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Performer: Peter Holman

HANDEL IN HAMBURG: Almira, HWV 1; Suite (reconstructed by Holman) (Review by Bernard Jacobson)

director 

HANDEL IN HAMBURG: Almira, HWV 1; Suite (reconstructed by Holman) (Review by David Johnson)

director 

HANDEL IN HAMBURG: Der beglückte Florindo/Die verwandelte Daphne, HWV 3/4 (Review by Bernard Jacobson)

director 

HANDEL IN HAMBURG: Der beglückte Florindo/Die verwandelte Daphne, HWV 3/4 (Review by David Johnson)

director 

HANDEL IN HAMBURG: Oboe Concerto in g, HWV 287 (Review by Bernard Jacobson)

director 

HANDEL IN HAMBURG: Oboe Concerto in g, HWV 287 (Review by David Johnson)

director 

HANDEL IN HAMBURG: Rodrigo, HWV 5 (Review by Bernard Jacobson)

director 

HANDEL IN HAMBURG: Rodrigo, HWV 5 (Review by David Johnson)

director 

HANDEL IN HAMBURG: Suite in g, HWV 453 (possibly from Nero, HWV 2; reconstructed by Holman) (Review by Bernard Jacobson)

director 

HANDEL IN HAMBURG: Suite in g, HWV 453 (possibly from Nero, HWV 2; reconstructed by Holman) (Review by David Johnson)

director 

AN ENGLISHMAN ABROAD- CONSORT MUSIC COMPOSED,...: (Review by Tom Moore)

director 

FAIREST ISLE: A New National Songbook (Catherine Bott) (Review by Ian Lace)

director 

HAYDN AND HIS ENGLISH FRIENDS: (Review by Craig Zeichner)

director 

VITAL SPARK OF HEAV'NLY FLAME: (Review by J. F. Weber)

conductor 

WHILE SHEPHERDS WATCHED: (Review by J. F. Weber)

director 

ANONYMOUS: Ballet des Baccanales (Review by Robert Maxham)

director 

ANONYMOUS: Ballet des Baccanales (Review by Robert Maxham)

harpsichord 

ANONYMOUS: Ballet du Roy pour sonner après (Review by Robert Maxham)

director 

ANONYMOUS: Ballet du Roy pour sonner après (Review by Robert Maxham)

harpsichord 

ANONYMOUS: Ballet (Review by Robert Maxham)

director 

ANONYMOUS: Ballet (Review by Robert Maxham)

harpsichord 

ANONYMOUS: Courante (Review by Robert Maxham)

director 

ANONYMOUS: Courante (Review by Robert Maxham)

harpsichord 

ANONYMOUS: Sonata in D “con concertino“ (Review by Edward Strickland)

director 

ANONYMOUS: Sonata in D.William (Review by J. F. Weber)

director 

ARNE, THOMAS: To fair Fidele's grassy tomb. When daisies pied and violets blue. When icicles hang on the wall. Honour, riches, marriage-blessing. Where the bee sucks, there lurk I (Review by Barry Brenesal)

conductor 

BACH, JOHANN CHRISTIAN: Concerted Symphony in E♭ for Clarinet and Orchestra (Review by Martin Anderson)

conductor 

BALTZAR, THOMAS: Pavan and Galliard in C (Review by Edward Strickland)

director 

BALTZAR, THOMAS: Pavane and Galliard in C (Review by J. F. Weber)

director 

BARRETT: Sonata in D (Review by Michael Ullman)

conductor 

BARRETT: Tunbridge Walks (Review by Brian Robins)

director 

BESARD, JEAN-BAPTISTE: Ballo del Gran Duca. Une jeune fillette. Bransles de Village (Review by Robert Maxham)

director 

BESARD, JEAN-BAPTISTE: Ballo del Gran Duca. Une jeune fillette. Bransles de Village (Review by Robert Maxham)

harpsichord 

BIBER, HEINRICH IGNAZ FRANZ VON: 12 Sonatas for Trumpets, Strings, Timpani, and Continuo (“Sonatae tam aris, quam aulis servientes“) (Review by Nils Anderson)

conductor 

BIBER, HEINRICH IGNAZ FRANZ VON: Sonatas (Review by Nils Anderson)

conductor 

BIBER, HEINRICH IGNAZ FRANZ VON: Twelve Sonatas for Trumpets, Strings, Timpani, and Continuo (Review by Michael Ullman)

director 

BLOW, JOHN: Chaconne a 4 in G (Review by Edward Strickland)

director 

BLOW, JOHN: Chaconne à 4 in G (Review by J. F. Weber)

director 

BLOW, JOHN: Mark how the lark and linnet sing (Review by Michael Ullman)

conductor 

BLOW, JOHN: The Glorious Day Is Come (Review by Elliott S. Hurwitt)

conductor 

BOEHM, GEORG: Ouverture a 5 in D (Review by George Chien)

director 

BOND, CAPEL: Concertos (Review by Robert Maxham)

director 

BOND, CAPEL: Six Concertos in Seven Parts (Review by Robert Maxham)

director 

BOYCE: Peleus and Thetis. Florizel and Perdita (Review by Tom Moore)

director 

BOYCE: Sonatas (Review by Robert Maxham)

director 

BOYCE: Trio Sonatas (Review by Robert Maxham)

director 

BOYCE: Trio Sonatas (Review by Bertil van Boer)

conductor 

BROOKS, JAMES: Concerto No. 1 in D for Violin and Orchestra (Review by Robert Maxham)

conductor 

BROOKS, JAMES: Concerto No. 1 in D for Violin and Orchestra (Review by Robert Maxham)

fortepiano 

BROOKS, JAMES: Concerto No. 1 in D for Violin and Orchestra (Review by Robert Maxham)

fortepiano 

CAMPION, FRANCOIS: Courante (Review by Robert Maxham)

director 

CAMPION, FRANCOIS: Courante (Review by Robert Maxham)

harpsichord 

CAROUBEL: Passamezze. Gaillarde. Gaillarde. Bransles. Bransle simple (Review by Robert Maxham)

director 

CAROUBEL: Passamezze. Gaillarde. Gaillarde. Bransles. Bransle simple (Review by Robert Maxham)

harpsichord 

CASTELLO, DARIO: Exultate Deo (Review by Brian Robins)

organ 

CAVALLI: Messa Concertata. Canzonas. O quam suavis est. O bone Jesu (Review by J. F. Weber)

director 

CAZZATI: Sonata à 4 ¡n g, “La sampiera.“ (Review by Brian Robins)

director 

CAZZATI: Sonata à 4 ¡n g, “La sampiera.“ (Review by Brian Robins)

organ 

CHILCOT, THOMAS: Pardon, goddess of the night. Orpheus with his lute. Hark, hark, the lark (Review by Barry Brenesal)

conductor 

CLARKE, JEREMIAH: Come, come along for a dance and a song (Review by Michael Ullman)

conductor 

CLARKE, JEREMIAH: Titus Andronicus (Review by Barry Brenesal)

conductor 

CORBETT, WILLIAM: Suite in D (Review by Michael Ullman)

conductor 

CORBETT, WILLIAM: Suite in D (Review by Brian Robins)

director 

COURTEVILLE, RAPHAEL: Creep Softly, Purling Streams (Review by James A. Altena)

conductor 

CROFT: For Rural and Sincere Joys (Review by James A. Altena)

conductor 

CROFT: Overture in D (Review by Michael Ullman)

conductor 

CROFT: Overture in D (Review by Brian Robins)

director 

CROFT: The Twin Rivals (Review by J. F. Weber)

director 

CROFT: The Twin Rivals (Review by Edward Strickland)

director 

DIBDIN: The Ephesian Matron. The Brickdust Man. The Grenadier (Review by John Bauman)

conductor 

DOWLAND, JOHN: Courante (Review by Robert Maxham)

director 

DOWLAND, JOHN: Courante (Review by Robert Maxham)

harpsichord 

DOWLAND, JOHN: Lachrimae (Review by J. F. Weber)

director 

DOWLAND, JOHN: Lachrimae, or 7 Teares (Review by J. F. Weber)

director 

DRAGHI: From Harmony, from Heav'nly Harmony (Review by Elliott S. Hurwitt)

conductor 

DRAGHI: Where Art Thou, God of Dreams? Trio Sonata in g (Review by James A. Altena)

conductor 

ECCLES, JOHN: Can life be a blessing? (Review by Barry Brenesal)

conductor 

ECCLES, JOHN: Suite (Review by Michael Ullman)

conductor 

ECCLES, JOHN: Suite “made for the Queens Coronation.“ (Review by Brian Robins)

director 

ECCLES, JOHN: Symphony for Mercury from “The Judgment of Paris.“ (Review by Edward Strickland)

director 

ECCLES, JOHN: The Judgment of Paris (Review by J. F. Weber)

director 

FERRABOSCO II, ALFONSO: Pavan in C. Alman in C (Five-part Violin Band) (Review by Robert Maxham)

director 

FESCH, WILLEM DE: All fancy sick (Review by Barry Brenesal)

conductor 

FINGER, GOTTFRIED: 3 Sonatas in C (Review by Michael Ullman)

conductor 

FINGER, GOTTFRIED: Sonata in C for Trumpet, Violin, Oboe, Bass Violin, and Harpsichord. Sonata in C for Trumpet, Violin, Bass Violin, and Organ. Sonata in C for Trumpet, Oboe, Bass Violin, and Organ (Review by Brian Robins)

director 

FINGER, GOTTFRIED: Sonata in C (Review by Michael Ullman)

conductor 

FINGER, GOTTFRIED: Suite in G Minor (“Farewell“) (Review by Michael Ullman)

conductor 

FISCHER, JOHANN CASPAR FERDINAND: Ouverture a 5 in G Minor (Review by George Chien)

director 

FISCHER, JOHANN CHRISTIAN: Ouverture a 5 in G Minor (Review by Tom Moore)

director 

GIBBONS, ORLANDO: Fantasias “for the Great Double Bass“ (Review by Tom Moore)

director 

GRANDI, ALESSANDRO: Amo Christum. Ave maris Stella (Review by Brian Robins)

organ 

GREENE: Orpheus with his lute (Review by Barry Brenesal)

conductor 

GROSSI: Sonata à 5 in D, op. 3/10. JACCHI-Nl (Review by Brian Robins)

director 

GROSSI: Sonata à 5 in D, op. 3/10. JACCHI-Nl (Review by Brian Robins)

organ 

HALL, HENRY: Yes, my Aminta, 'tis too true (Review by Michael Ullman)

conductor 

HANDEL, GEORGE FRIDERIC: Venus and Adonis (Review by James A. Altena)

conductor 

HAYDN, FRANZ JOSEPH: 6 English Psalms (Review by Bernard Jacobson)

director 

HAYDN, FRANZ JOSEPH: Give to God our thankful songs (arr. by William Gardiner of Poco adagio from String Quartet in C, op. 76/3) (Review by Bernard Jacobson)

director 

HAYDN, FRANZ JOSEPH: String Quartet in C, op. 76/3 (Review by Bernard Jacobson)

director 

HAYDN, FRANZ JOSEPH: What art expresses (Review by Bernard Jacobson)

director 

HAYM: Have Mercy Upon Me, O God (Review by James A. Altena)

conductor 

HOOK, JAMES: Concerto in E♭ for Clarinet and Orchestra (Review by Martin Anderson)

conductor 

JENKINS, JOHN: Fantasia Suites for Three Violins, Bass Viol, and Continuo (Review by Tom Moore)

director 

JENKINS, JOHN: Late Consort Music (Review by Tom Moore)

director 

JOHNSON, ROBERT: The Prince's Alman. The Prince's Coranto. Air in G Minor (Five-part Violin Band, Two Lutes, Theorbo, Harpsichord). Fantasia in G Minor for Three Trebles (Three Violins). The Temporiser. The Witty Wanton (Two Violins, Viola, Bass Violin, Lute, Theorbo, Harpsichord) (Review by Robert Maxham)

director 

KELLER, GODFREY: Sonata No. 1 in D. Nicola (Review by J. F. Weber)

director 

KELLER, GOTTFRIED: Sonata No. 1 (Review by Edward Strickland)

director 

LAMPE: Pyramus and Thisbe. Concerto in G for Flute and Strings (Review by David Johnson)

conductor 

LAWES, WILLIAM: Alman in D for the Violins of Two Trebles (Two Violins, Two Violas, Bass Violin, Lute, Theorbo, Harpsichord). Air in C Minor. Air in C Minor. Air in C. Air in C (Two Violins, Bass Viol, Three Theorbos) (Review by Robert Maxham)

director 

LAZZARI: Sonata à 6 in D. (Review by Brian Robins)

director 

LAZZARI: Sonata à 6 in D. (Review by Brian Robins)

organ 

LEGRENZI: O mirandum mysterium (Review by Brian Robins)

organ 

LEGRENZI: Sonata in E, op. 10/17 (Review by Brian Robins)

director 

LEGRENZI: Sonata in E, op. 10/17 (Review by Brian Robins)

organ 

LEGRENZI: Sonata in G "La Pezzoli" (Review by Brian Robins)

organ 

LEVERIDGE: When daisies pied and violets blue (Review by Barry Brenesal)

conductor 

LINEY: Concerto in F for Violin and Orchestra (Review by Robert Maxham)

fortepiano 

LINLEY JR, THOMAS: The Song of Moses. Let God Arise (Review by David Johnson)

conductor 

LINLEY JR, THOMAS: The Song of Moses. Let God Arise (Review by Patrick Rucker)

conductor 

LINLEY JR, THOMAS: Violin Concerto in F (Review by Robert Maxham)

conductor 

LINLEY JR, THOMAS: Violin Concerto in F (Review by Robert Maxham)

fortepiano 

LOCKE, MATTHEW: The Broken Consort, Part I (1661 ). Duos for Two Bass Viols (1652). Fantasia and Corant in D Minor (1665) (Review by Robert Maxham)

chamber organ 

LUPO: Fantasy-Airs a 3, Nos. 16, 17, 20. Fantasy-Airs a 4, Nos. 4-7, 9, 11-12 (Review by Tom Moore)

director 

MAHON: Concerto No. 2 in F for Clarinet and Orchestra. Duets for Two Clarinets and Orchestra (Review by Martin Anderson)

conductor 

MARINI: Jesus dulcis memoria (Review by Brian Robins)

organ 

MARINI: Sonata "per sonore con due corde." F. M (Review by Brian Robins)

organ 

MATTEIS, NICOLA: Divisions on a Ground in D minor (Review by J. F. Weber)

director 

MATTEIS, NICOLA: Divisions on a Ground in D minor (Review by Edward Strickland)

director 

MATTEIS, NICOLA: Suite in d (Review by James A. Altena)

conductor 

MELANI, ALESSANDRO: Sonata à S in C. (Review by Brian Robins)

director 

MELANI, ALESSANDRO: Sonata à S in C. (Review by Brian Robins)

organ 

MONTEVERDI: Pianta della Madonna (Review by Brian Robins)

organ 

MONTEVERDI: Sacred Vocal Music (Review by J. F. Weber)

director 

MONTEVERDI: Sacred vocal music (Review by J. F. Weber)

conductor 

MONTEVERDI: Su le penne de' venti. Confìtebor tibi. Iste confessor. Laudate Dominum. Confìtebor tibi. Confìtebor tibi. Ab aeterno ordinata sum. Nisi Dominus. Deus tuorum militum (Review by J. F. Weber)

conductor 

MONTEVERDI: Su le penne. Confitebor II. Iste confessor II. Laudate Dominum IV. Confitebor V. Confitebor III alla francese. Ab aeterno. Nisi Dominus I. Deus tuorum militum II (Review by J. F. Weber)

director 

MORGAN, THOMAS: Mr. Henry Purcell's Farewell Tune (Review by Michael Ullman)

conductor 

MUFFAT: Armonico Tributo (Salzburg 1682) (Review by William Zagorski)

director 

MUFFAT: Armonico Tributo (Review by George Chien)

harpsichord 

MUFFAT: Armonico Tributo (Review by George Chien)

organ 

MUFFAT: Armonico tributo (Review by Edward Strickland)

harpsichord 

MUFFAT: Armonico tributo (Review by Edward Strickland)

organ 

NAU: Suite in F. Ballet in F (Five-part Violin Band). Pavan in D Minor. Galliard in O Minor. (Five-part Violin Band, Two Lutes, Theorbo, Harpsichord) (Review by Robert Maxham)

director 

NOTARI: Variations on the Ruggiero (Violin, Lute, Theorbo, Harpsichord) (Review by Robert Maxham)

director 

PAISIBLE: Sonata in D (Review by Michael Ullman)

conductor 

PAISIBLE: Sonata in D (Review by Brian Robins)

director 

PEPUSCH: Sonata in D, “Smallcoal” (Review by James A. Altena)

conductor 

PRAETORIUS, MICHAEL: 3 Courantes (Review by Robert Maxham)

director 

PRAETORIUS, MICHAEL: 3 Courantes (Review by Robert Maxham)

harpsichord 

PRAETORIUS, MICHAEL: Ballet des Feus. Ballet des Matelotz. Ballet des Coqs (Review by Robert Maxham)

director 

PRAETORIUS, MICHAEL: Ballet des Feus. Ballet des Matelotz. Ballet des Coqs (Review by Robert Maxham)

harpsichord 

PRAETORIUS, MICHAEL: Bransles de Villages (Review by Robert Maxham)

director 

PRAETORIUS, MICHAEL: Bransles de Villages (Review by Robert Maxham)

harpsichord 

PRAETORIUS, MICHAEL: Dances from Terpsichore (1612) (Review by Robert Maxham)

director 

PRAETORIUS, MICHAEL: Dances from Terpsichore (1612) (Review by Robert Maxham)

harpsichord 

PRAETORIUS, MICHAEL: La Bourrée. La Sarabande. La Canarie (Review by Robert Maxham)

director 

PRAETORIUS, MICHAEL: La Bourrée. La Sarabande. La Canarie (Review by Robert Maxham)

harpsichord 

PRAETORIUS, MICHAEL: Pavane de Spaigne. Spagnoletta (Review by Robert Maxham)

director 

PRAETORIUS, MICHAEL: Pavane de Spaigne. Spagnoletta (Review by Robert Maxham)

harpsichord 

PURCELL, HENRY: Abdelazar (Review by Edward Strickland)

director 

PURCELL, HENRY: Ayres for the Theatre. Chacony in G minor (Review by Edward Strickland)

director 

PURCELL, HENRY: Ayres for the Theatre. Chacony in G minor (Review by Edward Strickland)

director 

PURCELL, HENRY: Cibell in C, Z. 678 (Review by J. F. Weber)

director 

PURCELL, HENRY: Cibell in C, Z678 (Review by Edward Strickland)

director 

PURCELL, HENRY: Dear pretty youth (Review by Barry Brenesal)

conductor 

PURCELL, HENRY: Hark how the wild musicians sing (Symphony Songs) (Review by Eric Van Tassel)

director 

PURCELL, HENRY: Hark, Damon, hark, Z. 541. Hark, how the wild musicians sing, Z. 542. How pleasant is this flowery plain and grove, Z. 543. If ever I more riches did desire, Z. 544. We reap all the pleasures, Z. 547. Oh! What a scene does entertain my sight, Z. 506. See where she sits, Z. 506. Soft notes and gently raised, Z. 510. Four Pavans, Z. 751-54 (Review by Eric Van Tassel)

director 

PURCELL, HENRY: King Arthur (Review by Michael Ullman)

conductor 

PURCELL, HENRY: Suites from Abdelazar, The Gordian Knot Unty'd, Bonduca, and The Virtuous Wife. Timon of Athens. Overture and Certain Tune (Review by Edward Strickland)

director 

PURCELL, HENRY: Tell Me, Some Pitying Angel (Review by James A. Altena)

conductor 

PURCELL, HENRY: The Indian Queen (Review by Brian Robins)

director 

PURCELL, HENRY: The Indian Queen (Review by Michael Ullman)

conductor 

PURCELL, HENRY: The Yorkshire Feast Song (Review by Michael Ullman)

conductor 

RIGATTI: Cum invocarum. Nunc dimittis (Review by Brian Robins)

organ 

ROSENMÜLLER, JOHANN: Ascendit Christus in altum (Review by Brian Robins)

organ 

ROSENMÜLLER, JOHANN: Sonata da Camera a 5 in D (Review by George Chien)

director 

ROSENMÜLLER, JOHANN: Sonata da Camera a 5 in D (Review by Tom Moore)

director 

ROVETTA: Salve Regina (Review by Brian Robins)

organ 

SCARLATTI, ALESSANDRO: Sonata à 4 in f (Review by Brian Robins)

director 

SCARLATTI, ALESSANDRO: Sonata à 4 in f (Review by Brian Robins)

organ 

SCHMELZER, JOHANN HEINRICH: Sonata a 5 in G (Review by George Chien)

director 

SCHMELZER, JOHANN HEINRICH: Sonata a 5 in G. BÖHM (reconstructed by Peter Holman) (Review by Tom Moore)

director 

SHAW: Concerto in G for Violin and Orchestra (Review by Robert Maxham)

fortepiano 

SHAW: Violin Concerto in G (Review by Robert Maxham)

conductor 

SHAW: Violin Concerto in G (Review by Robert Maxham)

fortepiano 

SMITH, JOHN CHRISTOPHER: You spotted snakes. Full fathom five (Review by Barry Brenesal)

conductor 

STRADELLA: Sinfonia in D (from “La barcheggio“). (Review by Brian Robins)

director 

STRADELLA: Sinfonia in D (from “La barcheggio“). (Review by Brian Robins)

organ 

TELEMANN, GEORG PHILIPP: Ouverture a 4 in C (Review by George Chien)

director 

TELEMANN, GEORG PHILIPP: Ouverture a 4 in C (Review by Tom Moore)

director 

TELEMANN, GEORG PHILIPP: Sulte In A Minor for Recorder, Strings, and Continuo. Concertos for Recorder, Strings, and Continuo (Review by Tom Moore)

director 

TORELLI, GIUSEPPI: Sonata à 5 in D. (Review by Brian Robins)

director 

TORELLI, GIUSEPPI: Sonata à 5 in D. (Review by Brian Robins)

organ 

VALLET: 2 Ballets (Review by Robert Maxham)

director 

VALLET: 2 Ballets (Review by Robert Maxham)

harpsichord 

VALLET: Est ce Mars. Courante de Mars (Review by Robert Maxham)

director 

VALLET: Est ce Mars. Courante de Mars (Review by Robert Maxham)

harpsichord 

VALLET: Gaillarde (Review by Robert Maxham)

director 

VALLET: Gaillarde (Review by Robert Maxham)

harpsichord 

VALLET: Un jour de la semaine. Allons aux noces (Review by Robert Maxham)

director 

VALLET: Un jour de la semaine. Allons aux noces (Review by Robert Maxham)

harpsichord 

VITALI, GIOVANNI BATTISTA: Sonata in a, “La sassatelli,“ op. 5/10 (Review by Brian Robins)

director 

VITALI, GIOVANNI BATTISTA: Sonata in a, “La sassatelli,“ op. 5/10 (Review by Brian Robins)

organ 

VIVALDI, ANTONIO: Concerto in C, RV 537 (Review by Brian Robins)

director 

VIVALDI, ANTONIO: Concerto in C, RV 537 (Review by Brian Robins)

organ 

VIVALDI, ANTONIO: Concertos (Review by Nils Anderson)

conductor 

WEBSTER, MAURICE: Alman in D Minor. Galliard in B♭ after Bocquet. Echo No. 1 in D Minor. Echo No. 2 in G (Two Violins, Bass Viol, Three Theorbos) (Review by Robert Maxham)

director 

WELDON: Suite in d (Review by James A. Altena)

conductor 

WELDON: Take, O take those lips away. Dry those eyes which are o'er-flowing (Review by Barry Brenesal)

conductor 

WESLEY, SAMUEL: Concerto No. 2 in D for Violin and Orchestra (Review by Robert Maxham)

fortepiano 

WESLEY, SAMUEL: Violin Concerto No. 2 (Review by Robert Maxham)

conductor 

WESLEY, SAMUEL: Violin Concerto No. 2 (Review by Robert Maxham)

fortepiano 

WOODCOCK, ROBERT: Concerto No. 9 in e (Review by Barry Brenesal)

conductor 

 

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