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Performer: José Miguel Moreno AL ALVA VENID: Spanish Secular Music of the Fifteenth... (José Miguel Moreno) (Review by Brian Robins) | viheula | CANTO DEL CA VALLERÒ: MUSIC FOR VIHUELA, Volume... (José Miguel Moreno) (Review by Richard Burke) | vihuela | CARULLI: Andante affetuoso (Review by William Zagorski) | guitar | DOWLAND, JOHN: Lachrimae or Seaven Teares Figured in Seven Passionate Pavans. Sir John his Galiard. M. Henry Noell his Galiard. The Earle of Essex Galiard. M. Nicholas Gryffith his Galiard. M. Giles Hoby his Galiard. M. Thomas Collier his Galiard. Captaine Digorie Piper his Galiard. The King of Denmarks Galiard. M Bucton his Galiard. M. John Langtons Pavan. Mrs. Nichols Almand. M. George Whitehead his Almand (Review by Michael Ullman) | lute | DOWLAND, JOHN: Mrs. Winter's Jump. The Shoemaker's Wife. The Frog Galliar à. Mr. John Langton's Pavan. Mr. Langton's Gaffiard. Go from My Window. Sir John Smith, His Almain. Round Battle Gaillard. Fantasie. La mia Barbara. Mrs. Norrish's Delight. Mrs. Nichols'Almain. Fancy. Semper Dowland, Semper dolens. The King of Denmark, His Galliard. Untitled. Dr. Case's Pavan. Gagliarda. Lachrimae. Lady Laiton's Almain. Preludium. My Lord Willoughby's Welcome Home. Une Jeune fillette. Lord Strong's March. Fortune. Can She Excuse. What if a Day. Lady Hunsdon's Puffe. Fancy. Solus cum sola. The Queen Elizabeth, Her Galliard. Tartleton's Riserrectione (Review by Michael Ullman) | lute | DURÓN, SEBASTIÁN: Sosieguen, descansen (Review by Tom Moore) | director | FUENLLANA, MIGUEL DE: Orphénica Lyra (Review by Brian Robins) | vihuela | GIULIANI, MAURO: Le dimore amor non ama. Quando sara quel di. Ad altro laccio. Andantino sostenuto. Confuso, smarrito. Amor, perché m'accendi. Di tanti palpiti (Review by William Zagorski) | guitar | GUERAU: Marionas (Review by Tom Moore) | director | GUERAU: Uarionas. Canarlos (Review by William Zagorski) | baroque guitar | GUERAU: Uarionas. Canarlos (Review by William Zagorski) | modern guitar | GUERAU: Uarionas. Canarlos (Review by William Zagorski) | vihuela | HIDALGO, JUAN: Peynándose estaba un olmo. Tonante diós! De las luces que en el mar. Cuydado, pastor. Ay que si, ay que no. Ay, que me rio de Amor (Review by Tom Moore) | director | HUETE, DIEGO FERNANDEZ DE: Espaňoletas (Review by Tom Moore) | director | KELLNER: Lute Pieces (Review by Christopher Brodersen) | lute | LLOBET: Catalan Popular Songs (Review by John Bauman) | guitar | LOPEZ: Fantasia (Review by William Zagorski) | baroque guitar | LOPEZ: Fantasia (Review by William Zagorski) | modern guitar | LOPEZ: Fantasia (Review by William Zagorski) | vihuela | MARIN: Ojos, pues me desdeňais. Aquella Sierra nevada. No piense Menguilla (Review by Tom Moore) | director | MARTIN Y COLL, ANTONIO: Folias. Canarios (Review by Tom Moore) | director | MARTÍN Y SOLER, VICENTE: La semplice. La volubile. La costanza. La mercede (Review by William Zagorski) | guitar | MARTÍN Y SOLER, VICENTE: Seven Canzonettas. Una Cosa Rara (Review by John Bauman) | guitar | MERTZ: Bardenklänge (Review by William Zagorski) | guitar | MERTZ: Ständchen. Lied ohne Worte (Review by John Bauman) | guitar | MILAN: Fantasias and Pavanes (Review by Barry Brenesal) | vihuela | MILAN: Pavana II (Review by William Zagorski) | baroque guitar | MILAN: Pavana II (Review by William Zagorski) | modern guitar | MILAN: Pavana II (Review by William Zagorski) | vihuela | MUDARRA: Pavana de Alexandre.Fantasia que contrahaze la harpa en la maneta de Ludovico (Review by William Zagorski) | baroque guitar | MUDARRA: Pavana de Alexandre.Fantasia que contrahaze la harpa en la maneta de Ludovico (Review by William Zagorski) | modern guitar | MUDARRA: Pavana de Alexandre.Fantasia que contrahaze la harpa en la maneta de Ludovico (Review by William Zagorski) | vihuela | MURCIA, SANTIAGO DE: Giga. Cumbés (Review by William Zagorski) | baroque guitar | MURCIA, SANTIAGO DE: Giga. Cumbés (Review by William Zagorski) | modern guitar | MURCIA, SANTIAGO DE: Giga. Cumbés (Review by William Zagorski) | vihuela | NARVÁEZ, DE: Cuatro diferencias de guardarne las vacas. Paseavase el rey moro. Tres diferencias de guardarne las vacas. La candori del Emperador (Review by William Zagorski) | baroque guitar | NARVÁEZ, DE: Cuatro diferencias de guardarne las vacas. Paseavase el rey moro. Tres diferencias de guardarne las vacas. La candori del Emperador (Review by William Zagorski) | modern guitar | NARVÁEZ, DE: Cuatro diferencias de guardarne las vacas. Paseavase el rey moro. Tres diferencias de guardarne las vacas. La candori del Emperador (Review by William Zagorski) | vihuela | SANZ: Folias. Canarios. Lantururu (Review by Tom Moore) | director | SANZ: Pavana al ayre espaňol. Folías. Lantururú. Canarios (Review by William Zagorski) | baroque guitar | SANZ: Pavana al ayre espaňol. Folías. Lantururú. Canarios (Review by William Zagorski) | modern guitar | SANZ: Pavana al ayre espaňol. Folías. Lantururú. Canarios (Review by William Zagorski) | vihuela | SELMA Y SALAVERDE, BARTHOLOMÉ: Susana passeggiata. Fantasia (Review by Tom Moore) | director | SOR: 12 Seguidillas. Andantino for Guitar, Op. 2, No. 3 (Review by John Bauman) | guitar | SOR: Andante maestoso. Andante expressivo. Variations on a Theme of “The Magic Flute.“ (Review by William Zagorski) | baroque guitar | SOR: Andante maestoso. Andante expressivo. Variations on a Theme of “The Magic Flute.“ (Review by William Zagorski) | modern guitar | SOR: Andante maestoso. Andante expressivo. Variations on a Theme of “The Magic Flute.“ (Review by William Zagorski) | vihuela | SOR: Five Italian Ariettes. Eight Seguidillas Introduction and Variations on “Marlborough,“ op. 28. Andante Maestoso. Andante expressive. Mouvement de prière religieuse, op. 31 (Review by John Bauman) | guitar | SOR: Introduction and Variations on “Malborough,“ op. 28. Andantino in D Minor, op. 2 (Review by John Bauman) | guitar | SOR: Italian Arias, Seguidillas, and Variations (Review by David Hurwitz) | guitar | SOR: Mouvement de prière religieuse. Lagrime. Perduta l'anima. Povero cor. lo mentitor! Nel cor più non mi sento. Si dices que mis ojos. Muchacha, y la vergüenza. Mis descuidados ojos. Seguidillas del Requiem eternam. Las mujeres y cuerdas (Review by William Zagorski) | guitar | TÁRREGA: Andante sostenuto. Lagrima. Mazurka in G. Paquito. Adelita. Marieta. Endecha. SUEŇO. Oremus. Pavana. Adieu (Review by John Bauman) | guitar | VISÉE, ROBERT: Pièces de Theorbe (Review by Brian Robins) | theorbo | VISÉE, ROBERT: Suite in G. Entrée des Espagnols. Logistille de M'. Laity. Chaconne des Harlequins de M. Lully. Suite in C. Les Sylvains de M'. Couperin. Les Bergeries de M. Couperin (Review by Brian Robins) | theorbo | WEISS, SYLVIUS LEOPOLD: Ars Melancholiae (Review by Martin Anderson) | performance, want list | WEISS, SYLVIUS LEOPOLD: Ciaconne. Suonata in D, K. 5. Prelude in C. Menuet in C. Fantasie in C Minor. Suonata in D Minor, K. 9. Ciacona (Review by Tom Moore) | lute |
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