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Performer: John Potter

CONDUCTUS, VOL. 1: Music & Poetry from Thirteenth-Century... (John Potter) (Review by J. F. Weber)

tenor 

CONDUCTUS, VOL. 2: Music & Poetry from Thirteenth-Century... (John Potter) (Review by J. F. Weber)

tenor 

CONDUCTUS, VOL. 3: Music & Poetry from 13th-Century... (John Potter) (Review by J. F. Weber)

tenor 

IN DARKNESS LET ME DWELL: MUSIC OF JOHN DOWLAND (John Potter) (Review by Tom Moore)

tenor 

JOHNNY, COCK THY BEAVER- POPULAR MUSIC-MAKING...: (Review by Brian Robins)

voice 

ANONYMOUS: Flos regalis virginalis. O Maria, stella maris. Quern trina polIuit. Dou way Robyn/Sancta Mater. Veni creator spiritus (Review by John Story)

tenor 

ANONYMOUS: Gedenke doch, mein Geist zürucke. Musette No. 22. Erbauliche Gedanken eines Tobackrauchers. Wie wohl ist mir, o Freund der Seelen. Menuet No. 14. Schaff's mit mir, Gott. Willst du dein Herz mir schenken. Warum betrübst du dich. Menuet No. 36. Menuet No. 15. So ott ich meine Tobackspfeife (instrumental reprise) (Review by Elliott S. Hurwitt)

tenor 

ANONYMOUS: How should I. Hampton Court Masque. Vuestros ojos. Corranto Lady Riche. My little sweet darling. A la volta Mistress Lettice Rich. Stay sweet awhile. A toy. He is dead and gone, lady (Review by Brian Robins)

tenor 

ANONYMOUS: Inviolata. Obsecro te. Benedicta es (Review by Raymond Tuttle)

vocal 

ANONYMOUS: Inviolata. Obsecro te. Benedicta es (Review by J. F. Weber)

vocal 

ANONYMOUS: Miri it is while sumer Hast. Dance (Review by Elliott S. Hurwitt)

tenor 

ANONYMOUS: O divina virgo. Salve virgo pia. Regina sovrana. Oi mi lasso (Review by J. F. Weber)

tenor 

BACH, CARL PHILIPP EMANUEL: Marche. Polonaise. Marche. Polonaise (Review by Elliott S. Hurwitt)

tenor 

BACH, JOHANN SEBASTIAN: Christ lag in Todesbanden, BWV 277 (Review by Robert Maxham)

tenor 

BACH, JOHANN SEBASTIAN: Christ lag in Todesbanden, BWV 277 (Review by William Zagorski)

tenor 

BACH, JOHANN SEBASTIAN: Christ lag in Todesbanden, BWV 277 (Review by Brian Robins)

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BACH, JOHANN SEBASTIAN: Den Tod niemand zwingen kunnt, BWV 277 (Review by Robert Maxham)

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BACH, JOHANN SEBASTIAN: Den Tod niemand zwingen kunnt, BWV 277 (Review by William Zagorski)

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BACH, JOHANN SEBASTIAN: Den Tod niemand zwingen kunnt, BWV 277 (Review by Brian Robins)

tenor 

BACH, JOHANN SEBASTIAN: Morimur (Review by Robert Maxham)

tenor 

BACH, JOHANN SEBASTIAN: Morimur (Review by William Zagorski)

tenor 

BACH, JOHANN SEBASTIAN: Morimur (Review by Brian Robins)

tenor 

BACH, JOHANN SEBASTIAN: Notenbüchlein für Anna Magdalena Bach (1725) (Review by Elliott S. Hurwitt)

tenor 

BACH, JOHANN SEBASTIAN: Nun lob, meine Seel, den Herren, BWV 389 (Review by Robert Maxham)

tenor 

BACH, JOHANN SEBASTIAN: Nun lob, meine Seel, den Herren, BWV 389 (Review by William Zagorski)

tenor 

BACH, JOHANN SEBASTIAN: Nun lob, meine Seel, den Herren, BWV 389 (Review by Brian Robins)

tenor 

BACH, JOHANN SEBASTIAN: St. John Passion (Review by Robert Maxham)

tenor 

BACH, JOHANN SEBASTIAN: St. John Passion (Review by William Zagorski)

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BACH, JOHANN SEBASTIAN: St. John Passion (Review by Brian Robins)

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BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by Robert Maxham)

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BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by William Zagorski)

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BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by Brian Robins)

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BACH, JOHANN SEBASTIAN: Violin Partita No. 2. Cantata, BWV 136 (Review by Robert Maxham)

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BACH, JOHANN SEBASTIAN: Violin Partita No. 2. Cantata, BWV 136 (Review by William Zagorski)

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BACH, JOHANN SEBASTIAN: Violin Partita No. 2. Cantata, BWV 136 (Review by Brian Robins)

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BACH, JOHANN SEBASTIAN: Violin Partita No. 2 (Review by Robert Maxham)

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BACH, JOHANN SEBASTIAN: Violin Partita No. 2 (Review by William Zagorski)

tenor 

BACH, JOHANN SEBASTIAN: Violin Partita No. 2 (Review by Brian Robins)

tenor 

BACH, JOHANN SEBASTIAN: Wachet auf, ruft uns die Stimme. O Ewigkeit du Donnerwort. Wer nur den lieben Gott läßt walten. Gib dich zufrieden und sei stille. Prelude and Fugue in C (The Well-Tempered Clavier). Dir, dir Jehova (Chorale No. 39). Aria No. 26 (Goldberg Variations). Ich habe genug!—Schlummert ein, ihr matten Augen (Review by Elliott S. Hurwitt)

tenor 

BACH, JOHANN SEBASTIAN: Wo soll ich fliehen hin, BWV 89 (Review by Robert Maxham)

tenor 

BACH, JOHANN SEBASTIAN: Wo soll ich fliehen hin, BWV 89 (Review by William Zagorski)

tenor 

BACH, JOHANN SEBASTIAN: Wo soll ich fliehen hin, BWV 89 (Review by Brian Robins)

tenor 

BANKS, TONY: Follow thy fair sun. The cypress curtain of the night (Review by Carla Maria Verdino-Süllwold)

tenor 

BANKS, TONY: Follow thy fair sun. The cypress curtain of the night (Review by Raymond Tuttle)

tenor 

BARTLET, JOHN: Surcharged with discontent. The thrush did pipe full clear. Then Hesperus on high (Review by Brian Robins)

tenor 

BERGMAN: Nox, for Baritone, Mixed Chorus, Flute, English Horn, and Percussion. Bim Bam Bum, for Narrator, Tenor, Male Chorus, Flute, and Percussion. Fåglarna, for Baritone, Five Solo Voices, Male Chorus, Percussion, and Celesta. Hathor Suite, for Soprano, Baritone, Mixed Chorus, and Instrumental Ensemble (Review by Stephen Ellis)

tenor 

BERGMAN: Nox, for Baritone, Mixed Chorus, Flute, English Horn, and Percussion. Bim Bam Bum, for Narrator, Tenor, Male Chorus, Flute, and Percussion. Fåglarna, for Baritone, Five Solo Voices, Male Chorus, Percussion, and Celesta. Hathor Suite, for Soprano, Baritone, Mixed Chorus, and Instrumental Ensemble (Review by Stephen Ellis)

tenor 

BRUMEL: Missa Victimae paschali laudes. Ave virgo gloriosa. Mater patris. Nativitas unde gaudia. O Crux ave spes unica (Review by J. F. Weber)

tenor 

BUSATTI: Angela siete (Review by Michael Ullman)

tenor 

BYRD, WILLIAM: Weeping full sore. In fields abroad (Review by Brian Robins)

tenor 

CAMPION, THOMAS: Follow thy fair sun. Oft have I sighed. The cypress curtain of the night (Review by Carla Maria Verdino-Süllwold)

tenor 

CAMPION, THOMAS: Follow thy fair sun. Oft have I sighed. The cypress curtain of the night (Review by Raymond Tuttle)

tenor 

COPRARIO: Funeral Teares (Review by Brian Robins)

tenor 

COUPERIN, FRANÇOIS: Rondeau No. 6 (“Les Bergeries“) (Review by Elliott S. Hurwitt)

tenor 

DOWLAND, JOHN: Mr Dowland's Midnight. My Lady Rich's Galliard. Come when I call (Review by Brian Robins)

tenor 

FIELD, AMBROSE: Being Dufay (Review by Steven E. Ritter)

tenor 

HERINGMAN: Preludes I–V (Review by Raymond Tuttle)

vocal 

HERINGMAN: Preludes I–V (Review by J. F. Weber)

vocal 

HOLBORNE, ANTHONY: The funerals (Review by Brian Robins)

tenor 

HONG, S.: Missa Lumen de lumine (Review by John Story)

tenor 

HUMFREY: O give thanks. O Lord my God. Have mercy upon me. By the waters of Babylon. Lift up your heads. Hear, O Heav'ns. Hear my prayer. Hear my crying. Like as the hart (Review by J. F. Weber)

tenor 

HUMFREY: Verse Anthems (Review by J. F. Weber)

tenor 

JOHNSON, ROBERT: Care-charming sleep. Have you seen buta bright lily grow. As I walked forth (Review by Michael Ullman)

tenor 

JONES, JOHN PAUL: Amores Pasados (Review by Carla Maria Verdino-Süllwold)

tenor 

JONES, JOHN PAUL: Amores Pasados (Review by Raymond Tuttle)

tenor 

JONES, ROBERT: O he is gone. And is it night? (Review by Brian Robins)

tenor 

JOSQUIN DES PREZ: Inviolata. Absalon fili mi. Obsecro te. Salve regina. Benedicta es. Nymphes de Bois (Review by Raymond Tuttle)

vocal 

JOSQUIN DES PREZ: Inviolata. Absalon fili mi. Obsecro te. Salve regina. Benedicta es. Nymphes de Bois (Review by J. F. Weber)

vocal 

MOERAN: Oh fair enough are sky and plain (Review by Carla Maria Verdino-Süllwold)

tenor 

MOERAN: Oh fair enough are sky and plain (Review by Raymond Tuttle)

tenor 

MONTEVERDI: Amor dov'è la fe' (Review by Michael Ullman)

tenor 

MOODY: Passion and Resurrection (Review by Richard Burke)

tenor 

MOUTON, JEAN: Nesciens mater (Review by Raymond Tuttle)

vocal 

MOUTON, JEAN: Nesciens mater (Review by J. F. Weber)

vocal 

PÄRT: Passio Domini nostri Jesu Christi secundum Joannem (Review by Paul Rapoport)

tenor 

PÄRT: Passio Domini nostri Jesu Christi secundum Joannem (Review by Edward Strickland)

tenor 

PEROTINUS: Dum sigillum. Beata viscera (Review by John Story)

tenor 

PETZOLD: Menuet No. 4. Menuet No. 5 (Review by Elliott S. Hurwitt)

tenor 

PICFORTH: In nomine 1 and 2 (Review by Carla Maria Verdino-Süllwold)

tenor 

PICFORTH: In nomine 1 and 2 (Review by Raymond Tuttle)

tenor 

PURCELL: She loves and she confesses (Review by Michael Ullman)

tenor 

RORE: Ancor che col partire (Review by Michael Ullman)

tenor 

SANCES: Accenti queruli (Review by Michael Ullman)

tenor 

STING: Bury me deep in the greenwood (Review by Carla Maria Verdino-Süllwold)

tenor 

STING: Bury me deep in the greenwood (Review by Raymond Tuttle)

tenor 

STOELZEL: Bist du bei mir (Review by Elliott S. Hurwitt)

tenor 

STUBBS: Refrains 1-3 (Review by Michael Ullman)

tenor 

TESSIER: Casche toy. Au joly bois. Reveillez vous (Review by Brian Robins)

tenor 

VICTORIA: Missa Surge Propera. O magnum mysterium (Review by Raymond Tuttle)

vocal 

VICTORIA: Missa Surge Propera. O magnum mysterium (Review by J. F. Weber)

vocal 

WARLOCK: Sleep (Review by Carla Maria Verdino-Süllwold)

tenor 

WARLOCK: Sleep (Review by Raymond Tuttle)

tenor 

WILBYE: Weep, weep, mine eyes (Review by Michael Ullman)

tenor 

 

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