ with Monteverdi...

Jerry Dubins: AMERICAN BREEZE (Musical Arts Woodwind Qnt)

William Zagorski: Ludwig Güttier-Trumpeter and Conductor... of Obscurity...

David DeBoor Canfield: A New Disc of Americana from the Musical Arts...

William Zagorski: Jean Guillou and the Organizing of Inspiration

Maria Nockin: LITCHFIELD; SALVATORI (Iris Litchfield)

James H. North: The Operas of Franz Schreker Revealed at Last

Robert Schulslaper: Meant for Each Other: a Conversation with Iris...

Walter Simmons: The Arrival of KOCH International Classics

David DeBoor Canfield: Living Waters: An Interview with Composer Peter...

Mortimer H. Frank: Resurrecting the Toscanini Legacy

Jeremy Marchant: SERENDIPITY (Society for New Music)

David K. Nelson: A Conversation with Midori

Jeremy Marchant: Get Over Yourself and Make This Larger Thing Happen:...

Jon Tuska: Allegro Imports—New Owners and a New Approach

Lynn René Bayley: Meet Composer Joel Hoffman

13:4 (Mar/Apr 1990)

Maria Nockin: DECKER, PAMELA: On This Day, Earth Shall Ring.... (Pamela Decker)

William Zagorski: L'Orchestre de la Suisse Romande Under Armin Jordan...

Carson Cooman: Organ and Beyond: An Interview with Pamela Decker

John H. Yoell: Remembering Bohuslav Martinu An Interview with...

Maria Nockin: THE COLUMBIA SESSIONS (Christopher Creviston)

Al Fasoldt: The Common-Sense Audiophile

Jeremy Marchant: THE COLUMBIA SESSIONS (Christopher Creviston)

Neil Levenson: New for Audiophiles

Jerry Dubins: THE COLUMBIA SESSIONS (Christopher Creviston)

William Zagorski: Melvyn Tan On the Search for an Authentic Musical...

Ronald E. Grames: The Creviston Sessions

Henry Fogel: Wilhelm Furtwängler: Wartime Recordings

Maria Nockin: DEBUSSY; FRANCK, CÉSAR; SAINT-SAËNS (Maria Bachmann)

Eric Van Tassel: An Interview with Helmuth Rilling

Robert Maxham: DEBUSSY; FRANCK, CÉSAR; SAINT-SAËNS (Maria Bachmann)

John von Rhein: An Interview with Günter Wand

Lynn René Bayley: Maria Bachmann’s French Fantasy

David K. Nelson: A Conversation with Violinist Dmitry Sitkovetsky

Maria Nockin: MIŠEK: Sonatas for Double Bass and Piano (Szymon Marciniak)

Paul Sargent Clark: CBC Discs: Friendly Invaders From the Great White...

Martin Anderson: The Complete Mišek Sonatas, Courtesy of Szymon...

James Camner: Club “99“ Is Back and Qualiton's Got 'em!

Robert Carl: IBARRA: Piano Sonatas Nos. 1-6... (Fred Sturm)

James Camner: Prima Voce: Old Records Heard In a New Way

Peter Burwasser: Sturm Story: Fred Sturm in Conversation

Mike Silverton: A Chat on the Run with Eliahu Inbal

David DeBoor Canfield: LESHNOFF: String Quartet No. 2. Seven Glances... (Carpe Diem Str Qrt)

Jon Tuska: A Conversation with Gerard Schwarz

Maria Nockin: Jonathan Leshnoff, a Popular Composer of Classical...

13:3 (Jan/Feb 1990)

Maria Nockin: YU, MAN-CHING DONALD: Symphony No. 1. From the Depth.... (Bonnie Chung)

Martin Elste: Nikolaus Hamoncourt: A Profile

David DeBoor Canfield: Yu Who? A Worthwhile New Composer from Hong Kong

Paul A. Snook: More New Music from Czechoslovakia

Peter Burwasser: STOCKHAUSEN; SCHOENBERG, ARNOLD (Phoenix Ens)

Allan H. Steckler: An Interview with John Pfeiffer

Art Lange: STOCKHAUSEN; SCHOENBERG, ARNOLD (Phoenix Ens)

George Mathews: The Low End: Why I Like My Old 78s

Robert Carl: Interview with Mark Lieb of the Phoenix Ensemble

Al Fasoldt: The Common-Sense Audiophile

Carson Cooman: ROSNER: Concerto Grosso No. 1. Five Meditations... (David Amos)

Neil Levenson: New for Audiophiles

Lynn René Bayley: ROSNER; PINKHAM (Barbara Harbach)

Eric Van Tassel: Interview with Nicholas McGegan

Maria Nockin: ROSNER: Psalm XXIII... (Elizabeth Farnum)

Leslie Gerber: A Talk with Antonin Kubalek

David DeBoor Canfield: ROSNER: Adam and Eve... (Donna Amato)

Paul Sargent Clark: Carol Rosenberger: With Talent, Who Needs Luck?

Peter Burwasser: ROSNER: Adam and Eve... (Donna Amato)

Mortimer H. Frank: Opening the Toscanini Floodgates

Walter Simmons: An Interview with Arnold Rosner

Edward Strickland: From Nixon in China To Walt Whitman - An Interview...

Robert Carl: HAGSTEDT: Sinfonia per due violini. Depurazione (Gelland Duo)

13:2 (Nov/Dec 1989)

Jerry Dubins: HAGSTEDT: Sinfonia per due violini. Depurazione (Gelland Duo)

George Chien: Want List 1989

Lynn René Bayley: HAGSTEDT: Sinfonia per due violini. Depurazione (Gelland Duo)

Al Fasoldt: The Common-Sense Audiophile

Maria Nockin: A Chat with a Composer and the Duo that Plays...

Mike Silverton: Random Noise

Jerry Dubins: BACH, JOHANN SEBASTIAN: Flute Sonatas (Robert Stallman)

Noah Andre Trudeau: On the Air

William Zagorski: Bach Meets Stallman: A Synergistic Encounter

Neil Levenson: New for Audiophiles

Maria Nockin: SUMMER, JOSEPH: The Garden of Forking Paths (Kalmia Str Qrt)

Martin Elste: Letter from Germany

Barnaby Rayfield: SUMMER, JOSEPH: Dance of the Mechanics, OS1/8... (Eve Gigliotti)

Justin R. Herman: Lend an Ear… From One Serious Collector to Another

Ronald E. Grames: In a Labyrinth, Channeling Shakespeare: The Music...

Allan Blonde: Letter From Japan: Merry Christmas, Mr. Meiji

Paul Orgel: SCHUBERT: Piano Trios (Tr Bamberg)

Frederic Silber: Reel Music: Silber's Consumer's Guide to Soundtracks...

Peter Burwasser: SCHUBERT: Piano Trios (Tr Bamberg)

John H. Yoell: Lacunae in the Dvořák Discography: Fact or Fancy?

Lynn René Bayley: SCHUBERT: Piano Trios (Tr Bamberg)

David K. Nelson: Koss Classics: A New Label From Old Pros

Jerry Dubins: Talking Trios with Alexander Hülshoff, Cellist...

Nick Rossi: European Opera for the Record

James A. Altena: THE FIRST PRINTED ORGAN MUSIC (Kimberly Marshall)

Frederic Silber: Danny Elfman: Wunderkind of Filmmusic - A Profile

Carson Cooman: A FANTASY THROUGH TIME (Kimberly Marshall)

Jon Tuska: A Conversation with Sixten Ehrling

Lynn René Bayley: BUXTEHUDE; BACH, JOHANN SEBASTIAN (Kimberly Marshall)

Jürgen Gothe: "Alternating Current" Jürgen Gothe's Column About...

Carson Cooman: Connecting with the Past: An Interview with Kimberly...

13:1 (Sept/Oct 1989)

Bertil van Boer: GEMINIANI, F.: Violin Sonatas Op 4 (Liana Mosca)

Al Fasoldt: The Common-Sense Audiophile

Alan Swanson: GEMINIANI, F.: Violin Sonatas Op 4 (Liana Mosca)

Mike Silverton: Random Noise

David K. Nelson: Geminiani Gains a Champion: An Interview with...

Noah Andre Trudeau: On the Air

Art Lange: SCHWENDINGER: Esprimere for Cello and Orchestra.... (Nicole Paiement)

Neil Levenson: New for Audiophiles

Lynn René Bayley: SCHWENDINGER: Esprimere for Cello and Orchestra.... (Nicole Paiement)

Martin Elste: Letter from Germany

Barnaby Rayfield: Light and Line: The Music of Laura Elise Schwendinger

Justin R. Herman: Lend an Ear…From One Serious Collector to Another

Radu A. Lelutiu: PIANO DUO PROJECT (Meisha Adderley)

Allan Blonde: Letter from Japan: Something Old, Something Broken

Peter Burwasser: PIANO DUO PROJECT (Meisha Adderley)

Frederic Silber: Reel Music: Silber's Consumer's Guide to Soundtracks...

Radu A. Lelutiu: A Conversation with Pianist Meisha Adderley

Eric Van Tassel: Archiv's Galleria: Series Debut

Jerry Dubins: ASPECTS OF LISZT (Steven Spooner)

Jürgen Gothe: "Alternating Current" Jürgen Gothe's Column About...

Lynn René Bayley: ASPECTS OF LISZT (Steven Spooner)

Mike Silverton: Refurbishing Northern Lights: Aurora's Ambitious...

Radu A. Lelutiu: HISTORICAL PIANO RECITAL SERIES, VOL. 3 (Steven Spooner)

Kyle Gann: The New Series: ECM Branches Out An Interview...

Jerry Dubins: HISTORICAL PIANO RECITAL SERIES, VOL. 3 (Steven Spooner)

William Zagorski: The Orchestra of St. Luke's and MusicMasters How...

Lynn René Bayley: HISTORICAL PIANO RECITAL SERIES, VOL. 3 (Steven Spooner)

Ralph V. Lucano: Nuova Era Records— A New Age Begins in Italy

Robert Schulslaper: Exploring the Vast Piano Repertoire with Steven...

Jon Tuska: An Interview with James DePreist

Radu A. Lelutiu: REMEMBRANZA: REMEMBRANCE OF LATIN SOUNDS (Rosa Antonelli)

Eric Van Tassel: An Interview with Hermann Prey

Phillip Scott: REMEMBRANZA: REMEMBRANCE OF LATIN SOUNDS (Rosa Antonelli)

Nick Rossi: An Interview with Dame Kiri Te Kanawa

Robert Schulslaper: Con Amore: A Conversation with Rosa Antonelli

Nick Rossi: European Opera for the Record

Colin Clarke: COLINA: Baba Yaga, Fantasia for Violin... (Ira Levin)

Ron McDonald: East Meets West: The Winds of Change

Lynn René Bayley: COLINA: Baba Yaga, Fantasia for Violin... (Ira Levin)

Benjamin Pernick: Descant's Horenstein Edition Boxscore: 3 for 3;...

Peter J. Rabinowitz: COLINA: Baba Yaga, Fantasia for Violin... (Ira Levin)

Peter J. Rabinowitz: Going Their Own Way: A Conversation with Albany...

David DeBoor Canfield: Baba Yaga: The Witch Rides Again for Michael Colina

12:6 (July/Aug 1989)

36:3 (Jan/Feb 2013)

Stephen Ellis: A Second Wind for Louisville

Maria Nockin: SAYLOR, MAURICE; CARLUZZO; SIMPSON, A. (Cantate C Singers)

William Zagorski: A Conversation with Anne-Sophie Mutter

Ronald E. Grames: Maurice Saylor: An Interview in Five Fits and...

David Johnson: Vocalizing on Cassettes

Lynn René Bayley: O Paradiso! Anna and Her Harpsichord

Peter J. Rabinowitz: Pianist Without Piety A Conversation with Earl...

David DeBoor Canfield: LIPTEN: Ictus... (David Lipten, Artistic Director)

Eric Van Tassel: Bilson and Gardiner: A Balancing Act

Colin Clarke: LIPTEN: Ictus... (David Lipten, Artistic Director)

Alan Rosenthal: Charlie Parker on Verve

Maria Nockin: Best Served Cold: An Interview with Hot Contemporary...

Nick Rossi: European Opera for the Record

Gavin Dixon: INCE: Hammers and Whistlers... (Kevin Stalheim)

Allan Blonde: Letter from Japan: Two Weddings and a Funeral

Raymond Tuttle: INCE: Hammers and Whistlers... (Kevin Stalheim)

Noah Andre Trudeau: On the Air

Raymond Tuttle: INCE: Flight Box. MKG Variations. In... (Present Music)

Al Fasoldt: The Common-Sense Audiophile

Gavin Dixon: INCE: Flight Box. MKG Variations. In... (Present Music)

Neil Levenson: New for Audiophiles

Raymond Tuttle: Journey to Judgment : Kamran Ince’s New Opera,...

Mike Silverton: Random Noise

Robert Maxham: EASTERN TREASURES: A Collection of Asian Folk... (Lewis Wong)

Justin R. Herman: Lend an Ear... From One Serious Collector to Another

Maria Nockin: EASTERN TREASURES: A Collection of Asian Folk... (Lewis Wong)

John Ditsky: LEGS DIAMOND (Original Broadway Cast)

Carson Cooman: EASTERN TREASURES: A Collection of Asian Folk... (Lewis Wong)

John Ditsky: SONGS FROM LATE NITE COMIC (Brian Gari)

Lynn René Bayley: REVERIES AT BETHEL UNIVERSITY (Chelsea Chen)

Frederic Silber: Silber's Consumer's Guide to Soundtracks and Film...

Carson Cooman: An Interview with Chelsea Chen

Paul Sargent Clark: Varese Sarabande Records: Toward the Best-Known...

Merlin Patterson: HIGDON, JENNIFER; WEILL; CHEN YI (Glen Adsit)

Walter Simmons: Samuel Barber: A Once-Suppressed Symphony, Three...

David DeBoor Canfield: HIGDON, JENNIFER; WEILL; CHEN YI (Glen Adsit)

Susan Kagan: Toscanini In New Contexts: A Symposium at Wave...

Ronald E. Grames: Glen Adsit, the Hartt School, and the Joy of Commissioning

William Zagorski: In Quest of the Empire Brass

Peter J. Rabinowitz: KERTSMAN: Chamber Symphony No. 1, Acorda!... (Dennis Russell Davies)

12:5 (May/June 1989)

Martin Anderson: Miguel Kertsman: Brazilian Beyond Categories

Adrian Corleonis: A Caledonian Orpheus? Discovering Ronald Stevenson

Peter Burwasser: A TRIBUTE TO THE PIANO (Rexa Han)

Nick Rossi: A Visit with Luciano Berio

Lynn René Bayley: Interview with Rexa Han

Edward Strickland: Gothic, Coffee-Table, Silver-Screen Lennon

Maria Nockin: WAGHALTER: Violin Concerto in A, op. 15... (Irmina Trynkos)

J. F. Weber: Sarum and Other Types of Gregorian Chant

Jerry Dubins: Ignatz Who? Irmina Trynkos Discusses a Forgotten...

Alan Rosenthal: (Some of) Charles Mingus on Atlantic

Lynn René Bayley: FEIGIN: Lament... (Helen Callus)

John H. Yoell: Vivat Hummel!

David DeBoor Canfield: FEIGIN: Lament... (Helen Callus)

Nick Rossi: Carreras Returns

David DeBoor Canfield: FEIGIN: Five Ecstatic Poems of Kabir... (Fred Cohen)

Nick Rossi: European Opera for the Record

Lynn René Bayley: FEIGIN: Five Ecstatic Poems of Kabir... (Fred Cohen)

Allan Blonde: Letter from Japan: Good News/Bad News

Michael Cameron: A Conversation with Composer Joel Feigin

Martin Elste: Letter from Germany

Lynn René Bayley: CHOPIN, FRÉDÉRIC: Ballade No. 3, op. 47. Scherzo... (Orlando Otey)

Noah Andre Trudeau: On the Air

Dave Saemann: CHOPIN, FRÉDÉRIC: Ballade No. 3, op. 47. Scherzo... (Orlando Otey)

Al Fasoldt: The Common-Sense Audiophile

Lynn René Bayley: OTEY: Fantasía Mexicána... (Orlando Otey)

Neil Levenson: New for Audiophiles

Robert Schulslaper: Orlando Otey: The Chopin of Mexico

Mike Silverton: Random Noise

Jerry Dubins: SIMPSON, A.; SCHNITTKE (Gisèle Becker)

Justin R. Herman: Lend An Ear... From One Serious Collector to Another

Ronald E. Grames: Gisèle Becker, Cantate Chamber Singers, and the...

Frederic Silber: Silber's Consumer's Guide to Soundtrack and Film...

Barry Brenesal: SCARLATTI, A.: Cantatas (Marcello di Lisa)

David Johnson: An Interview with Klaus Heymann

Bertil van Boer: SCARLATTI, A.: Cantatas (Marcello di Lisa)

12:4 (Mar/Apr 1989)

Lynn René Bayley: PERGOLESI: L’Olimpiade... (Daniela Barcellona)

Frederic Silber: SILBER'S CONSUMER'S GUIDE TO SOUNDTRACKS AND FILM...

Bertil van Boer: Marcello Di Lisa and the Concerto de’ Cavalieri...

Mike Silverton: Random Noise

Ronald E. Grames: HAYDN, FRANZ JOSEPH: The Creation (Martin Pearlman)

Noah Andre Trudeau: On the Air

James H. North: HAYDN, FRANZ JOSEPH: The Creation (Martin Pearlman)

Neil Levenson: New for Audiophiles

Jerry Dubins: Recreating The Creation : Martin Pearlman on Haydn’s...

Al Fasoldt: The Common-Sense Audiophile

Lynn René Bayley: HAILSTORK: Fanfare on Amazing Grace... (James Kosnik)

Martin Elste: Letter from Germany

Colin Clarke: HAILSTORK: Fanfare on Amazing Grace... (James Kosnik)

Justin R. Herman: Lend An Ear… From One Serious Collector to Another

Lynn René Bayley: HAILSTORK: As Falling Leaves... (Debra Cross)

Allan Blonde: Japan: What They're Listening To & Why, Part 2

Colin Clarke: HAILSTORK: As Falling Leaves... (Debra Cross)

Edward Strickland: The Atlantic Coltrane CD Reissues

Colin Clarke: Defining Self: Adolphus Hailstork in Interview

Nick Rossi: European Opera for the Record

Jerry Dubins: ALBÉNIZ, ISAAC: Iberia, Books 1 and 2 (Edmund Battersby)

Mortimer H. Frank: Rediscovering Willem Mengelberg

Jerry Dubins: DVOŘÁK, ANTONIN: Romance in f, op. 11; Sonata in... (Qian Zhou)

James H. North: Willem Mengelberg: A Link to the Past

Peter Burwasser: SCHUMANN; CHOPIN, FRÉDÉRIC (Edmund Battersby)

Leslie Gerber: CBS Digital Masters, Series 2

Jerry Dubins: A Conversation with Pianist Edmund Battersby

Peter J. Rabinowitz: Corn Muffins or Justice?: Some Thoughts on Michael...

36:2 (Nov/Dec 2012)

12:3 (Jan/Feb 1989)

Jeremy Marchant: TAKANO: LIGALIENFlute concerto... (Sharon Bezaly)

Michael Fine: A Bassoon for All Seasons

Peter Burwasser: TAKANO: LIGALIENFlute concerto... (Sharon Bezaly)

Donald Seibert: An Interview with Mark Elder, Music Director of...

Jeremy Marchant: Dreams and Nightmares: A Discussion with Composer...

Nick Rossi: An Interview with Christopher Hogwood

Jerry Dubins: BACH/FIEBIG: Fantasy in C, BWV 573... (Aya Yoshida)

James Badal: Leonard Slatkin on Record

Martin Anderson: New J. S. Bach, Courtesy of T. Meyer-Fiebig

John H. Yoell: k.u.k. Revisited

Maria Nockin: Guy Figer and Anna Khanina Chat About Their Concert...

Nick Rossi: European Opera for the Record

Jerry Dubins: PIANO MEDITATIONS (Eric Stumacher)

Allan Blonde: Japan: What They're Listening To & Why, Part I

David DeBoor Canfield: Some Sanity in a Frenetic World: An Interview...

Martin Elste: Letter from Germany

Radu A. Lelutiu: TUBIN, EDUARD: Sonata Allegro in E. Variations... (Vardo Rumessen)

Noah Andre Trudeau: On the Air

Peter J. Rabinowitz: RACHMANINOFF: Etudes-tableaux (complete)... (Vardo Rumessen)

Al Fasoldt: The Common-Sense Audiophile

Jerry Dubins: BACH, JOHANN SEBASTIAN: Well-Tempered Clavier, Book 1 (Vardo Rumessen)

Neil Levenson: New for Audiophiles

Lynn René Bayley: CHOPIN, FRÉDÉRIC: Etudes... (Vardo Rumessen)

Mike Silverton: Random Noise

Dave Saemann: CHOPIN, FRÉDÉRIC: Etudes... (Vardo Rumessen)

Justin R. Herman: Lend An Ear... From One Serious Collector to Another

Martin Anderson: Vardo Rumessen, Champion of Estonian Music

Frederic Silber: Reel Music - Silber's Consumer's Guide to Soundtracks...

Radu A. Lelutiu: MENDELSSOHN, FELIX; MENDELSSOHN-HENSEL, FANNY (Joanne Polk)

Paul Rapoport: In Memory of KAIKHOSRU SHAPURJI SORABJI - A Personal...

Lynn René Bayley: The Musical World of Joanne Polk

Michael Ullman: An Interview with Robert Parker and A Review of...

David DeBoor Canfield: WITH STRINGS ATTACHED (Magen Solomon)

John Ditsky: Pangaea: An Eclectic New Label Debuts

Maria Nockin: WITH STRINGS ATTACHED (Magen Solomon)

David K. Nelson: DRESSED FOR SUCCESS: Erato Is “In With the In...

Lynn René Bayley: WITH STRINGS ATTACHED (Magen Solomon)

Mortimer H. Frank: Der Junge Karajan Six Deutsche Grammophon CDs...

Lynn René Bayley: Introducing Magen Solomon

John Ditsky: The Distinctive Sound of China: A Sequel

Peter J. Rabinowitz: Beyond Inspiration: Melinda Wagner Talks About...

Peter J. Rabinowitz: “We Only Know What He Wrote“: A Conversation with...

Peter J. Rabinowitz: RACHMANINOFF: Moments musicaux... (Xiayin Wang)

Kyle Gann: Building Bridge Records

Radu A. Lelutiu: RACHMANINOFF: Moments musicaux... (Xiayin Wang)

Al Fasoldt: Dorian Recordings: New Standards in Audiophile...

Radu A. Lelutiu: A Conversation with Pianist Xiayin Wang

12:2 (Nov/Dec 1988)

Robert Maxham: PREMIERES (Conrad Chow)

Gwendolyn Haverstock: An Interview with John Wallace

Maria Nockin: PREMIERES (Conrad Chow)

Gwendolyn Haverstock: An Interview With Joshua Bell

David K. Nelson: An Interview with Violinist Conrad Chow

Nick Rossi: A Visit with Gustav Leonhardt

Peter Burwasser: Dedication: Steven Graff Plays Piano Music of...

James Badal: The Kunzel Style

Radu A. Lelutiu: DANCE, DRAMA, DECADENCE (Raffi Besalyan)

Edward Strickland: Hauntings and Broken Idylls: An Interview with...

Daniel Morrison: DANCE, DRAMA, DECADENCE (Raffi Besalyan)

Ralph V. Lucano: An Interview with Eileen Farrell

Jerry Dubins: DANCE, DRAMA, DECADENCE (Raffi Besalyan)

Ron McDonald: The Olympian Sounds of Mercury

Gavin Dixon: A Chat with Pianist Raffi Besalyan

Benjamin Pernick: Switzerland's Peaks and Valleys

Jerry Dubins: LISZT: Un Sospiro. La Campanella. Rhapsodie... (Sophia Agranovich)

Nick Rossi: European Opera for the Record

Maria Nockin: LISZT: Un Sospiro. La Campanella. Rhapsodie... (Sophia Agranovich)

Martin Elste: Letter from Germany

Peter Burwasser: LISZT: Un Sospiro. La Campanella. Rhapsodie... (Sophia Agranovich)

Allan Blonde: Letter from Japan: “The High Cost of Culture:“...

Maria Nockin: A Chat with Pianist Sophia Agranovich

Noah Andre Trudeau: On the Air

Maria Nockin: MUSIC FROM THE BALKANS FOR VIOLIN AND PIANO (Miroslav Hristov)

Al Fasoldt: The Common-Sense Audiophile

Jerry Dubins: MUSIC FROM THE BALKANS FOR VIOLIN AND PIANO (Miroslav Hristov)

Neil Levenson: New for Audiophiles

David K. Nelson: Music From the Balkans: A Duo Interview with Miroslav...

David Johnson: Vocalizing on Cassettes

Robert Maxham: CORELLI, ARCANGELO: 12 Violin Sonatas, op. 5 (Corelli Tr)

Mike Silverton: Random Noise

Henry Lebedinsky: CORELLI, ARCANGELO: 12 Violin Sonatas, op. 5 (Corelli Tr)

Justin R. Herman: Lend An Ear... From One Serious Collector to Another

Lynn René Bayley: CORELLI, ARCANGELO: 12 Violin Sonatas, op. 5 (Corelli Tr)

J. F. Weber: The First Woman Conductor (Practically)

Henry Lebedinsky: A Musician’s Musician: The Corelli Trio on Recording...

George Chien: Want List 1988

Robert Carl: ECO DE VIOLÍN: Latin American Music for Violin,... (Colin Sorgi)

Peter J. Rabinowitz: Burning the Candle at Neither End

Maria Nockin: ECO DE VIOLÍN: Latin American Music for Violin,... (Colin Sorgi)

Leslie Gerber: London's Weekend Classics

Peter J. Rabinowitz: PIANO DE PAMPA Y JUNGLA: A Collection of Latin... (Various)

Mortimer H. Frank: Philips Turns to the Past

Colin Clarke: PIANO DE PAMPA Y JUNGLA: A Collection of Latin... (Various)

Royal S. Brown: An Interview with John McGlinn

Maria Nockin: 20TH CENTURY MEXICAN MUSIC FOR VIOLA (Omar Hernández-Hidalgo)

John Ditsky: Hurry On Down—Show Boat's Back in Town

Colin Clarke: 20TH CENTURY MEXICAN MUSIC FOR VIOLA (Omar Hernández-Hidalgo)

12:1 (Sept/Oct 1988)

J. F. Weber: OY HASEMOS FIESTA: Music from 16th-Century Guatemala... (Lipzodes Ens)

Quin Mathews: An Interview with Frederick Fennell

Henry Lebedinsky: OY HASEMOS FIESTA: Music from 16th-Century Guatemala... (Lipzodes Ens)

Michael Fine: An Interview with Jesús López-Cobos

Maria Nockin: PAISAJE URBANO (El Taller)

Paul A. Snook: Checking (Czeching?) Out the Czechs

Phillip Scott: PAISAJE URBANO (El Taller)

Nick Rossi: A Visit with Riccardo Chailly

Raymond Tuttle: ROMANCE: A Collection of Latin Love Songs (Sylvia McNair)

Gwendolyn Haverstock: An Interview with Andrew Litton

Henry Fogel: ROMANCE: A Collection of Latin Love Songs (Sylvia McNair)

Nick Rossi: Salvatore Accardo, Antonio Stradivari, and Cremona

Lynn René Bayley: ROMANCE: A Collection of Latin Love Songs (Sylvia McNair)

Allan Blonde: Japan: Culture at a Price (Part 2)

Robert Schulslaper: The Story of the Latin American Music Center,...

Nick Rossi: European Opera For the Record

Robert Carl: MACHOVER: Sparkler... (Michael Chertock)

Martin Elste: Letter from Germany

David DeBoor Canfield: MACHOVER: Light... (Peter Eötvös)

Noah Andre Trudeau: On the Air

Carson Cooman: Hypercollaborations: An Interview with Tod Machover

Al Fasoldt: The Common-Sense Audiophile

Dave Saemann: GERSHWIN; KERN (Alexander Qrt)

Neil Levenson: New for Audiophiles

Lynn René Bayley: GERSHWIN; KERN (Alexander Qrt)

Mike Silverton: Random Noise

Richard A. Kaplan: CANO; BRAHMS, JOHANNES (Alexander Qrt)

Justin R. Herman: Lend an Ear... From One Serious Collector to Another

Maria Nockin: CANO; BRAHMS, JOHANNES (Alexander Qrt)

Alan Rosenthal: Jazz Lines

Lynn René Bayley: Alexander of the Alexander String Quartet Speaks...

Frederic Silber: Reel Music: Silber's Consumer's Guide to Soundtracks...

Radu A. Lelutiu: WEIGL, KARL: 6 Fantasies. Isle of the Dead.... (Joseph Banowetz)

Kyle Gann: New Albion Records: The Voice of the New West

Robert Schulslaper: Lost and Found: Joseph Banowetz Introduces Karl...

Peter J. Rabinowitz: From the Ground Up

Bill White: ZEMLINSKY: 12 Songs... (Hermine Haselböck)

George Chien: Branching Out: New From Erato's Bonsai

Jerry Dubins: ZEMLINSKY: 12 Songs... (Hermine Haselböck)

Mortimer H. Frank: Further Perspectives on Toscanini

Lynn René Bayley: ZEMLINSKY: 12 Songs... (Hermine Haselböck)

Howard Kornblum: Pilz—A Survey of A New Budget Series

Jerry Dubins: SCHREKER, FRANZ: Songs (30) (Hermine Haselböck)

Henry Fogel: Some Furtwängler Discoveries from Italy

Lynn René Bayley: SCHREKER, FRANZ: Songs (30) (Hermine Haselböck)

Leslie Gerber: CBS Masterworks Digital Masters Series: A Survey...

Bill White: SCHREKER, FRANZ: Songs (30) (Hermine Haselböck)

11:6 (July/Aug 1988)

Bill White: MAHLER, GUSTAV: Songs of a Wayfarer. Rückert Lieder.... (Hermine Haselböck)

Noah Andre Trudeau: On the Air

Jerry Dubins: MAHLER, GUSTAV: Songs of a Wayfarer. Rückert Lieder.... (Hermine Haselböck)

Quin Mathews: Ton Koopman Interview

Lynn René Bayley: MAHLER, GUSTAV: Songs of a Wayfarer. Rückert Lieder.... (Hermine Haselböck)

Royal S. Brown: An Interview with Miklós Rózsa

Bill White: An Interview with Mezzo-Soprano Hermine Haselböck

Alan Rosenthal: Miles Davis on Prestige

36:1 (Sept/Oct 2012)

Edward Strickland: Living (and Other) Music

Richard A. Kaplan: A Sibeliusaurus Supplement: Kullervo and Lemminkäinen

Al Fasoldt: The Common-Sense Audiophile

Maria Nockin: DUO SONIDOS (William Knuth)

Neil Levenson: New for Audiophiles

Robert Maxham: DUO SONIDOS (William Knuth)

David Johnson: Vocalizing on Cassettes

Lynn René Bayley: DUO SONIDOS (William Knuth)

Mike Silverton: Random Noise

Maria Nockin: A Conversation with Duo Sonidos

Justin R. Herman: Lend An Ear... From One Serious Collector to Another

Jerry Dubins: SCHUMANN; SCHUMANN, CLARA (Bruno Monteiro)

Peter J. Rabinowitz: Roll Over, Busoni

Lynn René Bayley: SCHUMANN; SCHUMANN, CLARA (Bruno Monteiro)

John Bauman: SCHWANN TREASURE: A new series of mid-priced reissues,...

Maria Nockin: SCHUMANN; SCHUMANN, CLARA (Bruno Monteiro)

Mortimer H. Frank: Four Score and Karajan

Maria Nockin: CHAUSSON: Concert in D... (Bruno Monteiro)

Edward Strickland: Usher and Einstein, Pharoahs and UFOs: An Interview...

Jerry Dubins: CHAUSSON: Concert in D... (Bruno Monteiro)

Mortimer H. Frank: Once More, Angel's Great Recordings of the Century

Maria Nockin: Violinist Bruno Monteiro Explains Why Musicians...

Mortimer H. Frank: Notes from the Toscanini Underground

Maria Nockin: LITTLE: Polyhymnia. Terpsichore... (Petr Vronský)

Gwendolyn Haverstock: The Masters Remastered

David DeBoor Canfield: LITTLE: Polyhymnia. Terpsichore... (Petr Vronský)

Nick Rossi: European Opera for the Record

Martin Anderson: Jonathan Little and the Importance of Ecstasy

Allan Blonde: Japan: The High Cost of Culture: Part 1

Radu A. Lelutiu: A Conversation with Pianist Luisa Guembes-Buchanan

Peter J. Rabinowitz: Two For One, A Win For All

Lynn René Bayley: TRUE NORTH (True North Harp Duo)

Ron McDonald: Scherchen Revisited

Maria Nockin: TRUE NORTH (True North Harp Duo)

Martin Elste: Letter from Germany

Jerry Dubins: TRUE NORTH (True North Harp Duo)

11:5 (May/June 1988)

Maria Nockin: Lynne Aspnes and John Wickey Chat about Music...

Michael Fine: An Interview with Elmar Oliveira

Lynn René Bayley: Kimiko Ishizaka’s Open Goldberg Project

Edward Strickland: Spillane, the Works ... Looking for Zorn

Robert Schulslaper: BACH, JOHANN SEBASTIAN: Goldberg Variations (Kimiko Ishizaka)

Edward Strickland: Conversing about Bach: Keith Jarrett's Classical...

Scott Noriega: BACH, JOHANN SEBASTIAN: Goldberg Variations (Kimiko Ishizaka)

James Miller: A Feast of Operetta Excerpts

James A. Altena: Freeing Music in the Internet Age: The Open Source...

Alan Rosenthal: Bill Evans on Riverside

Radu A. Lelutiu: A Conversation with Pianist Jorge Federico Osorio

Noah Andre Trudeau: On The Air

35:6 (July/Aug 2012)

Al Fasoldt: The Common-Sense Audiophile

Jerry Dubins: From Naughty to Nice—A Conversation about Victor...

Neil Levenson: New for Audiophiles

Jerry Dubins: ECHOES AND BOUNDARIES (James Pellerite)

Mike Silverton: Random Noise

David DeBoor Canfield: Native Gold: The Northern Plains Flute Artistry...

Justin R. Herman: Lend An Ear... From One Serious Collector to Another

Barnaby Rayfield: HOWE, HUBERT: Clusters. Inharmonic Fantasy No.... (Hubert Howe)

Andrew Sussman: Jazz Duets (and Trios)

Michael Cameron: HOWE, HUBERT: Clusters. Inharmonic Fantasy No.... (Hubert Howe)

Andrew Sussman: Jazz Capsule Takes

Michael Cameron: A Conversation with Composer Hubert Howe

Frederic Silber: Reel Music: Silber's Consumer's Guide to Soundtracks...

Maria Nockin: Juan Carlos Garvayo and the Arbós Trio

George Chien: Moss Music's Cameo Classics

Robert Schulslaper: DYKSTRA: Cordova Rag. Old Powell Rag. The... (Stephen Warner)

Peter J. Rabinowitz: Cloudless Silver Line

Barry Brenesal: DYKSTRA: Cordova Rag. Old Powell Rag. The... (Stephen Warner)

Nick Rossi: European Opera for the Record

Lynn René Bayley: DYKSTRA: Cordova Rag. Old Powell Rag. The... (Stephen Warner)

Nick Harper: Letter from France

Robert Schulslaper: Brian Dykstra’s Ragtime Romance

Martin Elste: Letter from Germany

Maria Nockin: WIDENING CIRCLES (Benjamin Beirs)

11:4 (Mar/Apr 1988)

Robert Schulslaper: Widening Circles: A Conversation with Guitarist...

Edward Strickland: In C-erra: An Interview with Terry Riley

Martin Anderson: LAWO Classics: A New Norwegian Independent

Martin Elste: An Interview with Arvo Part

Jerry Dubins: CHOPIN, FRÉDÉRIC; RACHMANINOFF (Jeffrey Noel Lastrapes)

Noah Andre Trudeau: On the Air

Lynn René Bayley: CHOPIN, FRÉDÉRIC; RACHMANINOFF (Jeffrey Noel Lastrapes)

Al Fasoldt: The Common-Sense Audiophile

James A. Altena: Inward Vision: An Interview with Cellist Jeffrey...

Neil Levenson: New for Audiophiles

Maria Nockin: BRADY: Trance. Sul A. Switch. O is for... (Tim Brady)

Mike Silverton: Random Noise

Maria Nockin: BRADY: Symphony No. 1, “Playing Guitar”... (Tim Brady)

Justin R. Herman: Lend an Ear... From One Serious Listener to Another

Maria Nockin: BRADY: 24 Frames [Scatter + Trance] (Tim Brady)

Royal S. Brown: An Interview at Koch Import Service

Maria Nockin: BRADY: Scat (Because We All Have Voices... (Tim Brady)

Royal S. Brown: The Sea Hawk Sails Again: Varese Sarabande's New...

Raymond Beegle: Clarity: Tim Brady Shares His Thoughts

Peter J. Rabinowitz: New Port in New Bottles

Radu A. Lelutiu: IVES, CHARLES; BARBER, SAMUEL (Nicholas Zumbro)

Nick Rossi: European Opera for the Record

Lynn René Bayley: GRANADOS, ENRIQUE; FALLA, MANUEL DE (Nicholas Zumbro)

Martin Elste: Letter from Germany

Jerry Dubins: GRANADOS, ENRIQUE; FALLA, MANUEL DE (Nicholas Zumbro)

11:3 (Jan/Feb 1988)

Radu A. Lelutiu: A Conversation with Pianist Nicholas Zumbro

J. F. Weber: A Major Addition to the Liturgical Drama

Maria Nockin: TSITSAROS: Poetic Moments. Songs Without Words.... (Christos Tsitsaros)

John H. Yoell: Awakening in Budapest

Lynn René Bayley: TSITSAROS: Poetic Moments. Songs Without Words.... (Christos Tsitsaros)

Leslie Gerber: An interview with Vladimir Feltsman

Peter Burwasser: TSITSAROS: Cahier Tango... (Christos Tsitsaros)

Edward Strickland: Voices/Visions: An Interview with Meredith Monk

Maria Nockin: TSITSAROS: Cahier Tango... (Christos Tsitsaros)

Nick Rossi: Robert von Bahr and BIS Records

Lynn René Bayley: Meet Christos Tsitsaros

Noah Andre Trudeau: On the Air

Maria Nockin: DEVIENNE: Clarinet Sonatas (Wonkak Kim)

Al Fasoldt: The Common-Sense Audiophile

Lynn René Bayley: DEVIENNE: Clarinet Sonatas (Wonkak Kim)

Neil Levenson: New for Audiophiles

Maria Nockin: Wonkak Kim Plays the Music of François Devienne

David Johnson: Vocalizing on Cassettes

George Chien: THE GALILEO PROJECT (Jeanne Lamon)

Mike Silverton: Random Noise

Lynn René Bayley: THE GALILEO PROJECT (Jeanne Lamon)

Justin R. Herman: Lend an Ear... From One Serious Collector to Another

Bertil van Boer: VIVALDI, ANTONIO: The 4 Seasons... (Jeanne Lamon)

Alan Rosenthal: Jazz Lines

George Chien: VIVALDI, ANTONIO: The 4 Seasons... (Jeanne Lamon)

Andrew Sussman: Jazz Capsule Takes

Bertil van Boer: BACH, JOHANN SEBASTIAN: Brandenburg Concertos (Jeanne Lamon)

Frederic Silber: Reel Music: Silber's Consumers Guide to Soundtracks...

George Chien: BACH, JOHANN SEBASTIAN: Brandenburg Concertos (Jeanne Lamon)

John Bauman: Stradivari: A New Budget CD Label

Christopher Brodersen: An Interview with Jeanne Lamon of Tafelmusik

James Miller: RCA Enters the Budget CD Lists ... or Butterflies...

Maria Nockin: GIULIANI, MAURO: Grand Duo Concertante in A, op.... (Louise Schulman)

Mortimer H. Frank: New Dimensions to the Toscanini Image

Jerry Dubins: GIULIANI, MAURO: Grand Duo Concertante in A, op.... (Louise Schulman)

William H. Youngren: Toscanini Awards

Maria Nockin: Louise Schulman and Bill Zito Talk About Strings...

Nick Rossi: European Opera for the Record

Maria Nockin: HARBACH, BARBARA: Veneration. Frontier Fancies. Arcadian... (Kirk Trevor)

Nick Harper: Letter from France

Colin Clarke: HARBACH, BARBARA: Veneration. Frontier Fancies. Arcadian... (Kirk Trevor)

Martin Elste: Letter from Germany

David DeBoor Canfield: HARBACH, BARBARA: Veneration. Frontier Fancies. Arcadian... (Kirk Trevor)

11:2 (Nov/Dec 1987)

Colin Clarke: Meeting Barbara Harbach

John H. Yoell: Miklós Rózsa—Concert Records in Retrospect A Contribution...

Radu A. Lelutiu: ENESCU, GEORGE: Piano Trios... (Brancusi Tr)

James Badal: On Record: Andrew Davis

Peter J. Rabinowitz: ENESCU, GEORGE: Piano Trios... (Brancusi Tr)

John H. Yoell: Focus on Slovak Discography Part II: The Ripening

Jerry Dubins: ENESCU, GEORGE: Piano Trios... (Brancusi Tr)

George Chien: Erato's Mid-Priced Bonsai Compact Discs

Radu A. Lelutiu: ENESCU, GEORGE: Piano Sonata No. 1. Suite No. 2.... (Matei Varga)

Noah Andre Trudeau: ON THE AIR

Lynn René Bayley: ENESCU, GEORGE: Piano Sonata No. 1. Suite No. 2.... (Matei Varga)

Al Fasoldt: The Common-Sense Audiophile

Jerry Dubins: ENESCU, GEORGE: Piano Sonata No. 1. Suite No. 2.... (Matei Varga)

Neil Levenson: New for Audiophiles

Steven E. Ritter: ENESCU, GEORGE: Piano Sonata No. 1. Suite No. 2.... (Matei Varga)

David Johnson: Vocalizing on Cassettes

Radu A. Lelutiu: BRAHMS, JOHANNES: Cello Sonatas (Laura Buruiana)

Mike Silverton: Random Noise

Jerry Dubins: BRAHMS, JOHANNES: Cello Sonatas (Laura Buruiana)

Donald Seibert: Some Memories of Anton Webern, the Berg Concerto,...

Radu A. Lelutiu: A Conversation with Laura Buruiana and Matei Varga

Edward Strickland: From Malcolm X to Unknown Planets: An Interview...

Lynn René Bayley: PEROS: Poèmes Nos. 1-3, 6, 8. Eden... (Linda Shumas)

Andrew Sussman: JAZZ DUETS

Lynn René Bayley: PEROS: Songs (Heidi Klann)

Frederic Silber: SILBER'S CONSUMER'S GUIDE TO SOUNDTRACKS AND FILM...

Lynn René Bayley: PEROS: Motets (Richard Cunningham)

Royal S. Brown: FILM MUSINGS

David DeBoor Canfield: PEROS: Motets (Richard Cunningham)

David Johnson: Pleasures and Pains of a Distributor: A Conversation...

Lynn René Bayley: Exploring Nick Peros

R. John Blackley: Rhythm and Nuance in Chant*

35:5 (May/June 2012)

Mortimer H. Frank: ANGEL'S STUDIO SERIES

Jerry Dubins: MUSIC FROM THE MACHINE AGE (Sascha Goetzel)

George Chien: Want List 1987

Raymond Tuttle: MUSIC FROM THE MACHINE AGE (Sascha Goetzel)

Nick Harper: Letter from France

Martin Anderson: The Borusan Istanbul Philharmonic—An Orchestra...

Martin Elste: Letter from Germany

Robert Schulslaper: LOOKING BACK (Leonard Garrison)

11:1 (Sept/Oct 1987)

Maria Nockin: LOOKING BACK (Leonard Garrison)

James Badal: Pierre Boulez on Record

Robert Schulslaper: Written on the Wind: A Conversation with Flutist...

David Johnson: Pleasures and Pains of a Distributor: A Conversation...

Peter J. Rabinowitz: 19th-CENTURY MASTERWORKS (Geoffrey Dorfman)

Paul A. Snook: More New Music from Czechoslovakia

Lynn René Bayley: An Interview with Painter-Pianist Geoffrey Dorfman

Noah Andre Trudeau: On the Air

Paul A. Snook: CONVERSE: Song of the Sea. Festival of Pan.... (Keith Lockhart)

Al Fasoldt: The Common-Sense Audiophile

Jerry Dubins: CONVERSE: Song of the Sea. Festival of Pan.... (Keith Lockhart)

Neil Levenson: New for Audiophiles

Lynn René Bayley: CONVERSE: Song of the Sea. Festival of Pan.... (Keith Lockhart)

Michael Ullman: Sarah Vaughan: The Mercury CD Reissues

Martin Anderson: Keith Lockhart Brings New England from Old England

Andrew Sussman: Jazz Duets

Lynn René Bayley: HAYDN, FRANZ JOSEPH: Piano Trios (Mendelssohn Pn Tr)

Frederic Silber: Silber's Consumer's Guide to Soundtracks and Film...

Maria Nockin: Artists from Different Cultures Form the Mendelssohn...

Peter J. Rabinowitz: Sheffield Goes to Moscow

Lynn René Bayley: MCQUILLAN; QUALLIOTINE (Julius P. Williams)

Michael Ullman: GALLERIA ON CD

David DeBoor Canfield: MCQUILLAN; QUALLIOTINE (Julius P. Williams)

David Johnson: Vocalizing on Cassettes

David DeBoor Canfield: WILLIAMS, JULIUS; MOORE, RENE (Julius P. Williams)

Kyle Gann: Beginning a Contemporary Music Compact Disc Library

Lynn René Bayley: Meet Julius Williams

J. F. Weber: The Seven Last Words in its Least Familiar Version

Radu A. Lelutiu: LISZT; BUSONI (Jerome Lowenthal)

Edward Strickland: The Well-Tuned Piano: An Interview with La Monte...

Lynn René Bayley: LISZT; BUSONI (Jerome Lowenthal)

Mike Silverton: Random Noise

Peter J. Rabinowitz: The Pianist as Scheherazade: A Conversation with...

Royal S. Brown: Fanfare's Decade: 10 Positive Reflections on the...

David DeBoor Canfield: Composer vs. Music Writer: The Vision of Jorge...

George Chien: Time Flies When You're Having Fun

35:4 (Mar/Apr 2012)

George Chien: SECOND TIME AROUND

Richard A. Kaplan: SIBELIUS: Organ Music (complete). Religious... (Harri Viitanen)

Martin Elste: Letter from Germany

Richard A. Kaplan: “Every Note He Ever Wrote”: The BIS Sibelius Edition...

Howard Kornblum: B. H. Haggin: 1900-1987

Peter J. Rabinowitz: ROMANTIC VIRTUOSO MASTERPIECES (Sophia Agranovich)

10:6 (July/Aug 1987)

Jerry Dubins: Encounters of the First Kind: Chatting with Pianist...

J. F. Weber: Chant Rhythm and Other Controversial Questions

Radu A. Lelutiu: DRIVE AMERICAN (Heidi Louise Williams)

Noah Andre Trudeau: On the Air

Michael Cameron: DRIVE AMERICAN (Heidi Louise Williams)

Al Fasoldt: The Common-Sense Audiophile

Peter Burwasser: DRIVE AMERICAN (Heidi Louise Williams)

Neil Levenson: New for Audiophiles

Michael Cameron: Driving American Music with Heidi Louise Williams

David Johnson: Vocalizing on Cassettes

Jeremy Marchant: WAGGONER: Improvisations... (Open End Ens)

JAMES V. MCCONNELL: Hear! Hear!

Radu A. Lelutiu: WAGGONER: Improvisations... (Open End Ens)

Edward Strickland: The John Coltrane Quartet Compact Disc Reissues

Jeremy Marchant: Love, Terror, and Memory: An Interview with Andrew...

Andrew Sussman: JAZZ DUETS (and Trios)

Michael Cameron: SPANISH DANCES (Fred Sturm)

Alan Rosenthal: Jazz Lines

Robert Schulslaper: Fred Sturm, a Pianist with a Latin Touch

John Ditsky: CBS Takes the CD to Broadway and Hollywood: Chapter...

Maria Nockin: THE PIANO IN CHINA (Tianshu Wang)

Frederic Silber: Reel Music: Silber's Consumer's Guide to Soundtracks...

Raymond Tuttle: Pianist Tianshu Wang: Building Musical Bridges

Mike Silverton: Random Noise

James A. Altena: A Second MusiCHI Appraisal

Martin Elste: Letter from Germany

Andrew Quint: The MusiCHI Suite and the Zen of Cataloging CDs

10:5 (May/June 1987)

Peter J. Rabinowitz: Simply Madeleine: A Conversation with Madeleine...

Vincent Alfano: Dmitry Sitkovetsky—Searching

Jeremy Marchant: AYLWARD, THEODORE: Stillness and Change. Images of... (East Coast Contemporary Ens)

John H. Yoell: Focus on Slovak Discography Part I: The Wellsprings

David DeBoor Canfield: AYLWARD, THEODORE: Stillness and Change. Images of... (East Coast Contemporary Ens)

MARK MELSON: An Interview with Eduardo Mata

Peter Burwasser: AYLWARD, THEODORE: Stillness and Change. Images of... (East Coast Contemporary Ens)

AARON M. SHATZMAN: The Sound of Minimalism: Philip Glass in Concert...

David DeBoor Canfield: Stillness and Change: The Music of John Aylward

Noah Andre Trudeau: On the Air

Maria Nockin: BAROQUE VIRTUOSO (Michala Petri)

Neil Levenson: New for Audiophiles

Henry Lebedinsky: BAROQUE VIRTUOSO (Michala Petri)

John Ditsky: PolyGram's Show CDs: A Postscript

Jerry Dubins: BAROQUE VIRTUOSO (Michala Petri)

Frederic Silber: REEL MUSIC

Maria Nockin: THE NIGHTINGALE (Michala Petri)

Mortimer H. Frank: Toscanini and Another Horowitz

Lynn René Bayley: THE NIGHTINGALE (Michala Petri)

Henry Fogel: Toscanini and Another Horowitz

Maria Nockin: Michala Petri Plays Very Old and Very New Music

Nick Rossi: European Opera for the Record

Maria Nockin: LEÓN: Haiku. Inura (Tania Léon)

Mike Silverton: Random Noise

Maria Nockin: LEÓN: Bailarin. Singin’ Sepia... (David Starobin)

Edward Strickland: In the House of Spirits. An Interview with Keith...

Phillip Scott: LEÓN: Bailarin. Singin’ Sepia... (David Starobin)

Martin Elste: Letter from Germany

David DeBoor Canfield: A Master of Synthesis: An Interview with Tania...

10:4 (Mar/Apr 1987)

Jerry Dubins: BARTÓK; SCHULLER; FAIROUZ, MOHAMMED (Borromeo Qrt)

Noah Andre Trudeau: On the Air

Maria Nockin: A Conversation with Nicholas Kitchen of the Borromeo...

David Johnson: Vocalizing on Cassettes

William Zagorski: KRAMER: Spatial Extremes. Insurmountable.... (Various)

Vincent Alfano: Nigel Kennedy—On the Verge

David DeBoor Canfield: KRAMER: Spatial Extremes. Insurmountable.... (Various)

Edward Strickland: In the House of Spirits: An Interview with Keith...

Lynn René Bayley: KRAMER: Spatial Extremes. Insurmountable.... (Various)

Al Fasoldt: The Common-Sense Audiophile

William Zagorski: Keith Kramer on the Infiniteness of the Finite

Neil Levenson: New for Audiophiles

Bill White: STILL: Highway One, USA (Steven Amundson)

Alan Rosenthal: Jazz Lines

Bill White: HE’LL BRING IT TO PASS: The Spirituals of Hall... (Louise Toppin)

Mortimer H. Frank: Talking with Tom Shepard

Lynn René Bayley: HE’LL BRING IT TO PASS: The Spirituals of Hall... (Louise Toppin)

Edward Strickland: Downtown: An Interview with Steve Reich

Lynn René Bayley: HEART ON THE WALL: African American Art Songs... (Louise Toppin)

Nick Rossi: European Opera for the Record

Bill White: An Interview With Soprano Louise Toppin

Mike Silverton: Random Noise

Jerry Dubins: CHOPIN, FRÉDÉRIC: Cello Sonata in g. Introduction... (Antony Cooke)

10:3 (Jan/Feb 1987)

Lynn René Bayley: CHOPIN, FRÉDÉRIC: Cello Sonata in g. Introduction... (Antony Cooke)

Mortimer H. Frank: Toscanini Update

Maria Nockin: CHOPIN, FRÉDÉRIC: Cello Sonata in g. Introduction... (Antony Cooke)

Noah Andre Trudeau: On the Air

Maria Nockin: BRAHMS, JOHANNES: Cello Sonatas (Antony Cooke)

Al Fasoldt: The Common-Sense Audiophile

Jerry Dubins: BRAHMS, JOHANNES: Cello Sonatas (Antony Cooke)

Neil Levenson: New for Audiophiles

Lynn René Bayley: BRAHMS, JOHANNES: Cello Sonatas (Antony Cooke)

Mortimer H. Frank: Musica