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Performer: Leslie Howard BACH/GRAINGER: Blithe Bells (Review by Susan Kagan) | piano | BACH/GRAINGER: Blithe Bells (Review by Leslie Gerber) | piano | BACH/LISZT: Sur Preludes and Fugues. Fantasia and Fugue in G Minor (Review by Peter J. Rabinowitz) | piano | BAX: Legend (Review by William Zagorski) | piano | BEETHOVEN-LISZT: March from Kotzebue's The Ruins of Athens, S. 388a. Capriccio alla turca from The Ruins of Athens, S. 388. Fantasia on The Ruins of Athens, S. 389 (Review by Adrian Corleonis) | piano | BEETHOVEN, LUDWIG VAN: Adelaide, S. 466. Six Gellert Songs, S. 467. An die ferne Geliebte, S. 469. Six Goethe Songs, S. 468 (Review by Peter J. Rabinowitz) | piano | BEETHOVEN, LUDWIG VAN: Notturno, op. 42 (Review by Robert Maxham) | piano | BEETHOVEN, LUDWIG VAN: Septet, op. 20 (S. 465) (Review by Peter J. Rabinowitz) | piano | BERLIOZ/LISZT: Francs Juges Overture, S. 471. Harold in Italy (Review by Peter J. Rabinowitz) | piano | BERLIOZ/LISZT: Symphonie fantastique, S. 470 (Review by Adrian Corleonis) | piano | BIZET-MOSZKOWSKI: Carmen (Review by Leslie Gerber) | piano | BORODIN: Polka (Review by Peter J. Rabinowitz) | piano | BRIDGE, FRANK: Pensiero. Allegro appassionato (Review by William Zagorski) | piano | BRITTEN: Elegy (torsolo viola) (Review by William Zagorski) | piano | BRUCKNER, ANTON: Erinnerung (Review by Susan Kagan) | piano | BRUCKNER, ANTON: Erinnerung (Review by Leslie Gerber) | piano | BÜLOW-LISZT: Dantes Sonett “Tanto gentile e tanto onesta,“ S. 479 (Review by Adrian Corleonis) | piano | BUSONI, FERRUCCIO: Serenade from Mozart's “Don Giovanni.“ (Review by Susan Kagan) | piano | CHOPIN-LISZT: Six Chants polonais, S. 480 (Review by Peter J. Rabinowitz) | piano | CLARKE, REBECCA: Lullaby. Morpheus. Sonata (Review by William Zagorski) | piano | CONRADI-LISZT: Zigeuner-Polka, S. 481 (Review by Adrian Corleonis) | piano | DESSAUER: Three Songs, S. 485 (Review by Peter J. Rabinowitz) | piano | DONIZETTI/LISZT: Réminiscences de Lucia de Lammermoor, S. 397. Marche funèbre et cavatine de Lucia de Lammermoor, S. 398 (Review by Adrian Corleonis) | piano | DONIZETTI/LISZT: Spirto gentil de La Favorite, S. 400a (Review by Adrian Corleonis) | piano | DONIZETTI/LISZT: Spirto gentil de La Favorite, S. 400a (Review by Adrian Corleonis) | piano duo | DONIZETTI/LISZT: Valse a Capriccio sur deux motifs de “Lucia et Parisina.“ (Review by Leslie Gerber) | piano | DONIZETTI/LISZT: Valse à Capriccio sur deux motifs de Lucia et Parisina (Review by Susan Kagan) | piano | FRANZ, ROBERT: Er ist gekommen, S. 488. Twelve Songs, S. 489 (Review by Peter J. Rabinowitz) | piano | FRIEDMAN/GÄRTNER: Viennese Dance No. 2 (Review by Susan Kagan) | piano | FRIEDMAN/GÄRTNER: Viennese Dance No. 2 (Review by Leslie Gerber) | piano | GERSHWIN: Promenade (Review by Susan Kagan) | piano | GERSHWIN: Promenade (Review by Leslie Gerber) | piano | GLAZUNOV: Piano Sonatas (Review by John Bauman) | piano | GLINKA-LISZT: Chernomor's march from Russian and Ludmila, S. 406 (Review by Adrian Corleonis) | piano | GOLDSCHMIDT, ADALBERT: Die sieben Todsünden (Review by Peter J. Rabinowitz) | piano | GOUNOD-LISZT: Les Sabéennes— Berceuse de La Reine de Saba, S. 407 (Review by Adrian Corleonis) | piano | GOUNOD-LISZT: Les Sabéennes— Berceuse de La Reine de Saba, S. 407 (Review by Adrian Corleonis) | piano duo | GRAINGER: Country Gardens. Molly on the Shore. Irish Tune from County Deny. Handel in the Strand. Mock Morris. Shepherd's Hey. Harvest Hymn. We Were Dreamers. Youthful Suite. Blithe Bells. Lincolnshire Posy. Walking Tune. The Man I Love (arrangement). Knight and Shepherd's Daughter. Children's March (Review by John Ditsky) | piano | GRAINGER: The Sussex Mummer's Christmas Carol. Arrival Platform Humlet (for solo viola) (Review by William Zagorski) | piano | GRIEG, EDVARD: Ich liebe Dich, Op. 41, No. 3 (Review by Susan Kagan) | piano | GRIEG, EDVARD: ich liebe dich, Op. 41, No. 3 (Review by Leslie Gerber) | piano | HAHN, REYNALDO: Le ruban denoué. Pour bercer un convalescent. Caprice mélancolique. Scherzo lent. Pièce en forme d’aria et bergerie. Berceuses pour piano à quatre mains. Variations puériles pour piano à quatre mains sur une mélodie de Carl Reinecke. 3 préludes pour piano à quatre mains sur des airs populaires irlandais. Variations pour piano à quatre mains sur un theme de Charles Levadé (Review by Daniel Morrison) | piano | HAHN, REYNALDO: Le ruban denoué. Pour bercer un convalescent. Caprice mélancolique. Scherzo lent. Pièce en forme d’aria et bergerie. Berceuses pour piano à quatre mains. Variations puériles pour piano à quatre mains sur une mélodie de Carl Reinecke. 3 préludes pour piano à quatre mains sur des airs populaires irlandais. Variations pour piano à quatre mains sur un theme de Charles Levadé (Review by Paul Orgel) | piano | HERBECK-LISZT: Tanzmomente, S. 492. Tanzmomente No. 4 in A (alternative text), S. 492/4bis (Review by Adrian Corleonis) | piano | HERZ: Album Leaf, for Marquise de Blocqueville (Review by Adrian Corleonis) | piano | HUMMEL, JOHANN NEPOMUK: Septet, op. 74 (S. 493) (Review by Peter J. Rabinowitz) | piano | LASSEN-LISZT: Löse, Himmel, meine Seele, S. 494 (two versions). Ich weil' in tiefer Einsamkeit, S. 495 (Review by Adrian Corleonis) | piano | LASSEN-LISZT: Symphonic Intermezzo from Cal-deron's Above All Magic, Love, S. 497. From the Music for Hebbel's Nibelungen and Goethe's Faust, S. 496 (Review by Adrian Corleonis) | piano | LESSMANN-LISZT: Drei Lieder aus Julius Wolffs “Tannhäuser,“ S. 498 (Review by Adrian Corleonis) | piano | LISZT: 2 Marches dans le genre hongrois, S 693 (ed. and compi. Howard) (Review by Peter J. Rabinowitz) | piano | LISZT: Album of Princess Marie zu Sayn-Wittgenstein. Zigeuner-Epos, S 695b. Célèbre mélodie hongroise, S 243a. Troisième Année de pèlerinage (3 drafts). 3 Album-Leaves. O lieb, so lang du lieben kannst! (Review by Adrian Corleonis) | piano | LISZT: Années de pèlerinage, Book II (Review by Peter J. Rabinowitz) | piano | LISZT: Ballades (Review by Adrian Corleonis) | piano | LISZT: Complete Music for Piano Solo, Vol. 56 (Review by Adrian Corleonis) | piano | LISZT: Complete Music for Solo Piano, Vol. 50 (Review by Peter J. Rabinowitz) | piano | LISZT: Complete Music for Solo Piano, Vol. 54 (Review by Peter J. Rabinowitz) | piano | LISZT: Complete Music for Solo Piano, Volume 13 (Review by Peter J. Rabinowitz) | piano | LISZT: Complete Music for Solo Piano, Volume 15 (Review by Peter J. Rabinowitz) | piano | LISZT: Complete Music for Solo Piano, Volume 22 (Review by Peter J. Rabinowitz) | piano | LISZT: Complete Music for Solo Piano, Volume 24 (Review by Peter J. Rabinowitz) | piano | LISZT: Complete Music for Solo Piano, Volume 30 (Review by Peter J. Rabinowitz) | piano | LISZT: Deux Mélodies russes (Arabesques), S. 250 (Review by Peter J. Rabinowitz) | piano | LISZT: Excelsior!— Preludio [to the Bells of Strasburg Cathedral], S. 500. Die Zelle in Nonnenwerth (second version, with alternate text), S. 534bis. Consolations (first version), S. 171a. Geharnischte Lieder, S. 511. Rosario, S. 670 Schlummerlied im Grabe, S. 195a. Entwurf der Ramann—Elegie, S. 796a. Weimars Volkslied No. 2, S. 542a. National Hymne (Review by Peter J. Rabinowitz) | piano | LISZT: Fantaisie romantique sur deux mélodies suisses, S. 157. Album d'un voyageur, S. 156 (Review by Adrian Corleonis) | piano | LISZT: Fantasy on Themes from Figaro and Don Giovanni, S. 697 (ed. Howard). Ernani Paraphrase, S. 432. Miserere du Trovatore—Paraphrase, S. 433. Rigoletto Paraphrase, S. 434. Réminiscences de Boccanegra, S. 438. Valše de concert on Two Themes from Lucia and Parisina, S. 214/3. Réminiscences de Robert le Diable (Review by Peter J. Rabinowitz) | piano | LISZT: Five Hungarian Folksongs, S. 245. Historical Hungarian Portraits, S. 205 (Review by Adrian Corleonis) | piano | LISZT: Gaudeamus Igitur—Paraphrase. S. 240. Una Stella Amica—Valzer (after Pezzini), S 551. La marche pour le Sultan Abdul Médjid-Khan (after Giuseppe Donizetti), S. 403. Seconda Mazurka di Tirindelli, Variata da F. Liszt, S. 573a. Seconde Marche hongroise—Ungarischer Sturmmarsch (first version), S. 232. Nocturne (Impromptu, first version), S. 190a. Festmarsch zur Säkularfeier von Goethes Geburtstag (first version), S. 227. Le Rossignol—Mr russe (after Alyabiev) (first version), S. 250a. Galop russe (after Bulhakov) (first version), S. 478Ì. Lyubila ya (after Wielhorsky) (first version), S. 577Í. Gaudeamus Igitur— Humoreske, S. 509. Ballade No. 2 (first version) S. 170a (Review by Peter J. Rabinowitz) | piano | LISZT: Grandes Études de Paganini, S 141 (1851) (Review by Adrian Corleonis) | piano | LISZT: Grosse Concert-Phantasie über spanische Weisen, S 253. La Romanesca (first and second versions), S 252a and b. Rapsodie espagnole, S 254. Feuille morte—Elégie d'après Soriano, S 428. Rondeau fantastique sur un thème espagnole “El contrabandista,“ S 252 (Review by Peter J. Rabinowitz) | piano | LISZT: Illustrations du Prophète (after Meyerbeer), S. 414 (Review by Adrian Corleonis) | piano | LISZT: Illustrations du Prophète (after Meyerbeer), S. 414 (Review by Adrian Corleonis) | piano duo | LISZT: L'Idée fixe (after Berlioz), S. 395 (Review by Peter J. Rabinowitz) | piano | LISZT: Liebesträume, drei Notturnos, S. 541 (Review by Adrian Corleonis) | piano | LISZT: Mazeppa, S 138 (intermediate version) (Review by Adrian Corleonis) | piano | LISZT: Mephisto Waltzes, Nos. 1-4. Valses oubliées, Nos. 1-4. Bagatelle sans tonalité. Ländler in A. Album Leaf in Waltz Form. Valse-impromptu. Valse mélancolique. Valse de bravoure (Review by Adrian Corleonis) | piano | LISZT: Mephisto Waltzes, Nos. 1-4. Valses oubliées, Nos. 1-4. Bagatelle sans tonalité. Ländler in A (Review by Adrian Corleonis) | piano | LISZT: Music for Piano and Orchestra, Vol. 1 (Review by Adrian Corleonis) | piano | LISZT: Music for Piano and Orchestra, Vol. 2 (Review by Adrian Corleonis) | piano | LISZT: Pastora/e— Reaper's Chorus from Herder's Prometheus Bound, S. 508 (Review by Adrian Corleonis) | piano | LISZT: Préludes et Harmonies poétiques et religieuses, S 171d. Concerto sans orchestre, S 524a. Album-Leaves (Review by Adrian Corleonis) | piano | LISZT: Réminiscences de Don Juan (after Mozart), S. 418. Sarabande and Chaconne from Almira (after Handel), S. 181. Bénédiction et serment, deux motifs de Benvenuto Cellini (after Berlioz), S. 396. Illustrations de l'Africaine (after Meyerbeer), S. 415 (Review by Adrian Corleonis) | piano | LISZT: San Francesco—Preludio per il Cantico del Sol, S. 499a. Cantico del Sol di San Francesco d'Assisi, S. 499. From the Cradle to the Grave, S. 512. O Sacrum convivium, S. 674a [two versions). Salve regina, S. 669, no. 1. Ave maris stella, S. 669, no. 2. Gebet, S. 265. Ora pro nobis—Litanei, S. 262. Resignazione, S. 187b (second version). Il m'aimait tant, S. 533. Romance (O pourquoi donc), S. 169. Ich liebe dich, S. 546a. Dle Zelle in Nonnenwerth, S. 543 (fourth version) (Review by Peter J. Rabinowitz) | piano | LISZT: Scherzo and March, S. 177. Petite Valse favorite (second version), S. 212a. Mazurka brillante, S. 221. Grand Galop chromatique, S. 219. Galop in A Minor, S. 218. Festpolonaise, S. 230a. Csardas, S. 225, no. 1. Csárdás obstinée, S. 225, no. 2. Csárdás macabre, S. 224. Mephisto Polka, S. 217. Festvorspiel, S. 226. Heroischer Marsch im ungarischen Styl, S. 231. Ungarischer Sturmmarsch (second version), S. 524. Goethe-Festmarsch (second version), S. 521. Zweite Festmarsch nach Motiven von E.HZ.S-C-G, S. 522. Marche héroïque, S. 510. Huldigungsmarsch, S. 228. Ungarischer Marsch zur Krönungsfeier in Ofen-Pest, S. 523. Siegesmarsch, S. 233a. Ungarischer Geschwindmarsch, S. 233. Vom Fels zum Meer! S. 229. Bülow-Marsch, S. 230. Künstlerfestzug, S. 520. Rakoczi-Marsch nach der Orchesterbearbeitung, S. 244b, no. 1 (Review by Peter J. Rabinowitz) | piano | LISZT: Schlaflos.—Frage und Antwort, S. 203. Nuages gris, S. 199. Recueillement, S. 204. Toccata, S. 197a. Resig-nazione, S. 187a. Wiegenlied, S. 198. Unstern!—Sinistre, S. 208. Carrousel de Madame P-N, S. 214a. Fünf Klavierstücke, S. 192 (Review by Adrian Corleonis) | piano | LISZT: Schuberts Ungarische Melodien (second version), S. 425a. Marche Hongroise (Richault edition), S. 425/2ÌH. Marche Hongroise (“Troisième Édition“), S. 425/2v. Meerestille (first version), S. 557b. Frühlingsglaube (first version), S. 557c. Schwanengesang, S. 560. Ständchen (“Leise Flehen“) (fourth version), S. 56017a. Zwölf Lieder aus Winterreise, S. 561. Vier Geistliche Lieder, S. 562. Sechs Melodien von Franz Schubert, S. 563. Die Forelle (second version), S. 564. Six Mélodies favorites de la Belle Meunière, S. 565 (Review by Peter J. Rabinowitz) | piano | LISZT: Soirées de Vienne, S. 427. Soirée de Vienne No. 6 (version for Sophie Menter), S. 427/6H. Mélodies hongroises d'après Franz Schubert, S. 425 (first version). Marche hongroise (Lucca Edition), S. 425/2H. Marche hongroise (version for Sophie Menter), S. 425/2iv. Franz Schuberts Marsche Für Das Pianoforte Übertragen, S. 426. Marche militaire, S. 426a. Die Rose (first version), S. 556i. Der Gondelfahrer, S. 559. Ave Maria (first version), S. 557d. Ständchen (“Leise Felhen“) (first version), S. 559a. Erlkönig (first version), S. 557a (Review by Peter J. Rabinowitz) | piano | LISZT: Sonata In B minor, S. 178. Élégies (Review by Adrian Corleonis) | piano | LISZT: Symphonic Poem No. 3 (Les Préludes), S. 51 la. Trois Études de concert, S. 144 (Review by Peter J. Rabinowitz) | piano | LISZT: Szózat und Ungarischer Hymnus, S. 486. God Save the Queen, S. 235. Canzone napolttana, S. 248 (two versions). Ungarische Nationalmelodien, S. 243 (Review by Adrian Corleonis) | piano | LISZT: Technische Studien, S 146 (Review by Adrian Corleonis) | piano | LISZT: The Complete Music for Solo Piano, Vol. 45 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Vol. 46 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Vol. 46 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Vol. 52 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Volume 10 (Review by Adrian Corleonis) | piano | LISZT: The Complete Music for Solo Piano, Volume 11 (Review by Adrian Corleonis) | piano | LISZT: The Complete Music for Solo Piano, Volume 12 (Review by Adrian Corleonis) | piano | LISZT: The Complete Music for Solo Piano, Volume 16 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Volume 23 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Volume 25 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Volume 27 (Review by Adrian Corleonis) | piano | LISZT: The Complete Music for Solo Piano, Volume 28 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Volume 31 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Volume 32 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Volume 35 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Volume 37 (Review by Adrian Corleonis) | piano | LISZT: The Complete Music for Solo Piano, Volume 40 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Volume 41 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Volume 43 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Music for Solo Piano, Volume ft (Review by Adrian Corleonis) | piano | LISZT: The Complete Music for Solo Piano—Volume 19 (Review by Adrian Corleonis) | piano | LISZT: The Complete Piano Music, Volume 33 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Piano Music, Volume 34 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Piano Music, Volume 36 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Piano Music, Volume 38 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Piano Music, Volume 39 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Works for Solo Piano, Vol. 48 (Review by Adrian Corleonis) | piano | LISZT: The Complete Works for Solo Piano, Vol. 57 (Review by Peter J. Rabinowitz) | piano | LISZT: The Complete Works for Solo Piano, Volume 14 (Review by Adrian Corleonis) | piano | LISZT: The Legend of St. Elisabeth, S. 2 (Review by Adrian Corleonis) | piano | LISZT: Transcriptions (Review by Peter J. Rabinowitz) | piano | LISZT: Twelve Songs, S. 558 (with later versions of six songs, S. 558bis). Müllerlleder, S. 565bis (second version). Die Nebensonnen (Albumblatt Version), S. 561/2a. Schwanengesang (alternative texts), S. 560bis. Die Gestirne (alternative text), S. 562/3bis. Meeresstille (first version, alternative text), S. 577b/bis. Meeresstille (second version, alternative text), S. 558/5bis. Die Forelle (first version, alternative text), S. 563/6bis. Die Rose (second version), S. 556H. Lob der Tränen, S. 567. Winterreise (Review by Peter J. Rabinowitz) | piano | LISZT: Twelve Transcendental Études. Mariotte—Valse de Marie. Adagio in C. Élégie sur des motifs du Prince Louis Ferdinand de Prusse (Review by Neil Levenson) | piano | LISZT: Un Portrait un musique de la Marquise de Blocqueville, S. 190 (Review by Adrian Corleonis) | piano | LISZT: Ungarischer Romanzerò, S 241a (ed. and compi. Howard) (Review by Peter J. Rabinowitz) | piano | LISZT: Valse Oubliée No. 4. Soirées de Vienne (Valse Caprices d'après Franz Schubert) (Review by Susan Kagan) | piano | LISZT: Valse oubliée No. 4 (Review by Leslie Gerber) | piano | LISZT: Variation on a Waltz by Diabelli, S. 147. Eight Variations, S. 148. Seven Brilliant Variations on a Theme by Rossini, S. 149. Impromptu brillant on Themes by Rossini and Spontini, S. 150. Allegro di bravura, S. 151. Rondo di bravura, S. 152. Étude en douze exercices, S. 136. Scherzo in G Minor, S. 153. Waltz in E♭, S. 209a. Galop de bal, S. 220. Marche hongroise, S. 233b. Klavierstück (aus der Bonn Beethoven-Kantate), S. 507. Klavierstück in D♭, S. 189b. Klavierstück in A♭, S. 189a. Gestorben war ich, S. 192a. Berceuse (first version), S. 174/1. Feuille d'album in E, S. 164. Feuille d'album in A Minor (Die Zelle in Nonnenwerth, third version), S. 167. Feuilles d'album, S. 165. Apparitions, S. 155 (Review by Adrian Corleonis) | piano | LISZT: Waltzes (Review by Adrian Corleonis) | piano | LISZT: Waltzes (Review by Adrian Corleonis) | piano | LISZT: Weihnachtsbaum, S. 186. Weihnachtslied, S. 502. Via Crucis, S. 504a. Chorales, S. 504b (Review by Peter J. Rabinowitz) | piano | LISZT: tenore, S. 346. Der traurige Mönch (The Sad Monk), S. 348. Helges Treue (Helge's toyalty), S. 686. A holt költó szerelme (The Dead Poet's Love), S. 349. Slyepoi (The Blind Man), S. 350 (Review by Peter J. Rabinowitz) | piano | LISZT: À la Chapelle Sixtine (after Allegri and Mozart) (Review by Peter J. Rabinowitz) | piano | LISZT: Élégie sur des motifs du Prince Louis Ferdinand de Prusse (first version), S. 168H. Die Gräberinsel der Fürsten zu Gotha (after Duke Ernst of Saxsen-Coburg-Gotha), S. 485b (Review by Adrian Corleonis) | piano | LISZT: Études d’après Paganini, S 140 (Review by Adrian Corleonis) | piano | LISZT: Études d’exécution transcendante d’après Paganini, S 140 (1838) (Review by Adrian Corleonis) | piano | LISZT/FÁY/BIHARI: Two Hungarian Recruiting Dances (Review by Adrian Corleonis) | piano | LISZT/THALBERG/PIXIS/HERZ/CZERNY/CHOPIN: Hexaméron—Grandes Variations de Bravoure pour Piano sur la Marche des Puritains de Bellini, S. 392 (Review by Adrian Corleonis) | piano | MENDELSSOHN, FELIX: Choruses, op. 50 (Review by Peter J. Rabinowitz) | piano | MENDELSSOHN, FELIX: Seven Songs, S. 547 (Review by Peter J. Rabinowitz) | piano | MENDELSSOHN, FELIX: Viola Sonata in c (Review by Robert Maxham) | piano | MENDELSSOHN/LISZT: Wedding March and Dance of the Elves from Shakespeare's A Midsummer Night's Dream, S. 410 (Review by Adrian Corleonis) | piano | MOERAN: Symphony in g (Review by Paul Ingram) | conductor | MOSZKOWSKI, MORITZ: Chanson boheme de l'opéra “Carmen.“ fi. (Review by Susan Kagan) | piano | MOZART: Ave Verum Corpus, S. 461a. Requiem, K. 626 (Review by Peter J. Rabinowitz) | piano | MOZART/BUSONI: Don Giovanni (Review by Leslie Gerber) | piano | MOZART, F. X.: Five Variations on a Theme from Méhul's “Joseph.“ (Review by Adrian Corleonis) | piano | PLANTÉ: Album Leaf, for Marquise de Blocqueville (Review by Adrian Corleonis) | piano | POULENC, FRANCIS: Babar the Elephanť (Review by James H. North) | piano | RACHMANINOFF: Nunc dimittis (Review by Peter Burwasser) | piano | RACHMANINOFF: Nunc dimittis (Review by Steven E. Ritter) | piano | RACHMANINOFF: Piano Sonatas (Review by Peter Burwasser) | piano | RACHMANINOFF: Piano Sonatas (Review by Steven E. Ritter) | piano | RACHMANINOFF: Romance in E♭ Op. 8, No. 2 (Review by Leslie Gerber) | piano | RACHMANINOFF: Romance in E♭, Op. 8, No. 2 (Review by Susan Kagan) | piano | REGER, MAX: Maria Wiegenlied (Review by Susan Kagan) | piano | REGER, MAX: Maria Wiegenlied, Op. 76, No. 52 (Review by Leslie Gerber) | piano | RIDOUT, ALAN: Ferdinand the Bull. Nineteen poems, songs, and what-have-you, from various sources (Review by James H. North) | piano | ROSSINI: Petite Caprice (Style Offenbach) (Review by Leslie Gerber) | piano | ROSSINI: Petite Caprice (Review by Susan Kagan) | piano | ROSSINI: Stabat Mater (Review by Peter J. Rabinowitz) | piano | RUBINSTEIN, ANTON: Piano Quartets (Review by Daniel Morrison) | piano | RUBINSTEIN, ANTON: Piano Sonatas (Review by Paul Turok) | piano | RUBINSTEIN, ANTON: The Complete Piano Sonatas, Volume 1 (Review by David Johnson) | piano | RUBINSTEIN, ANTON: The Complete Piano Sonatas, Volume 2 (Review by David Johnson) | piano | RUBINSTEIN, ANTON: Two Songs, S. 554. Clara (Review by Peter J. Rabinowitz) | piano | RUBINSTEIN, ANTON: Valse-Ca-price (Review by Leslie Gerber) | piano | RUBINSTEIN, ANTON: Valse-Caprice (Review by Susan Kagan) | piano | SAINT-SAËNS-LISZT: Danse Macabre, S. 555 (Review by Peter J. Rabinowitz) | piano | SCHUBERT/LISZT: Soirée de Vienne No. 6 (Review by Leslie Gerber) | piano | SCHUMANN: Märchenbilder (Review by Robert Maxham) | piano | SCHUMANN: Seven Songs, S. 569, Nos. 1-7. Provençalisches Minnelied, S. 570. An die Sonnenschein und Rotes Röslein, S. 567. Frühlingsnacht, S. 568. Widmung, S. 566 (Review by Peter J. Rabinowitz) | piano | SCHUMANN: Three Songs, S. 569, Nos. 8-10 (Review by Peter J. Rabinowitz) | piano | SPOHR-LISZT: Die Rose—Romance aus Zemire und Azor, S. 571 (Review by Adrian Corleonis) | piano | SPOHR-LISZT: Die Rose—Romance aus Zemire und Azor, S. 571 (Review by Adrian Corleonis) | piano duo | TCHAIKOVSKY: The Three Piano Sonatas (Review by Michael Ullman) | piano | VAUGHAN WILLIAMS: Romance (Review by William Zagorski) | piano | VERDI-LISZT: Aida (Review by Adrian Corleonis) | piano | VERDI, GIUSEPPE: Requiem (Review by Peter J. Rabinowitz) | piano | WAGNER/LISZT: Isoldens Liebestod, S. 447 (Review by Adrian Corleonis) | piano | WAGNER/LISZT: Spinnerlied as Der fliegende Holländer, S. 440. Ballade aus Der fliegende Holländer, S. 441. Pilgerchor aus Tannhäuser, S. 443 (second version). O du, mein holder Abendstern aus Tannhäuser, S. 444. Walhall aus Der Ring des Nibelungen, S. 449. Feierlicher Marsch zum heiligen Gral aus Parsifal, S. 450 (Review by Adrian Corleonis) | piano | WAGNER/LISZT: Spinnerlied as Der fliegende Holländer, S. 440. Ballade aus Der fliegende Holländer, S. 441. Pilgerchor aus Tannhäuser, S. 443 (second version). O du, mein holder Abendstern aus Tannhäuser, S. 444. Walhall aus Der Ring des Nibelungen, S. 449. Feierlicher Marsch zum heiligen Gral aus Parsifal, S. 450 (Review by Adrian Corleonis) | piano duo | WAGNER, RICHARD: Albumblatt (Review by Susan Kagan) | piano | WAGNER, RICHARD: Albumblatt (Review by Leslie Gerber) | piano | WEBER, CARL MARIA VON: Leyer und Schwert—Heroide (S. 452). Schlummerlied (S. 454) (Review by Peter J. Rabinowitz) | piano | WEBER/LISZT: Overture to der Freischütz, S. 575 (Review by Adrian Corleonis) | piano | WEBER/LISZT: “Einsame bin ich, nicht alleine“ from La Preciosa, S. 453 (Review by Adrian Corleonis) | piano |
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