|
|
Performer: Kevin Deas BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243. Overture (Orchestra Suite) No. 3 in D, BWV 1068 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV232 (Review by Ralph V. Lucano) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Jerry Dubins) | bass | BRUBECK, DAVE: The Gates of Justice (Review by Jerry Dubins) | bass baritone | HAILSTORK: 3 Spirituals. An American Port of Call. Fanfare on Amazing Grace. Whitman’s Journey (Review by Ronald E. Grames) | baritone | HAILSTORK: Symphony No. 1 (Review by Colin Clarke) | baritone | HAILSTORK: Three Spirituals. An American Port of Call. Fanfare on Amazing Grace. Whitman’s Journey (Review by Colin Clarke) | baritone | HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Ralph V. Lucano) | Polyphemus | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | bass baritone | HAYDN, FRANZ JOSEPH: Mass No. 11 in d, “Lord Nelson” (Review by Lynn René Bayley) | bass | HAYDN, FRANZ JOSEPH: Mass No. 11 in d, “Lord Nelson” (Review by Jerry Dubins) | bass | HAYDN, FRANZ JOSEPH: Mass No. 11 in d, “Lord Nelson” (Review by James H. North) | bass | HAYDN, FRANZ JOSEPH: Symphony No. 102 in B♭ (Review by Lynn René Bayley) | bass | HAYDN, FRANZ JOSEPH: Symphony No. 102 in B♭ (Review by Jerry Dubins) | bass | HAYDN, FRANZ JOSEPH: Symphony No. 102 in B♭ (Review by James H. North) | bass | HAYDN, FRANZ JOSEPH: The Creation (Review by Jerry Dubins) | bass baritone | HAYDN, FRANZ JOSEPH: The Creation (Review by James H. North) | bass baritone | HAYDN, FRANZ JOSEPH: The Creation (Review by Ronald E. Grames) | bass baritone | LOKUMBE, HANNIBAL: Dear Mrs. Parks (Review by Colin Clarke) | bass | MOZART: Der Schauspieldirektor,K 486 (Review by Brian Robins) | Buff | MOZART: Der Schauspieldirektor,K 486 (Review by Bernard Jacobson) | Buff | MOZART: Der Schauspieldirektor,K 486 (Review by Brian Robins) | Mandolino | MOZART: Der Schauspieldirektor,K 486 (Review by Bernard Jacobson) | Mandolino | MOZART: Mass in c, K 427, “Great” (Review by James A. Altena) | bass | MOZART: Piano Concerto No. 24 (Review by James A. Altena) | bass | MOZART/HENNEBERG/SCHACK/GERL/SCHIKANEDER: Der Stein der Weisen (Review by Brian Robins) | Lubano | MOZART/HENNEBERG/SCHACK/GERL/SCHIKANEDER: Der Stein der Weisen (Review by Bernard Jacobson) | Lubano | MOZART’S CIRCLE: Der wohltätige Derwisch (Review by Brian Robins) | Buff | MOZART’S CIRCLE: Der wohltätige Derwisch (Review by Bernard Jacobson) | Buff | MOZART’S CIRCLE: Der wohltätige Derwisch (Review by Brian Robins) | Mandolino | MOZART’S CIRCLE: Der wohltätige Derwisch (Review by Bernard Jacobson) | Mandolino | SAINT-SAËNS: Henry VIII (Review by David Cutler) | Cardinal Campeggio | VARÈSE: The Complete Works (Review by Christopher Abbot) | bass | VARÈSE: Tuning Up. Amériques (Original Version) Arcana. Poème électronique. Nocturnal. Un Grand Sommeil noir (Orchestral Version) Un Grand Sommeil noir (Original Version) Offrandes. Hyperprism. Octandre. Intégrales. Ecuatorial. Ionisation. Density 21.5. Déserts. Dance for Burgess (Review by Christopher Abbot) | bass | WAGNER, RICHARD: Die Meistersinger (Review by William H. Youngren) | Ortet | WALTON, WILLIAM: Façade 1 and 2; Additional Numbers (Review by Steven Kruger) | narrator |
|
NOT TO BE MISSED!
Reviews and interviews
Just click and read!
|
