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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow)

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SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow)

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AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow)

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BUSH, GEOFFREY: Lord Arthur Savile’s Crime... (Simon Joly) (Review by Ronald E. Grames)

Sibyl Merton 

ENGLAND, MY ENGLAND: (Review by Robert Markow)

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BACH, JOHANN SEBASTIAN: Cantatas Schweigt stille, plaudert nicht. BWV 211 ( Coffee Cantata“), Mer hahn en neue Oberkeet. BWV 212 (“Peasant Cantata“) (Review by George Chien)

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BACH, JOHANN SEBASTIAN: Mass in b (Review by George Chien)

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BEETHOVEN, LUDWIG VAN: Symphonies 1–9. Violin Concerto. 2 Romances (Review by James Forrest)

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BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125 (“Choral“) (Review by Ronnie Yip)

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BEETHOVEN, LUDWIG VAN: The Creatures of Prometheus, op. 43 (Review by James Forrest)

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BOULANGER, LILI: Faust et Hélène (Review by Martin Anderson)

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BOULANGER, LILI: Faust et Hélène (Review by Walter Simmons)

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BRAHMS, JOHANNES: Ein deutsches Requiem, op. 45. Begräbnisgesang, op. 13 (Review by Ralph V. Lucano)

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BRITTEN: On this Island (Review by Martin Anderson)

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BRITTEN: On this Island (Review by Raymond Beegle)

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BYRD, WILLIAM: La Verginella. Pavan in C. In fields abroad. In Nomine No. 2. When I was otherwise. Browning. I thought that love. In Nomine No. 4. Though Amaryllis. Fantasia of Five Parts. Susanna fair. In Nomine No. 5. Out of the Orient. Prelude and Ground (Review by Elliott S. Hurwitt)

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BYRD, WILLIAM: Songs and Ensemble Music (Review by Elliott S. Hurwitt)

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DONIZETTI: Don Pasquale (in English) (Review by Robert Levine)

Norina 

FINZI: O fair to see; Since we loved; As I lay in the early sun (Review by Martin Anderson)

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FINZI: O fair to see; Since we loved; As I lay in the early sun (Review by Raymond Beegle)

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GLUCK: Iphigénle en Aulide (Review by James Camner)

Iphigenie 

GLUCK: Iphigénle en Aulide (Review by James Camner)

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GLUCK: La Rencontre imprévue ou Les Pèlerins de la Mecque (Review by James Camner)

Rezia 

GLUCK: La Rencontre imprévue ou Les Pèlerins de la Mecque (Review by James Camner)

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GLUCK: Orfeo ed Euridice (Vienna version of 1762) (Review by James Camner)

Euridice 

GLUCK: Orfeo ed Euridice (Vienna version of 1762) (Review by James Camner)

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GRAUN, JOHANN GOTTLIEB: Cleopatra e Cesare (Review by David Johnson)

Cornelia 

GRAUN, JOHANN GOTTLIEB: Cleopatra e Cesare (Review by David Johnson)

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GURNEY: Sleep (Review by Martin Anderson)

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GURNEY: Sleep (Review by Raymond Beegle)

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HANDEL-MOZART: Acis und Galatea (Review by Ralph V. Lucano)

Galatea 

HANDEL-MOZART: Acis und Galatea (Review by Ralph V. Lucano)

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HANDEL-MOZART: Messiah, K. 572 (Review by John Bauman)

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HANDEL, GEORGE FRIDERIC: (arr. Mozart) Alexander's Feast. Ode for St. Cecilia's Day (Review by Michael Carter)

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HANDEL, GEORGE FRIDERIC: Alexander Balus (Review by David Johnson)

Cleopatra 

HANDEL, GEORGE FRIDERIC: Ariodante (Review by Bernard Jacobson)

Ginevra 

HANDEL, GEORGE FRIDERIC: Chandes Anthems, Volume 4 (Review by J. F. Weber)

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HANDEL, GEORGE FRIDERIC: Chandos Anthems, Nos. 1, 2, 3 (Review by J. F. Weber)

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HANDEL, GEORGE FRIDERIC: Chandos Anthems, Volume 2 (Review by J. F. Weber)

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HANDEL, GEORGE FRIDERIC: Chandos Anthems (Review by J. F. Weber)

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HANDEL, GEORGE FRIDERIC: Dixit Dominus. Nisi Dominus. Salve Regina (Review by Ralph V. Lucano)

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HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Ralph V. Lucano)

Cleopatra 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Ralph V. Lucano)

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HANDEL, GEORGE FRIDERIC: Hercules (Review by Bernard Jacobson)

Iole 

HANDEL, GEORGE FRIDERIC: Hercules (Review by James A. Altena)

Iole 

HANDEL, GEORGE FRIDERIC: Hercules, HWV 60 (Review by Brian Robins)

Iole 

HANDEL, GEORGE FRIDERIC: Jephtha (Review by David Johnson)

Iphis 

HANDEL, GEORGE FRIDERIC: Jephtha (Review by James A. Altena)

Iphis 

HANDEL, GEORGE FRIDERIC: Jephtha (Review by David Johnson)

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HANDEL, GEORGE FRIDERIC: L’Allegro, il Penseroso ed il Moderato (Review by Michael Carter)

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HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman)

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HANDEL, GEORGE FRIDERIC: Messiah (Review by Bernard Jacobson)

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HANDEL, GEORGE FRIDERIC: Messiah (Review by Brian Robins)

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HANDEL, GEORGE FRIDERIC: Nisi Dominus. Stlete venti. Dixit Dominus (Review by Ralph V. Lucano)

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HANDEL, GEORGE FRIDERIC: O be joyful in the Lord. In the Lord put I my trust. Have mercy upon me. O sing unto the Lord a new song. I will magnify thee. As pants the hart for cooling streams. My song shall be always. O come, let us sing unto the Lord. O praise the Lord with one consent. The Lord is my light. Let God arise (Review by Michael Carter)

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HANDEL, GEORGE FRIDERIC: O be joyful. In the Lord put I my trust. Have mercy upon me (Review by J. F. Weber)

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HANDEL, GEORGE FRIDERIC: Samson (Review by James A. Altena)

Israelite Woman  

HANDEL, GEORGE FRIDERIC: Samson (Review by James A. Altena)

Philistine Woman  

HANDEL, GEORGE FRIDERIC: Samson (Review by James A. Altena)

Virgin  

HANDEL, GEORGE FRIDERIC: Saul (Review by Nicholas Deutsch)

Michal 

HANDEL, GEORGE FRIDERIC: Saul (Review by James A. Altena)

Michal 

HANDEL, GEORGE FRIDERIC: Saul (Review by Nicholas Deutsch)

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HANDEL, GEORGE FRIDERIC: Saul (Review by Patrick Rucker)

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HAYDN, FRANZ JOSEPH: The Creation (Review by Mortimer H. Frank)

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HOLST, GUSTAV: Choral Symphony, op. 41. Choral Fantasia, op. 51 (Review by Peter J. Rabinowitz)

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HOWELLS: An Old Man's Lullaby. Here She Lies. O Garlands. Two South African Settings. Upon a Summer's Day. By the Hearth-stone. Blaweary. Three Folksongs'. Sweet Content''. A Garland for de la Mare“. Peacock Pie, op. 33. Four French Chansons, op. 29'. In Green Ways, op. 43'. Old Meg' Three Children's Songs'. Four Songs, op. 22. Lost Love. O, My Deir Hert. Come Sing and Dance. The Mugger's Song“. The Little Boy Lost“ The Restful Branches MallyO!“ Old Skinflint. King David Gavotte Flood Goddess of the Night (Review by Peter J. Rabinowitz)

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HOWELLS: King David (Review by Martin Anderson)

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HOWELLS: King David (Review by Raymond Beegle)

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HOWELLS: Songs (Complete) (Review by Peter J. Rabinowitz)

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MAHLER, GUSTAV: Symphony No. 8 (Review by Christopher Abbot)

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MAHLER, GUSTAV: Symphony No. 8 (Review by Christopher Abbot)

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MENDELSSOHN, FELIX: A Midsummer Night’s Dream (Review by Jerry Dubins)

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MENDELSSOHN, FELIX: Elijah (Review by David Johnson)

A Seraph 

MENDELSSOHN, FELIX: Elijah (Review by David Johnson)

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MOZART: Das Alexander-Fest, K 592 (arr. of Handel's HWV 76). Cäcilien-Ode, K 591 (arr. of Handel's HWV 75) (Review by Bernard Jacobson)

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MOZART: Die Entführung aus dem Serail, K. 384 (Review by James Camner)

Konstanze 

MOZART: Die Entführung aus dem Serail, K. 384 (Review by James Camner)

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MOZART: Don Giovanni (Prague and Vienna Versions) (Review by James Camner)

Donna Elvira 

MOZART: Don Giovanni (Prague and Vienna Versions) (Review by James Camner)

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MOZART: Mass in C Minor, K. 427 (Review by J. F. Weber)

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MOZART: Requiem (Review by George Chien)

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MOZART: Requiem, K. 626 (Review by J. F. Weber)

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MOZART: Zaide (Review by Ralph V. Lucano)

Zaide 

MOZART: Zaide (Review by Brian Robins)

Zaide 

PARRY, HUBERT: Armida’s Garden; My heart is like a singing bird (Review by Martin Anderson)

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PARRY, HUBERT: Armida’s Garden; My heart is like a singing bird (Review by Raymond Beegle)

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PURCELL: Blow up the trumpet in Sion, Z. 10. The Lord is king, be the people never so impatient, Z. 53. Begin the song, and strike the living lyre, Z. 183. Thy word is a lantern unto my feet, Z. 61. Tell me, some pitying angel (The Blessed Virgin's Expostulation), Z. 196. Hear my prayer, O Lord, Z. 15. Lord, I can suffer thy rebukes, Z. 136. O Lord, our Governor, Z. 141. Remember not, Lord, our offences, Z. 50. Hosanna to the highest, Z. 187. O God, thou hast cast us out, Z. 36 (Review by Michael Ullman)

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PURCELL: Dido and Aeneas (Review by Michael Ullman)

Dido 

PURCELL: Dido and Aeneas (Review by Brian Robins)

Dido 

PURCELL: Diocletian, or The Prophetess. Timon of Athens (Review by David Johnson)

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PURCELL: The Complete Anthems and Services, Volume Three (Review by Michael Ullman)

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QUILTER: Fair House of Joy; My Life’s Delight (Review by Martin Anderson)

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QUILTER: Fair House of Joy; My Life’s Delight (Review by Raymond Beegle)

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RUBBRA, EDMUND: The Morning Watch. Symphony No. 9 (Review by Paul A. Snook)

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SCARLATTI, A.: Cantatas (Review by David Johnson)

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SCHOECK: Auf ein Ei geschrieben (Review by Adrian Corleonis)

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SCHOECK: Auf ein Kind (Review by Adrian Corleonis)

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SCHOECK: Auf einen Klavierspieler (Review by Adrian Corleonis)

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SCHOECK: Der Geprüfte (Review by Adrian Corleonis)

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SCHOECK: Die Enthusiasten (Review by Adrian Corleonis)

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SCHOECK: Erinna an Sappho (Review by Adrian Corleonis)

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SCHOECK: Geber. Der Hirtenknabe (Review by Adrian Corleonis)

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SCHOECK: Keine Rettung (Review by Adrian Corleonis)

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SCHOECK: Nach dem Kriege (Review by Adrian Corleonis)

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SCHOECK: Nachts am Schreibpulf. Aus der Ferne (Review by Adrian Corleonis)

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SCHOECK: Nur zu! (Review by Adrian Corleonis)

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SCHOECK: Widmung . An einem Wintermorgen (Review by Adrian Corleonis)

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SCHOECK: Zu viel (Review by Adrian Corleonis)

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SCHUBERT: Cantate zur Feier der Genesung der Irene Kiesewetter, D 936 (Review by Joel Kasow)

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SCHUBERT: Das Weinen, D 926 (Review by Joel Kasow)

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SCHUBERT: Der Hochzeitsbraten, D 930 (Review by Joel Kasow)

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SCHUBERT: Der Kreuzzug, D 932 (Review by Joel Kasow)

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SCHUBERT: Der Wallensteiner Lanzknecht beim Trunk, D 931 (Review by Joel Kasow)

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SCHUBERT: Die Sterne, D 939 (Review by Joel Kasow)

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SCHUBERT: Fröhliches Scheiden, D 896 (Review by Joel Kasow)

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SCHUBERT: Frühlingslied, D 919 (Review by Joel Kasow)

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SCHUBERT: Heimliches Lieben, D 922 (Review by Joel Kasow)

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SCHUBERT: Il modo di prender moglie, D 902/3 (Review by Joel Kasow)

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SCHUBERT: Il traditor deluso, D 902/2 (Review by Joel Kasow)

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SCHUBERT: Jägers Liebeslied, D 909 (Review by Joel Kasow)

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SCHUBERT: L’incanto degli occhi, D 902/1 (Review by Joel Kasow)

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SCHUBERT: Romanze des Richard Löwenherz, D 907 (Review by Joel Kasow)

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SCHUBERT: Schiffers Scheidelied, D 910 (Review by Joel Kasow)

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SCHUBERT: Sie im jedem Liede, D 896A (Review by Joel Kasow)

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SCHUBERT: Wolke und Quelle, D 896B (Review by Joel Kasow)

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SCHUMANN: Lieder (Review by Marc Mandel)

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SHAKESPEARE/MENDELSSOHN: A Midsummer Night's Dream (Review by James Miller)

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STANFORD, CHARLES VILLIERS: La Belle Dame sans merci (Review by Martin Anderson)

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STANFORD, CHARLES VILLIERS: La Belle Dame sans merci (Review by Raymond Beegle)

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STANFORD, CHARLES VILLIERS: The Hardy Norse-woman; The Compleat Virtuoso; The Aquiline Snub; Limmerich ohne Worte (Review by Martin Anderson)

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STANFORD, CHARLES VILLIERS: The Hardy Norse-woman; The Compleat Virtuoso; The Aquiline Snub; Limmerich ohne Worte (Review by Raymond Beegle)

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VAUGHAN WILLIAMS: Riders io the Sea. Flos Campi. Household Music (Review by Royal S. Brown)

Cathleen 

VAUGHAN WILLIAMS: Riders io the Sea. Flos Campi. Household Music (Review by Royal S. Brown)

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VAUGHAN WILLIAMS: Silent Noon. The lark in the clear air. Through Bushes and through Briars (Review by Martin Anderson)

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VAUGHAN WILLIAMS: Silent Noon. The lark in the clear air. Through Bushes and through Briars (Review by Raymond Beegle)

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VIVALDI, ANTONIO: Dixit Dominus, RV. 595. Laudate pueri Dominum, RV. 600. In exitu Israel, RV. 604. Nisi Dominus, RV. 608. Laudate Dominum, omnes Gentes, RV. 606. Magnifcat, RV. 611 (Review by George Chien)

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VIVALDI, ANTONIO: Laudate Pueri, RV. 601. Nisi Dominus, RV 608 (Review by Nils Anderson)

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VIVALDI, ANTONIO: Vêpres pour la Nativité de la Vierge. Confitebor, RV. 596 (Review by George Chien)

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WARLOCK: My Own Country, The Night, Lillygay (Review by Martin Anderson)

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WARLOCK: My Own Country, The Night, Lillygay (Review by Raymond Beegle)

soprano 

 

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