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Performer: Ian Partridge

A GARDIN FOR DELIGHTS: (Review by J. F. Weber)

tenor 

ARS BRITANNICA. Old Hall Manuscript; Madrigals;...: (Review by J. F. Weber)

director 

ERNEST ANSERMET: The Stereo Years (Ernest Ansermet) (Review by Richard A. Kaplan)

tenor 

NOW MAKE WE MERTHE- MEDIEVAL ENGLISH LYRICS, ROUNDS,...: (Review by Richard Burke)

tenor 

SCHUBERT: Im Frühling. Erster Verlust. Dass... (Ian Partridge) (Review by Huntley Dent)

piano 

SIR CRISTEMAS: (Review by George Chien)

Soloist 

THE ETON CHOIRBOOK: (Review by J. F. Weber)

tenor 

The Triumphs of Oriana: (Review by Mortimer H. Frank)

director 

ANONYMOUS: One More River. The Lady's Birthday (arr. Warlock). Spoken (Review by Adrian Corleonis)

tenor 

ARNE, THOMAS: Artaxerxes (Review by David Johnson)

Artabanes 

ARNE, THOMAS: Artaxerxes (Review by James Camner)

Artabanes 

ARNE, THOMAS: Artaxerxes (Review by Barry Brenesal)

Artabanes 

ARNE, THOMAS: Artaxerxes (Review by David Johnson)

tenor 

ARNE, THOMAS: Artaxerxes (Review by James Camner)

tenor 

BACH, JOHANN SEBASTIAN: Cantata 147. Chorales and Chorale Preludes for Advent and Christmas. The 6 Motets (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by Brian Robins)

tenor 

BACH, JOHANN SEBASTIAN: No. 3. Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: St. John Passion, BWV245 (Review by Ralph V. Lucano)

Evangelist 

BACH, JOHANN SEBASTIAN: St. John Passion, BWV245 (Review by Ralph V. Lucano)

tenor 

BARTLET, JOHN: Of all the birds (Review by Tom Moore)

tenor 

BEETHOVEN, LUDWIG VAN: An die Hoffnung, Op. 32. Neue Liebe, neues Leben, Op. 75, No. 2 Ich liebe dich, WoO 123. Mailied, Op. 52, No. 4. Busslied, Op. 48, No. 5. Der Zufriedene, Op. 75, No. 6, Resignation, WoO 149. Der Kuss. Op. 7 28. Adelaide, Op. 46. An die ferne Geliebte, Op. 98. Der Wachtelschlag, WoO 129. Aus Goethes Faust, Op. 75, No. 3. Andenken, WoO 136. Wonne der Wehmut, Op. 83, No. 1. Sehnsucht, Op. 83, No. 2. Mit einen gemalten Band, Op. 83, No. 3 (Review by Vincent Alfano)

tenor 

BEETHOVEN, LUDWIG VAN: An die Hoffnung, Op. 32. Neue Liebe, neues Leben, Op. 75, No. 2. Aus Goethes Faust, Op. 75, No. 3.Der Zufriedene, Op. 75, No. 6. Ich liebe dich, WoO. 123. Mailied, Op. 52, No. 4. Busslied, Op. 48, No. 5. Resignation, WoO. 149. Der Kuss, Op. 128. Adelaide, Op 46. An die ferne Geliebte, Op. 98. Der Wachtelschlag, WoO. 129. Andenken, WoO. 1 36 Wonne der Wehmut, Op. 83, No. 1. Sehnsucht, Op. 83, No. 2. Mit einem gemalten Band, Op. 83, No. 3 (Review by John Bauman)

tenor 

BEETHOVEN, LUDWIG VAN: Lieder (Review by John Bauman)

tenor 

BEETHOVEN, LUDWIG VAN: Songs (Review by Vincent Alfano)

tenor 

BERKELEY, LENNOX: Theme and Variations, op. 77. Sonatina. Songs of the Half-Light, op. 65 (Review by John D. Wiser)

tenor 

BERLIOZ: Roméo et Juliette (Review by Huntley Dent)

tenor 

BERNERS: 3 Songs. Valse. Red Roses and Red Noses. Come on, Algeron (Review by Henry Fogel)

tenor 

BERNERS: Polka. Lieder Album—Three Songs in the German Manner. Le poisson d’or. Dispute entre le papillon et le crapaud. Trois chansons. Trois petites marches funèbres. Three English Songs. Fragments psychologiques. Dialogue between Tom Filuter and His Man by Ned the Dog Stealer. March. The Expulsion from Paradise (Review by Henry Fogel)

tenor 

BOULANGER, LILI: Psalm 130, "Du fond de l’abîme" (Review by Walter Simmons)

tenor 

BRITTEN: Serenade (Review by Paul Ingram)

tenor 

BRITTEN: Songs from the Chinese, op. 58. Nocturnal, op. 70. 5 Folksongs (Review by John D. Wiser)

tenor 

BRITTEN: Winter Words (Review by Michael Ullman)

tenor 

BRITTEN: Winter Words, op. 52 (Review by Michael Ullman)

tenor 

BUSH: Song Cycles (Review by John Ditsky)

tenor 

BYRD, WILLIAM: Come woeful Orpheus (Review by J. F. Weber)

director 

BYRD, WILLIAM: Fantasia a 4 (Review by Tom Moore)

tenor 

BYRD, WILLIAM: In nominee (Review by Tom Moore)

tenor 

BYRD, WILLIAM: La verginella (Review by Tom Moore)

tenor 

BYRD, WILLIAM: Lullaby (Review by Tom Moore)

tenor 

BYRD, WILLIAM: Rejoice unto the Lord. In fields abroad. Fair Britain Isle. Though I be brown. O Lord how vain (Review by Tom Moore)

tenor 

BYRD, WILLIAM: Susanna Fair. My mistress had a little dog. Though Amaryllis dance in green (Review by Tom Moore)

tenor 

BYRD, WILLIAM: Ye sacred muses (Review by Tom Moore)

tenor 

CALDARA, A: Stabat Mater (Review by George Chien)

tenor 

CAMPION, THOMAS: All looks be pale. Jacke and Jone. Thrice tosse these oaken ashes (Review by Tom Moore)

tenor 

CAMPION, THOMAS: Never weather-beaten sail. Jack and Ione. A secret love (Review by J. F. Weber)

director 

CAMPION, THOMAS: Songs (Review by Mortimer H. Frank)

tenor 

CHARPENTIER, MARC-ANTOINE: Te Deum in D; Magnificat in D Minor (Review by J. F. Weber)

tenor 

CHIRBURY: Agnus Dei. Record 2 (Review by J. F. Weber)

director 

COOKE, JOHN: Alma proles (Review by J. F. Weber)

director 

DAMETT: Salve porta paradisi (Review by J. F. Weber)

director 

DAVY: The Passion According to St. Matthew (Review by J. F. Weber)

Evangelist 

DELIUS: Hidden Love. The Birds' Story. The Nightingale Has a Lyre of Gold. The Homeward Way. Young Venevil. Twilight Fancies (Review by Adrian Corleonis)

tenor 

DOWLAND, JOHN: A shepherd in a shade. Fine knacks for ladies. Where sin sore wounding. I must complain. Sweet, stay awhile. Mr. Dowland's midnight. Now oh now I needs must part (Review by J. F. Weber)

director 

DOWLAND, JOHN: My Lady Hunsdon's Puffe. Mrs. White's Nothinge (transcribed for piano by Warlock) (Review by Adrian Corleonis)

tenor 

DOWLAND, JOHN: Songs (Review by Mortimer H. Frank)

tenor 

DOWLAND, JOHN: The lowest trees have tops. Unquiet thoughts. Can she excuse my wrongs? Love those beams. Wilt thou, unkind, thus reave me? In darkness let me dwell (Review by Tom Moore)

tenor 

DUNSTABLE: Crux fidells. O crux gloriosa. Gaude virgo. Albanus roseo rutilât (Review by J. F. Weber)

director 

FARRAR, ERNEST: O mistress mine! (Review by Walter Simmons)

tenor 

FERRABOSCO II, ALFONSO: Have You Seen But a White Lily Grow (Review by Adrian Corleonis)

tenor 

FINZI: Farewell to Arms (Review by Ian Lace)

tenor 

FINZI: Farewell to Arms. Two Milton Sonnets. Let Us Garlands Bring. In Terra Pax (Review by Walter Simmons)

tenor 

FINZI: Intimations of Immortality (Review by Walter Simmons)

tenor 

FINZI: Intimations of Immortality, Ode for Tenor, Chorus & Orchestra (Review by John W. Charles)

tenor 

FINZI: To a Poet, Op. 13a (Review by Walter Simmons)

tenor 

FINZI: Two Milton Sonnets (Review by Ian Lace)

tenor 

FORD, THOMAS: Since first I saw. There is a lady (Review by J. F. Weber)

director 

FORD, THOMAS: There is a lady sweet and kind (Review by Tom Moore)

tenor 

FOREST: Qualis est dilectus (Review by J. F. Weber)

director 

GILL: In Memoriam (Review by Walter Simmons)

tenor 

GIULIANI, MAURO: Lieder, op. 89 (Review by Ralph V. Lucano)

tenor 

GURNEY: All night under the moon (Review by Ronald E. Grames)

tenor 

GURNEY: Down by the Salley Gardens (Review by Ronald E. Grames)

tenor 

GURNEY: Nine of the clock (Review by Ronald E. Grames)

tenor 

GURNEY: Severn Meadows (Review by Ronald E. Grames)

tenor 

GURNEY: Sleep. Down by the salley gardens. Hawk and Buckel (Review by Walter Simmons)

tenor 

GURNEY: The Fields Are Full. Severn Meadows. Desire in Spring. The Singer. An Epitaph. The Folly of Being Comforted. Bread and Cherries. All Night under the Moon. Down by the Saiiey Gardens. Snow. The Cloths of Heaven. Brown Is My Love (Review by Adrian Corleonis)

tenor 

HANDEL, GEORGE FRIDERIC: Alexander's Feast (Review by David Johnson)

tenor 

HANDEL, GEORGE FRIDERIC: Alexander's Feast. Concerto in 8b for Harp, Strings, and Continuo, op. 4, no. 6. Concerto in G Minor for Organ, Strings, and Continuo, op. 4, no. J (Review by Ralph V. Lucano)

tenor 

HANDEL, GEORGE FRIDERIC: Alexander’s Feast. Harp Concerto in B♭, op. 4/6 (Review by Brian Robins)

tenor 

HANDEL, GEORGE FRIDERIC: Chanclos Anthems (Review by J. F. Weber)

tenor 

HANDEL, GEORGE FRIDERIC: Chandes Anthems, Volume 4 (Review by J. F. Weber)

tenor 

HANDEL, GEORGE FRIDERIC: Chandos Anthems, Volume 2 (Review by J. F. Weber)

tenor 

HANDEL, GEORGE FRIDERIC: Chandos Anthems (Review by J. F. Weber)

tenor 

HANDEL, GEORGE FRIDERIC: Esther (first version) (Review by James A. Altena)

Mordecai 

HANDEL, GEORGE FRIDERIC: La Resurrezione (The Resurrection) (Review by John Bauman)

San Giovanni 

HANDEL, GEORGE FRIDERIC: La Resurrezione (The Resurrection) (Review by John Bauman)

tenor 

HANDEL, GEORGE FRIDERIC: La resurrezione (Review by James A. Altena)

San Giovanni 

HANDEL, GEORGE FRIDERIC: Nisi Dominus. Stlete venti. Dixit Dominus (Review by Ralph V. Lucano)

tenor 

HANDEL, GEORGE FRIDERIC: O be joyful in the Lord. In the Lord put I my trust. Have mercy upon me. O sing unto the Lord a new song. I will magnify thee. As pants the hart for cooling streams. My song shall be always. O come, let us sing unto the Lord. O praise the Lord with one consent. The Lord is my light. Let God arise (Review by Michael Carter)

tenor 

HANDEL, GEORGE FRIDERIC: Organ Concerto in g, op. 4/1 (Review by Brian Robins)

tenor 

HANDEL, GEORGE FRIDERIC: The Triumph of Time and Truth (Review by J. F. Weber)

tenor 

HANDEL, GEORGE FRIDERIC: The Triumph of Time and Truth (Review by J. F. Weber)

tenor 

HOLST, GUSTAV: The Perfect Fool—Ballet, Op. 39. Egdon Heath, Op. 47. Beni Mora, Op. 29, No. 1. St. Paul's Suite, Op. 29, No. 2. Short Festival Te Deum, H. 145*. Psalm 86, H. 117, No. 2. Brook Green Suite, H. 190 (Review by John Ditsky)

tenor 

JONES, ROBERT: Love is a bable. There was a wyly ladde (Review by Tom Moore)

tenor 

JONES, ROBERT: Thinkst thou Kate (Review by J. F. Weber)

director 

MILFORD: If it's ever spring again. The Colour. So sweet love seemed (Review by Walter Simmons)

tenor 

MONTEVERDI: Sacred Vocal Music (Review by J. F. Weber)

tenor 

MONTEVERDI: Sacred vocal music (Review by J. F. Weber)

tenor 

MONTEVERDI: Su le penne de' venti. Confìtebor tibi. Iste confessor. Laudate Dominum. Confìtebor tibi. Confìtebor tibi. Ab aeterno ordinata sum. Nisi Dominus. Deus tuorum militum (Review by J. F. Weber)

tenor 

MONTEVERDI: Su le penne. Confitebor II. Iste confessor II. Laudate Dominum IV. Confitebor V. Confitebor III alla francese. Ab aeterno. Nisi Dominus I. Deus tuorum militum II (Review by J. F. Weber)

tenor 

MORLEY: Hark jolly shepherds. Die now, my heart. You black bright stars (Review by J. F. Weber)

director 

MORLEY: It was a lover and his lass. Thyrsis and Milla. Come, sorrow, come (Review by Tom Moore)

tenor 

PILKINGTON: Care for thy soul. Record 3 (Review by J. F. Weber)

director 

PILKINGTON: Diaphenia. Down-a-down (Review by J. F. Weber)

director 

PILKINGTON: Rest, sweet nymphs (Review by Tom Moore)

tenor 

POWER, LEONEL: Credo (Review by J. F. Weber)

director 

PURCELL, HENRY: Anthems. March and Canzona (Review by Michael Ullman)

tenor 

PURCELL, HENRY: Incidental Music from Oedipus. Christchurch Bells. I gave her cakes and ale. 'Tis wine was made to rule the day. He that drinks is immoral. Tom the Taylor. Sir Walter. Arise ye subterranean winds. Lost is my quiet for ever. When the cock begins to crow. My lady's coachman John. As Roger last night. Hark, how the wild musicians. Not all my torments. Laudate Cecíliám (Review by Michael Ullman)

tenor 

PURCELL, HENRY: Songs (Review by Michael Ullman)

tenor 

PURCELL, HENRY: Sweeter Than Roses. Ah! How Sweet It Is To Love. Oh! Leade Me To Some Peaceful Gloom. Music For A While. If Music Be The Food of Love. Man, That Is For Woman Made. I Attempt From Love's Sickness To Fly. I See She Flies Me Ev'rywhere. Take Not A Woman's Anger III. Since From Dear Astraea's Sight. I'll Sail Upon The Dog-star. A Morning Hymn. Let The Night Perish. Lord, What Is Man, Lost Man. The Earth Trembled. Crown The Altar. An Evening Hymn. A New Ground (Review by Michael Ullman)

tenor 

PURCELL, HENRY: Sweeter than roses. Ah! How sweet it is to love. Oh! Lead me to some peaceful gloom. Music for a while. If music be the food of love. Man, that is for woman made. I attempt from love’s sickness to fly. I see she flies me everywhere. Take not a woman’s anger. Since from dear Astraea’s sight. I’ll sail upon the dog-star. A morning hymn. Let the night perish. Lord, what is man. The Earth trembled. Crown the altar. An Evening Hymn. A New Ground (Review by Michael Ullman)

tenor 

PURCELL, HENRY: The Fairy Queen (Review by Heuwell Tircuit)

tenor 

PURCELL, HENRY: The Fairy-Queen (ed. Britten, Holst) (Review by Huntley Dent)

tenor 

PURCELL, HENRY: The Tempest (Review by Huntley Dent)

tenor 

PYCARD: Gloria (Review by J. F. Weber)

director 

RAVENSCROFT: Malt's Come Down. The Maid She Went A-Milking. By a Bank as I Lay. Jinkin the Jester. What Hap Had I to Marry a Shrow. He That Will an Alehous Keep (Review by Adrian Corleonis)

tenor 

ROSSETER: When Laura Smiles (Review by Adrian Corleonis)

tenor 

ROSSETER: When Laura smiles. What then is love but mourning? (Review by Tom Moore)

tenor 

SCARLATTI, ALESSANDRO: Vespers of St. Cecilia (Review by J. F. Weber)

tenor 

SCHOENBERG, ARNOLD: Die Jakobsleiter, Erwartung, Op. 17, Die glückliche Hand, Op. 18. Four Lieder with Orchestra, Op. 22. Chamber Symphonies (Review by John W. N. Francis)

tenor 

SCHUBERT: Das Fischermädchen (Review by Huntley Dent)

tenor 

SCHUBERT: Der blinde Knabe. Über Wildemann. Vor meiner Wiege. Bei dir allein! Die Liebe hat gelogen. Nähe des Geliebten. Alinde. Ihr Bild (Review by Huntley Dent)

tenor 

SCHUBERT: Heidenröslein. Morgenlied. Nachtstück. Ungeduld. Schäfers Klagelied. Hänflings Liebeswerbung. Der Wanderer. Die zürnende Diana (Review by Ralph V. Lucano)

tenor 

SCHUBERT: Im Frühling. Erster Verlust. Dass sie hier gewesen. Der Einsame. Nachtviolen. An mein Herz. Die gefangenen Sänger. An den Mond, D 193 (Review by Huntley Dent)

tenor 

SCHUBERT: Nacht und Träume (Review by Huntley Dent)

tenor 

SCHUBERT: Sei mir gegrüsst (Review by Huntley Dent)

tenor 

SCHUBERT: Stimme der Liebe (Review by Huntley Dent)

tenor 

SCHUBERT: Winterreise, D. 911 (Review by Ralph V. Lucano)

tenor 

SCHUMANN: Lieder (Review by Marc Mandel)

tenor 

SPOHR, LOUIS: Lieder, op. 37 (Review by Ralph V. Lucano)

tenor 

TOMKINS: O let me die for true love. Oyez, has any found a lad? (Review by J. F. Weber)

director 

VAUGHAN WILLIAMS: On Wenlock Edge Ten Blake Songs (Review by John D. Wiser)

tenor 

VAUGHAN WILLIAMS: On Wenlock Edge (Review by Adrian Corleonis)

tenor 

VAUGHAN WILLIAMS: Serenade to Music' In the Fen Country. The Lark Ascending. Norfolk Rhapsody No. Í. English Folksong Suite (arr. Gordon Jacob). Fantasia on "Greensleeves" (Review by John D. Wiser)

tenor 

VAUGHAN WILLIAMS: The Pilgrim's Progress (Review by Walter Simmons)

tenor 

VAUGHAN WILLIAMS: The Twilight People. How Can the Tree but Wither. Four Nights. Nocturne. A Clear Midnight Joy, Shipmate. The New Ghost. Motion and Stillness. The Water Mill (Review by Adrian Corleonis)

tenor 

VIVALDI, ANTONIO: Dixit Dominus, RV.594. Stabat Mater, RV.621 (Review by Nils Anderson)

tenor 

VIVALDI, ANTONIO: Gloria in D, RV 589 (Review by George Chien)

tenor 

VIVALDI, ANTONIO: Gloria in D, RV 589 (Review by Brian Robins)

tenor 

WARD, JOHN: Retire, my troubled soul. O my thoughts surcease (Review by J. F. Weber)

director 

WARLOCK: Maltworms. Piggesnie. Hey Troly Loly Lo. Fill the Cup, Philip. In an Arbour Green. Sweet Content. Peter Warlock's Fancy. I asked a thief to steal me a peach. Jillian of Berry. My Gostly Fader. Away to Twiver. From Capriol (Review by Adrian Corleonis)

tenor 

WARLOCK: Passing By. Pretty Ring Time. Sweet-and-twenty. Rest Sweet Nymphs. Sleep. Away to Twiver. The Frostbound Wood. Yarmouth Fair. Balulalow. Julian of Berry. After Two Years. My Own Country (Review by Adrian Corleonis)

tenor 

WARLOCK: The Curlew (Review by Adrian Corleonis)

tenor 

WARLOCK: The Curlew (Review by John D. Wiser)

tenor 

WEELKES: Those sweet delightful lilies. Some men desire spouses. Come sirrah Jack hoi Come, let's begin to revel 't out (Review by J. F. Weber)

director 

WEILL, KURT: Kleine Dreigroschenmusik. Concerto for Violin and Wind Orchestra, Op. 12. Mahagonny Songspiel (“Das kleine Mahagonny“) (Review by John D. Wiser)

tenor 

WHYTHORNE: As Thy Shadow Itself Apply'th (Review by Adrian Corleonis)

tenor 

WILBYE, JOHN: Lady, when I behold. As matchless beauty. Weep o mine eyes (Review by J. F. Weber)

director 

WORDSWORTH: String Quartet No. 5 in G Minor, Op. 63. String Quartet No. 6, Op. 75. Three Wordsworth Songs for Tenor and String Quartet, Op. 45 (Review by John D. Wiser)

tenor 

 

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