Concerto for Clarinet, Violin, and Orchestra |
|
Creation Symphony. Prelude to The Eumenides. Pelléas and Mélisande Suite |
|
La Lousiana. Music Murmurings in the Trees. Mazurka-étude. L’absence et le retour. A mon étoile. La rapidité. La force. Une fleur de Pologne. Nocturne dramatique. L’impératrice. La plainte du berger. Souvenir of Spain. The Bee and the Rose. Valse militaire. La cracovienne |
|
Laminations. Epilog for String Orchestra |
|
Love’s Triumph: These Withered Flowers |
|
Lurline. The Amber Witch. Love’s Triumph Prelude |
|
Lurline: The Night Winds; The Naiad’s Spell |
|
Maritana: Scenes That Are Brightest |
|
Maritana: Scenes that are brightest |
|
Maritana: Yes, let me like a soldier fall |
|
Maritana: ’Tis the Harp in the Air; Scenes that are brightest |
|
Opera Fantasies and Paraphrases |
|
Scenes that are brightest |
|
Scenes That Are Brightest/In Happy Moments Quickstep |
|
Symphonic Poems. No. 1, The Passing of Beatrice; No. 3, Sister Helen; No. 5, Sir William Wallace; No. 6, Villon |
|
Symphonic Variations for Orchestra. Concerto Variations for Orchestra. Dance Suite for Orchestra. Introduction and Passacaglia |
|
The Amber Witch: My Long Hair Is Braided |
|
THE MEETING OF THE WATERS: CELTIC FANTASIES |
|
The Minstrel Boy & Rory O’More. The Bard’s Legacy. Coolun, Gary Owen & St. Patrick’s Day. The Meeting of the Waters & Eveleen’s Bower. Mélodie irlandaise. Annie Laurie. Roslin Castle & A Highland Lad My Love Was Born. Homage to Burns: Impromptu on “Somebody” and “O, for Ane and Twenty Tam.” The Keel row. Ye Banks and Braes. Charlie Is My Darling & The Campbells are Comin.’ My Love is Like a Red, Red, Rose & Come O’er the Stream, Charlie. Comin’ thro’ the Rye. The Last Rose of Summer. Kate Kearney & Tow, Row, Row. Robin Adair. Auld Lang Syne & The Highland Laddie |
|
TO MY LOVE: CELTIC ROMANCE |
|
Variations on “Scots Wha Hae“ |
|
