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Performer: Frances-Marie Uitti

BROWN, EARLE: Folio. Music for Cello and Piano (Review by Mike Silverton)

cello 

CAGE, JOHN: 45' for a Speaker. 45' für einen Sprecher. 34'46.776“ for a Pianist. 31'57.9864“ for a Pianist. 2T10.554“ for a Percussionist. 26'1.1499“ for a String Player. 4/33” (No. 2) (0’00”). Two. Music for Five (Review by Mike Silverton)

cello 

CAGE, JOHN: 45' for a Speaker. 45' für einen Sprecher. 34'46.776“ for a Pianist. 31'57.9864“ for a Pianist. 2T10.554“ for a Percussionist. 26'1.1499“ for a String Player. 4/33” (No. 2) (0’00”). Two. Music for Five (Review by Mike Silverton)

voice 

CAGE, JOHN: Variations I. Seven Haiku. Solo for Flute, Alto Flute, and Piccolo (Review by Mike Silverton)

cello 

CAGE, JOHN: Études Boreales. 26'1.1499“ For A String Player. Solo for Cello (1957-58). Variations I. Variations II. Variations III. A Dip In The Lake. Lecture on Nothing (Review by Art Lange)

cello 

CAGE, JOHN: Études Boreales. 26'1.1499“ For A String Player. Solo for Cello (1957-58). Variations I. Variations II. Variations III. A Dip In The Lake. Lecture on Nothing (Review by Art Lange)

record players 

CAGE, JOHN: Études Boreales. 26'1.1499“ For A String Player. Solo for Cello (1957-58). Variations I. Variations II. Variations III. A Dip In The Lake. Lecture on Nothing (Review by Art Lange)

toy instruments 

CAGE, JOHN: Études Boreales. 26'1.1499“ For A String Player. Solo for Cello (1957-58). Variations I. Variations II. Variations III. A Dip In The Lake. Lecture on Nothing (Review by Art Lange)

transistor radio 

CAGE, JOHN: Études Boreales. 26'1.1499“ For A String Player. Solo for Cello (1957-58). Variations I. Variations II. Variations III. A Dip In The Lake. Lecture on Nothing (Review by Art Lange)

voice 

CAGE, JOHN: Études Boreales. Ryoanji (Review by David Sachs)

cello 

FELDMAN, MORTON: Projection I. Extension 3. Intersection 4. Duration 2 (Review by Mike Silverton)

cello 

GRIFFITHS/UITTI: There Is Still Time (Review by Robert Carl)

cello 

HARVEY, JONATHAN: Concerto for Cello and Orchestra'. Curve with Plateaux, for Solo Cello. Ricercare una Melodia, Version for Cello and Tape Delay. Three Sketches, for Solo Cello. Philia's Dream, for Cello and Synthesizer (Review by Mike Silverton)

cello 

HARVEY, JONATHAN: Concerto for Cello and Orchestra'. Curve with Plateaux, for Solo Cello. Ricercare una Melodia, Version for Cello and Tape Delay. Three Sketches, for Solo Cello. Philia's Dream, for Cello and Synthesizer (Review by Art Lange)

cello 

SCELSI: Ave Maria. Ygghur. Alleluja. Ohoi. Anâgâmin. Natura renovatur (Review by Robert Carl)

cello 

SCELSI: Okanagon (Review by Mike Silverton)

cello 

SCELSI: Okanagon, for Harp, Double bass, and Tam-Tam. Uaknongan, for Double bass and Voice. Three Pieces, for Trombone. Wo Ma, for Bass Voice. C'est bien, la nuit, for Double bass. Le Réveil profond, for Double bass. Uaknongan, for Bb Bass Tuba. Et maintenant, c'est à vous à Jouer, for Cello and Double bass. Mantram, for Double bass (Review by Mike Silverton)

cello 

SCELSI: Trilogia. Ko-Tha (Review by Alex Ross)

cello 

STIEBLER: Three in One, for Bass Flute and Tape. Trio '89, for Cello, Piano, and Percussion. Sequenz II, for Celio and Tape (Review by Mike Silverton)

cello 

WOLFF, CHRISTIAN G.: For Prepared Piano. For 1,2, or 3 People (Review by Mike Silverton)

cello 

 

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