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Performer: Robert Hollingworth THE ART OF MONTEVERDI: Altri canti d'Amor. Interrotte speranze. Lamento della ninfa. Ninfa che scalza. Quel' augellin. Palgn'e sospira. SI ch'Io vorrei morire. Vorrei baciarti. Quel sguardo. Gira II nemico. Vago augelletto. Ohimè II bel viso. Lamento d'Arianna (Review by J. F. Weber) | director | THE EARLY BYRD: EARLY WORKS FOR VOICES, VIOLS, AND VIRGINALS, Volume 1: Attolite portas. Triumph with pleasant melody. O Lord, how vain. All in a Garden Green. Domine secundum actum meum. Truth at the first. Who likes to love. Wolsey's Wilde. Da mihi auxilium. Farewell, false love. O Mistrys Myne. Miserere mihi, Domine. My mind to me a kingdom is. La volta. Ad Dominum cum tribularer (Review by Tom Moore) | director | INSALATA: (Review by Richard Burke) | director | ITALIAN VESPERS 1612: (Review by J. F. Weber) | director | LEONARDO: Shaping the Invisible (Robert Hollingworth) (Review by J. F. Weber) | director | THE TRIUMPHS OF ORIANA: (Review by J. F. Weber) | director | BENEVOLI: Missa Tu es Petrus (Review by J. F. Weber) | conductor | CROCE, GIOVANNI: Carnevale Veneziano, The Comic Faces of Giovanni Croce (Review by Craig Zeichner) | conductor | CROCE, GIOVANNI: Carnevale Veneziano, The Comic Faces of Giovanni Croce (Review by Craig Zeichner) | countertenor | DANIEL-LESUR: Le cactique des cantiques (Review by Raymond Beegle) | conductor | FRANCAIS: Ode à la gastronomie (Review by Raymond Beegle) | conductor | GABRIELI, ANDREA: Madrigals & ¿ (Review by J. F. Weber) | director | GABRIELI, GIOVANNI: Canzon a 4. Sacri di Giove augei (2 versions) (Review by J. F. Weber) | director | GALILEI, VINCENZO: Contrapunto Secondo di BM (Review by Barry Brenesal) | conductor | GALILEI, VINCENZO: Contrapunto Secondo (Review by J. F. Weber) | conductor | GALILEI, VINCENZO: Contrapunto (Review by J. F. Weber) | conductor | GRAZIANI, B.: Domine, ne in furore tuo. Venite gentes. Ad mensam dulcissimi. Justus ut palma (Review by J. F. Weber) | conductor | MILHAUD: 2 poémes (Review by Raymond Beegle) | conductor | MONTEVERDI: Ardo, avvampo. Rimanti in pace. Ogni amante. Si ch’io voreei. Che dar più. E così. Vorrei baciarti. Chiome d’oro. Batto qui pianse (Review by J. F. Weber) | director | MONTEVERDI: Entrata (Review by J. F. Weber) | director | MONTEVERDI: Il ballo delle ingrate (Review by J. F. Weber) | director | MONTEVERDI: Lagrime d’amante. Tirsi e Clori (Review by J. F. Weber) | director | MONTEVERDI: Luci serene. Anima mia. Tempro la cetra. Ahi come a un vago. Con che soavità. Ch’io t’ami. Partenza amorosa. Parlo miser’o. Volgendo il ciel. Longe da te. Piagn’e sospira (Review by J. F. Weber) | director | MONTEVERDI: L’Orfeo (Review by J. F. Weber) | director | MONTEVERDI: Madrigals, Book 4 (Review by J. F. Weber) | conductor | MONTEVERDI: Questi vaghi. T’amo, mia vita. Ohimè il bel viso. Zefiro torna e ’l bel tempo. Zefiro torna e di soavi accenti. Ohimè, dov’è il mio ben. Si dolce è ’l tormento. Or che ’l ciel. Gira il nemico. Ballo delle ingrate (Review by J. F. Weber) | director | MORALES, CRISTOBAL DE: Missa Mille regretz à 6. Magnificat primi toni (Review by J. F. Weber) | conductor | PALESTRINA: Tu es Petrus (Review by J. F. Weber) | conductor | POULENC, FRANCIS: Hotel. 7 chansons (Review by Raymond Beegle) | conductor | RAVEL: Piano Concerto in G (Review by Raymond Beegle) | conductor | SATIE: Gnossiennes Nos. 4, 5, 6 (Review by Raymond Beegle) | conductor | STRIGGIO: Ecce beatam lucem. Missa Ecco si beato giorno (Review by Barry Brenesal) | conductor | STRIGGIO: Ecce beatam lucem. Missa Ecco si beato giorno. Fuggi, spene mia. O giovenil ardire. Altr’io che queste spighe. D’ogni gratia et d’amor. O de la bella Etruria invitto Duce. Caro dolce ben mio. Miser’oimè (Review by Barry Brenesal) | conductor | STRIGGIO: Missa Ecco sì beato giorno. Ecce beatam lucem. Fuggi, spene mia. O giovenil ardire. Altr’io che queste spighe. D’ogni gratia et d’amor. O de la bella Etruria invitto Duce. Caro dolce ben mio. Miser’oimè (Review by J. F. Weber) | conductor | STRIGGIO: Missa Ecco sì beato giorno. Ecce beatam lucem. Fuggi. O giovenil. Altr’io. D’ogni gratia. O der la bella. Caro dolce. Miser’oimé (Review by J. F. Weber) | conductor | TALLIS: Spem in alium (Review by J. F. Weber) | conductor | TALLIS: Spem in alium (Review by Barry Brenesal) | conductor | TALLIS: Spem in alium (Review by J. F. Weber) | conductor | TALLIS: Spem in alium. The Making of Striggio (Review by Barry Brenesal) | conductor | TOMKINS: Music Divine (Review by J. F. Weber) | conductor | VECCHI: L'Amfiparnaso (Review by J. F. Weber) | director | VIVANCO, SEBASTIAN DE: Magnificat 1 toni a6 (Review by J. F. Weber) | conductor | VIVANCO, SEBASTIAN DE: Missa Assumpsit Jesus. Assumpsit Jesus Petrum. O sacrum convivium. De profundis. Versa est. Surge, propera. Assumpta est Maria. Veni, dilecti mi (Review by J. F. Weber) | conductor | WILBYE, JOHN: Draw on sweet night. Weepe O mine eies. Adew sweet Amaryllis. Sweet honey-sucking bees. Thou art but yong. Cruell, behold. I live, and yet me thinks. I love, alas, yet am not loved. Oft have I uowede. Downe in a ualley. When shall my wretched life. O what shall I doe?. Loue not me. Happy, o happy he. There where I saw. Lady, your words doe spite me. O wretched man. Ye restlesse thoughts. Lady when I behold. Thus saith my Cloris bright. Weep, weep mine eyes. Flora gave mee fairest flowers. All pleasure is of this condition. Of ioys and pleasing pains. Where most my thoughts (Review by James A. Altena) | conductor |
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